Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The senses tell the story of the church of Santa Maria del Carmelo

Two illustrious patron saints

A hall for the feasts

The character of Badia Sant’Agata

A half-Baroque church

The colours of the cathedral

A city in colour

A square as the heart of the city

One city, three sites

The Feast of San Giacomo (St. James)

A talking palace

The two churches

Some prestigious works

Searching for colour

A miniature city

The church of Carmine

The disastrous earthquake

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo La Rocca

San Nicolò l’Arena: an unfinished church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Between white and black

From St. Thomas to St. Joseph

St. Agatha and the giant candelabras

The city of museums

The Maiolica of the staircase

The wall comes to life

Fontana della Ninfa Zizza, public water in the town

Corbels: a celebration of the Nicolaci family

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A small room with a golden entrance

A colourful floor

A design by Vincenzo Sinatra

Many owners, one palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giuliano ai Crociferi

Militello, the story of an enlightened fiefdom

Connections with other UNESCO sites

The Baroque town by the sea

A symbol for the town

A new entrance for Santa Chiara (St. Claire)

A new site for a new city

Rosario Gagliardi, the maestro of the Val di Noto

The theatre of taste

The senses tell the Cathedral of Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

Norman apses

The senses tell the story of the Church of the Annunciation

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

A triumph of colour

The kitchen, a treasure chest of colours

Modica, a city with ancient origins

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo Napolino Tommasi Rosso

New roads for Catania

Feast days

Wonderful quick decorations

The chocolate of Modica

The interior and its masterpieces

San Benedetto: a treasure reopened to the public

A Nobel Prize in Modica

A new palace for the La Rocca lords

One city, two sites

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the staircase of Santa Maria del Monte

A feast only for Scicli

A new site for a new church

From International Gothic to present day

The senses tell the story of the Church of San Benedetto

The Burgos crucifix

Discovering the mother church

Limestone, the colour of harmony

Feasting in Palazzolo

The façade used as a puppet theatre

An eagle-shaped city

Places of knowledge: the Benedictines’ library

The role of the religious orders in rebuilding the Val di Noto

Baroque and the loss of equilibrium in the 16th century

A long reconstruction

A prominent church

The senses tell the story of the Church of San Sebastiano

The Barresi-Branciforte lords

A majestic and luminous church

A museum to save a tradition

The senses tell about Palazzo Nicolaci

Some masterpieces

St. Sebastian, so much work!

The Staircase of Angels

The Benedictine Monastery, one of the largest in Europe

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of San Giovanni Battista

Prominent façade