Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

Two illustrious patron saints

The senses tell the story of the Church of San Benedetto

The colours of the cathedral

The Feast of San Giacomo (St. James)

The role of the religious orders in rebuilding the Val di Noto

Some masterpieces

A miniature city

A new entrance for Santa Chiara (St. Claire)

A museum to save a tradition

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The chocolate of Modica

A design by Vincenzo Sinatra

The wall comes to life

A colourful floor

Feast days

The character of Badia Sant’Agata

A small room with a golden entrance

The disastrous earthquake

Searching for colour

The Barresi-Branciforte lords

Baroque and the loss of equilibrium in the 16th century

Rosario Gagliardi, the maestro of the Val di Noto

A new palace for the La Rocca lords

St. Sebastian, so much work!

The cathedral of Sant’Agata: a lengthy reconstruction

The two churches

Norman apses

The façade used as a puppet theatre

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

A prominent church

Wonderful quick decorations

A long reconstruction

Some prestigious works

The internal colours

A new site for a new church

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Badia di Sant’Agata

The senses tell the Cathedral of Sant’Agata

Limestone, the colour of harmony

The Burgos crucifix

The senses tell the story of the Church of San Giovanni Evangelista

Connections with other UNESCO sites

A square as the heart of the city

The Maiolica of the staircase

The Infiorata, a feast of colours and flowers

A half-Baroque church

St. Agatha and the giant candelabras

A majestic and luminous church

Between white and black

New roads for Catania

The kitchen, a treasure chest of colours

Prominent façade

A Nobel Prize in Modica

The city of museums

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Nicolaci

Discovering the mother church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The interior and its masterpieces

Corbels: a celebration of the Nicolaci family

A talking palace

Garden of Novices and the restorations by Giancarlo De Carlo

A hall for the feasts

The senses tell about Palazzo La Rocca

The Staircase of Angels

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Baroque town by the sea

One city, two sites

San Benedetto: a treasure reopened to the public

Places of knowledge: the Benedictines’ library

A symbol for the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A triumph of colour

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of the Annunciation

Feasting in Palazzolo

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new city

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Nicolaci di Villadorata, who is the architect?

An eagle-shaped city

From the contrast of the exterior to the internal jubilation of colours

One city, three sites

From St. Thomas to St. Joseph

The church of Carmine

Modica, a city with ancient origins

A city in colour

The theatre of taste