Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

Searching for colour

A majestic and luminous church

The interior and its masterpieces

Between white and black

Feast days

The disastrous earthquake

The Staircase of Angels

The colours of the cathedral

The character of Badia Sant’Agata

A feast only for Scicli

The Feast of San Giacomo (St. James)

One city, two sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The church of Carmine

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

Modica, a city with ancient origins

Connections with other UNESCO sites

An eagle-shaped city

The Infiorata, a feast of colours and flowers

Limestone, the colour of harmony

The senses tell about Palazzo Napolino Tommasi Rosso

The Baroque town by the sea

A new palace for the La Rocca lords

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of San Giovanni Battista

The cathedral of Sant’Agata: a lengthy reconstruction

New roads for Catania

Many owners, one palace

The Barresi-Branciforte lords

The senses tell the story of the church of San Giuseppe

The wall comes to life

The senses tell the story of the Church of San Giuliano ai Crociferi

Feasting in Palazzolo

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Sebastiano

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

A hall for the feasts

A new entrance for Santa Chiara (St. Claire)

A colourful floor

Baroque and the loss of equilibrium in the 16th century

A square as the heart of the city

A museum to save a tradition

A new site for a new church

The kitchen, a treasure chest of colours

The internal colours

Places of knowledge: the Benedictines’ library

The Maiolica of the staircase

A Nobel Prize in Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The theatre of taste

Corbels: a celebration of the Nicolaci family

A triumph of colour

The senses tell the Cathedral of Sant’Agata

From St. Thomas to St. Joseph

St. Sebastian, so much work!

A half-Baroque church

Wonderful quick decorations

The city of museums

The senses tell the story of the church of Santa Maria del Carmelo

Discovering the mother church

A new site for a new city

The senses tell about Palazzo La Rocca

A small room with a golden entrance

From the contrast of the exterior to the internal jubilation of colours

A symbol for the town

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of the Annunciation

A city in colour

Norman apses

The façade used as a puppet theatre

Militello, the story of an enlightened fiefdom

Fontana della Ninfa Zizza, public water in the town

Rosario Gagliardi, the maestro of the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

The role of the religious orders in rebuilding the Val di Noto

Some prestigious works

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Nicolaci

The two churches

Two illustrious patron saints

The chocolate of Modica

San Benedetto: a treasure reopened to the public

The Burgos crucifix

One city, three sites

A prominent church

A long reconstruction

A miniature city

A talking palace

Prominent façade

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

A design by Vincenzo Sinatra

St. Agatha and the giant candelabras

Some masterpieces