Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

The senses tell about Palazzo Nicolaci

Garden of Novices and the restorations by Giancarlo De Carlo

Connections with other UNESCO sites

A hall for the feasts

The senses tell the story of the staircase of Santa Maria del Monte

A long reconstruction

Corbels: a celebration of the Nicolaci family

The façade used as a puppet theatre

A design by Vincenzo Sinatra

A Nobel Prize in Modica

Modica, a city with ancient origins

A new site for a new city

The Burgos crucifix

The Feast of San Giacomo (St. James)

A half-Baroque church

The chocolate of Modica

The senses tell the story of the church of Santa Maria del Carmelo

The character of Badia Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giuliano ai Crociferi

Some masterpieces

From St. Thomas to St. Joseph

The city of museums

The senses tell the story of the church of San Giuseppe

The interior and its masterpieces

A triumph of colour

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giovanni Battista

The two churches

Norman apses

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Two illustrious patron saints

The Infiorata, a feast of colours and flowers

St. Sebastian, so much work!

The senses tell the story of the Church of San Sebastiano

The theatre of taste

The senses tell about Palazzo La Rocca

San Benedetto: a treasure reopened to the public

The wall comes to life

One city, two sites

A small room with a golden entrance

A symbol for the town

Between white and black

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

The Maiolica of the staircase

The disastrous earthquake

Feast days

The church of Carmine

The Supernatural dimension of the chapel of the Santissimo Sacramento

Searching for colour

St. Agatha and the giant candelabras

Discovering the mother church

The kitchen, a treasure chest of colours

The internal colours

The senses tell about Palazzo Napolino Tommasi Rosso

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giovanni Evangelista

Prominent façade

Limestone, the colour of harmony

A new palace for the La Rocca lords

Many owners, one palace

The colours of the cathedral

A new entrance for Santa Chiara (St. Claire)

An eagle-shaped city

A feast only for Scicli

From International Gothic to present day

One city, three sites

The Barresi-Branciforte lords

A miniature city

Palazzo Nicolaci di Villadorata, who is the architect?

A talking palace

The senses tell the story of the Badia di Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Staircase of Angels

The Baroque town by the sea

Wonderful quick decorations

A new site for a new church

Fontana della Ninfa Zizza, public water in the town

Feasting in Palazzolo

The senses tell the story of the Church of the Annunciation

The senses tell the Cathedral of Sant’Agata

A square as the heart of the city

A prominent church

A museum to save a tradition

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

The Benedictine Monastery, one of the largest in Europe

San Nicolò l’Arena: an unfinished church

Places of knowledge: the Benedictines’ library

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

New roads for Catania

A colourful floor

A city in colour