Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The senses tell the story of the Church of San Sebastiano

A Nobel Prize in Modica

From the contrast of the exterior to the internal jubilation of colours

Baroque and the loss of equilibrium in the 16th century

A museum to save a tradition

The senses tell the story of the Church of San Benedetto

The façade used as a puppet theatre

A city in colour

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giovanni Evangelista

Militello, the story of an enlightened fiefdom

San Benedetto: a treasure reopened to the public

The character of Badia Sant’Agata

Limestone, the colour of harmony

A miniature city

New roads for Catania

One city, two sites

Places of knowledge: the Benedictines’ library

Palazzo Nicolaci di Villadorata, who is the architect?

One city, three sites

A new site for a new city

The Infiorata, a feast of colours and flowers

The wall comes to life

Feast days

The internal colours

A talking palace

A prominent church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Norman apses

A design by Vincenzo Sinatra

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A colourful floor

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A hall for the feasts

The senses tell the story of the church of Santa Maria del Carmelo

The two churches

A new site for a new church

Rosario Gagliardi, the maestro of the Val di Noto

Modica, a city with ancient origins

The city of museums

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of Santa Chiara

A triumph of colour

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

Discovering the mother church

A majestic and luminous church

Two illustrious patron saints

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Burgos crucifix

A new palace for the La Rocca lords

The interior and its masterpieces

A half-Baroque church

The senses tell the story of the staircase of Santa Maria del Monte

Feasting in Palazzolo

Some prestigious works

The Barresi-Branciforte lords

The disastrous earthquake

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

A long reconstruction

A feast only for Scicli

Connections with other UNESCO sites

The Baroque town by the sea

San Nicolò l’Arena: an unfinished church

Corbels: a celebration of the Nicolaci family

The Feast of San Giacomo (St. James)

The Maiolica of the staircase

An eagle-shaped city

The chocolate of Modica

The church of Carmine

A new entrance for Santa Chiara (St. Claire)

A small room with a golden entrance

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of the Annunciation

Searching for colour

The senses tell about Palazzo La Rocca

Many owners, one palace

A square as the heart of the city

The Benedictine Monastery, one of the largest in Europe

St. Agatha and the giant candelabras

Fontana della Ninfa Zizza, public water in the town

Prominent façade

The Staircase of Angels

The Supernatural dimension of the chapel of the Santissimo Sacramento

The theatre of taste

The colours of the cathedral

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of Sant’Agata

Wonderful quick decorations

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of San Giovanni Battista

Between white and black

St. Sebastian, so much work!

A symbol for the town

Some masterpieces