Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The theatre of taste

Wonderful quick decorations

The Maiolica of the staircase

A majestic and luminous church

San Nicolò l’Arena: an unfinished church

A new site for a new church

The character of Badia Sant’Agata

The wall comes to life

The senses tell the story of the church of San Giuseppe

Modica, a city with ancient origins

The senses tell the story of the church of Santa Maria del Carmelo

The kitchen, a treasure chest of colours

A Nobel Prize in Modica

St. Sebastian, so much work!

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo Napolino Tommasi Rosso

A new entrance for Santa Chiara (St. Claire)

Many owners, one palace

A hall for the feasts

St. Agatha and the giant candelabras

A colourful floor

A new palace for the La Rocca lords

The city of museums

The senses tell about Palazzo Nicolaci

Some prestigious works

A prominent church

One city, two sites

The senses tell the story of the Church of San Benedetto

The role of the religious orders in rebuilding the Val di Noto

Prominent façade

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Giovanni Evangelista

The chocolate of Modica

Discovering the mother church

Connections with other UNESCO sites

A feast only for Scicli

The Feast of San Giacomo (St. James)

From the contrast of the exterior to the internal jubilation of colours

The colours of the cathedral

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo La Rocca

A talking palace

San Benedetto: a treasure reopened to the public

The Staircase of Angels

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Sebastiano

A small room with a golden entrance

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Infiorata, a feast of colours and flowers

A symbol for the town

Two illustrious patron saints

The senses tell the story of the Church of the Annunciation

Between white and black

Norman apses

Militello, the story of an enlightened fiefdom

The Benedictine Monastery, one of the largest in Europe

The church of Carmine

A museum to save a tradition

Some masterpieces

New roads for Catania

A triumph of colour

The two churches

The internal colours

One city, three sites

The senses tell the story of the Church of Santa Chiara

Palazzo Nicolaci di Villadorata, who is the architect?

The façade used as a puppet theatre

The senses tell the Cathedral of Sant’Agata

The disastrous earthquake

The Baroque town by the sea

A design by Vincenzo Sinatra

Feasting in Palazzolo

A new site for a new city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A half-Baroque church

The senses tell the story of the Badia di Sant’Agata

Feast days

A long reconstruction

A city in colour

Searching for colour

An eagle-shaped city

A miniature city

The interior and its masterpieces

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Giuliano ai Crociferi

Limestone, the colour of harmony

A square as the heart of the city

The Burgos crucifix

The senses tell the story of the staircase of Santa Maria del Monte

The cathedral of Sant’Agata: a lengthy reconstruction

From St. Thomas to St. Joseph

The Barresi-Branciforte lords

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giovanni Battista

Fontana della Ninfa Zizza, public water in the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena