Catania

A small room with a golden entrance

La cappella di Sant'Agata (St. Agatha) è uno dei luoghi più amati dai catanesi: situata nell’ Apse destro della cattedrale, fu voluta dal viceré Ferdinando d'Acuňa , ma, dopo la sua morte, della costruzione si occupò la moglie Maria d’Avila.
 
I lavori iniziarono nel 1495, a cura dello scultore Antonello Freri da Messina, e il risultato è ancora oggi visibile, un trionfo di luci e colori.
Per la pavimentazione si scelsero marmi di varie tinte: nero, bianco, grigio, rosso; per le pareti sono le sculture a dare vitalità ai muri, ulteriormente arricchite nelle parti più alte da meravigliosi affreschi.
Tutta questa luminosità, data anche e soprattutto dall’uso dell’oro, contrasta con la cancellata in ferro battuto che divide la cappella dal resto della chiesa.
foto alla cappella nel suo insieme
L’interno presenta una splendida decorazione dietro l’altare dove si alternano tra le sculture il bianco e l’oro. A catturare l’attenzione è il retablo .
Posto dietro l’altare, esso è una scultura con al centro la glorificazione di Sant’Agata che viene presentata a Cristo dalla Vergine, a destra e sinistra, rispettivamente, San Paolo e San Pietro, e in alto chiudono la composizione i quattro evangelisti: San Marco, San Luca, San Matteo e San Giovanni.

Zoom Retablo
retablo

A destra dell’altare, si trova il monumento sepolcrale di Ferdinando d’Acuňa, a sinistra, una cancellata dorata invece nasconde la “cammaredda”: una stanza di piccole dimensioni dove, in brillanti scrigni d’argento, si conservano le reliquie di Sant’Agata.

A prominent church

From International Gothic to present day

San Benedetto: a treasure reopened to the public

Discovering the mother church

The colours of the cathedral

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Garden of Novices and the restorations by Giancarlo De Carlo

The kitchen, a treasure chest of colours

Rosario Gagliardi, the maestro of the Val di Noto

New roads for Catania

Baroque and the loss of equilibrium in the 16th century

The internal colours

A new site for a new city

Palazzo Nicolaci di Villadorata, who is the architect?

Places of knowledge: the Benedictines’ library

Limestone, the colour of harmony

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giovanni Evangelista

A new entrance for Santa Chiara (St. Claire)

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

San Nicolò l’Arena: an unfinished church

The character of Badia Sant’Agata

The Barresi-Branciforte lords

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

The Maiolica of the staircase

The senses tell the story of the staircase of Santa Maria del Monte

A city in colour

The senses tell the story of the church of San Giovanni Battista

The Infiorata, a feast of colours and flowers

Prominent façade

The senses tell the story of the Church of San Giuliano ai Crociferi

The Supernatural dimension of the chapel of the Santissimo Sacramento

Norman apses

A long reconstruction

Feasting in Palazzolo

The interior and its masterpieces

Two illustrious patron saints

The cathedral of Sant’Agata: a lengthy reconstruction

Wonderful quick decorations

The façade used as a puppet theatre

A triumph of colour

A museum to save a tradition

The senses tell the story of the Church of the Annunciation

The chocolate of Modica

Searching for colour

A design by Vincenzo Sinatra

A hall for the feasts

The theatre of taste

The senses tell the story of the Church of San Sebastiano

The church of Carmine

Many owners, one palace

An eagle-shaped city

The senses tell about Palazzo La Rocca

A small room with a golden entrance

From St. Thomas to St. Joseph

Modica, a city with ancient origins

The senses tell the Cathedral of Sant’Agata

Between white and black

The Benedictine Monastery, one of the largest in Europe

A talking palace

Some masterpieces

A colourful floor

The senses tell the story of the church of San Giuseppe

A Nobel Prize in Modica

The senses tell about Palazzo Napolino Tommasi Rosso

A majestic and luminous church

The two churches

St. Sebastian, so much work!

A square as the heart of the city

A new site for a new church

Militello, the story of an enlightened fiefdom

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A symbol for the town

The Baroque town by the sea

A half-Baroque church

A feast only for Scicli

A miniature city

The wall comes to life

The senses tell the story of the Badia di Sant’Agata

The Feast of San Giacomo (St. James)

A new palace for the La Rocca lords

One city, three sites

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

The Burgos crucifix

St. Agatha and the giant candelabras

The Staircase of Angels

The senses tell about Palazzo Nicolaci

Some prestigious works

Feast days

From the contrast of the exterior to the internal jubilation of colours

The city of museums

One city, two sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore