Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

St. Sebastian, so much work!

A prominent church

A miniature city

An eagle-shaped city

A small room with a golden entrance

St. Agatha and the giant candelabras

The Maiolica of the staircase

The senses tell the story of the church of Santa Maria del Carmelo

A new site for a new city

The senses tell the Cathedral of Sant’Agata

A majestic and luminous church

The senses tell the story of the staircase of Santa Maria del Monte

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giovanni Battista

A new entrance for Santa Chiara (St. Claire)

One city, two sites

The senses tell the story of the Badia di Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo La Rocca

A new palace for the La Rocca lords

A new site for a new church

The Staircase of Angels

The chocolate of Modica

A talking palace

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

The Barresi-Branciforte lords

Feast days

The façade used as a puppet theatre

Prominent façade

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giuseppe

The Infiorata, a feast of colours and flowers

A square as the heart of the city

A feast only for Scicli

A city in colour

Many owners, one palace

The two churches

The colours of the cathedral

The senses tell the story of the Church of the Annunciation

The internal colours

One city, three sites

A hall for the feasts

Some masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Benedetto

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Limestone, the colour of harmony

The theatre of taste

Some prestigious works

San Benedetto: a treasure reopened to the public

Wonderful quick decorations

A colourful floor

The Feast of San Giacomo (St. James)

The Baroque town by the sea

The city of museums

Searching for colour

Feasting in Palazzolo

Rosario Gagliardi, the maestro of the Val di Noto

From St. Thomas to St. Joseph

Between white and black

A long reconstruction

The Benedictine Monastery, one of the largest in Europe

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From International Gothic to present day

The character of Badia Sant’Agata

The senses tell about Palazzo Nicolaci

Palazzo Nicolaci di Villadorata, who is the architect?

From the contrast of the exterior to the internal jubilation of colours

The wall comes to life

New roads for Catania

A triumph of colour

The senses tell the story of the Church of San Sebastiano

Two illustrious patron saints

Discovering the mother church

A Nobel Prize in Modica

A museum to save a tradition

The interior and its masterpieces

The kitchen, a treasure chest of colours

The senses tell about Palazzo Napolino Tommasi Rosso

Fontana della Ninfa Zizza, public water in the town

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

Norman apses

The role of the religious orders in rebuilding the Val di Noto

A half-Baroque church

The church of Carmine

A symbol for the town

Baroque and the loss of equilibrium in the 16th century

Modica, a city with ancient origins

The disastrous earthquake

The Burgos crucifix

Places of knowledge: the Benedictines’ library

A design by Vincenzo Sinatra

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction