Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
foto zoom gelosia foto particolare colonna libera e parasta lato portale
Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
foto statue su mensole foto statue su mensole foto statue su mensole foto statue su mensole
foto statue su mensole foto statue su mensole

Searching for colour

Between white and black

The Baroque town by the sea

A new site for a new city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The façade used as a puppet theatre

Some prestigious works

A small room with a golden entrance

Some masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

Rosario Gagliardi, the maestro of the Val di Noto

New roads for Catania

The senses tell the story of the church of San Giovanni Battista

One city, three sites

From International Gothic to present day

A symbol for the town

A half-Baroque church

The wall comes to life

The senses tell about Palazzo La Rocca

A majestic and luminous church

The interior and its masterpieces

The role of the religious orders in rebuilding the Val di Noto

Discovering the mother church

The Benedictine Monastery, one of the largest in Europe

The Infiorata, a feast of colours and flowers

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Wonderful quick decorations

The Feast of San Giacomo (St. James)

A museum to save a tradition

A new palace for the La Rocca lords

The disastrous earthquake

The theatre of taste

The senses tell the story of the Church of San Benedetto

St. Sebastian, so much work!

Two illustrious patron saints

One city, two sites

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

A triumph of colour

The chocolate of Modica

A city in colour

Fontana della Ninfa Zizza, public water in the town

A Nobel Prize in Modica

A design by Vincenzo Sinatra

Connections with other UNESCO sites

Limestone, the colour of harmony

Prominent façade

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new church

Garden of Novices and the restorations by Giancarlo De Carlo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Staircase of Angels

The city of museums

The senses tell the story of the Badia di Sant’Agata

From St. Thomas to St. Joseph

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

The senses tell the Cathedral of Sant’Agata

A prominent church

The kitchen, a treasure chest of colours

The Barresi-Branciforte lords

The senses tell the story of the staircase of Santa Maria del Monte

Modica, a city with ancient origins

Feast days

The Burgos crucifix

An eagle-shaped city

A feast only for Scicli

The senses tell the story of the church of San Giuseppe

The internal colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A hall for the feasts

Corbels: a celebration of the Nicolaci family

A new entrance for Santa Chiara (St. Claire)

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of Santa Chiara

A talking palace

The two churches

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo Nicolaci

San Benedetto: a treasure reopened to the public

A colourful floor

The senses tell about Palazzo Napolino Tommasi Rosso

Palazzo Nicolaci di Villadorata, who is the architect?

The church of Carmine

Places of knowledge: the Benedictines’ library

The colours of the cathedral

St. Agatha and the giant candelabras

The senses tell the story of the church of Santa Maria del Carmelo

Militello, the story of an enlightened fiefdom

A miniature city

Baroque and the loss of equilibrium in the 16th century

Norman apses

The senses tell the story of the Church of San Giuliano ai Crociferi

A long reconstruction

Feasting in Palazzolo

The Maiolica of the staircase

Many owners, one palace