Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

A city in colour

Places of knowledge: the Benedictines’ library

A new site for a new church

Palazzo Nicolaci di Villadorata, who is the architect?

Prominent façade

The Burgos crucifix

The theatre of taste

A prominent church

Some masterpieces

From St. Thomas to St. Joseph

A majestic and luminous church

The colours of the cathedral

A long reconstruction

Baroque and the loss of equilibrium in the 16th century

The role of the religious orders in rebuilding the Val di Noto

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new city

The senses tell the story of the Church of San Giuliano ai Crociferi

Two illustrious patron saints

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The wall comes to life

A new entrance for Santa Chiara (St. Claire)

One city, three sites

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of the Annunciation

The Barresi-Branciforte lords

A colourful floor

A triumph of colour

The Feast of San Giacomo (St. James)

The Maiolica of the staircase

The senses tell the story of the Church of San Benedetto

A square as the heart of the city

The church of Carmine

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

A Nobel Prize in Modica

The character of Badia Sant’Agata

Some prestigious works

A hall for the feasts

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of San Giovanni Battista

A half-Baroque church

Militello, the story of an enlightened fiefdom

One city, two sites

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

Many owners, one palace

The senses tell about Palazzo La Rocca

Discovering the mother church

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

A museum to save a tradition

The senses tell the story of the church of San Giuseppe

Garden of Novices and the restorations by Giancarlo De Carlo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

St. Sebastian, so much work!

The Infiorata, a feast of colours and flowers

A feast only for Scicli

The cathedral of Sant’Agata: a lengthy reconstruction

The city of museums

The Benedictine Monastery, one of the largest in Europe

Norman apses

A talking palace

Wonderful quick decorations

New roads for Catania

Modica, a city with ancient origins

Feast days

From the contrast of the exterior to the internal jubilation of colours

The disastrous earthquake

The kitchen, a treasure chest of colours

San Benedetto: a treasure reopened to the public

St. Agatha and the giant candelabras

Feasting in Palazzolo

The senses tell the story of the church of Santa Maria del Carmelo

A miniature city

The interior and its masterpieces

San Nicolò l’Arena: an unfinished church

Connections with other UNESCO sites

A symbol for the town

The senses tell the story of the Church of San Sebastiano

An eagle-shaped city

The two churches

A small room with a golden entrance

Between white and black

The senses tell the Cathedral of Sant’Agata

The façade used as a puppet theatre

The chocolate of Modica

Searching for colour

Rosario Gagliardi, the maestro of the Val di Noto

The Baroque town by the sea

Limestone, the colour of harmony

The Staircase of Angels

The senses tell about Palazzo Nicolaci