Catania

The cathedral of Sant’Agata: a lengthy reconstruction

The Cathedral of Sant’Agata (St. Agatha) is undoubtedly one of the most important buildings in Piazza Duomo. The foundation of the first cathedral dates back to Roger I, a Norman king around the late 11th century.
From that moment onwards, the church underwent numerous modifications at the hands of the various sovereigns who ascended to the throne. But it was the catastrophe in 1693 that destroyed the old building and forced the bishop to order a new church to be built.
The work phases were long and various architects took part in the project. The first was Girolamo Palazzotto, called upon by the bishop of the city, Ignazio Riggio; in 1709 he started the works and chose to reuse structures that had remained standing, such as the three Norman apses .
In 1729, Palermo-born Pietro Galletti was appointed bishop. He decided to entrust the supervision of the work to architect Giovan Battista Vaccarini who was responsible for completing the remaining sections, including the main façade and the external side wall on Via Vittorio Emanuele.


His design for the façade was so highly criticised that he went to Rome to the Accademia di San Luca (Academy of St. Luke) to ask for approval, as did Charles of Bourbon, who asked his architects to verify the proposal.
Once Vaccarini’s design was accepted, he was able to build the façade, the lateral structure and the internal altars that had remained unfinished. The works were finally completed by Antonino Battaglia, who built the dome. In the 19th century the bell tower was built.
zoom cupola  foto del campanile

The façade used as a puppet theatre

The city of museums

The Supernatural dimension of the chapel of the Santissimo Sacramento

The role of the religious orders in rebuilding the Val di Noto

The internal colours

The theatre of taste

One city, three sites

A triumph of colour

The Feast of San Giacomo (St. James)

Between white and black

Militello, the story of an enlightened fiefdom

The kitchen, a treasure chest of colours

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A square as the heart of the city

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Badia di Sant’Agata

Two illustrious patron saints

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Benedetto

Some masterpieces

A design by Vincenzo Sinatra

Limestone, the colour of harmony

A half-Baroque church

The Infiorata, a feast of colours and flowers

Fontana della Ninfa Zizza, public water in the town

A museum to save a tradition

Places of knowledge: the Benedictines’ library

An eagle-shaped city

Palazzo Nicolaci di Villadorata, who is the architect?

The colours of the cathedral

A Nobel Prize in Modica

New roads for Catania

A feast only for Scicli

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Searching for colour

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Some prestigious works

The Staircase of Angels

The senses tell the Cathedral of Sant’Agata

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From the contrast of the exterior to the internal jubilation of colours

St. Sebastian, so much work!

The senses tell the story of the staircase of Santa Maria del Monte

The Barresi-Branciforte lords

The Baroque town by the sea

The chocolate of Modica

A prominent church

The senses tell the story of the Church of San Giuliano ai Crociferi

San Benedetto: a treasure reopened to the public

A symbol for the town

A small room with a golden entrance

The Benedictine Monastery, one of the largest in Europe

A majestic and luminous church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A city in colour

The wall comes to life

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Feast days

The church of Carmine

The senses tell about Palazzo Nicolaci

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Discovering the mother church

A new entrance for Santa Chiara (St. Claire)

Wonderful quick decorations

Norman apses

The disastrous earthquake

From International Gothic to present day

Prominent façade

A hall for the feasts

Modica, a city with ancient origins

A long reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

From St. Thomas to St. Joseph

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A talking palace

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Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo La Rocca

A miniature city

Rosario Gagliardi, the maestro of the Val di Noto

The two churches

Connections with other UNESCO sites

The Burgos crucifix

The senses tell the story of the Church of San Sebastiano

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The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A colourful floor

The senses tell the story of the Church of San Giovanni Evangelista

The Maiolica of the staircase