Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo La Rocca

The Baroque town by the sea

The senses tell the story of the church of San Giuseppe

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new entrance for Santa Chiara (St. Claire)

One city, two sites

A majestic and luminous church

Modica, a city with ancient origins

Connections with other UNESCO sites

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The church of Carmine

Many owners, one palace

From St. Thomas to St. Joseph

A symbol for the town

The Maiolica of the staircase

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the giant candelabras

The senses tell the story of the Church of the Annunciation

A museum to save a tradition

The senses tell the story of the Church of San Benedetto

The disastrous earthquake

The senses tell the story of the staircase of Santa Maria del Monte

Some masterpieces

The wall comes to life

The kitchen, a treasure chest of colours

The Infiorata, a feast of colours and flowers

Feasting in Palazzolo

A hall for the feasts

The senses tell the story of the Church of San Sebastiano

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Nicolaci

A new site for a new church

A square as the heart of the city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

The city of museums

Feast days

A long reconstruction

A city in colour

New roads for Catania

Wonderful quick decorations

A half-Baroque church

A prominent church

The chocolate of Modica

The Burgos crucifix

Limestone, the colour of harmony

Some prestigious works

The Benedictine Monastery, one of the largest in Europe

Two illustrious patron saints

The role of the religious orders in rebuilding the Val di Noto

Corbels: a celebration of the Nicolaci family

From International Gothic to present day

The Feast of San Giacomo (St. James)

A small room with a golden entrance

A design by Vincenzo Sinatra

The theatre of taste

San Nicolò l’Arena: an unfinished church

St. Sebastian, so much work!

Between white and black

A miniature city

Norman apses

San Benedetto: a treasure reopened to the public

The Staircase of Angels

Discovering the mother church

Searching for colour

Fontana della Ninfa Zizza, public water in the town

A feast only for Scicli

Rosario Gagliardi, the maestro of the Val di Noto

The Barresi-Branciforte lords

A Nobel Prize in Modica

The façade used as a puppet theatre

The two churches

A talking palace

The internal colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Cathedral of Sant’Agata

One city, three sites

A new site for a new city

Prominent façade

A triumph of colour

Places of knowledge: the Benedictines’ library

The interior and its masterpieces

Baroque and the loss of equilibrium in the 16th century

The character of Badia Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

An eagle-shaped city

A colourful floor

The senses tell the story of the Church of Santa Chiara

From the contrast of the exterior to the internal jubilation of colours

The colours of the cathedral

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

A new palace for the La Rocca lords