Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The theatre of taste

The Benedictine Monastery, one of the largest in Europe

The Baroque town by the sea

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Sebastiano

Searching for colour

The senses tell the story of the church of San Giuseppe

A new palace for the La Rocca lords

The chocolate of Modica

Feasting in Palazzolo

Prominent façade

The senses tell the story of the Church of Santa Chiara

Some prestigious works

San Benedetto: a treasure reopened to the public

One city, three sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The two churches

The Burgos crucifix

A symbol for the town

A museum to save a tradition

Fontana della Ninfa Zizza, public water in the town

A Nobel Prize in Modica

A colourful floor

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo La Rocca

The role of the religious orders in rebuilding the Val di Noto

A talking palace

The senses tell the story of the Church of San Giovanni Evangelista

A long reconstruction

A majestic and luminous church

Norman apses

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The kitchen, a treasure chest of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Feast of San Giacomo (St. James)

Baroque and the loss of equilibrium in the 16th century

The character of Badia Sant’Agata

The Maiolica of the staircase

A feast only for Scicli

The city of museums

St. Agatha and the giant candelabras

Between white and black

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of San Giovanni Battista

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new church

Places of knowledge: the Benedictines’ library

St. Sebastian, so much work!

A hall for the feasts

From St. Thomas to St. Joseph

Wonderful quick decorations

A square as the heart of the city

From the contrast of the exterior to the internal jubilation of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Badia di Sant’Agata

A city in colour

A new entrance for Santa Chiara (St. Claire)

Two illustrious patron saints

The senses tell the story of the Church of San Giuliano ai Crociferi

A half-Baroque church

A prominent church

The colours of the cathedral

Modica, a city with ancient origins

A small room with a golden entrance

Feast days

Militello, the story of an enlightened fiefdom

A new site for a new city

The interior and its masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

Connections with other UNESCO sites

Many owners, one palace

A miniature city

The façade used as a puppet theatre

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Cathedral of Sant’Agata

New roads for Catania

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Napolino Tommasi Rosso

A design by Vincenzo Sinatra

From International Gothic to present day

San Nicolò l’Arena: an unfinished church

Discovering the mother church

Some masterpieces

The Barresi-Branciforte lords

The wall comes to life

Limestone, the colour of harmony

The disastrous earthquake

The senses tell the story of the church of Santa Maria del Carmelo

The internal colours

A triumph of colour

One city, two sites

An eagle-shaped city

The senses tell the story of the Church of Santa Chiara

The church of Carmine

Corbels: a celebration of the Nicolaci family

The Staircase of Angels

The senses tell about Palazzo Nicolaci