Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the Church of San Benedetto

Between white and black

The senses tell about Palazzo Napolino Tommasi Rosso

Many owners, one palace

A feast only for Scicli

The Maiolica of the staircase

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Barresi-Branciforte lords

Corbels: a celebration of the Nicolaci family

A new site for a new church

A long reconstruction

The interior and its masterpieces

From St. Thomas to St. Joseph

The Burgos crucifix

Places of knowledge: the Benedictines’ library

A symbol for the town

Feasting in Palazzolo

Feast days

The colours of the cathedral

A talking palace

The senses tell the story of the Church of the Annunciation

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The wall comes to life

The senses tell the story of the Church of San Sebastiano

The kitchen, a treasure chest of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A square as the heart of the city

One city, two sites

Limestone, the colour of harmony

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

A new entrance for Santa Chiara (St. Claire)

Connections with other UNESCO sites

The senses tell about Palazzo Nicolaci

The city of museums

The role of the religious orders in rebuilding the Val di Noto

St. Agatha and the giant candelabras

A new site for a new city

One city, three sites

The chocolate of Modica

From International Gothic to present day

An eagle-shaped city

Discovering the mother church

A small room with a golden entrance

A miniature city

Rosario Gagliardi, the maestro of the Val di Noto

The Baroque town by the sea

The theatre of taste

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

The façade used as a puppet theatre

The cathedral of Sant’Agata: a lengthy reconstruction

A colourful floor

The Feast of San Giacomo (St. James)

From the contrast of the exterior to the internal jubilation of colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

Baroque and the loss of equilibrium in the 16th century

Searching for colour

Fontana della Ninfa Zizza, public water in the town

Two illustrious patron saints

The church of Carmine

The senses tell the story of the Church of Santa Chiara

Some masterpieces

The internal colours

A majestic and luminous church

The senses tell the story of the church of San Giuseppe

The Staircase of Angels

The disastrous earthquake

A hall for the feasts

The two churches

A triumph of colour

St. Sebastian, so much work!

Wonderful quick decorations

The Benedictine Monastery, one of the largest in Europe

A prominent church

Norman apses

Prominent façade

A new palace for the La Rocca lords

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giuliano ai Crociferi

A Nobel Prize in Modica

A half-Baroque church

The Infiorata, a feast of colours and flowers

A city in colour

The senses tell about Palazzo La Rocca

Militello, the story of an enlightened fiefdom

San Benedetto: a treasure reopened to the public

New roads for Catania

Modica, a city with ancient origins

Palazzo Nicolaci di Villadorata, who is the architect?

Garden of Novices and the restorations by Giancarlo De Carlo

A museum to save a tradition

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Badia di Sant’Agata

Some prestigious works