Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

A new palace for the La Rocca lords

A triumph of colour

The Burgos crucifix

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Wonderful quick decorations

Garden of Novices and the restorations by Giancarlo De Carlo

One city, three sites

The colours of the cathedral

Some masterpieces

The senses tell the story of the Church of San Sebastiano

The city of museums

An eagle-shaped city

A new entrance for Santa Chiara (St. Claire)

A museum to save a tradition

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Badia di Sant’Agata

The Barresi-Branciforte lords

Feasting in Palazzolo

A hall for the feasts

A small room with a golden entrance

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

Prominent façade

The senses tell about Palazzo Napolino Tommasi Rosso

A miniature city

The kitchen, a treasure chest of colours

The senses tell the story of the Church of the Annunciation

The two churches

A feast only for Scicli

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Giuliano ai Crociferi

Baroque and the loss of equilibrium in the 16th century

Feast days

The senses tell the story of the Church of San Benedetto

A half-Baroque church

A colourful floor

The Baroque town by the sea

A new site for a new church

The interior and its masterpieces

From International Gothic to present day

The Supernatural dimension of the chapel of the Santissimo Sacramento

A design by Vincenzo Sinatra

St. Agatha and the giant candelabras

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of San Giuseppe

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Modica, a city with ancient origins

The character of Badia Sant’Agata

Discovering the mother church

A talking palace

Norman apses

The senses tell the story of the Church of Santa Chiara

A majestic and luminous church

The Maiolica of the staircase

Two illustrious patron saints

The façade used as a puppet theatre

The Staircase of Angels

Searching for colour

San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

A symbol for the town

The senses tell about Palazzo La Rocca

The Benedictine Monastery, one of the largest in Europe

The disastrous earthquake

The church of Carmine

The wall comes to life

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A prominent church

A long reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

Between white and black

Militello, the story of an enlightened fiefdom

The Infiorata, a feast of colours and flowers

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

New roads for Catania

A city in colour

The role of the religious orders in rebuilding the Val di Noto

A square as the heart of the city

Limestone, the colour of harmony

The internal colours

Fontana della Ninfa Zizza, public water in the town

St. Sebastian, so much work!

The senses tell the story of the Church of San Giovanni Evangelista

The Feast of San Giacomo (St. James)

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

A Nobel Prize in Modica

The senses tell the story of the Church of Santa Chiara

From St. Thomas to St. Joseph

Some prestigious works

A new site for a new city

One city, two sites

San Nicolò l’Arena: an unfinished church

The theatre of taste

Connections with other UNESCO sites

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo Nicolaci

Many owners, one palace