Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The city of museums

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, two sites

The Baroque town by the sea

An eagle-shaped city

Prominent façade

The Barresi-Branciforte lords

A hall for the feasts

The Maiolica of the staircase

The senses tell about Palazzo Nicolaci

A new site for a new city

A city in colour

A new entrance for Santa Chiara (St. Claire)

A talking palace

The interior and its masterpieces

The kitchen, a treasure chest of colours

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Cathedral of Sant’Agata

Corbels: a celebration of the Nicolaci family

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of San Giovanni Battista

Modica, a city with ancient origins

A prominent church

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of Santa Maria del Carmelo

A Nobel Prize in Modica

The disastrous earthquake

Rosario Gagliardi, the maestro of the Val di Noto

The theatre of taste

A design by Vincenzo Sinatra

A half-Baroque church

A miniature city

The façade used as a puppet theatre

Some masterpieces

New roads for Catania

A small room with a golden entrance

A museum to save a tradition

The Supernatural dimension of the chapel of the Santissimo Sacramento

Between white and black

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

The two churches

Connections with other UNESCO sites

The senses tell the story of the Badia di Sant’Agata

A long reconstruction

Searching for colour

The senses tell the story of the Church of the Annunciation

A new palace for the La Rocca lords

The Benedictine Monastery, one of the largest in Europe

Wonderful quick decorations

The senses tell about Palazzo Napolino Tommasi Rosso

St. Sebastian, so much work!

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

From the contrast of the exterior to the internal jubilation of colours

Two illustrious patron saints

From International Gothic to present day

Feast days

A feast only for Scicli

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giuseppe

The Feast of San Giacomo (St. James)

The Staircase of Angels

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new site for a new church

Militello, the story of an enlightened fiefdom

Norman apses

Some prestigious works

The internal colours

Discovering the mother church

A triumph of colour

The wall comes to life

The chocolate of Modica

San Nicolò l’Arena: an unfinished church

One city, three sites

The colours of the cathedral

The character of Badia Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Feasting in Palazzolo

The Burgos crucifix

Limestone, the colour of harmony

A colourful floor

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Giuliano ai Crociferi

A symbol for the town

From St. Thomas to St. Joseph

Many owners, one palace

A majestic and luminous church

The senses tell the story of the Church of San Giovanni Evangelista

The Infiorata, a feast of colours and flowers

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Baroque and the loss of equilibrium in the 16th century

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

Garden of Novices and the restorations by Giancarlo De Carlo

Fontana della Ninfa Zizza, public water in the town

The church of Carmine