Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

Modica, a city with ancient origins

Limestone, the colour of harmony

Garden of Novices and the restorations by Giancarlo De Carlo

The Feast of San Giacomo (St. James)

The kitchen, a treasure chest of colours

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of San Giuseppe

Many owners, one palace

A feast only for Scicli

The senses tell the story of the church of Santa Maria del Carmelo

Militello, the story of an enlightened fiefdom

The two churches

One city, three sites

Feast days

The Staircase of Angels

Some masterpieces

The senses tell the story of the Church of the Annunciation

Between white and black

The city of museums

Palazzo Nicolaci di Villadorata, who is the architect?

From St. Thomas to St. Joseph

Discovering the mother church

A majestic and luminous church

The senses tell about Palazzo Nicolaci

The role of the religious orders in rebuilding the Val di Noto

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

A long reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new site for a new church

Two illustrious patron saints

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, two sites

Searching for colour

Some prestigious works

A talking palace

Prominent façade

A prominent church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Fontana della Ninfa Zizza, public water in the town

Feasting in Palazzolo

San Nicolò l’Arena: an unfinished church

From International Gothic to present day

The interior and its masterpieces

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo La Rocca

The theatre of taste

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A half-Baroque church

Wonderful quick decorations

A city in colour

A symbol for the town

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new city

St. Sebastian, so much work!

Norman apses

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the staircase of Santa Maria del Monte

The façade used as a puppet theatre

The church of Carmine

A museum to save a tradition

A triumph of colour

The colours of the cathedral

The cathedral of Sant’Agata: a lengthy reconstruction

The disastrous earthquake

A colourful floor

Rosario Gagliardi, the maestro of the Val di Noto

A new palace for the La Rocca lords

Places of knowledge: the Benedictines’ library

The Maiolica of the staircase

Connections with other UNESCO sites

The internal colours

New roads for Catania

A design by Vincenzo Sinatra

The senses tell the Cathedral of Sant’Agata

The Burgos crucifix

A small room with a golden entrance

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Sebastiano

A miniature city

The Baroque town by the sea

Baroque and the loss of equilibrium in the 16th century

From the contrast of the exterior to the internal jubilation of colours

The chocolate of Modica

The Infiorata, a feast of colours and flowers

The Barresi-Branciforte lords

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giovanni Battista

A hall for the feasts

The senses tell the story of the Badia di Sant’Agata

An eagle-shaped city

The wall comes to life

A Nobel Prize in Modica

The senses tell the story of the Church of San Giovanni Evangelista