Catania

The character of Badia Sant’Agata

The Badia di Sant'Agata (Abbey of St. Agatha) is located a few metres from Piazza Duomo. It was rebuilt after the tragic earthquake of 1693 by architect Giovan Battista Vaccarini .
The structure is formed of the Abbey and the monastery, founded in the early 1600s thanks to a generous donation from an aristocrat.
Reconstruction began in 1736, soon giving rise to a splendid building.
Vaccarini designed a grand structure in the shape of a cube, on top of which rests a large dome.
foto prospetto foto dettaglio cupola
Its grandeur and importance attract the attention of passers-by on Via Vittorio Emanuele. The architect created a colourful façade, with the base in grey lava stone and the rest in white limestone.
Vaccarini built a façade that seems to sway back and forth in an undulating movement. The central part is convex and the lateral areas are concave. The façade is a perfect example of Baroque style. The undulating effect is also created by the trabeation that alternates between curved and straight lines.

Zoom Facciata della Badia di Sant' Agata
Facciata della Badia di Sant' Agata

foto dettaglio trabeazione facciataFrom Via Vittorio Emanuele you can see the dome in all its immense beauty. The dome rests on an octagonal base made of lava and limestone, onto which open large windows that illuminate the interior. Another interesting and yet unusual element is the balustrade above the building. It runs along the entire perimeter of the roof.

The Badia di Sant'Agata
The Badia di Sant’Agata is 40 metres from Piazza Duomo. The architect Giovanni Battista Vaccarini designed a large cube-shaped structure on which the dome rests. The facade has the base is in gray lava stone and the rest is in white limestone. Vaccarini builds a facade that seems to move back and forth with a wavy movement. The central part is convex, the side ones are concave. The plan of the church is a Greek cross. When you enter you pass from a small room to a large circular space, where white is the main color. To the white is added the yellow of the marble altars of Castronovo. There are four altars placed in four large niches. Each altar has a statue placed on it. They were made by Giovan Battista Marino and clockwise from the entrance there are: San Benedetto, l’Immacolata, San Giuseppe, Sant’Euplio.
The senses tell the Benedictine Monastery and San NicoIò l’Arena

The façade used as a puppet theatre

The kitchen, a treasure chest of colours

The senses tell the story of the church of Santa Maria del Carmelo

Places of knowledge: the Benedictines’ library

A design by Vincenzo Sinatra

St. Sebastian, so much work!

Limestone, the colour of harmony

The two churches

A feast only for Scicli

A triumph of colour

A miniature city

The internal colours

The senses tell the story of the Badia di Sant’Agata

Two illustrious patron saints

The Infiorata, a feast of colours and flowers

One city, three sites

A prominent church

Baroque and the loss of equilibrium in the 16th century

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The church of Carmine

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A long reconstruction

The Staircase of Angels

The Barresi-Branciforte lords

The Feast of San Giacomo (St. James)

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Burgos crucifix

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Fontana della Ninfa Zizza, public water in the town

Feast days

The character of Badia Sant’Agata

Militello, the story of an enlightened fiefdom

A half-Baroque church

Searching for colour

The role of the religious orders in rebuilding the Val di Noto

New roads for Catania

The senses tell the story of the Church of Santa Chiara

The Baroque town by the sea

Some prestigious works

A colourful floor

Modica, a city with ancient origins

The senses tell the story of the Church of San Giuliano ai Crociferi

One city, two sites

The senses tell the story of the church of San Giuseppe

The senses tell the story of the staircase of Santa Maria del Monte

St. Agatha and the giant candelabras

The interior and its masterpieces

The colours of the cathedral

A museum to save a tradition

Rosario Gagliardi, the maestro of the Val di Noto

The cathedral of Sant’Agata: a lengthy reconstruction

Some masterpieces

Between white and black

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

A Nobel Prize in Modica

Connections with other UNESCO sites

The Maiolica of the staircase

From the contrast of the exterior to the internal jubilation of colours

A symbol for the town

From International Gothic to present day

A new entrance for Santa Chiara (St. Claire)

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The theatre of taste

A new site for a new city

A city in colour

The senses tell the story of the Church of San Sebastiano

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Benedetto

Norman apses

Prominent façade

A hall for the feasts

The senses tell about Palazzo La Rocca

From St. Thomas to St. Joseph

The wall comes to life

Palazzo Nicolaci di Villadorata, who is the architect?

Feasting in Palazzolo

The senses tell the Cathedral of Sant’Agata

A talking palace

A square as the heart of the city

A new palace for the La Rocca lords

A new site for a new church

A majestic and luminous church

The senses tell the story of the Church of the Annunciation

The Benedictine Monastery, one of the largest in Europe

Wonderful quick decorations

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Giovanni Evangelista

The city of museums

A small room with a golden entrance

Discovering the mother church

An eagle-shaped city

Corbels: a celebration of the Nicolaci family

The disastrous earthquake

The senses tell about Palazzo Nicolaci

Many owners, one palace

Garden of Novices and the restorations by Giancarlo De Carlo