Catania

The character of Badia Sant’Agata

The Badia di Sant'Agata (Abbey of St. Agatha) is located a few metres from Piazza Duomo. It was rebuilt after the tragic earthquake of 1693 by architect Giovan Battista Vaccarini .
The structure is formed of the Abbey and the monastery, founded in the early 1600s thanks to a generous donation from an aristocrat.
Reconstruction began in 1736, soon giving rise to a splendid building.
Vaccarini designed a grand structure in the shape of a cube, on top of which rests a large dome.
foto prospetto foto dettaglio cupola
Its grandeur and importance attract the attention of passers-by on Via Vittorio Emanuele. The architect created a colourful façade, with the base in grey lava stone and the rest in white limestone.
Vaccarini built a façade that seems to sway back and forth in an undulating movement. The central part is convex and the lateral areas are concave. The façade is a perfect example of Baroque style. The undulating effect is also created by the trabeation that alternates between curved and straight lines.

Zoom Facciata della Badia di Sant' Agata
Facciata della Badia di Sant' Agata

foto dettaglio trabeazione facciataFrom Via Vittorio Emanuele you can see the dome in all its immense beauty. The dome rests on an octagonal base made of lava and limestone, onto which open large windows that illuminate the interior. Another interesting and yet unusual element is the balustrade above the building. It runs along the entire perimeter of the roof.

The Badia di Sant'Agata
The Badia di Sant’Agata is 40 metres from Piazza Duomo. The architect Giovanni Battista Vaccarini designed a large cube-shaped structure on which the dome rests. The facade has the base is in gray lava stone and the rest is in white limestone. Vaccarini builds a facade that seems to move back and forth with a wavy movement. The central part is convex, the side ones are concave. The plan of the church is a Greek cross. When you enter you pass from a small room to a large circular space, where white is the main color. To the white is added the yellow of the marble altars of Castronovo. There are four altars placed in four large niches. Each altar has a statue placed on it. They were made by Giovan Battista Marino and clockwise from the entrance there are: San Benedetto, l’Immacolata, San Giuseppe, Sant’Euplio.
The Staircase of Angels

Some prestigious works

The senses tell the story of the Badia di Sant’Agata

Connections with other UNESCO sites

A symbol for the town

The senses tell about Palazzo La Rocca

The internal colours

A new palace for the La Rocca lords

A feast only for Scicli

From International Gothic to present day

The interior and its masterpieces

A design by Vincenzo Sinatra

An eagle-shaped city

A half-Baroque church

The senses tell the story of the church of San Giovanni Battista

From the contrast of the exterior to the internal jubilation of colours

The Infiorata, a feast of colours and flowers

San Nicolò l’Arena: an unfinished church

A new site for a new city

One city, three sites

The kitchen, a treasure chest of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A hall for the feasts

The senses tell the story of the Church of San Benedetto

The Burgos crucifix

A new entrance for Santa Chiara (St. Claire)

Norman apses

The senses tell about Palazzo Napolino Tommasi Rosso

The colours of the cathedral

Feasting in Palazzolo

St. Agatha and the giant candelabras

The two churches

The role of the religious orders in rebuilding the Val di Noto

Wonderful quick decorations

A triumph of colour

The Feast of San Giacomo (St. James)

The theatre of taste

Prominent façade

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Cathedral of Sant’Agata

The disastrous earthquake

The senses tell the story of the Church of the Annunciation

A majestic and luminous church

The Benedictine Monastery, one of the largest in Europe

A city in colour

The senses tell the story of the Church of San Sebastiano

Modica, a city with ancient origins

A Nobel Prize in Modica

The senses tell the story of the church of San Giuseppe

Garden of Novices and the restorations by Giancarlo De Carlo

Discovering the mother church

Places of knowledge: the Benedictines’ library

The church of Carmine

A small room with a golden entrance

A long reconstruction

Militello, the story of an enlightened fiefdom

Many owners, one palace

A talking palace

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Searching for colour

Palazzo Nicolaci di Villadorata, who is the architect?

St. Sebastian, so much work!

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

A prominent church

The cathedral of Sant’Agata: a lengthy reconstruction

New roads for Catania

From St. Thomas to St. Joseph

One city, two sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The façade used as a puppet theatre

The Maiolica of the staircase

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Nicolaci

The character of Badia Sant’Agata

A colourful floor

Feast days

The wall comes to life

A miniature city

Rosario Gagliardi, the maestro of the Val di Noto

The Baroque town by the sea

Two illustrious patron saints

Some masterpieces

Limestone, the colour of harmony

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Barresi-Branciforte lords

A museum to save a tradition

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of Santa Maria del Carmelo

The city of museums

Baroque and the loss of equilibrium in the 16th century

A new site for a new church

Between white and black

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A square as the heart of the city

The chocolate of Modica

The senses tell the story of the Church of San Giuliano ai Crociferi