Scicli

A design by Vincenzo Sinatra

zoom palazzo del municipio
palazzo del municipio

The church of San Giovanni Evangelista (St. John the Evangelist) is located a few metres from Via Nazionale, near the town hall building.
In 1693, the earthquake destroyed the old building that was established by Baroness Giovanna Di Stefano. For the new church a new plot of land was chosen near the new Scicli, which was created and planned after the earthquake.
The nuns wasted no time; in the early 18th century they rebuilt the convent (later demolished to make room for the town hall) and in 1760 they decided to rebuild the church, too. It was designed by Vincenzo Sinatra , but the reconstruction was managed by Friar Alberto Maria di San Giovanni Battista. It was the friar who designed the interior decorations.
In 1776 the church was complete and can still be admired in all its beauty today.

The Church of San Giovanni Evangelista
The Church of San Giovanni Evangelista in Scicli is high and imposing. A curved staircase (indicating how many steps) separates the entrance door from the street level. The facade is built in white limestone and is divided into three horizontal bands each divided vertically by pairs of columns. The ground floor houses a green portal with yellow decorations in relief. On the first floor there is a black wrought iron balcony and three green doors. The central part of the top floor is broken and this produces the effect of a structure projected upwards.

The lower section has a wooden entrance portal and two small side niches . The central section has three windows of different sizes concealed by a louvre balcony enriched by a wrought iron railing and is completed by an elegant curved broken tympanum .

zoom Nicchia laterale
Nicchia laterale

The splendid white stone façade shines and enchants the square, with the entrance above street level. The vivacity of its components looms threateningly over passers-by.

The chiaroscuro effect is given by the projecting columns and the structure’s undulating movement, rounded in the central part and concave at the sides, animating the façade and bringing it to life.

The whiteness is again broken up by the play of light and shadow and the black railing of the louvre windows on the second floor. On the first level, where the entrance portal is located, the classic Baroque festoons, still used today for birthday parties, were carved on the capitals.

These particular capitals are called Michelangelo's ionic capitals .

dettaglio Gelosie, secondo livello  Festoni sui capitelli delle colonne del primo livello

The senses tell the story of the Church of San Giovanni Evangelista

A prominent church

From International Gothic to present day

The kitchen, a treasure chest of colours

A new site for a new city

The theatre of taste

Places of knowledge: the Benedictines’ library

Two illustrious patron saints

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Nicolaci di Villadorata, who is the architect?

A long reconstruction

A symbol for the town

The senses tell about Palazzo Nicolaci

An eagle-shaped city

A square as the heart of the city

The interior and its masterpieces

Feasting in Palazzolo

Discovering the mother church

San Benedetto: a treasure reopened to the public

The Barresi-Branciforte lords

The character of Badia Sant’Agata

A talking palace

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of Santa Maria del Carmelo

Prominent façade

One city, two sites

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Benedetto

The cathedral of Sant’Agata: a lengthy reconstruction

A miniature city

The chocolate of Modica

Rosario Gagliardi, the maestro of the Val di Noto

Modica, a city with ancient origins

Norman apses

The two churches

The wall comes to life

The church of Carmine

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

Some masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

The disastrous earthquake

A small room with a golden entrance

A colourful floor

Feast days

The Baroque town by the sea

A Nobel Prize in Modica

The colours of the cathedral

Corbels: a celebration of the Nicolaci family

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Limestone, the colour of harmony

The senses tell the story of the Church of San Sebastiano

The city of museums

A museum to save a tradition

A new palace for the La Rocca lords

The Maiolica of the staircase

The senses tell about Palazzo La Rocca

A majestic and luminous church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Badia di Sant’Agata

Baroque and the loss of equilibrium in the 16th century

The Staircase of Angels

The senses tell the story of the church of San Giovanni Battista

St. Sebastian, so much work!

A design by Vincenzo Sinatra

The Infiorata, a feast of colours and flowers

A new entrance for Santa Chiara (St. Claire)

San Nicolò l’Arena: an unfinished church

The internal colours

New roads for Catania

A new site for a new church

The senses tell the Cathedral of Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

Many owners, one palace

A half-Baroque church

The senses tell about Palazzo Napolino Tommasi Rosso

A feast only for Scicli

The Feast of San Giacomo (St. James)

Fontana della Ninfa Zizza, public water in the town

One city, three sites

A triumph of colour

Wonderful quick decorations

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Some prestigious works

Searching for colour

From St. Thomas to St. Joseph

The senses tell the story of the church of San Giuseppe

A hall for the feasts

St. Agatha and the giant candelabras

The façade used as a puppet theatre

From the contrast of the exterior to the internal jubilation of colours

Between white and black

The senses tell the story of the Church of the Annunciation

Connections with other UNESCO sites

A city in colour