Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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foto statue su mensole foto statue su mensole

A majestic and luminous church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From the contrast of the exterior to the internal jubilation of colours

A colourful floor

A miniature city

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Nicolaci

Between white and black

The Burgos crucifix

San Nicolò l’Arena: an unfinished church

A small room with a golden entrance

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giuseppe

New roads for Catania

Many owners, one palace

The Infiorata, a feast of colours and flowers

Rosario Gagliardi, the maestro of the Val di Noto

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

A new palace for the La Rocca lords

The interior and its masterpieces

The Maiolica of the staircase

St. Sebastian, so much work!

The kitchen, a treasure chest of colours

Prominent façade

A Nobel Prize in Modica

A long reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

Limestone, the colour of harmony

The theatre of taste

The church of Carmine

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Benedetto

From St. Thomas to St. Joseph

Palazzo Nicolaci di Villadorata, who is the architect?

An eagle-shaped city

Feasting in Palazzolo

Connections with other UNESCO sites

The Barresi-Branciforte lords

The Staircase of Angels

The character of Badia Sant’Agata

The disastrous earthquake

Two illustrious patron saints

Searching for colour

The chocolate of Modica

The wall comes to life

A museum to save a tradition

The senses tell the story of the Church of San Giovanni Evangelista

A new site for a new city

A prominent church

A new site for a new church

The two churches

The senses tell the story of the Badia di Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

A symbol for the town

From International Gothic to present day

One city, two sites

The façade used as a puppet theatre

One city, three sites

The internal colours

Discovering the mother church

The senses tell the story of the staircase of Santa Maria del Monte

Feast days

Militello, the story of an enlightened fiefdom

San Benedetto: a treasure reopened to the public

Corbels: a celebration of the Nicolaci family

Modica, a city with ancient origins

A triumph of colour

A hall for the feasts

A feast only for Scicli

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Napolino Tommasi Rosso

Places of knowledge: the Benedictines’ library

Some prestigious works

Some masterpieces

A design by Vincenzo Sinatra

The city of museums

Norman apses

The senses tell the story of the Church of the Annunciation

A half-Baroque church

A new entrance for Santa Chiara (St. Claire)

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Baroque and the loss of equilibrium in the 16th century

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Cathedral of Sant’Agata

The Baroque town by the sea

The Benedictine Monastery, one of the largest in Europe

A city in colour

A square as the heart of the city

A talking palace

Fontana della Ninfa Zizza, public water in the town

Wonderful quick decorations

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of Santa Maria del Carmelo