Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The role of the religious orders in rebuilding the Val di Noto

A triumph of colour

Two illustrious patron saints

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

A half-Baroque church

The senses tell about Palazzo Napolino Tommasi Rosso

Norman apses

The internal colours

Some prestigious works

A new site for a new city

The façade used as a puppet theatre

Modica, a city with ancient origins

Discovering the mother church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of San Giovanni Battista

The church of Carmine

The chocolate of Modica

New roads for Catania

The Burgos crucifix

Wonderful quick decorations

A city in colour

The character of Badia Sant’Agata

The Barresi-Branciforte lords

The senses tell about Palazzo Nicolaci

The cathedral of Sant’Agata: a lengthy reconstruction

The theatre of taste

A long reconstruction

One city, two sites

The senses tell the story of the staircase of Santa Maria del Monte

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A square as the heart of the city

A miniature city

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giovanni Evangelista

Feast days

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

The disastrous earthquake

A colourful floor

The senses tell the Cathedral of Sant’Agata

The interior and its masterpieces

An eagle-shaped city

From the contrast of the exterior to the internal jubilation of colours

The Infiorata, a feast of colours and flowers

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Sebastiano

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo La Rocca

St. Sebastian, so much work!

The kitchen, a treasure chest of colours

The senses tell the story of the Church of the Annunciation

The colours of the cathedral

The Supernatural dimension of the chapel of the Santissimo Sacramento

A hall for the feasts

Connections with other UNESCO sites

Limestone, the colour of harmony

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A design by Vincenzo Sinatra

The two churches

Garden of Novices and the restorations by Giancarlo De Carlo

A new entrance for Santa Chiara (St. Claire)

A new palace for the La Rocca lords

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A small room with a golden entrance

The city of museums

A majestic and luminous church

St. Agatha and the giant candelabras

Places of knowledge: the Benedictines’ library

A museum to save a tradition

Baroque and the loss of equilibrium in the 16th century

The Staircase of Angels

A new site for a new church

A prominent church

The Maiolica of the staircase

The senses tell the story of the Church of San Giuliano ai Crociferi

Militello, the story of an enlightened fiefdom

Between white and black

Corbels: a celebration of the Nicolaci family

A talking palace

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Benedetto

Some masterpieces

Feasting in Palazzolo

One city, three sites

Searching for colour

The wall comes to life

The Baroque town by the sea

San Nicolò l’Arena: an unfinished church

Prominent façade

The Feast of San Giacomo (St. James)

Fontana della Ninfa Zizza, public water in the town

A Nobel Prize in Modica

Palazzo Nicolaci di Villadorata, who is the architect?

Many owners, one palace

From International Gothic to present day

The Benedictine Monastery, one of the largest in Europe

A symbol for the town