Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

A new site for a new city

Some prestigious works

The senses tell the story of the church of San Giovanni Battista

The Benedictine Monastery, one of the largest in Europe

Searching for colour

From St. Thomas to St. Joseph

A square as the heart of the city

A triumph of colour

The role of the religious orders in rebuilding the Val di Noto

A feast only for Scicli

A half-Baroque church

An eagle-shaped city

A museum to save a tradition

The Staircase of Angels

The senses tell the story of the Church of San Sebastiano

Corbels: a celebration of the Nicolaci family

The character of Badia Sant’Agata

Fontana della Ninfa Zizza, public water in the town

The internal colours

The Barresi-Branciforte lords

A small room with a golden entrance

A talking palace

Prominent façade

A new site for a new church

The senses tell about Palazzo La Rocca

The disastrous earthquake

The senses tell the story of the church of San Giuseppe

A design by Vincenzo Sinatra

Militello, the story of an enlightened fiefdom

The chocolate of Modica

The Feast of San Giacomo (St. James)

New roads for Catania

Feast days

The kitchen, a treasure chest of colours

Rosario Gagliardi, the maestro of the Val di Noto

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

Modica, a city with ancient origins

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Badia di Sant’Agata

Feasting in Palazzolo

A hall for the feasts

The Maiolica of the staircase

A colourful floor

San Nicolò l’Arena: an unfinished church

Some masterpieces

A new entrance for Santa Chiara (St. Claire)

A new palace for the La Rocca lords

Connections with other UNESCO sites

The façade used as a puppet theatre

St. Agatha and the giant candelabras

The wall comes to life

The senses tell the story of the Church of San Giuliano ai Crociferi

Limestone, the colour of harmony

A long reconstruction

A prominent church

The senses tell the story of the church of Santa Maria del Carmelo

The colours of the cathedral

The theatre of taste

A symbol for the town

The Burgos crucifix

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo Nicolaci

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Between white and black

A majestic and luminous church

The city of museums

Places of knowledge: the Benedictines’ library

One city, two sites

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, three sites

A city in colour

Two illustrious patron saints

Garden of Novices and the restorations by Giancarlo De Carlo

Wonderful quick decorations

Palazzo Nicolaci di Villadorata, who is the architect?

The two churches

The Baroque town by the sea

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of the Annunciation

The senses tell the Cathedral of Sant’Agata

Discovering the mother church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A Nobel Prize in Modica

The church of Carmine

The cathedral of Sant’Agata: a lengthy reconstruction

St. Sebastian, so much work!

From International Gothic to present day

The senses tell about Palazzo Napolino Tommasi Rosso

A miniature city

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the staircase of Santa Maria del Monte

Norman apses

Many owners, one palace

The senses tell the story of the Church of San Giovanni Evangelista