Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

A feast only for Scicli

From the contrast of the exterior to the internal jubilation of colours

From International Gothic to present day

The church of Carmine

The senses tell the story of the Church of Santa Chiara

A new site for a new church

San Benedetto: a treasure reopened to the public

The disastrous earthquake

A Nobel Prize in Modica

San Nicolò l’Arena: an unfinished church

The colours of the cathedral

The Benedictine Monastery, one of the largest in Europe

A small room with a golden entrance

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, three sites

A new entrance for Santa Chiara (St. Claire)

The two churches

Rosario Gagliardi, the maestro of the Val di Noto

Between white and black

Militello, the story of an enlightened fiefdom

The Infiorata, a feast of colours and flowers

A majestic and luminous church

The Burgos crucifix

Many owners, one palace

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of Santa Maria del Carmelo

The chocolate of Modica

Wonderful quick decorations

The wall comes to life

The Barresi-Branciforte lords

Norman apses

Limestone, the colour of harmony

Corbels: a celebration of the Nicolaci family

Feast days

A hall for the feasts

A design by Vincenzo Sinatra

Modica, a city with ancient origins

The senses tell the story of the Church of San Benedetto

One city, two sites

A miniature city

New roads for Catania

The interior and its masterpieces

A long reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

A city in colour

The city of museums

The senses tell the story of the Church of San Giovanni Evangelista

A talking palace

The cathedral of Sant’Agata: a lengthy reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giuseppe

Searching for colour

The senses tell the story of the Church of San Giuliano ai Crociferi

Baroque and the loss of equilibrium in the 16th century

Places of knowledge: the Benedictines’ library

The senses tell the story of the staircase of Santa Maria del Monte

A triumph of colour

A museum to save a tradition

The senses tell the Cathedral of Sant’Agata

The Staircase of Angels

The senses tell the story of the church of San Giovanni Battista

Prominent façade

Connections with other UNESCO sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

St. Sebastian, so much work!

The façade used as a puppet theatre

The senses tell about Palazzo Nicolaci

The Maiolica of the staircase

A prominent church

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

Some prestigious works

The senses tell about Palazzo La Rocca

The internal colours

The role of the religious orders in rebuilding the Val di Noto

Some masterpieces

The senses tell about Palazzo Napolino Tommasi Rosso

The character of Badia Sant’Agata

A new palace for the La Rocca lords

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of the Annunciation

Two illustrious patron saints

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The kitchen, a treasure chest of colours

An eagle-shaped city

Discovering the mother church

The Baroque town by the sea

Feasting in Palazzolo

A half-Baroque church

A colourful floor

The theatre of taste

A new site for a new city

The Feast of San Giacomo (St. James)

The senses tell the story of the Badia di Sant’Agata

A symbol for the town

From St. Thomas to St. Joseph