Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

Prominent façade

St. Agatha and the giant candelabras

Some masterpieces

The senses tell the story of the church of Santa Maria del Carmelo

New roads for Catania

A majestic and luminous church

From International Gothic to present day

The wall comes to life

Norman apses

The character of Badia Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

One city, two sites

Modica, a city with ancient origins

The Infiorata, a feast of colours and flowers

The kitchen, a treasure chest of colours

From St. Thomas to St. Joseph

A design by Vincenzo Sinatra

The theatre of taste

The senses tell the story of the Church of San Sebastiano

The church of Carmine

Two illustrious patron saints

The senses tell the story of the Church of the Annunciation

The Maiolica of the staircase

Discovering the mother church

A new entrance for Santa Chiara (St. Claire)

San Nicolò l’Arena: an unfinished church

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

A Nobel Prize in Modica

A feast only for Scicli

The senses tell about Palazzo Napolino Tommasi Rosso

A symbol for the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of San Giovanni Battista

Limestone, the colour of harmony

The chocolate of Modica

The internal colours

The façade used as a puppet theatre

Between white and black

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Benedetto

A city in colour

The senses tell about Palazzo Nicolaci

Baroque and the loss of equilibrium in the 16th century

A square as the heart of the city

A long reconstruction

Feast days

From the contrast of the exterior to the internal jubilation of colours

A hall for the feasts

Searching for colour

The Staircase of Angels

A new site for a new city

The interior and its masterpieces

The senses tell about Palazzo La Rocca

The two churches

Fontana della Ninfa Zizza, public water in the town

A new site for a new church

Garden of Novices and the restorations by Giancarlo De Carlo

The disastrous earthquake

A triumph of colour

A half-Baroque church

A small room with a golden entrance

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

Places of knowledge: the Benedictines’ library

Rosario Gagliardi, the maestro of the Val di Noto

A talking palace

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The city of museums

The Burgos crucifix

The Benedictine Monastery, one of the largest in Europe

The Feast of San Giacomo (St. James)

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the staircase of Santa Maria del Monte

The cathedral of Sant’Agata: a lengthy reconstruction

One city, three sites

Feasting in Palazzolo

A miniature city

The Barresi-Branciforte lords

A prominent church

The senses tell the story of the Church of San Giuliano ai Crociferi

An eagle-shaped city

Some prestigious works

Wonderful quick decorations

St. Sebastian, so much work!

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

Connections with other UNESCO sites

A colourful floor

A new palace for the La Rocca lords

The Baroque town by the sea

The Supernatural dimension of the chapel of the Santissimo Sacramento

The colours of the cathedral

Many owners, one palace

A museum to save a tradition

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giuseppe

Corbels: a celebration of the Nicolaci family