Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

A half-Baroque church

A new site for a new church

The Infiorata, a feast of colours and flowers

Feast days

Searching for colour

The wall comes to life

The chocolate of Modica

The Burgos crucifix

Many owners, one palace

A long reconstruction

Some prestigious works

From the contrast of the exterior to the internal jubilation of colours

The façade used as a puppet theatre

Militello, the story of an enlightened fiefdom

A hall for the feasts

Garden of Novices and the restorations by Giancarlo De Carlo

The two churches

New roads for Catania

Feasting in Palazzolo

Prominent façade

The Supernatural dimension of the chapel of the Santissimo Sacramento

Modica, a city with ancient origins

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of the Annunciation

The Maiolica of the staircase

The church of Carmine

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of Santa Maria del Carmelo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Palazzo Nicolaci di Villadorata, who is the architect?

A majestic and luminous church

The Benedictine Monastery, one of the largest in Europe

Limestone, the colour of harmony

The senses tell about Palazzo Nicolaci

The senses tell the Cathedral of Sant’Agata

Two illustrious patron saints

A Nobel Prize in Modica

Wonderful quick decorations

A talking palace

The interior and its masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Discovering the mother church

The senses tell the story of the church of San Giovanni Battista

A miniature city

Some masterpieces

Norman apses

St. Agatha and the giant candelabras

The senses tell the story of the staircase of Santa Maria del Monte

A colourful floor

The disastrous earthquake

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo La Rocca

A city in colour

A new site for a new city

A symbol for the town

A triumph of colour

The Staircase of Angels

Baroque and the loss of equilibrium in the 16th century

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Benedetto

A square as the heart of the city

Connections with other UNESCO sites

The Feast of San Giacomo (St. James)

The Barresi-Branciforte lords

A feast only for Scicli

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The cathedral of Sant’Agata: a lengthy reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

From International Gothic to present day

One city, three sites

A small room with a golden entrance

Between white and black

The senses tell the story of the Badia di Sant’Agata

Corbels: a celebration of the Nicolaci family

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

A new palace for the La Rocca lords

A prominent church

The senses tell the story of the Church of Santa Chiara

The Baroque town by the sea

The senses tell the story of the church of San Giuseppe

St. Sebastian, so much work!

San Benedetto: a treasure reopened to the public

A museum to save a tradition

The city of museums

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

A design by Vincenzo Sinatra

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Sebastiano

From St. Thomas to St. Joseph

The theatre of taste

One city, two sites

The character of Badia Sant’Agata

The kitchen, a treasure chest of colours