Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

A museum to save a tradition

A square as the heart of the city

The senses tell the story of the church of Santa Maria del Carmelo

The two churches

A triumph of colour

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano

Prominent façade

The senses tell the story of the Church of San Giuliano ai Crociferi

The Infiorata, a feast of colours and flowers

The role of the religious orders in rebuilding the Val di Noto

A Nobel Prize in Modica

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

From St. Thomas to St. Joseph

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Between white and black

The internal colours

Limestone, the colour of harmony

The senses tell the story of the church of San Giuseppe

A new site for a new city

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

Two illustrious patron saints

Feasting in Palazzolo

The disastrous earthquake

Rosario Gagliardi, the maestro of the Val di Noto

The Baroque town by the sea

The interior and its masterpieces

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the staircase of Santa Maria del Monte

A prominent church

New roads for Catania

A new site for a new church

The Staircase of Angels

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Feast days

Corbels: a celebration of the Nicolaci family

Places of knowledge: the Benedictines’ library

San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

The kitchen, a treasure chest of colours

One city, two sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Sebastian, so much work!

The city of museums

Discovering the mother church

The Benedictine Monastery, one of the largest in Europe

The Maiolica of the staircase

The senses tell about Palazzo La Rocca

A new palace for the La Rocca lords

A talking palace

An eagle-shaped city

Norman apses

A miniature city

Connections with other UNESCO sites

Militello, the story of an enlightened fiefdom

The wall comes to life

A colourful floor

Many owners, one palace

The Feast of San Giacomo (St. James)

A symbol for the town

San Nicolò l’Arena: an unfinished church

Some masterpieces

A half-Baroque church

The cathedral of Sant’Agata: a lengthy reconstruction

Searching for colour

A city in colour

A design by Vincenzo Sinatra

Baroque and the loss of equilibrium in the 16th century

The Burgos crucifix

Wonderful quick decorations

A hall for the feasts

A new entrance for Santa Chiara (St. Claire)

The character of Badia Sant’Agata

The senses tell the story of the Church of the Annunciation

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

Modica, a city with ancient origins

Fontana della Ninfa Zizza, public water in the town

One city, three sites

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Benedetto

Some prestigious works

The senses tell the Cathedral of Sant’Agata

St. Agatha and the giant candelabras

A small room with a golden entrance

The theatre of taste

A majestic and luminous church

From International Gothic to present day

The church of Carmine

A feast only for Scicli

A long reconstruction

The Barresi-Branciforte lords

Garden of Novices and the restorations by Giancarlo De Carlo