Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

The character of Badia Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

From the contrast of the exterior to the internal jubilation of colours

The church of Carmine

The disastrous earthquake

The chocolate of Modica

Feasting in Palazzolo

A long reconstruction

A small room with a golden entrance

The two churches

A museum to save a tradition

San Nicolò l’Arena: an unfinished church

Norman apses

The Barresi-Branciforte lords

A design by Vincenzo Sinatra

The Benedictine Monastery, one of the largest in Europe

The colours of the cathedral

Between white and black

The senses tell the story of the Church of the Annunciation

From International Gothic to present day

New roads for Catania

Fontana della Ninfa Zizza, public water in the town

Connections with other UNESCO sites

Two illustrious patron saints

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Baroque and the loss of equilibrium in the 16th century

Discovering the mother church

The senses tell the Cathedral of Sant’Agata

Modica, a city with ancient origins

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Benedetto

A miniature city

Places of knowledge: the Benedictines’ library

St. Agatha and the giant candelabras

A Nobel Prize in Modica

A triumph of colour

The senses tell about Palazzo La Rocca

The interior and its masterpieces

A city in colour

The façade used as a puppet theatre

A new entrance for Santa Chiara (St. Claire)

A colourful floor

The senses tell about Palazzo Napolino Tommasi Rosso

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo Nicolaci

A hall for the feasts

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Badia di Sant’Agata

A prominent church

The senses tell the story of the church of Santa Maria del Carmelo

A new site for a new church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From St. Thomas to St. Joseph

The Infiorata, a feast of colours and flowers

The Burgos crucifix

Some prestigious works

San Benedetto: a treasure reopened to the public

A half-Baroque church

The wall comes to life

A new site for a new city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Searching for colour

Many owners, one palace

The Feast of San Giacomo (St. James)

Feast days

The senses tell the story of the staircase of Santa Maria del Monte

An eagle-shaped city

The Maiolica of the staircase

The senses tell the story of the church of San Giovanni Battista

A feast only for Scicli

The theatre of taste

A square as the heart of the city

The senses tell the story of the Church of San Sebastiano

One city, three sites

St. Sebastian, so much work!

Militello, the story of an enlightened fiefdom

A new palace for the La Rocca lords

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

The kitchen, a treasure chest of colours

Rosario Gagliardi, the maestro of the Val di Noto

A talking palace

The senses tell the story of the Church of San Giuliano ai Crociferi

The Baroque town by the sea

The senses tell the story of the Church of San Giovanni Evangelista

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

A majestic and luminous church

Prominent façade

The internal colours

Wonderful quick decorations

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Some masterpieces

The Staircase of Angels

One city, two sites

A symbol for the town

The city of museums

The Supernatural dimension of the chapel of the Santissimo Sacramento