Caltagirone

A city in colour

In Caltagirone, traditional pottery production is linked to a thousand-year-old history dating back to ancient times.
According to the Italian archaeologist Paolo Orsi the production of maiolica preceded the arrival of the Arabs, but we know for sure that their arrival in the 9th century increased production, thanks to the introduction of a new technique – glazing – which made the pottery waterproof and more resistant.
A few centuries later, during the Spanish rule of Alfonso of Aragon, pottery trade had greatly developed and allowed artisans to sell their ceramics all over the island.
Unfortunately, the earthquake of 1693 interrupted the potters’ activity and destroyed many of the floors made with the maiolica of Caltagirone.
Today some of the fragments are preserved in the Museum of Ceramics.
foto facciata museo  dei vasi fuori il museo
After the earthquake, decorative motifs were replaced in order to make trade flourish again. In the 19th century, however, with the introduction of cement, the production of maiolica stopped.
The potters’ centuries-old activity ended when the last master potters disappeared in the 1930s.
In 1918 Don Luigi Sturzo founded the Istituto d’Arte della Ceramica (Institute of Ceramic Art) and saved a tradition that seemed destined to be lost. In 1965 the Museum of Ceramics was inaugurated, a safe place that preserved and protected a priceless cultural heritage.
foto ceramiche in ordine di descrizione per periodo

The chocolate of Modica

A symbol for the town

One city, three sites

Feasting in Palazzolo

The senses tell the story of the church of San Giuseppe

The Barresi-Branciforte lords

A new site for a new city

A square as the heart of the city

A city in colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Palazzo Nicolaci di Villadorata, who is the architect?

The Infiorata, a feast of colours and flowers

The Supernatural dimension of the chapel of the Santissimo Sacramento

Places of knowledge: the Benedictines’ library

Connections with other UNESCO sites

A miniature city

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

The role of the religious orders in rebuilding the Val di Noto

Searching for colour

Some masterpieces

Militello, the story of an enlightened fiefdom

The kitchen, a treasure chest of colours

Modica, a city with ancient origins

The internal colours

A small room with a golden entrance

Feast days

Rosario Gagliardi, the maestro of the Val di Noto

Limestone, the colour of harmony

A colourful floor

From the contrast of the exterior to the internal jubilation of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Sebastiano

The Burgos crucifix

The senses tell the story of the Church of San Giuliano ai Crociferi

The church of Carmine

The colours of the cathedral

The senses tell the Cathedral of Sant’Agata

A new site for a new church

A majestic and luminous church

A new palace for the La Rocca lords

New roads for Catania

Norman apses

Prominent façade

Fontana della Ninfa Zizza, public water in the town

Many owners, one palace

The city of museums

The Maiolica of the staircase

The senses tell about Palazzo Nicolaci

The theatre of taste

The Benedictine Monastery, one of the largest in Europe

A Nobel Prize in Modica

The senses tell about Palazzo La Rocca

The Feast of San Giacomo (St. James)

One city, two sites

The interior and its masterpieces

Between white and black

A new entrance for Santa Chiara (St. Claire)

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A triumph of colour

A half-Baroque church

Wonderful quick decorations

The senses tell the story of the church of Santa Maria del Carmelo

Some prestigious works

A feast only for Scicli

Discovering the mother church

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

A hall for the feasts

Garden of Novices and the restorations by Giancarlo De Carlo

From International Gothic to present day

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Napolino Tommasi Rosso

Two illustrious patron saints

From St. Thomas to St. Joseph

The wall comes to life

The cathedral of Sant’Agata: a lengthy reconstruction

St. Sebastian, so much work!

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

The senses tell the story of the Church of San Benedetto

St. Agatha and the giant candelabras

The façade used as a puppet theatre

Corbels: a celebration of the Nicolaci family

San Nicolò l’Arena: an unfinished church

A museum to save a tradition

The senses tell the story of the church of San Giovanni Battista

The Baroque town by the sea

A talking palace

Baroque and the loss of equilibrium in the 16th century

The two churches

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

San Benedetto: a treasure reopened to the public

A prominent church

A long reconstruction