Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The senses tell the story of the Church of the Annunciation

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From St. Thomas to St. Joseph

Some prestigious works

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, two sites

The Barresi-Branciforte lords

The façade used as a puppet theatre

The Burgos crucifix

The Baroque town by the sea

The Benedictine Monastery, one of the largest in Europe

St. Agatha and the giant candelabras

A square as the heart of the city

The church of Carmine

Many owners, one palace

The chocolate of Modica

The senses tell about Palazzo Nicolaci

The disastrous earthquake

A miniature city

San Benedetto: a treasure reopened to the public

Two illustrious patron saints

A feast only for Scicli

Feast days

Limestone, the colour of harmony

A colourful floor

Baroque and the loss of equilibrium in the 16th century

The wall comes to life

The senses tell the story of the staircase of Santa Maria del Monte

A triumph of colour

The interior and its masterpieces

A long reconstruction

Prominent façade

The Maiolica of the staircase

Some masterpieces

A half-Baroque church

The Feast of San Giacomo (St. James)

A new palace for the La Rocca lords

Between white and black

A prominent church

The senses tell the story of the Church of San Giovanni Evangelista

A new site for a new church

The role of the religious orders in rebuilding the Val di Noto

The Staircase of Angels

A new entrance for Santa Chiara (St. Claire)

A talking palace

An eagle-shaped city

The senses tell about Palazzo Napolino Tommasi Rosso

Searching for colour

The kitchen, a treasure chest of colours

A museum to save a tradition

The senses tell the story of the Badia di Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The city of museums

The character of Badia Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

The internal colours

Militello, the story of an enlightened fiefdom

A city in colour

Wonderful quick decorations

Corbels: a celebration of the Nicolaci family

Places of knowledge: the Benedictines’ library

The senses tell the Cathedral of Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of Santa Maria del Carmelo

Norman apses

One city, three sites

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

A new site for a new city

A small room with a golden entrance

A hall for the feasts

Fontana della Ninfa Zizza, public water in the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Benedetto

A symbol for the town

Connections with other UNESCO sites

A design by Vincenzo Sinatra

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

Feasting in Palazzolo

The colours of the cathedral

The cathedral of Sant’Agata: a lengthy reconstruction

New roads for Catania

The senses tell the story of the Church of Santa Chiara

St. Sebastian, so much work!

The two churches

A majestic and luminous church

The theatre of taste

Rosario Gagliardi, the maestro of the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

Discovering the mother church

The senses tell about Palazzo La Rocca

A Nobel Prize in Modica

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of San Giovanni Battista

From International Gothic to present day