Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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The chocolate of Modica

Some masterpieces

The role of the religious orders in rebuilding the Val di Noto

The Benedictine Monastery, one of the largest in Europe

Feasting in Palazzolo

Garden of Novices and the restorations by Giancarlo De Carlo

A symbol for the town

The cathedral of Sant’Agata: a lengthy reconstruction

The colours of the cathedral

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

The senses tell the story of the staircase of Santa Maria del Monte

The two churches

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Sebastiano

The Maiolica of the staircase

Limestone, the colour of harmony

An eagle-shaped city

St. Sebastian, so much work!

Norman apses

A feast only for Scicli

The senses tell the story of the church of San Giovanni Battista

Corbels: a celebration of the Nicolaci family

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The church of Carmine

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Napolino Tommasi Rosso

The Barresi-Branciforte lords

A hall for the feasts

The façade used as a puppet theatre

A long reconstruction

A miniature city

The senses tell the story of the church of Santa Maria del Carmelo

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giovanni Evangelista

One city, two sites

Many owners, one palace

A city in colour

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

The character of Badia Sant’Agata

Searching for colour

The Infiorata, a feast of colours and flowers

A triumph of colour

The Feast of San Giacomo (St. James)

Palazzo Nicolaci di Villadorata, who is the architect?

A museum to save a tradition

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

The city of museums

A colourful floor

A majestic and luminous church

Feast days

A new site for a new city

A talking palace

A new site for a new church

Places of knowledge: the Benedictines’ library

San Benedetto: a treasure reopened to the public

A square as the heart of the city

The senses tell the story of the Church of San Giuliano ai Crociferi

The theatre of taste

The senses tell the Cathedral of Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

One city, three sites

The disastrous earthquake

The Staircase of Angels

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The internal colours

From the contrast of the exterior to the internal jubilation of colours

New roads for Catania

From St. Thomas to St. Joseph

The Baroque town by the sea

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo La Rocca

The Burgos crucifix

Wonderful quick decorations

A small room with a golden entrance

Connections with other UNESCO sites

The wall comes to life

A design by Vincenzo Sinatra

A new entrance for Santa Chiara (St. Claire)

A half-Baroque church

Modica, a city with ancient origins

Two illustrious patron saints

Discovering the mother church

Between white and black

From International Gothic to present day

A prominent church

A Nobel Prize in Modica

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Badia di Sant’Agata

Militello, the story of an enlightened fiefdom

Prominent façade

The kitchen, a treasure chest of colours