Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

Feast days

From the contrast of the exterior to the internal jubilation of colours

A museum to save a tradition

A half-Baroque church

Corbels: a celebration of the Nicolaci family

A new palace for the La Rocca lords

Two illustrious patron saints

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

One city, two sites

The senses tell the story of the Church of San Benedetto

Some prestigious works

From International Gothic to present day

The interior and its masterpieces

New roads for Catania

The Infiorata, a feast of colours and flowers

Prominent façade

The senses tell the story of the Church of Santa Chiara

A colourful floor

Between white and black

Militello, the story of an enlightened fiefdom

Discovering the mother church

The senses tell the story of the Badia di Sant’Agata

The colours of the cathedral

The Maiolica of the staircase

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Napolino Tommasi Rosso

San Benedetto: a treasure reopened to the public

A symbol for the town

A city in colour

A new site for a new city

Wonderful quick decorations

A design by Vincenzo Sinatra

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

St. Sebastian, so much work!

Connections with other UNESCO sites

Norman apses

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Nicolò l’Arena: an unfinished church

The Staircase of Angels

The disastrous earthquake

A long reconstruction

Fontana della Ninfa Zizza, public water in the town

An eagle-shaped city

The senses tell the Cathedral of Sant’Agata

Places of knowledge: the Benedictines’ library

The Feast of San Giacomo (St. James)

Searching for colour

The senses tell about Palazzo La Rocca

A majestic and luminous church

Feasting in Palazzolo

Many owners, one palace

The senses tell the story of the Church of San Sebastiano

A square as the heart of the city

A miniature city

The Burgos crucifix

The senses tell the story of the church of Santa Maria del Carmelo

The Baroque town by the sea

The senses tell the story of the church of San Giovanni Battista

Some masterpieces

The theatre of taste

The senses tell the story of the Church of San Giuliano ai Crociferi

A feast only for Scicli

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of the Annunciation

St. Agatha and the giant candelabras

A prominent church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giovanni Evangelista

The wall comes to life

One city, three sites

Modica, a city with ancient origins

A triumph of colour

Limestone, the colour of harmony

The city of museums

The chocolate of Modica

The church of Carmine

The character of Badia Sant’Agata

From St. Thomas to St. Joseph

A talking palace

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

The two churches

The Benedictine Monastery, one of the largest in Europe

The internal colours

Baroque and the loss of equilibrium in the 16th century

The Supernatural dimension of the chapel of the Santissimo Sacramento

Rosario Gagliardi, the maestro of the Val di Noto

A hall for the feasts

Palazzo Nicolaci di Villadorata, who is the architect?

A small room with a golden entrance

A Nobel Prize in Modica

The role of the religious orders in rebuilding the Val di Noto

The Barresi-Branciforte lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction