Ragusa

Between white and black

foto ingresso verso l’altareThe cathedral of San Giovanni Battista (St. John the Baptist) has a Latin cross plan, is divided by three naves and has a transept at the end.
The interior decoration is very interesting, since it plays on the contrast between the black pietra pece and the white stucco and limestone.
This is also echoed in the floor dating from 1848; the decorative motifs of the white stone are inserted between black stone slabs, creating a splendid effect. This darkness is contrasted by large stuccoed columns and the decoration of the vault in light, delicate tones.
The capitals of the columns successfully combine the brilliance of gold and the black pietra pece in one single architectural element.

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capitello

The gold decorations that illuminate the church are the handiwork of brothers Giuseppe and Gioacchino Gianforma, who created the gilding between 1776 and 1778.
The same artists also made the angels above the alter painting of the Nativity to the right of the transept.
On the other side, above the marble altar, is the painting of Madonna del Buon Consiglio (Our Lady of Good Counsel). The protruding bronze cross is set against the background of the paintings of Our Lady of Sorrows, Mary Magdalene and St. John the Baptist. Witnesses to the biblical event are the stucco statues of the theological virtues: Faith, Hope and Charity.
The chapels in the lateral naves are the result of a renovation that took place in the first half of the 19th century; the old altars were demolished and space was made for the new small chapels.

foto Pavimento e dettaglio decoro foto bianco contrasto nero pavimento foto quadro con la Madonna del Buon consiglio

The façade used as a puppet theatre

The Baroque town by the sea

A new site for a new city

The Supernatural dimension of the chapel of the Santissimo Sacramento

The chocolate of Modica

A square as the heart of the city

Discovering the mother church

The character of Badia Sant’Agata

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of the Annunciation

A colourful floor

The senses tell the story of the Church of Santa Chiara

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giovanni Evangelista

Garden of Novices and the restorations by Giancarlo De Carlo

The cathedral of Sant’Agata: a lengthy reconstruction

The wall comes to life

The senses tell about Palazzo Napolino Tommasi Rosso

Modica, a city with ancient origins

The Feast of San Giacomo (St. James)

A new site for a new church

Many owners, one palace

One city, three sites

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Nicolaci

Prominent façade

The Maiolica of the staircase

Feasting in Palazzolo

The interior and its masterpieces

An eagle-shaped city

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of San Giuseppe

A new palace for the La Rocca lords

A Nobel Prize in Modica

The senses tell the story of the staircase of Santa Maria del Monte

A symbol for the town

The church of Carmine

A half-Baroque church

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

The kitchen, a treasure chest of colours

New roads for Catania

From International Gothic to present day

Searching for colour

The theatre of taste

A talking palace

Some prestigious works

A miniature city

A museum to save a tradition

The two churches

A long reconstruction

The Burgos crucifix

The Barresi-Branciforte lords

The Staircase of Angels

Places of knowledge: the Benedictines’ library

The senses tell the Cathedral of Sant’Agata

The Infiorata, a feast of colours and flowers

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, two sites

San Benedetto: a treasure reopened to the public

A hall for the feasts

The disastrous earthquake

St. Sebastian, so much work!

St. Agatha and the giant candelabras

A majestic and luminous church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A city in colour

The colours of the cathedral

From the contrast of the exterior to the internal jubilation of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A design by Vincenzo Sinatra

Corbels: a celebration of the Nicolaci family

Limestone, the colour of harmony

A triumph of colour

Baroque and the loss of equilibrium in the 16th century

Connections with other UNESCO sites

The internal colours

Palazzo Nicolaci di Villadorata, who is the architect?

Norman apses

Between white and black

The senses tell the story of the Church of San Giuliano ai Crociferi

The city of museums

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giovanni Battista

From St. Thomas to St. Joseph

Wonderful quick decorations

The senses tell about Palazzo La Rocca

A small room with a golden entrance

The Benedictine Monastery, one of the largest in Europe

Feast days

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

Some masterpieces

A prominent church

A feast only for Scicli

The role of the religious orders in rebuilding the Val di Noto

Two illustrious patron saints