Catania

Norman apses

foto delle absidi dall'esternoIn the late 11th century, during the time of Roger II, the cathedral of Sant'Agata (St. Agatha) was built where the Roman baths were located (which are now accessible and can be visited).
When the Normans conquered Sicily and drove out the Arabs, they decided to build a large, important church in the heart of the ancient city of Catania.
Though the cathedral has undergone many transformations over the centuries, the ancient structures of the apses from the Norman period are still preserved today.
To build the new church, Roger II chose a site close to the sea and had an “Ecclesia munita” built, i.e. a fortified church. His decision was not accidental. This way, the city was defended against foreign attacks and the religious power of the Bishop of Catania was demonstrated.
For this reason, thick walls, Embrasures , corridors for Patrols and Merlons were built. They are still visible today in the external parts of the Transept and the Apses .
The Norman structures are easily recognisable because unlike the rest of the building, they are made entirely of lava stone bricks.
Inside, on the other hand, the ancient Norman structure can only be seen in the left apse.
Zoom su feriotie e merli 
The other two (the main apse and the chapel of St. Agatha) are widely decorated and colourful, and both have lost the rigour and austerity of the ancient structure. The left apse still features the old square stone with no decoration.
foto retablo

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Feast of San Giacomo (St. James)

One city, two sites

The senses tell the story of the Church of the Annunciation

Searching for colour

A small room with a golden entrance

The Barresi-Branciforte lords

A miniature city

A Nobel Prize in Modica

The Benedictine Monastery, one of the largest in Europe

St. Sebastian, so much work!

The character of Badia Sant’Agata

A new site for a new city

Prominent façade

New roads for Catania

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Giuliano ai Crociferi

The Infiorata, a feast of colours and flowers

Some prestigious works

A half-Baroque church

Discovering the mother church

The senses tell the story of the Church of San Sebastiano

Modica, a city with ancient origins

The wall comes to life

St. Agatha and the giant candelabras

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Benedetto: a treasure reopened to the public

A talking palace

Feast days

A new site for a new church

The interior and its masterpieces

The senses tell the story of the church of San Giovanni Battista

A square as the heart of the city

The internal colours

Limestone, the colour of harmony

The senses tell the story of the Church of San Benedetto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

The senses tell the story of the Church of San Giovanni Evangelista

The church of Carmine

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The city of museums

The cathedral of Sant’Agata: a lengthy reconstruction

A feast only for Scicli

Norman apses

The senses tell the story of the church of Santa Maria del Carmelo

A hall for the feasts

The Staircase of Angels

Wonderful quick decorations

The disastrous earthquake

Feasting in Palazzolo

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo La Rocca

The kitchen, a treasure chest of colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Napolino Tommasi Rosso

A city in colour

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

The senses tell the story of the staircase of Santa Maria del Monte

The Burgos crucifix

A long reconstruction

A symbol for the town

Two illustrious patron saints

Many owners, one palace

The colours of the cathedral

The façade used as a puppet theatre

The Baroque town by the sea

A museum to save a tradition

A colourful floor

The senses tell the story of the church of San Giuseppe

An eagle-shaped city

Some masterpieces

A triumph of colour

Fontana della Ninfa Zizza, public water in the town

The theatre of taste

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

One city, three sites

The chocolate of Modica

Palazzo Nicolaci di Villadorata, who is the architect?

Between white and black

San Nicolò l’Arena: an unfinished church

From International Gothic to present day

From St. Thomas to St. Joseph

From the contrast of the exterior to the internal jubilation of colours

Corbels: a celebration of the Nicolaci family

Baroque and the loss of equilibrium in the 16th century

A new palace for the La Rocca lords

Militello, the story of an enlightened fiefdom

A prominent church

The two churches

Garden of Novices and the restorations by Giancarlo De Carlo

The Maiolica of the staircase

A new entrance for Santa Chiara (St. Claire)

A design by Vincenzo Sinatra