Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

From International Gothic to present day

From St. Thomas to St. Joseph

The city of museums

A design by Vincenzo Sinatra

Some masterpieces

A city in colour

One city, two sites

A hall for the feasts

The church of Carmine

The Staircase of Angels

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

The senses tell the Cathedral of Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of Santa Chiara

A half-Baroque church

The Benedictine Monastery, one of the largest in Europe

A miniature city

The interior and its masterpieces

New roads for Catania

The Barresi-Branciforte lords

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giuliano ai Crociferi

A long reconstruction

The character of Badia Sant’Agata

A feast only for Scicli

The theatre of taste

Norman apses

Discovering the mother church

St. Sebastian, so much work!

Places of knowledge: the Benedictines’ library

One city, three sites

A majestic and luminous church

St. Agatha and the giant candelabras

Some prestigious works

A triumph of colour

The role of the religious orders in rebuilding the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque and the loss of equilibrium in the 16th century

The Supernatural dimension of the chapel of the Santissimo Sacramento

Fontana della Ninfa Zizza, public water in the town

The Baroque town by the sea

Garden of Novices and the restorations by Giancarlo De Carlo

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Many owners, one palace

Two illustrious patron saints

Limestone, the colour of harmony

A prominent church

A new site for a new city

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

A new site for a new church

The senses tell the story of the Badia di Sant’Agata

A new palace for the La Rocca lords

San Nicolò l’Arena: an unfinished church

An eagle-shaped city

The colours of the cathedral

A museum to save a tradition

The senses tell the story of the Church of San Benedetto

A talking palace

The two churches

A small room with a golden entrance

Modica, a city with ancient origins

Connections with other UNESCO sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Searching for colour

The Burgos crucifix

A colourful floor

The Infiorata, a feast of colours and flowers

The disastrous earthquake

The Feast of San Giacomo (St. James)

The senses tell the story of the church of San Giuseppe

Wonderful quick decorations

A symbol for the town

A square as the heart of the city

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the staircase of Santa Maria del Monte

Feasting in Palazzolo

The senses tell about Palazzo Napolino Tommasi Rosso

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

San Benedetto: a treasure reopened to the public

The wall comes to life

Feast days

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

Prominent façade

Between white and black

The cathedral of Sant’Agata: a lengthy reconstruction

A Nobel Prize in Modica

The Maiolica of the staircase

The senses tell about Palazzo La Rocca

The chocolate of Modica