Noto

Corbels: a celebration of the Nicolaci family

Corbels are one of the most characteristic elements of the palaces of the Val di Noto. They make the façades of the noble buildings unique and animated. Carefully designed and sculpted by the best artisans, the corbels of Palazzo Nicolaci liven up the street that shares the same name.
Each one was created according to a precise design, “the virtues of the Nicolaci”. You can see winged horses with their front legs reaching out to freedom, and winged figures looking to the future.
The central door is followed by sirens, symbols of spirituality, and the balcony of chimeras , monstrous mythological creatures with a lion’s face, symbols of power.
At the beginning and end there are two large corbels dedicated to the Nicolaci family, who went from being simple merchants to barons then princes, all of which is depicted by the metaphor of a child who grows up and becomes an adult.
It is a symbolic building of Baroque architecture and the political and economic power achieved by the family.
sirena balcone chimera balcone lateralmente

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The senses tell the story of the Church of Santa Chiara

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Norman apses

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Some masterpieces

Rosario Gagliardi, the maestro of the Val di Noto

From St. Thomas to St. Joseph

Wonderful quick decorations

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A city in colour

Corbels: a celebration of the Nicolaci family

San Nicolò l’Arena: an unfinished church

Garden of Novices and the restorations by Giancarlo De Carlo

New roads for Catania

San Benedetto: a treasure reopened to the public

Militello, the story of an enlightened fiefdom

The colours of the cathedral

The church of Carmine

The role of the religious orders in rebuilding the Val di Noto

The Burgos crucifix

A half-Baroque church

The internal colours

One city, two sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Modica, a city with ancient origins

The kitchen, a treasure chest of colours

The Maiolica of the staircase

The senses tell the story of the staircase of Santa Maria del Monte

The Baroque town by the sea

St. Sebastian, so much work!

The city of museums

The interior and its masterpieces

A design by Vincenzo Sinatra

The cathedral of Sant’Agata: a lengthy reconstruction

Searching for colour

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Feasting in Palazzolo

Discovering the mother church

Places of knowledge: the Benedictines’ library

Many owners, one palace

The façade used as a puppet theatre

The chocolate of Modica

An eagle-shaped city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A small room with a golden entrance

The character of Badia Sant’Agata

The Staircase of Angels

Prominent façade

A new palace for the La Rocca lords

The disastrous earthquake

A new entrance for Santa Chiara (St. Claire)

A talking palace

A prominent church

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A symbol for the town

A museum to save a tradition

From International Gothic to present day

Limestone, the colour of harmony

A hall for the feasts

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The Infiorata, a feast of colours and flowers

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Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A square as the heart of the city

A colourful floor

Some prestigious works

The Barresi-Branciforte lords

One city, three sites

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Nicolaci

Palazzo Nicolaci di Villadorata, who is the architect?

Feast days

Between white and black

The senses tell the story of the church of San Giuseppe

Two illustrious patron saints

Baroque and the loss of equilibrium in the 16th century

The senses tell the Benedictine Monastery and San NicoIò l’Arena

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The Feast of San Giacomo (St. James)

St. Agatha and the giant candelabras

The theatre of taste

A long reconstruction

The wall comes to life

A new site for a new church

A triumph of colour

The two churches

Connections with other UNESCO sites

The Benedictine Monastery, one of the largest in Europe