Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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Militello, the story of an enlightened fiefdom

A new palace for the La Rocca lords

The façade used as a puppet theatre

The Staircase of Angels

Norman apses

Fontana della Ninfa Zizza, public water in the town

Palazzo Nicolaci di Villadorata, who is the architect?

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Some masterpieces

The character of Badia Sant’Agata

Feast days

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Benedetto

A half-Baroque church

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The cathedral of Sant’Agata: a lengthy reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

New roads for Catania

The city of museums

The Feast of San Giacomo (St. James)

Baroque and the loss of equilibrium in the 16th century

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The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of the Annunciation

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Limestone, the colour of harmony

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The colours of the cathedral

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A talking palace

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Wonderful quick decorations

The two churches

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

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One city, two sites

The senses tell the story of the Church of San Sebastiano

A triumph of colour

The Maiolica of the staircase

A colourful floor

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A Nobel Prize in Modica

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Places of knowledge: the Benedictines’ library

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the church of San Giuseppe

Feasting in Palazzolo

San Benedetto: a treasure reopened to the public

The Burgos crucifix

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A design by Vincenzo Sinatra

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A hall for the feasts

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Two illustrious patron saints

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Between white and black

A prominent church

Some prestigious works

From International Gothic to present day

A city in colour

The chocolate of Modica

A new entrance for Santa Chiara (St. Claire)

The role of the religious orders in rebuilding the Val di Noto

From St. Thomas to St. Joseph

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The Barresi-Branciforte lords

A square as the heart of the city

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Prominent façade

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St. Sebastian, so much work!

A miniature city

The disastrous earthquake

The Baroque town by the sea

A new site for a new church

Searching for colour

Corbels: a celebration of the Nicolaci family

A museum to save a tradition

A new site for a new city