Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

San Nicolò l’Arena: an unfinished church

Some prestigious works

St. Sebastian, so much work!

A talking palace

The Staircase of Angels

Discovering the mother church

Garden of Novices and the restorations by Giancarlo De Carlo

A new palace for the La Rocca lords

The senses tell the story of the church of San Giovanni Battista

Places of knowledge: the Benedictines’ library

The Infiorata, a feast of colours and flowers

Limestone, the colour of harmony

The church of Carmine

A colourful floor

A new site for a new church

A museum to save a tradition

Corbels: a celebration of the Nicolaci family

A prominent church

The senses tell the story of the church of San Giuseppe

New roads for Catania

A small room with a golden entrance

One city, three sites

Militello, the story of an enlightened fiefdom

A new entrance for Santa Chiara (St. Claire)

A miniature city

Some masterpieces

A Nobel Prize in Modica

The Barresi-Branciforte lords

A new site for a new city

Wonderful quick decorations

The senses tell the story of the Church of Santa Chiara

A city in colour

The theatre of taste

Prominent façade

The Maiolica of the staircase

The façade used as a puppet theatre

Connections with other UNESCO sites

The role of the religious orders in rebuilding the Val di Noto

The two churches

A long reconstruction

Searching for colour

From the contrast of the exterior to the internal jubilation of colours

The city of museums

The interior and its masterpieces

Norman apses

The character of Badia Sant’Agata

An eagle-shaped city

A half-Baroque church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Benedetto

The cathedral of Sant’Agata: a lengthy reconstruction

A design by Vincenzo Sinatra

Fontana della Ninfa Zizza, public water in the town

A hall for the feasts

Baroque and the loss of equilibrium in the 16th century

The Feast of San Giacomo (St. James)

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the Cathedral of Sant’Agata

San Benedetto: a treasure reopened to the public

The Benedictine Monastery, one of the largest in Europe

Two illustrious patron saints

From International Gothic to present day

The senses tell about Palazzo La Rocca

The wall comes to life

Many owners, one palace

A feast only for Scicli

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Sebastiano

The disastrous earthquake

Rosario Gagliardi, the maestro of the Val di Noto

A triumph of colour

The senses tell the story of the Church of Santa Chiara

Feast days

The senses tell about Palazzo Nicolaci

The colours of the cathedral

The senses tell the story of the staircase of Santa Maria del Monte

A square as the heart of the city

The senses tell the story of the church of Santa Maria del Carmelo

Feasting in Palazzolo

A symbol for the town

A majestic and luminous church

The chocolate of Modica

Modica, a city with ancient origins

From St. Thomas to St. Joseph

The senses tell about Palazzo Napolino Tommasi Rosso

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Giovanni Evangelista

The internal colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Burgos crucifix

The kitchen, a treasure chest of colours

Between white and black

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, two sites

The Baroque town by the sea

The senses tell the story of the Church of the Annunciation