Catania

The cathedral of Sant’Agata: a lengthy reconstruction

The Cathedral of Sant’Agata (St. Agatha) is undoubtedly one of the most important buildings in Piazza Duomo. The foundation of the first cathedral dates back to Roger I, a Norman king around the late 11th century.
From that moment onwards, the church underwent numerous modifications at the hands of the various sovereigns who ascended to the throne. But it was the catastrophe in 1693 that destroyed the old building and forced the bishop to order a new church to be built.
The work phases were long and various architects took part in the project. The first was Girolamo Palazzotto, called upon by the bishop of the city, Ignazio Riggio; in 1709 he started the works and chose to reuse structures that had remained standing, such as the three Norman apses .
In 1729, Palermo-born Pietro Galletti was appointed bishop. He decided to entrust the supervision of the work to architect Giovan Battista Vaccarini who was responsible for completing the remaining sections, including the main façade and the external side wall on Via Vittorio Emanuele.


His design for the façade was so highly criticised that he went to Rome to the Accademia di San Luca (Academy of St. Luke) to ask for approval, as did Charles of Bourbon, who asked his architects to verify the proposal.
Once Vaccarini’s design was accepted, he was able to build the façade, the lateral structure and the internal altars that had remained unfinished. The works were finally completed by Antonino Battaglia, who built the dome. In the 19th century the bell tower was built.
zoom cupola  foto del campanile

Fontana della Ninfa Zizza, public water in the town

Feasting in Palazzolo

The façade used as a puppet theatre

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo La Rocca

The Maiolica of the staircase

A Nobel Prize in Modica

Some prestigious works

The Baroque town by the sea

The senses tell the story of the church of San Giuseppe

A half-Baroque church

A design by Vincenzo Sinatra

The role of the religious orders in rebuilding the Val di Noto

From St. Thomas to St. Joseph

Many owners, one palace

Searching for colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

New roads for Catania

The senses tell the story of the Badia di Sant’Agata

Connections with other UNESCO sites

A talking palace

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

The colours of the cathedral

One city, two sites

Corbels: a celebration of the Nicolaci family

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Burgos crucifix

The Infiorata, a feast of colours and flowers

The Staircase of Angels

The wall comes to life

The disastrous earthquake

A symbol for the town

The cathedral of Sant’Agata: a lengthy reconstruction

From International Gothic to present day

The Benedictine Monastery, one of the largest in Europe

St. Agatha and the giant candelabras

The character of Badia Sant’Agata

Feast days

A square as the heart of the city

The church of Carmine

The senses tell about Palazzo Nicolaci

Garden of Novices and the restorations by Giancarlo De Carlo

Between white and black

A majestic and luminous church

Some masterpieces

A new site for a new church

The Feast of San Giacomo (St. James)

A museum to save a tradition

The internal colours

A long reconstruction

The senses tell the story of the church of San Giovanni Battista

The city of museums

The senses tell the story of the Church of the Annunciation

The theatre of taste

One city, three sites

A colourful floor

A prominent church

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

Rosario Gagliardi, the maestro of the Val di Noto

St. Sebastian, so much work!

The two churches

The senses tell about Palazzo Napolino Tommasi Rosso

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

Wonderful quick decorations

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giuliano ai Crociferi

Places of knowledge: the Benedictines’ library

Limestone, the colour of harmony

An eagle-shaped city

Baroque and the loss of equilibrium in the 16th century

From the contrast of the exterior to the internal jubilation of colours

Militello, the story of an enlightened fiefdom

San Benedetto: a treasure reopened to the public

Modica, a city with ancient origins

A feast only for Scicli

The Barresi-Branciforte lords

Prominent façade

Discovering the mother church

Norman apses

The kitchen, a treasure chest of colours

A new palace for the La Rocca lords

A triumph of colour

A miniature city

The senses tell the story of the church of Santa Maria del Carmelo

A city in colour

A hall for the feasts

The senses tell the story of the Church of Santa Chiara

A new site for a new city

The senses tell the story of the Church of San Sebastiano

The senses tell the Cathedral of Sant’Agata

Two illustrious patron saints

A new entrance for Santa Chiara (St. Claire)

A small room with a golden entrance