Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

A new site for a new city

Many owners, one palace

One city, three sites

From the contrast of the exterior to the internal jubilation of colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

The theatre of taste

St. Sebastian, so much work!

A talking palace

The wall comes to life

A small room with a golden entrance

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

Fontana della Ninfa Zizza, public water in the town

A symbol for the town

The senses tell about Palazzo La Rocca

Baroque and the loss of equilibrium in the 16th century

New roads for Catania

The Benedictine Monastery, one of the largest in Europe

The city of museums

Places of knowledge: the Benedictines’ library

The internal colours

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Sebastiano

Two illustrious patron saints

Corbels: a celebration of the Nicolaci family

The role of the religious orders in rebuilding the Val di Noto

The church of Carmine

Wonderful quick decorations

Feasting in Palazzolo

A museum to save a tradition

A design by Vincenzo Sinatra

The kitchen, a treasure chest of colours

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giovanni Evangelista

St. Agatha and the giant candelabras

From International Gothic to present day

One city, two sites

A Nobel Prize in Modica

A new palace for the La Rocca lords

San Nicolò l’Arena: an unfinished church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Discovering the mother church

A square as the heart of the city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

An eagle-shaped city

A hall for the feasts

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

A colourful floor

The senses tell the story of the church of San Giuseppe

A miniature city

Some prestigious works

Militello, the story of an enlightened fiefdom

The façade used as a puppet theatre

A city in colour

The senses tell the story of the Badia di Sant’Agata

A half-Baroque church

The senses tell about Palazzo Napolino Tommasi Rosso

The two churches

A feast only for Scicli

The senses tell the Cathedral of Sant’Agata

The Maiolica of the staircase

The interior and its masterpieces

The colours of the cathedral

A majestic and luminous church

Searching for colour

Prominent façade

Between white and black

A new site for a new church

Connections with other UNESCO sites

The Burgos crucifix

Norman apses

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Giuliano ai Crociferi

A long reconstruction

The senses tell the story of the church of San Giovanni Battista

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Benedetto

Modica, a city with ancient origins

The senses tell about Palazzo Nicolaci

The character of Badia Sant’Agata

A prominent church

Limestone, the colour of harmony

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of the Annunciation

Some masterpieces

The Infiorata, a feast of colours and flowers

The disastrous earthquake

The Staircase of Angels

The cathedral of Sant’Agata: a lengthy reconstruction

The Barresi-Branciforte lords

From St. Thomas to St. Joseph

The Baroque town by the sea

Feast days

A new entrance for Santa Chiara (St. Claire)

The Feast of San Giacomo (St. James)

A triumph of colour