Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

A prominent church

San Benedetto: a treasure reopened to the public

The Feast of San Giacomo (St. James)

The Barresi-Branciforte lords

Baroque and the loss of equilibrium in the 16th century

Norman apses

Connections with other UNESCO sites

The senses tell the story of the Church of San Benedetto

The Staircase of Angels

Modica, a city with ancient origins

The senses tell about Palazzo Napolino Tommasi Rosso

St. Sebastian, so much work!

A city in colour

The senses tell about Palazzo La Rocca

Some prestigious works

The church of Carmine

Many owners, one palace

The character of Badia Sant’Agata

A small room with a golden entrance

A half-Baroque church

The senses tell the story of the church of Santa Maria del Carmelo

The cathedral of Sant’Agata: a lengthy reconstruction

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A triumph of colour

From the contrast of the exterior to the internal jubilation of colours

An eagle-shaped city

One city, three sites

The internal colours

A majestic and luminous church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

A new site for a new church

Militello, the story of an enlightened fiefdom

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

The Burgos crucifix

New roads for Catania

One city, two sites

The chocolate of Modica

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

The senses tell the Cathedral of Sant’Agata

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some masterpieces

The Baroque town by the sea

Searching for colour

A colourful floor

From St. Thomas to St. Joseph

The two churches

Discovering the mother church

Garden of Novices and the restorations by Giancarlo De Carlo

The Maiolica of the staircase

A talking palace

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

A museum to save a tradition

Feast days

Prominent façade

The disastrous earthquake

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Badia di Sant’Agata

The kitchen, a treasure chest of colours

Two illustrious patron saints

A symbol for the town

Palazzo Nicolaci di Villadorata, who is the architect?

A long reconstruction

Feasting in Palazzolo

The theatre of taste

The colours of the cathedral

The senses tell the story of the church of San Giovanni Battista

Corbels: a celebration of the Nicolaci family

Wonderful quick decorations

The senses tell the story of the Church of San Giovanni Evangelista

The city of museums

A Nobel Prize in Modica

A design by Vincenzo Sinatra

The role of the religious orders in rebuilding the Val di Noto

A miniature city

A square as the heart of the city

Rosario Gagliardi, the maestro of the Val di Noto

The Benedictine Monastery, one of the largest in Europe

A new palace for the La Rocca lords

A hall for the feasts

The senses tell the story of the church of San Giuseppe

From International Gothic to present day

Between white and black

A feast only for Scicli

The senses tell the story of the Church of San Giuliano ai Crociferi

Limestone, the colour of harmony

A new site for a new city

The Infiorata, a feast of colours and flowers

The wall comes to life

A new entrance for Santa Chiara (St. Claire)

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the staircase of Santa Maria del Monte

The façade used as a puppet theatre

The senses tell the story of the Church of the Annunciation