Catania

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Via dei Crociferi is a street a little more than one hundred metres long where some of Catania’s major Baroque architecture was built.
Among these is the exquisite church of San Giuliano (St. Julian), part of the architectural complex of the former Benedictine monastery. When the building in the old town (now Piazza Cutelli) was destroyed by the earthquake, the abbess Bonaiuto began its reconstruction. In 1703, with the help of her brother Don Fernando and the Bishop Riggio, the abbess sold the ruins of the old monastery and land, and began reconstruction on Via dei Crociferi.
The construction was long and complex. In 1741, when the final piece of land was purchased to build the church, the monastery had a dormitory, parlour and sacristy.

foto facciata chiesa frontale
When you are inside San Giuliano ai Crociferi it seems to be in a casket. The church has a central plan. Carved into the walls there are four niches, a small chapel and the high altar. The dome is painted with frescoes by the Catania painter Giuseppe Rapisardi. The scene shows Saint Berillo, the city’s third patron, while receiving from Saint Peter the task of founding the Catanese Church. Under the dome are four windows. Below are potbellied grates that allowed nuns to attend church celebrations.

Giuseppe Palazzotto was the architect and site manager; though tradition attributes this role to Vaccarini, in all likelihood he was only the designer of the project.

The Feast of San Giacomo (St. James)

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

A design by Vincenzo Sinatra

A new site for a new church

A small room with a golden entrance

The wall comes to life

The Maiolica of the staircase

The church of Carmine

Many owners, one palace

The façade used as a puppet theatre

A new palace for the La Rocca lords

A symbol for the town

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

One city, three sites

The senses tell the story of the church of Santa Maria del Carmelo

The character of Badia Sant’Agata

The senses tell about Palazzo La Rocca

From International Gothic to present day

The Baroque town by the sea

The cathedral of Sant’Agata: a lengthy reconstruction

New roads for Catania

A city in colour

The senses tell the story of the Church of San Giovanni Evangelista

San Benedetto: a treasure reopened to the public

A new entrance for Santa Chiara (St. Claire)

Some masterpieces

The senses tell the story of the Church of San Sebastiano

The two churches

A hall for the feasts

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

Norman apses

A miniature city

The Staircase of Angels

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Napolino Tommasi Rosso

A triumph of colour

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

Prominent façade

The senses tell the story of the Church of Santa Chiara

A prominent church

The Barresi-Branciforte lords

Fontana della Ninfa Zizza, public water in the town

Some prestigious works

A long reconstruction

Feasting in Palazzolo

The senses tell about Palazzo Nicolaci

San Nicolò l’Arena: an unfinished church

A square as the heart of the city

Feast days

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

The role of the religious orders in rebuilding the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The colours of the cathedral

An eagle-shaped city

A museum to save a tradition

The senses tell the story of the church of San Giuseppe

Palazzo Nicolaci di Villadorata, who is the architect?

Between white and black

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of the Annunciation

Searching for colour

The chocolate of Modica

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The theatre of taste

Connections with other UNESCO sites

Discovering the mother church

A talking palace

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Baroque and the loss of equilibrium in the 16th century

Modica, a city with ancient origins

A new site for a new city

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

The Supernatural dimension of the chapel of the Santissimo Sacramento

The internal colours

Places of knowledge: the Benedictines’ library

A majestic and luminous church

The Burgos crucifix

The interior and its masterpieces

The disastrous earthquake

Two illustrious patron saints

Limestone, the colour of harmony

A colourful floor

The senses tell the story of the church of San Giovanni Battista

Wonderful quick decorations

A feast only for Scicli

Corbels: a celebration of the Nicolaci family

St. Sebastian, so much work!

One city, two sites

A half-Baroque church

The city of museums

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Giuliano ai Crociferi

The Benedictine Monastery, one of the largest in Europe