Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

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The wall comes to life

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Feast days

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Two illustrious patron saints

The colours of the cathedral

A talking palace

The internal colours

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The Maiolica of the staircase

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Prominent façade

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A prominent church

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The Staircase of Angels

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The senses tell about Palazzo Nicolaci

Searching for colour

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Wonderful quick decorations

The character of Badia Sant’Agata

A new palace for the La Rocca lords

From the contrast of the exterior to the internal jubilation of colours

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A miniature city

A half-Baroque church

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The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

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St. Agatha and the giant candelabras

The church of Carmine

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Corbels: a celebration of the Nicolaci family

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A long reconstruction

Some masterpieces

A colourful floor

Norman apses

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A hall for the feasts

Connections with other UNESCO sites

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The chocolate of Modica

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The senses tell the Cathedral of Sant’Agata

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The Burgos crucifix

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Rosario Gagliardi, the maestro of the Val di Noto

A new entrance for Santa Chiara (St. Claire)

The kitchen, a treasure chest of colours

The façade used as a puppet theatre