Catania

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Via dei Crociferi is a street a little more than one hundred metres long where some of Catania’s major Baroque architecture was built.
Among these is the exquisite church of San Giuliano (St. Julian), part of the architectural complex of the former Benedictine monastery. When the building in the old town (now Piazza Cutelli) was destroyed by the earthquake, the abbess Bonaiuto began its reconstruction. In 1703, with the help of her brother Don Fernando and the Bishop Riggio, the abbess sold the ruins of the old monastery and land, and began reconstruction on Via dei Crociferi.
The construction was long and complex. In 1741, when the final piece of land was purchased to build the church, the monastery had a dormitory, parlour and sacristy.

foto facciata chiesa frontale
When you are inside San Giuliano ai Crociferi it seems to be in a casket. The church has a central plan. Carved into the walls there are four niches, a small chapel and the high altar. The dome is painted with frescoes by the Catania painter Giuseppe Rapisardi. The scene shows Saint Berillo, the city’s third patron, while receiving from Saint Peter the task of founding the Catanese Church. Under the dome are four windows. Below are potbellied grates that allowed nuns to attend church celebrations.

Giuseppe Palazzotto was the architect and site manager; though tradition attributes this role to Vaccarini, in all likelihood he was only the designer of the project.

The interior and its masterpieces

A Nobel Prize in Modica

A small room with a golden entrance

The Baroque town by the sea

The two churches

The church of Carmine

The senses tell the story of the church of San Giovanni Battista

An eagle-shaped city

The role of the religious orders in rebuilding the Val di Noto

The theatre of taste

Searching for colour

A city in colour

A symbol for the town

A half-Baroque church

A miniature city

The senses tell the story of the Church of the Annunciation

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Benedictine Monastery, one of the largest in Europe

Some prestigious works

A feast only for Scicli

The senses tell the story of the staircase of Santa Maria del Monte

Prominent façade

Discovering the mother church

St. Agatha and the giant candelabras

Militello, the story of an enlightened fiefdom

San Nicolò l’Arena: an unfinished church

Places of knowledge: the Benedictines’ library

St. Sebastian, so much work!

A museum to save a tradition

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Connections with other UNESCO sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A prominent church

From St. Thomas to St. Joseph

San Benedetto: a treasure reopened to the public

The disastrous earthquake

Many owners, one palace

A colourful floor

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo La Rocca

The chocolate of Modica

Some masterpieces

The senses tell the story of the Badia di Sant’Agata

A triumph of colour

A new site for a new church

The city of museums

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Modica, a city with ancient origins

Rosario Gagliardi, the maestro of the Val di Noto

A new entrance for Santa Chiara (St. Claire)

The Feast of San Giacomo (St. James)

A new site for a new city

From the contrast of the exterior to the internal jubilation of colours

Garden of Novices and the restorations by Giancarlo De Carlo

A hall for the feasts

Two illustrious patron saints

Palazzo Nicolaci di Villadorata, who is the architect?

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

The Barresi-Branciforte lords

A talking palace

The wall comes to life

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the church of San Giuseppe

The senses tell the Cathedral of Sant’Agata

The Infiorata, a feast of colours and flowers

Norman apses

One city, two sites

A square as the heart of the city

Feast days

The senses tell the story of the Church of San Benedetto

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

The Maiolica of the staircase

A design by Vincenzo Sinatra

The senses tell the story of the church of Santa Maria del Carmelo

Between white and black

From International Gothic to present day

Wonderful quick decorations

The internal colours

Baroque and the loss of equilibrium in the 16th century

The Burgos crucifix

The senses tell about Palazzo Napolino Tommasi Rosso

The colours of the cathedral

The senses tell about Palazzo Nicolaci

The kitchen, a treasure chest of colours

New roads for Catania

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista

A majestic and luminous church

One city, three sites

The senses tell the story of the Church of San Giuliano ai Crociferi

The façade used as a puppet theatre

The Staircase of Angels

The senses tell the story of the Church of San Sebastiano

The character of Badia Sant’Agata

A long reconstruction