Catania

New roads for Catania

A geometric model was envisaged for the reconstruction and reorganisation of the streets of Catania, formed of streets with right angle intersections, extending around Piazza Duomo.
The four main roads (Via Etnea, Via Sangiuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi) were designed in this sense.
The former Via Uzeda, now Via Etnea, was designed with the idea of straightening the old Via La Luminaria and creating a long straight road starting from Piazza Duomo.
panorama piazza duomo catania Via Etnea
It was designed to intersect with Via Sangiuliano, which still links the Montevergine district to the sea, and with which it forms the Quattro Canti “.
Via San Giuliano  4 canti con Via Etnea
The other two roads that were built are the current Via Vittorio Emanuele and Via Giuseppe Garibaldi, which today link Piazza Duomo with the old city and Piazza Duomo with Porta Garibaldi respectively.
Via Vittorio Emanuele Via Garibaldi

Via Crociferi was added and completed the city’s new road network, and is where some of the most beautiful churches in Catania were built. It was in these streets that the writer Giovanni Verga  set many of his novels. Some examples include Storia di una capinera (Story of a Blackcap), Una Peccatrice (A Sinner) and I Malavoglia (The Reluctance).
The new road layout brought great advantages to the city of Catania; it made it easier to move around and thus made it possible to create vast spaces where citizens could rush to safety in an earthquake. Reconstruction work was started by groups of workers from Calabria and the area around Etna, experts in the removal of lava stone  blocks.

A feast only for Scicli

The senses tell the story of the church of Santa Maria del Carmelo

A Nobel Prize in Modica

From the contrast of the exterior to the internal jubilation of colours

Baroque and the loss of equilibrium in the 16th century

Rosario Gagliardi, the maestro of the Val di Noto

The Infiorata, a feast of colours and flowers

A hall for the feasts

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, two sites

San Nicolò l’Arena: an unfinished church

Feasting in Palazzolo

The wall comes to life

The senses tell the story of the Badia di Sant’Agata

St. Agatha and the giant candelabras

An eagle-shaped city

A new site for a new city

The church of Carmine

The internal colours

New roads for Catania

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giovanni Battista

The interior and its masterpieces

The chocolate of Modica

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

St. Sebastian, so much work!

One city, three sites

Garden of Novices and the restorations by Giancarlo De Carlo

A miniature city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Nicolaci

The Staircase of Angels

The Maiolica of the staircase

The colours of the cathedral

A colourful floor

The senses tell the story of the church of San Giuseppe

A majestic and luminous church

Feast days

The senses tell about Palazzo Napolino Tommasi Rosso

Wonderful quick decorations

Palazzo Nicolaci di Villadorata, who is the architect?

Connections with other UNESCO sites

A new site for a new church

Some masterpieces

A museum to save a tradition

A prominent church

San Benedetto: a treasure reopened to the public

Between white and black

Searching for colour

A talking palace

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Sebastiano

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Limestone, the colour of harmony

The two churches

A half-Baroque church

A new palace for the La Rocca lords

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Prominent façade

The disastrous earthquake

The senses tell the story of the staircase of Santa Maria del Monte

The Burgos crucifix

The Feast of San Giacomo (St. James)

The senses tell the Cathedral of Sant’Agata

A new entrance for Santa Chiara (St. Claire)

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of Santa Chiara

The Baroque town by the sea

Some prestigious works

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

From International Gothic to present day

The cathedral of Sant’Agata: a lengthy reconstruction

Places of knowledge: the Benedictines’ library

A symbol for the town

Fontana della Ninfa Zizza, public water in the town

The Barresi-Branciforte lords

The senses tell the story of the Church of the Annunciation

The façade used as a puppet theatre

The senses tell the story of the Church of San Benedetto

Norman apses

A city in colour

A square as the heart of the city

Many owners, one palace

A small room with a golden entrance

A triumph of colour

Two illustrious patron saints

The senses tell the story of the Church of San Giuliano ai Crociferi

Discovering the mother church

The senses tell the story of the Church of San Giovanni Evangelista

The Benedictine Monastery, one of the largest in Europe

The theatre of taste

The character of Badia Sant’Agata

Modica, a city with ancient origins

The Supernatural dimension of the chapel of the Santissimo Sacramento

The city of museums

A design by Vincenzo Sinatra

Militello, the story of an enlightened fiefdom