Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

A feast only for Scicli

The senses tell the story of the Church of San Giovanni Evangelista

From St. Thomas to St. Joseph

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of the Annunciation

The façade used as a puppet theatre

The church of Carmine

Some masterpieces

The disastrous earthquake

St. Sebastian, so much work!

The Burgos crucifix

The senses tell the story of the church of San Giovanni Battista

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo Nicolaci

The senses tell the Cathedral of Sant’Agata

The Baroque town by the sea

Connections with other UNESCO sites

Two illustrious patron saints

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo La Rocca

The Barresi-Branciforte lords

The theatre of taste

The senses tell the story of the church of Santa Maria del Carmelo

A prominent church

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

An eagle-shaped city

Norman apses

Garden of Novices and the restorations by Giancarlo De Carlo

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Benedetto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A triumph of colour

A talking palace

The chocolate of Modica

The Benedictine Monastery, one of the largest in Europe

Wonderful quick decorations

The city of museums

The wall comes to life

The cathedral of Sant’Agata: a lengthy reconstruction

A museum to save a tradition

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Sebastiano

Feasting in Palazzolo

A new palace for the La Rocca lords

A design by Vincenzo Sinatra

A half-Baroque church

Fontana della Ninfa Zizza, public water in the town

A long reconstruction

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo Napolino Tommasi Rosso

Feast days

The two churches

The colours of the cathedral

A majestic and luminous church

Between white and black

The senses tell the story of the Church of San Giuliano ai Crociferi

One city, two sites

The character of Badia Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

A city in colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The interior and its masterpieces

Baroque and the loss of equilibrium in the 16th century

Limestone, the colour of harmony

San Nicolò l’Arena: an unfinished church

A square as the heart of the city

A small room with a golden entrance

Some prestigious works

A new entrance for Santa Chiara (St. Claire)

The Infiorata, a feast of colours and flowers

The kitchen, a treasure chest of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A hall for the feasts

A miniature city

A colourful floor

Many owners, one palace

One city, three sites

Places of knowledge: the Benedictines’ library

The senses tell the story of the Badia di Sant’Agata

Discovering the mother church

A Nobel Prize in Modica

New roads for Catania

Prominent façade

A new site for a new city

Militello, the story of an enlightened fiefdom

The Maiolica of the staircase

A new site for a new church

St. Agatha and the giant candelabras

The senses tell the story of the Church of Santa Chiara

The role of the religious orders in rebuilding the Val di Noto

The internal colours

The senses tell the story of the church of San Giuseppe

Modica, a city with ancient origins

The Staircase of Angels

Searching for colour

A symbol for the town