Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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The Baroque town by the sea

The senses tell about Palazzo Nicolaci

Many owners, one palace

Wonderful quick decorations

The senses tell the story of the church of San Giovanni Battista

The wall comes to life

A prominent church

Connections with other UNESCO sites

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

The façade used as a puppet theatre

Palazzo Nicolaci di Villadorata, who is the architect?

The internal colours

The senses tell the story of the Church of Santa Chiara

St. Agatha and the giant candelabras

The senses tell the story of the Church of the Annunciation

A half-Baroque church

Norman apses

The senses tell the story of the Badia di Sant’Agata

The character of Badia Sant’Agata

San Benedetto: a treasure reopened to the public

Discovering the mother church

The theatre of taste

Militello, the story of an enlightened fiefdom

Corbels: a celebration of the Nicolaci family

Baroque and the loss of equilibrium in the 16th century

A new palace for the La Rocca lords

Fontana della Ninfa Zizza, public water in the town

The two churches

Some prestigious works

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of San Giuseppe

New roads for Catania

A new entrance for Santa Chiara (St. Claire)

Prominent façade

The Staircase of Angels

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A talking palace

The senses tell about Palazzo La Rocca

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Giuliano ai Crociferi

A new site for a new church

The Benedictine Monastery, one of the largest in Europe

The kitchen, a treasure chest of colours

Modica, a city with ancient origins

The Maiolica of the staircase

The chocolate of Modica

A square as the heart of the city

One city, two sites

Some masterpieces

A new site for a new city

A city in colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

A Nobel Prize in Modica

One city, three sites

Between white and black

A colourful floor

A triumph of colour

The Feast of San Giacomo (St. James)

St. Sebastian, so much work!

A symbol for the town

The senses tell the story of the Church of San Benedetto

From International Gothic to present day

The senses tell the story of the Church of San Sebastiano

An eagle-shaped city

The senses tell about Palazzo Napolino Tommasi Rosso

Searching for colour

The colours of the cathedral

The church of Carmine

A design by Vincenzo Sinatra

The city of museums

The role of the religious orders in rebuilding the Val di Noto

The cathedral of Sant’Agata: a lengthy reconstruction

San Nicolò l’Arena: an unfinished church

A hall for the feasts

Places of knowledge: the Benedictines’ library

The interior and its masterpieces

Feasting in Palazzolo

A miniature city

The Infiorata, a feast of colours and flowers

A museum to save a tradition

Feast days

The senses tell the Cathedral of Sant’Agata

The Burgos crucifix

Garden of Novices and the restorations by Giancarlo De Carlo

A majestic and luminous church

A long reconstruction

A feast only for Scicli

The senses tell the story of the church of Santa Maria del Carmelo

A small room with a golden entrance

Limestone, the colour of harmony

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the staircase of Santa Maria del Monte

The Barresi-Branciforte lords

From St. Thomas to St. Joseph

Two illustrious patron saints