Catania

The cathedral of Sant’Agata: a lengthy reconstruction

The Cathedral of Sant’Agata (St. Agatha) is undoubtedly one of the most important buildings in Piazza Duomo. The foundation of the first cathedral dates back to Roger I, a Norman king around the late 11th century.
From that moment onwards, the church underwent numerous modifications at the hands of the various sovereigns who ascended to the throne. But it was the catastrophe in 1693 that destroyed the old building and forced the bishop to order a new church to be built.
The work phases were long and various architects took part in the project. The first was Girolamo Palazzotto, called upon by the bishop of the city, Ignazio Riggio; in 1709 he started the works and chose to reuse structures that had remained standing, such as the three Norman apses .
In 1729, Palermo-born Pietro Galletti was appointed bishop. He decided to entrust the supervision of the work to architect Giovan Battista Vaccarini who was responsible for completing the remaining sections, including the main façade and the external side wall on Via Vittorio Emanuele.


His design for the façade was so highly criticised that he went to Rome to the Accademia di San Luca (Academy of St. Luke) to ask for approval, as did Charles of Bourbon, who asked his architects to verify the proposal.
Once Vaccarini’s design was accepted, he was able to build the façade, the lateral structure and the internal altars that had remained unfinished. The works were finally completed by Antonino Battaglia, who built the dome. In the 19th century the bell tower was built.
zoom cupola  foto del campanile

A prominent church

The colours of the cathedral

A small room with a golden entrance

A square as the heart of the city

The senses tell the story of the staircase of Santa Maria del Monte

The façade used as a puppet theatre

The cathedral of Sant’Agata: a lengthy reconstruction

A half-Baroque church

The kitchen, a treasure chest of colours

Feast days

Two illustrious patron saints

The senses tell about Palazzo La Rocca

A talking palace

Searching for colour

A colourful floor

Some prestigious works

One city, two sites

The Staircase of Angels

The senses tell the story of the church of San Giovanni Battista

The role of the religious orders in rebuilding the Val di Noto

St. Agatha and the giant candelabras

The church of Carmine

A long reconstruction

A new site for a new church

The two churches

The character of Badia Sant’Agata

A symbol for the town

The chocolate of Modica

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Many owners, one palace

The Infiorata, a feast of colours and flowers

An eagle-shaped city

Places of knowledge: the Benedictines’ library

Limestone, the colour of harmony

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A city in colour

The internal colours

The wall comes to life

A hall for the feasts

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The Barresi-Branciforte lords

Palazzo Nicolaci di Villadorata, who is the architect?

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Connections with other UNESCO sites

A majestic and luminous church

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New roads for Catania

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The senses tell about Palazzo Nicolaci

A triumph of colour

Fontana della Ninfa Zizza, public water in the town

The Benedictine Monastery, one of the largest in Europe

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Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Modica, a city with ancient origins

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The theatre of taste

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A miniature city

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The senses tell the Cathedral of Sant’Agata

Norman apses

The Burgos crucifix

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From the contrast of the exterior to the internal jubilation of colours

Prominent façade

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The disastrous earthquake

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Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feasting in Palazzolo

The senses tell the story of the Badia di Sant’Agata

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Militello, the story of an enlightened fiefdom

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The Maiolica of the staircase

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A design by Vincenzo Sinatra

The senses tell the story of the church of Santa Maria del Carmelo