Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The disastrous earthquake

A feast only for Scicli

The Burgos crucifix

The Infiorata, a feast of colours and flowers

The city of museums

Limestone, the colour of harmony

A new entrance for Santa Chiara (St. Claire)

The internal colours

Feast days

Palazzo Nicolaci di Villadorata, who is the architect?

The interior and its masterpieces

A talking palace

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

From International Gothic to present day

The church of Carmine

From the contrast of the exterior to the internal jubilation of colours

Discovering the mother church

A city in colour

The senses tell the story of the church of Santa Maria del Carmelo

Between white and black

The senses tell the story of the Church of the Annunciation

The wall comes to life

A majestic and luminous church

A museum to save a tradition

Wonderful quick decorations

Two illustrious patron saints

Garden of Novices and the restorations by Giancarlo De Carlo

Feasting in Palazzolo

A small room with a golden entrance

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Benedetto

The Maiolica of the staircase

St. Sebastian, so much work!

Modica, a city with ancient origins

The two churches

One city, two sites

The senses tell the story of the Church of San Sebastiano

A prominent church

The senses tell the story of the Church of Santa Chiara

Some prestigious works

The senses tell the Cathedral of Sant’Agata

A triumph of colour

New roads for Catania

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A hall for the feasts

The Baroque town by the sea

San Benedetto: a treasure reopened to the public

Fontana della Ninfa Zizza, public water in the town

Searching for colour

A half-Baroque church

The senses tell the story of the Church of San Giuliano ai Crociferi

Norman apses

The senses tell the story of the Badia di Sant’Agata

The kitchen, a treasure chest of colours

The character of Badia Sant’Agata

The Benedictine Monastery, one of the largest in Europe

A symbol for the town

The theatre of taste

A colourful floor

The façade used as a puppet theatre

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

St. Agatha and the giant candelabras

From St. Thomas to St. Joseph

A new site for a new city

A design by Vincenzo Sinatra

Connections with other UNESCO sites

A new palace for the La Rocca lords

The Staircase of Angels

The senses tell about Palazzo La Rocca

A Nobel Prize in Modica

A square as the heart of the city

The senses tell the story of the church of San Giovanni Battista

The Barresi-Branciforte lords

The colours of the cathedral

Many owners, one palace

The senses tell the story of the church of San Giuseppe

The cathedral of Sant’Agata: a lengthy reconstruction

Places of knowledge: the Benedictines’ library

The Supernatural dimension of the chapel of the Santissimo Sacramento

Corbels: a celebration of the Nicolaci family

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

An eagle-shaped city

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Nicolaci

One city, three sites

Militello, the story of an enlightened fiefdom

The chocolate of Modica

A miniature city

Prominent façade

A new site for a new church

Some masterpieces

Baroque and the loss of equilibrium in the 16th century

San Nicolò l’Arena: an unfinished church

The senses tell the Benedictine Monastery and San NicoIò l’Arena