Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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The disastrous earthquake

The senses tell the story of the Church of San Giuliano ai Crociferi

A long reconstruction

Norman apses

The cathedral of Sant’Agata: a lengthy reconstruction

The interior and its masterpieces

Fontana della Ninfa Zizza, public water in the town

A new site for a new church

The Barresi-Branciforte lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Militello, the story of an enlightened fiefdom

The two churches

From St. Thomas to St. Joseph

Garden of Novices and the restorations by Giancarlo De Carlo

Places of knowledge: the Benedictines’ library

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From the contrast of the exterior to the internal jubilation of colours

A talking palace

Between white and black

Wonderful quick decorations

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Giovanni Evangelista

Discovering the mother church

An eagle-shaped city

Modica, a city with ancient origins

A colourful floor

A new entrance for Santa Chiara (St. Claire)

The Staircase of Angels

The senses tell the story of the church of San Giovanni Battista

St. Agatha and the giant candelabras

The kitchen, a treasure chest of colours

Corbels: a celebration of the Nicolaci family

The Supernatural dimension of the chapel of the Santissimo Sacramento

Many owners, one palace

From International Gothic to present day

The senses tell the story of the church of San Giuseppe

The senses tell the story of the staircase of Santa Maria del Monte

The façade used as a puppet theatre

Baroque and the loss of equilibrium in the 16th century

A small room with a golden entrance

The senses tell the story of the Church of San Sebastiano

A half-Baroque church

The senses tell the story of the Church of the Annunciation

Feasting in Palazzolo

The Baroque town by the sea

A miniature city

The senses tell the story of the Church of San Benedetto

Two illustrious patron saints

The wall comes to life

A prominent church

A hall for the feasts

The Burgos crucifix

The Maiolica of the staircase

The church of Carmine

The colours of the cathedral

The senses tell the story of the church of Santa Maria del Carmelo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A triumph of colour

Some masterpieces

St. Sebastian, so much work!

The chocolate of Modica

The senses tell the story of the Badia di Sant’Agata

Some prestigious works

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

Prominent façade

The role of the religious orders in rebuilding the Val di Noto

A symbol for the town

New roads for Catania

San Benedetto: a treasure reopened to the public

The senses tell the Cathedral of Sant’Agata

Feast days

The Benedictine Monastery, one of the largest in Europe

Connections with other UNESCO sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Nicolò l’Arena: an unfinished church

The city of museums

The Feast of San Giacomo (St. James)

The theatre of taste

A new palace for the La Rocca lords

The character of Badia Sant’Agata

Limestone, the colour of harmony

A design by Vincenzo Sinatra

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

A square as the heart of the city

A city in colour

A Nobel Prize in Modica

The senses tell about Palazzo La Rocca

One city, two sites

A new site for a new city

The internal colours

The Infiorata, a feast of colours and flowers

One city, three sites

Searching for colour

The senses tell about Palazzo Nicolaci