WHL

Criteria for including the towns of the Val di Noto in the WHL

The “Val di Noto” (Noto Valley) is the area with the eight most important towns in south-eastern Sicily among those that were affected in 1693 by the disastrous earthquake and rebuilt during the 18th century in late Baroque style. These towns are: Catania, Militello in Val di Catania, Caltagirone, Ragusa, Modica, Scicli, Palazzolo Acreide and Noto. They were inscribed in the WHL at the Budapest Conference of 24-29 June 2002, according to the following criteria:

  • this group of towns in south-eastern Sicily provides outstanding testimony to the exuberant genius of late Baroque art and architecture;
  • the towns of the Val di Noto represent the culmination and final flowering of Baroque art in Europe;
  • the exceptional quality of the late Baroque art and architecture in the Val di Noto lies in its geographical and chronological homogeneity, and is the result of the 1693 earthquake in this region;
  • the eight Late Baroque Towns of the Val di Noto in south-eastern Sicily are characteristic of the settlement pattern and urban form of this region, and are permanently at risk from earthquakes and the eruptions of Mount Etna.

In the Val di Noto the innovative drive of this cultural and artistic period came from the need to rebuild entire urban areas affected by the earthquake of 1693.
Homogeneous criteria were implemented in terms of diversity; some towns were rebuilt on their original site; others were moved to different places.
The towns chose their own architects, sculptors and painters and preferred local workers.  This led to the birth of a varied and diversified Baroque art. The commitment of the religious orders to educate the new generations of artists and architects in the cultural and artistic knowledge of Baroque Rome was crucial. It allowed the new workers to combine technical knowledge from local culture with the monumental dynamics of Roman Baroque.

The church of Carmine

A Nobel Prize in Modica

The city of museums

Palazzo Nicolaci di Villadorata, who is the architect?

St. Sebastian, so much work!

San Nicolò l’Arena: an unfinished church

Fontana della Ninfa Zizza, public water in the town

Discovering the mother church

Searching for colour

A new site for a new city

Modica, a city with ancient origins

The façade used as a puppet theatre

The senses tell the story of the Church of the Annunciation

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A majestic and luminous church

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A long reconstruction

A prominent church

Militello, the story of an enlightened fiefdom

From St. Thomas to St. Joseph

One city, three sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Burgos crucifix

An eagle-shaped city

The senses tell the story of the staircase of Santa Maria del Monte

Some prestigious works

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The two churches

A new palace for the La Rocca lords

The senses tell the story of the Church of San Sebastiano

A talking palace

A triumph of colour

St. Agatha and the giant candelabras

Wonderful quick decorations

Two illustrious patron saints

The senses tell the story of the Church of Santa Chiara

The colours of the cathedral

The senses tell about Palazzo La Rocca

The Benedictine Monastery, one of the largest in Europe

A half-Baroque church

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

The theatre of taste

The wall comes to life

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

A symbol for the town

One city, two sites

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giuseppe

A colourful floor

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giovanni Evangelista

Feast days

The Staircase of Angels

Rosario Gagliardi, the maestro of the Val di Noto

Norman apses

Many owners, one palace

Connections with other UNESCO sites

The chocolate of Modica

A feast only for Scicli

The senses tell the story of the Church of San Benedetto

Limestone, the colour of harmony

Some masterpieces

The senses tell the story of the church of San Giovanni Battista

The kitchen, a treasure chest of colours

Corbels: a celebration of the Nicolaci family

A new site for a new church

A small room with a golden entrance

A new entrance for Santa Chiara (St. Claire)

The Infiorata, a feast of colours and flowers

The cathedral of Sant’Agata: a lengthy reconstruction

The Baroque town by the sea

A city in colour

Prominent façade

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo Nicolaci

Feasting in Palazzolo

A miniature city

New roads for Catania

Places of knowledge: the Benedictines’ library

A design by Vincenzo Sinatra

The senses tell the story of the Badia di Sant’Agata

The character of Badia Sant’Agata

Between white and black

The role of the religious orders in rebuilding the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

The Feast of San Giacomo (St. James)

From the contrast of the exterior to the internal jubilation of colours

A hall for the feasts

A museum to save a tradition

A square as the heart of the city

The Barresi-Branciforte lords

The interior and its masterpieces

The disastrous earthquake

The senses tell the story of the Church of San Giuliano ai Crociferi

From International Gothic to present day