Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

New roads for Catania

The character of Badia Sant’Agata

A hall for the feasts

The two churches

The Infiorata, a feast of colours and flowers

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Nicolaci

A new entrance for Santa Chiara (St. Claire)

Discovering the mother church

The kitchen, a treasure chest of colours

Places of knowledge: the Benedictines’ library

A long reconstruction

A feast only for Scicli

A museum to save a tradition

The chocolate of Modica

A miniature city

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

The senses tell about Palazzo La Rocca

A new site for a new city

The Benedictine Monastery, one of the largest in Europe

The colours of the cathedral

The wall comes to life

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Barresi-Branciforte lords

The Staircase of Angels

Searching for colour

The Burgos crucifix

Prominent façade

A Nobel Prize in Modica

The city of museums

The disastrous earthquake

A colourful floor

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of San Giuseppe

Between white and black

A symbol for the town

A half-Baroque church

From St. Thomas to St. Joseph

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the giant candelabras

The façade used as a puppet theatre

Corbels: a celebration of the Nicolaci family

The role of the religious orders in rebuilding the Val di Noto

An eagle-shaped city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Sebastian, so much work!

San Benedetto: a treasure reopened to the public

The interior and its masterpieces

A new palace for the La Rocca lords

The senses tell the story of the Badia di Sant’Agata

Fontana della Ninfa Zizza, public water in the town

From the contrast of the exterior to the internal jubilation of colours

The Maiolica of the staircase

A design by Vincenzo Sinatra

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A majestic and luminous church

The senses tell about Palazzo Napolino Tommasi Rosso

Feasting in Palazzolo

Two illustrious patron saints

A prominent church

Palazzo Nicolaci di Villadorata, who is the architect?

Connections with other UNESCO sites

The church of Carmine

The theatre of taste

A small room with a golden entrance

The senses tell the story of the staircase of Santa Maria del Monte

A city in colour

Wonderful quick decorations

The senses tell the story of the Church of San Giovanni Evangelista

Modica, a city with ancient origins

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, two sites

The senses tell the story of the Church of San Benedetto

A triumph of colour

The senses tell the story of the church of Santa Maria del Carmelo

Norman apses

The senses tell the story of the Church of Santa Chiara

Militello, the story of an enlightened fiefdom

The internal colours

The senses tell the story of the church of San Giovanni Battista

The Supernatural dimension of the chapel of the Santissimo Sacramento

A square as the heart of the city

The cathedral of Sant’Agata: a lengthy reconstruction

A talking palace

The Feast of San Giacomo (St. James)

Some prestigious works

The senses tell the story of the Church of San Sebastiano

Feast days

Some masterpieces

San Nicolò l’Arena: an unfinished church

The Baroque town by the sea

Many owners, one palace

One city, three sites