Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The character of Badia Sant’Agata

Limestone, the colour of harmony

A design by Vincenzo Sinatra

Modica, a city with ancient origins

A symbol for the town

The two churches

The Burgos crucifix

Between white and black

The Maiolica of the staircase

The senses tell about Palazzo Nicolaci

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Benedictine Monastery, one of the largest in Europe

A new site for a new city

Places of knowledge: the Benedictines’ library

Searching for colour

Prominent façade

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo La Rocca

Some masterpieces

The chocolate of Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Feast of San Giacomo (St. James)

A new entrance for Santa Chiara (St. Claire)

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giuliano ai Crociferi

Baroque and the loss of equilibrium in the 16th century

The façade used as a puppet theatre

Many owners, one palace

A colourful floor

The senses tell the story of the Church of the Annunciation

The theatre of taste

The wall comes to life

The Barresi-Branciforte lords

The senses tell the story of the church of San Giovanni Battista

The disastrous earthquake

A small room with a golden entrance

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Badia di Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

The colours of the cathedral

The interior and its masterpieces

The senses tell the story of the church of San Giuseppe

One city, three sites

New roads for Catania

A Nobel Prize in Modica

St. Sebastian, so much work!

Discovering the mother church

From International Gothic to present day

The senses tell the story of the Church of San Sebastiano

Connections with other UNESCO sites

An eagle-shaped city

A feast only for Scicli

Wonderful quick decorations

Feasting in Palazzolo

The role of the religious orders in rebuilding the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

One city, two sites

Feast days

A majestic and luminous church

St. Agatha and the giant candelabras

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

A triumph of colour

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Benedetto

The church of Carmine

A museum to save a tradition

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the staircase of Santa Maria del Monte

Some prestigious works

Militello, the story of an enlightened fiefdom

The cathedral of Sant’Agata: a lengthy reconstruction

A city in colour

San Benedetto: a treasure reopened to the public

The Baroque town by the sea

A hall for the feasts

San Nicolò l’Arena: an unfinished church

From St. Thomas to St. Joseph

A miniature city

The internal colours

A square as the heart of the city

The city of museums

Norman apses

A new site for a new church

Rosario Gagliardi, the maestro of the Val di Noto

A long reconstruction

A talking palace

Two illustrious patron saints

The senses tell the Cathedral of Sant’Agata

Corbels: a celebration of the Nicolaci family

A half-Baroque church

A prominent church

The kitchen, a treasure chest of colours