Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The senses tell the story of the church of San Giovanni Battista

San Benedetto: a treasure reopened to the public

A prominent church

The senses tell the story of the church of San Giuseppe

San Nicolò l’Arena: an unfinished church

A square as the heart of the city

Between white and black

The Barresi-Branciforte lords

The senses tell about Palazzo Nicolaci

A colourful floor

Some prestigious works

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A small room with a golden entrance

The senses tell about Palazzo La Rocca

From the contrast of the exterior to the internal jubilation of colours

The role of the religious orders in rebuilding the Val di Noto

Connections with other UNESCO sites

An eagle-shaped city

Many owners, one palace

A design by Vincenzo Sinatra

The senses tell the story of the Church of the Annunciation

The character of Badia Sant’Agata

The church of Carmine

From St. Thomas to St. Joseph

A talking palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

A city in colour

The Infiorata, a feast of colours and flowers

A hall for the feasts

The wall comes to life

Some masterpieces

A new site for a new city

The Baroque town by the sea

St. Sebastian, so much work!

A half-Baroque church

Two illustrious patron saints

One city, three sites

The Maiolica of the staircase

Militello, the story of an enlightened fiefdom

The disastrous earthquake

The Staircase of Angels

Searching for colour

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

Prominent façade

A long reconstruction

Norman apses

From International Gothic to present day

New roads for Catania

Limestone, the colour of harmony

A majestic and luminous church

Discovering the mother church

Palazzo Nicolaci di Villadorata, who is the architect?

Garden of Novices and the restorations by Giancarlo De Carlo

Feast days

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A symbol for the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of Santa Maria del Carmelo

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giuliano ai Crociferi

The Burgos crucifix

The senses tell the story of the staircase of Santa Maria del Monte

A triumph of colour

A new palace for the La Rocca lords

The senses tell the story of the Church of San Sebastiano

The city of museums

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo Napolino Tommasi Rosso

Places of knowledge: the Benedictines’ library

Modica, a city with ancient origins

The colours of the cathedral

The two churches

A new site for a new church

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

Feasting in Palazzolo

The theatre of taste

A Nobel Prize in Modica

A new entrance for Santa Chiara (St. Claire)

A feast only for Scicli

One city, two sites

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Badia di Sant’Agata

The internal colours

The senses tell the Cathedral of Sant’Agata

The interior and its masterpieces

The façade used as a puppet theatre

A museum to save a tradition

Wonderful quick decorations

A miniature city

Baroque and the loss of equilibrium in the 16th century

The chocolate of Modica

The kitchen, a treasure chest of colours

The Feast of San Giacomo (St. James)