Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The Barresi-Branciforte lords

A new entrance for Santa Chiara (St. Claire)

A miniature city

Limestone, the colour of harmony

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Sebastiano

From the contrast of the exterior to the internal jubilation of colours

The Benedictine Monastery, one of the largest in Europe

San Nicolò l’Arena: an unfinished church

Two illustrious patron saints

Discovering the mother church

A triumph of colour

An eagle-shaped city

Many owners, one palace

A hall for the feasts

One city, three sites

Some prestigious works

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the staircase of Santa Maria del Monte

A square as the heart of the city

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo La Rocca

A half-Baroque church

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

A talking palace

The wall comes to life

The senses tell the Cathedral of Sant’Agata

A new palace for the La Rocca lords

Corbels: a celebration of the Nicolaci family

From St. Thomas to St. Joseph

A museum to save a tradition

Searching for colour

The Baroque town by the sea

From International Gothic to present day

Between white and black

A Nobel Prize in Modica

Wonderful quick decorations

The interior and its masterpieces

One city, two sites

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of Santa Maria del Carmelo

A majestic and luminous church

Some masterpieces

Modica, a city with ancient origins

Fontana della Ninfa Zizza, public water in the town

A new site for a new church

Feasting in Palazzolo

The Maiolica of the staircase

The theatre of taste

The disastrous earthquake

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

The two churches

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giovanni Battista

The Burgos crucifix

The character of Badia Sant’Agata

The senses tell the story of the Badia di Sant’Agata

A new site for a new city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A prominent church

A colourful floor

The church of Carmine

The senses tell the story of the Church of the Annunciation

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Baroque and the loss of equilibrium in the 16th century

The Staircase of Angels

The façade used as a puppet theatre

The city of museums

The senses tell about Palazzo Napolino Tommasi Rosso

Connections with other UNESCO sites

The senses tell the story of the Church of San Giuliano ai Crociferi

The internal colours

The kitchen, a treasure chest of colours

New roads for Catania

The senses tell the story of the church of San Giuseppe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Benedetto

Militello, the story of an enlightened fiefdom

St. Agatha and the giant candelabras

Prominent façade

Feast days

Rosario Gagliardi, the maestro of the Val di Noto

The Supernatural dimension of the chapel of the Santissimo Sacramento

A symbol for the town

A long reconstruction

A small room with a golden entrance

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A city in colour

A design by Vincenzo Sinatra

St. Sebastian, so much work!

Norman apses

Places of knowledge: the Benedictines’ library

The colours of the cathedral