Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

A half-Baroque church

Norman apses

A long reconstruction

The interior and its masterpieces

Places of knowledge: the Benedictines’ library

The disastrous earthquake

A symbol for the town

The Supernatural dimension of the chapel of the Santissimo Sacramento

Wonderful quick decorations

A colourful floor

One city, two sites

The senses tell about Palazzo Napolino Tommasi Rosso

The wall comes to life

Discovering the mother church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The two churches

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giovanni Evangelista

Feast days

The senses tell about Palazzo La Rocca

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Limestone, the colour of harmony

A new site for a new church

The senses tell the story of the Church of San Giuliano ai Crociferi

The Benedictine Monastery, one of the largest in Europe

A new palace for the La Rocca lords

From St. Thomas to St. Joseph

Modica, a city with ancient origins

Palazzo Nicolaci di Villadorata, who is the architect?

The character of Badia Sant’Agata

Prominent façade

Between white and black

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of San Giovanni Battista

An eagle-shaped city

The senses tell the story of the Church of San Sebastiano

A majestic and luminous church

The kitchen, a treasure chest of colours

The Baroque town by the sea

Feasting in Palazzolo

The senses tell the story of the church of San Giuseppe

San Nicolò l’Arena: an unfinished church

New roads for Catania

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Connections with other UNESCO sites

The senses tell the story of the church of Santa Maria del Carmelo

A museum to save a tradition

A Nobel Prize in Modica

The senses tell the story of the Church of San Benedetto

A city in colour

St. Sebastian, so much work!

San Benedetto: a treasure reopened to the public

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of the Annunciation

The Infiorata, a feast of colours and flowers

A square as the heart of the city

Rosario Gagliardi, the maestro of the Val di Noto

Fontana della Ninfa Zizza, public water in the town

A feast only for Scicli

The senses tell the Cathedral of Sant’Agata

Baroque and the loss of equilibrium in the 16th century

Some masterpieces

The Barresi-Branciforte lords

Some prestigious works

One city, three sites

St. Agatha and the giant candelabras

The chocolate of Modica

A small room with a golden entrance

A triumph of colour

Many owners, one palace

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of Santa Chiara

A new site for a new city

The Feast of San Giacomo (St. James)

The internal colours

From International Gothic to present day

The Burgos crucifix

Two illustrious patron saints

The façade used as a puppet theatre

A hall for the feasts

The Maiolica of the staircase

The theatre of taste

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

The city of museums

The church of Carmine

Corbels: a celebration of the Nicolaci family

The colours of the cathedral

The senses tell the story of the Badia di Sant’Agata

A talking palace

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Searching for colour

The role of the religious orders in rebuilding the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

A design by Vincenzo Sinatra

A prominent church

The Staircase of Angels

Garden of Novices and the restorations by Giancarlo De Carlo

A miniature city