Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giuseppe

A small room with a golden entrance

A new entrance for Santa Chiara (St. Claire)

A half-Baroque church

The disastrous earthquake

The role of the religious orders in rebuilding the Val di Noto

The Feast of San Giacomo (St. James)

A museum to save a tradition

The interior and its masterpieces

The senses tell the Cathedral of Sant’Agata

The Barresi-Branciforte lords

The kitchen, a treasure chest of colours

Places of knowledge: the Benedictines’ library

From St. Thomas to St. Joseph

A colourful floor

A square as the heart of the city

Prominent façade

The chocolate of Modica

Corbels: a celebration of the Nicolaci family

A talking palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new site for a new city

The senses tell the story of the Church of San Giuliano ai Crociferi

Some prestigious works

The senses tell the story of the staircase of Santa Maria del Monte

A miniature city

Many owners, one palace

A majestic and luminous church

The Burgos crucifix

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Baroque town by the sea

The senses tell about Palazzo La Rocca

One city, three sites

San Benedetto: a treasure reopened to the public

Discovering the mother church

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the church of Santa Maria del Carmelo

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Sebastiano

A symbol for the town

A city in colour

The senses tell the story of the Church of San Giovanni Evangelista

The theatre of taste

A prominent church

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Benedetto

From the contrast of the exterior to the internal jubilation of colours

Rosario Gagliardi, the maestro of the Val di Noto

A design by Vincenzo Sinatra

Fontana della Ninfa Zizza, public water in the town

Searching for colour

The senses tell the story of the Badia di Sant’Agata

The Staircase of Angels

The senses tell about Palazzo Nicolaci

Feasting in Palazzolo

The Infiorata, a feast of colours and flowers

Norman apses

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Modica, a city with ancient origins

The character of Badia Sant’Agata

Limestone, the colour of harmony

Palazzo Nicolaci di Villadorata, who is the architect?

An eagle-shaped city

The Maiolica of the staircase

The colours of the cathedral

The church of Carmine

St. Agatha and the giant candelabras

A hall for the feasts

From International Gothic to present day

The wall comes to life

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Benedictine Monastery, one of the largest in Europe

A triumph of colour

A long reconstruction

The senses tell the story of the Church of the Annunciation

Two illustrious patron saints

Militello, the story of an enlightened fiefdom

The two churches

Connections with other UNESCO sites

Some masterpieces

A Nobel Prize in Modica

The façade used as a puppet theatre

Between white and black

The city of museums

New roads for Catania

One city, two sites

A feast only for Scicli

Wonderful quick decorations

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

The senses tell the story of the Church of Santa Chiara

Feast days

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new church

A new palace for the La Rocca lords

St. Sebastian, so much work!