Catania

The senses tell the Benedictine Monastery and San NicoIò l’Arena

smell
Odours and aromas from the kitchens

Try to imagine the smells coming from the basement kitchens that rose to the upper floors and the spaces connected to the two refectories.
One of these spaces used to prepare rich dishes is home to the prodigious 18th-century fireplace hood named “il fornetto” (the little oven), built atop the ancient lava flow of 1669.
The kitchen was one of the most important rooms for monastery life, a sort of factory that fed a large number of monks, like a small world of its own inside the colossal monastery.

touch
Lava and marble

One of the most characteristic elements of the Benedictine monastery is, without a doubt, the strong two-tone colour of the main materials used to build it.
Try to touch a marble column on the staircase then one of the lava stone steps leading to the library, and you’ll immediately notice how different they are.
If you touched them you would feel an immediate difference between the two materials: the marble is smooth with no superficial imperfections, while the lava stone is porous and rough.

hearing
Singing and prayer

The life of the Benedictine monks followed the strict rule of Ora et Labora (Pray and Work).
The days were organised into a series of activities: prayer, work and study.
Nor were the monks exempt from prayer at night or early in the morning; they gathered in the night-time chapel, the “night choir”, and sang choruses and prayers to the Lord.

sight
Wow, the colours!

When you think of a kitchen, somewhere clean and full of food, pots and spoons comes to mind. Perhaps for normal, trivial kitchens… because for the monastery kitchen the first thing that comes to mind are the colours of the floor and central structure; a triumph of white, blue, yellow, green and orange.

taste
Bon Appetit!

The kitchen prepared tasty lunches and dinners every day.
In particular, the New Year’s lunch in 1785 had a delicious menu. Shrimp, swordfish and a soup of pasta and fish were prepared as first courses; cod and sunfish with a herb and anchovy sauce were served for the second course, followed by cabbage with tuna and eggs.
The dinner ended with a custard, accompanied by some fruit to finish, in this case apple.
With such a respectable lunch, tasty and rich in every food, you could say the monks were not lacking in anything at all!

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The senses tell the story of the staircase of Santa Maria del Monte

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Some prestigious works

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A hall for the feasts

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A prominent church

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A design by Vincenzo Sinatra

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The Staircase of Angels

The senses tell about Palazzo Nicolaci

The wall comes to life

Feast days

A small room with a golden entrance

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The Infiorata, a feast of colours and flowers

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Wonderful quick decorations

The two churches

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The Benedictine Monastery, one of the largest in Europe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

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A talking palace

The Feast of San Giacomo (St. James)

Fontana della Ninfa Zizza, public water in the town

Two illustrious patron saints

Prominent façade

A triumph of colour

A new site for a new church

From St. Thomas to St. Joseph

Feasting in Palazzolo

A half-Baroque church

Between white and black

From International Gothic to present day

A city in colour

A long reconstruction

The character of Badia Sant’Agata

The chocolate of Modica

One city, three sites

The disastrous earthquake

A Nobel Prize in Modica

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A colourful floor

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new city

The senses tell the Cathedral of Sant’Agata

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The theatre of taste

One city, two sites

Rosario Gagliardi, the maestro of the Val di Noto

Norman apses

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The colours of the cathedral

The internal colours

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Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Badia di Sant’Agata

Modica, a city with ancient origins

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

The Burgos crucifix

From the contrast of the exterior to the internal jubilation of colours

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Limestone, the colour of harmony

Places of knowledge: the Benedictines’ library

The Barresi-Branciforte lords

Searching for colour

Many owners, one palace

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The interior and its masterpieces

The façade used as a puppet theatre

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Corbels: a celebration of the Nicolaci family

A majestic and luminous church