Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

One city, two sites

The Maiolica of the staircase

Searching for colour

Militello, the story of an enlightened fiefdom

Wonderful quick decorations

The church of Carmine

The Barresi-Branciforte lords

A design by Vincenzo Sinatra

The Staircase of Angels

The cathedral of Sant’Agata: a lengthy reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A Nobel Prize in Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Fontana della Ninfa Zizza, public water in the town

Places of knowledge: the Benedictines’ library

A prominent church

One city, three sites

Many owners, one palace

The colours of the cathedral

The Baroque town by the sea

A new site for a new city

A talking palace

The wall comes to life

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

The Supernatural dimension of the chapel of the Santissimo Sacramento

From International Gothic to present day

A new palace for the La Rocca lords

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the staircase of Santa Maria del Monte

A long reconstruction

A colourful floor

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giuseppe

A triumph of colour

A feast only for Scicli

A miniature city

A small room with a golden entrance

A hall for the feasts

Garden of Novices and the restorations by Giancarlo De Carlo

Some masterpieces

Limestone, the colour of harmony

A square as the heart of the city

A majestic and luminous church

The senses tell the story of the Church of San Giuliano ai Crociferi

The disastrous earthquake

The Infiorata, a feast of colours and flowers

The senses tell the story of the Badia di Sant’Agata

Feasting in Palazzolo

The senses tell the story of the Church of San Benedetto

Some prestigious works

A city in colour

The senses tell about Palazzo Napolino Tommasi Rosso

San Benedetto: a treasure reopened to the public

The Burgos crucifix

The senses tell the story of the Church of the Annunciation

A symbol for the town

St. Sebastian, so much work!

Feast days

The two churches

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Cathedral of Sant’Agata

A new site for a new church

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

The internal colours

Rosario Gagliardi, the maestro of the Val di Noto

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Sebastiano

The chocolate of Modica

The senses tell about Palazzo La Rocca

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

Baroque and the loss of equilibrium in the 16th century

Between white and black

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

An eagle-shaped city

St. Agatha and the giant candelabras

New roads for Catania

The Feast of San Giacomo (St. James)

Connections with other UNESCO sites

The Benedictine Monastery, one of the largest in Europe

A new entrance for Santa Chiara (St. Claire)

Modica, a city with ancient origins

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A half-Baroque church

The façade used as a puppet theatre

From St. Thomas to St. Joseph

San Nicolò l’Arena: an unfinished church

The theatre of taste

The interior and its masterpieces

Prominent façade

Norman apses

The city of museums

Palazzo Nicolaci di Villadorata, who is the architect?

Two illustrious patron saints