Ragusa

Prominent façade

zoom La chiesa di San Giuseppe
La chiesa di San Giuseppe

The church of San Giuseppe (St. Joseph) is small and occupies a much smaller space than large cathedrals. This, however, did not prevent it from featuring prominently in the square. This was made possible by the design choices of the Friar Alberto Maria di San Giovanni Battista.
The façade of the new building was built further back than the previous church of San Tommaso (St. Thomas) to make it more visible from the street.
The façade is divided into three levels: in the first there is the entrance portal, on the second a louvre window , and the third acts as a bell tower.
This means that the different levels are different in size; the tallest segment contains the portal, followed by the middle and end segments.
The division, however, is not only horizontal; the free-standing columns and pilasters , resting on high bases divide the façade into three vertical parts.
This creates a play of light and shadow that seems to make the façade move; the architect achieved this effect using various decorative elements in relief and a design that sees the central part protrude further than the side sections.
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Six statues of Benedictine saints were placed on the façade: two bishop saints were placed to the sides of the portal, St. Gertrude and Scholastica on the lateral sections, and St. Benedict and St. Maurus on the second level.
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Between white and black

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Benedetto

The Feast of San Giacomo (St. James)

From International Gothic to present day

The Supernatural dimension of the chapel of the Santissimo Sacramento

A half-Baroque church

A new entrance for Santa Chiara (St. Claire)

The Infiorata, a feast of colours and flowers

A talking palace

The Benedictine Monastery, one of the largest in Europe

From the contrast of the exterior to the internal jubilation of colours

Prominent façade

Norman apses

Baroque and the loss of equilibrium in the 16th century

The wall comes to life

A long reconstruction

St. Agatha and the giant candelabras

The kitchen, a treasure chest of colours

The chocolate of Modica

One city, three sites

The Barresi-Branciforte lords

The city of museums

The character of Badia Sant’Agata

Modica, a city with ancient origins

The role of the religious orders in rebuilding the Val di Noto

One city, two sites

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A museum to save a tradition

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Some masterpieces

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The senses tell the story of the church of San Giuseppe

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The Burgos crucifix

Feast days

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A colourful floor

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A majestic and luminous church

New roads for Catania

Places of knowledge: the Benedictines’ library

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The Baroque town by the sea

The disastrous earthquake

Militello, the story of an enlightened fiefdom

Rosario Gagliardi, the maestro of the Val di Noto

Fontana della Ninfa Zizza, public water in the town

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Searching for colour

A Nobel Prize in Modica

The colours of the cathedral

Corbels: a celebration of the Nicolaci family

Many owners, one palace

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Limestone, the colour of harmony

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A hall for the feasts

The Staircase of Angels

Connections with other UNESCO sites

A design by Vincenzo Sinatra

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Garden of Novices and the restorations by Giancarlo De Carlo

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Two illustrious patron saints

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A new site for a new church