Catania

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Via dei Crociferi is a street a little more than one hundred metres long where some of Catania’s major Baroque architecture was built.
Among these is the exquisite church of San Giuliano (St. Julian), part of the architectural complex of the former Benedictine monastery. When the building in the old town (now Piazza Cutelli) was destroyed by the earthquake, the abbess Bonaiuto began its reconstruction. In 1703, with the help of her brother Don Fernando and the Bishop Riggio, the abbess sold the ruins of the old monastery and land, and began reconstruction on Via dei Crociferi.
The construction was long and complex. In 1741, when the final piece of land was purchased to build the church, the monastery had a dormitory, parlour and sacristy.

foto facciata chiesa frontale
When you are inside San Giuliano ai Crociferi it seems to be in a casket. The church has a central plan. Carved into the walls there are four niches, a small chapel and the high altar. The dome is painted with frescoes by the Catania painter Giuseppe Rapisardi. The scene shows Saint Berillo, the city’s third patron, while receiving from Saint Peter the task of founding the Catanese Church. Under the dome are four windows. Below are potbellied grates that allowed nuns to attend church celebrations.

Giuseppe Palazzotto was the architect and site manager; though tradition attributes this role to Vaccarini, in all likelihood he was only the designer of the project.

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A museum to save a tradition

Some prestigious works

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The interior and its masterpieces

The Infiorata, a feast of colours and flowers

A colourful floor

Feasting in Palazzolo

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The two churches

From the contrast of the exterior to the internal jubilation of colours

The Burgos crucifix

The Baroque town by the sea

Places of knowledge: the Benedictines’ library

The Maiolica of the staircase

The city of museums

Modica, a city with ancient origins

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The senses tell the story of the Church of San Giuliano ai Crociferi

The internal colours

A new entrance for Santa Chiara (St. Claire)

The kitchen, a treasure chest of colours

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St. Agatha and the giant candelabras

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From St. Thomas to St. Joseph

A new site for a new church

The character of Badia Sant’Agata

Feast days

A new palace for the La Rocca lords

The Staircase of Angels

Fontana della Ninfa Zizza, public water in the town

The Feast of San Giacomo (St. James)

The role of the religious orders in rebuilding the Val di Noto

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A prominent church

Between white and black

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Baroque and the loss of equilibrium in the 16th century

Many owners, one palace

Discovering the mother church

A small room with a golden entrance

Limestone, the colour of harmony

A long reconstruction

A triumph of colour

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Some masterpieces

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One city, three sites

A hall for the feasts

A square as the heart of the city

A half-Baroque church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Militello, the story of an enlightened fiefdom

St. Sebastian, so much work!

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A talking palace

Rosario Gagliardi, the maestro of the Val di Noto

Norman apses

The chocolate of Modica

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Garden of Novices and the restorations by Giancarlo De Carlo

The theatre of taste

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Searching for colour

Prominent façade

The disastrous earthquake

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A design by Vincenzo Sinatra

Wonderful quick decorations

One city, two sites

The Benedictine Monastery, one of the largest in Europe

The Barresi-Branciforte lords

A city in colour

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The wall comes to life

Two illustrious patron saints

A symbol for the town

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Corbels: a celebration of the Nicolaci family

The Supernatural dimension of the chapel of the Santissimo Sacramento

A miniature city

The colours of the cathedral