Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The Barresi-Branciforte lords

The Burgos crucifix

Fontana della Ninfa Zizza, public water in the town

A design by Vincenzo Sinatra

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new church

The senses tell about Palazzo La Rocca

The two churches

A feast only for Scicli

The senses tell about Palazzo Napolino Tommasi Rosso

A museum to save a tradition

From International Gothic to present day

The Baroque town by the sea

St. Sebastian, so much work!

New roads for Catania

The Feast of San Giacomo (St. James)

Discovering the mother church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

An eagle-shaped city

The senses tell the story of the Church of San Giovanni Evangelista

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of Santa Chiara

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Two illustrious patron saints

Wonderful quick decorations

A new entrance for Santa Chiara (St. Claire)

The kitchen, a treasure chest of colours

A hall for the feasts

The senses tell the story of the Church of San Giuliano ai Crociferi

Militello, the story of an enlightened fiefdom

Searching for colour

The Benedictine Monastery, one of the largest in Europe

The character of Badia Sant’Agata

A small room with a golden entrance

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A miniature city

Prominent façade

A symbol for the town

A majestic and luminous church

St. Agatha and the giant candelabras

The chocolate of Modica

The church of Carmine

The Infiorata, a feast of colours and flowers

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Badia di Sant’Agata

The city of museums

A colourful floor

A new palace for the La Rocca lords

One city, two sites

A talking palace

The senses tell the story of the church of San Giovanni Battista

A Nobel Prize in Modica

Feasting in Palazzolo

Corbels: a celebration of the Nicolaci family

Many owners, one palace

One city, three sites

The senses tell about Palazzo Nicolaci

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Sebastiano

The senses tell the Cathedral of Sant’Agata

The Maiolica of the staircase

The role of the religious orders in rebuilding the Val di Noto

Baroque and the loss of equilibrium in the 16th century

A half-Baroque church

The internal colours

The senses tell the story of the Church of the Annunciation

The theatre of taste

Garden of Novices and the restorations by Giancarlo De Carlo

Between white and black

A city in colour

Feast days

Some masterpieces

Rosario Gagliardi, the maestro of the Val di Noto

Connections with other UNESCO sites

A square as the heart of the city

From the contrast of the exterior to the internal jubilation of colours

A triumph of colour

Modica, a city with ancient origins

San Benedetto: a treasure reopened to the public

Norman apses

A prominent church

Places of knowledge: the Benedictines’ library

A long reconstruction

From St. Thomas to St. Joseph

The façade used as a puppet theatre

The wall comes to life

The senses tell the story of the staircase of Santa Maria del Monte

The colours of the cathedral

The senses tell the story of the church of San Giuseppe

The Staircase of Angels

A new site for a new city

The cathedral of Sant’Agata: a lengthy reconstruction

The interior and its masterpieces

Some prestigious works

The senses tell the story of the Church of San Benedetto

Limestone, the colour of harmony