Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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A hall for the feasts

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Fontana della Ninfa Zizza, public water in the town

A long reconstruction

The senses tell the story of the Church of Santa Chiara

A museum to save a tradition

Feasting in Palazzolo

The senses tell the story of the church of San Giuseppe

The two churches

An eagle-shaped city

The senses tell the story of the church of Santa Maria del Carmelo

A triumph of colour

The cathedral of Sant’Agata: a lengthy reconstruction

A new palace for the La Rocca lords

Norman apses

St. Agatha and the giant candelabras

Prominent façade

A Nobel Prize in Modica

A half-Baroque church

From the contrast of the exterior to the internal jubilation of colours

Connections with other UNESCO sites

One city, two sites

Feast days

The Baroque town by the sea

The interior and its masterpieces

The theatre of taste

New roads for Catania

The senses tell the story of the Church of San Sebastiano

The internal colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The colours of the cathedral

From St. Thomas to St. Joseph

Between white and black

The façade used as a puppet theatre

Palazzo Nicolaci di Villadorata, who is the architect?

A new entrance for Santa Chiara (St. Claire)

A symbol for the town

A prominent church

Discovering the mother church

A majestic and luminous church

Modica, a city with ancient origins

Baroque and the loss of equilibrium in the 16th century

The Barresi-Branciforte lords

The role of the religious orders in rebuilding the Val di Noto

The Supernatural dimension of the chapel of the Santissimo Sacramento

A feast only for Scicli

A miniature city

The senses tell the story of the staircase of Santa Maria del Monte

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

A square as the heart of the city

The senses tell the story of the church of San Giovanni Battista

A new site for a new city

The senses tell the story of the Church of the Annunciation

The Maiolica of the staircase

San Benedetto: a treasure reopened to the public

The city of museums

Corbels: a celebration of the Nicolaci family

The Feast of San Giacomo (St. James)

One city, three sites

Garden of Novices and the restorations by Giancarlo De Carlo

The Infiorata, a feast of colours and flowers

St. Sebastian, so much work!

The senses tell the story of the Badia di Sant’Agata

Wonderful quick decorations

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Benedetto

The chocolate of Modica

A city in colour

Militello, the story of an enlightened fiefdom

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

The character of Badia Sant’Agata

Many owners, one palace

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giuliano ai Crociferi

Some masterpieces

From International Gothic to present day

The senses tell the Cathedral of Sant’Agata

The church of Carmine

Two illustrious patron saints

The kitchen, a treasure chest of colours

A small room with a golden entrance

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Napolino Tommasi Rosso

The Staircase of Angels

Some prestigious works

The senses tell about Palazzo La Rocca

A colourful floor

A new site for a new church

Limestone, the colour of harmony

The wall comes to life

Rosario Gagliardi, the maestro of the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Searching for colour

A talking palace

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

The Burgos crucifix