Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

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A triumph of colour

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Wonderful quick decorations

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A long reconstruction

From International Gothic to present day

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Connections with other UNESCO sites

Prominent façade

The chocolate of Modica

A colourful floor

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A symbol for the town

Two illustrious patron saints

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From St. Thomas to St. Joseph

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The Staircase of Angels

The interior and its masterpieces

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Some prestigious works

Some masterpieces

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The colours of the cathedral

A prominent church

Discovering the mother church

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The theatre of taste

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The city of museums

Feasting in Palazzolo

The church of Carmine

The senses tell the Cathedral of Sant’Agata

Between white and black

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The kitchen, a treasure chest of colours

The senses tell the story of the Church of Santa Chiara

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A talking palace

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From the contrast of the exterior to the internal jubilation of colours

A new site for a new city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The wall comes to life

A design by Vincenzo Sinatra

The character of Badia Sant’Agata

A museum to save a tradition

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Sebastiano

A new entrance for Santa Chiara (St. Claire)

Corbels: a celebration of the Nicolaci family

Limestone, the colour of harmony

A Nobel Prize in Modica

St. Agatha and the giant candelabras

San Benedetto: a treasure reopened to the public

A new site for a new church

The senses tell about Palazzo La Rocca

The Barresi-Branciforte lords

A city in colour

The cathedral of Sant’Agata: a lengthy reconstruction

The two churches

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Norman apses

Fontana della Ninfa Zizza, public water in the town

A small room with a golden entrance

Feast days

Garden of Novices and the restorations by Giancarlo De Carlo

Many owners, one palace

The façade used as a puppet theatre

Modica, a city with ancient origins

The Maiolica of the staircase

The Feast of San Giacomo (St. James)

New roads for Catania

Places of knowledge: the Benedictines’ library

The Baroque town by the sea

The internal colours

A new palace for the La Rocca lords

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Benedetto

One city, two sites