Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Corbels: a celebration of the Nicolaci family

Wonderful quick decorations

A feast only for Scicli

Garden of Novices and the restorations by Giancarlo De Carlo

The city of museums

A triumph of colour

A prominent church

The senses tell the story of the church of San Giuseppe

A hall for the feasts

A new site for a new city

A new entrance for Santa Chiara (St. Claire)

Prominent façade

A colourful floor

The Barresi-Branciforte lords

San Benedetto: a treasure reopened to the public

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From St. Thomas to St. Joseph

An eagle-shaped city

The Benedictine Monastery, one of the largest in Europe

The theatre of taste

The senses tell the story of the Church of San Giovanni Evangelista

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giovanni Battista

One city, two sites

A design by Vincenzo Sinatra

The cathedral of Sant’Agata: a lengthy reconstruction

Two illustrious patron saints

Places of knowledge: the Benedictines’ library

Connections with other UNESCO sites

The senses tell the story of the Church of San Giuliano ai Crociferi

The Baroque town by the sea

Limestone, the colour of harmony

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo Nicolaci

The wall comes to life

The Feast of San Giacomo (St. James)

The kitchen, a treasure chest of colours

The internal colours

A majestic and luminous church

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The character of Badia Sant’Agata

Modica, a city with ancient origins

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The church of Carmine

From International Gothic to present day

The senses tell the story of the Badia di Sant’Agata

The chocolate of Modica

The Maiolica of the staircase

Discovering the mother church

The Staircase of Angels

A talking palace

New roads for Catania

The senses tell the story of the Church of San Sebastiano

A square as the heart of the city

Some masterpieces

A small room with a golden entrance

The senses tell the story of the Church of Santa Chiara

Between white and black

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Burgos crucifix

St. Agatha and the giant candelabras

The disastrous earthquake

The senses tell about Palazzo La Rocca

The senses tell the Cathedral of Sant’Agata

Militello, the story of an enlightened fiefdom

San Nicolò l’Arena: an unfinished church

Fontana della Ninfa Zizza, public water in the town

A city in colour

The interior and its masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

A new palace for the La Rocca lords

St. Sebastian, so much work!

One city, three sites

The senses tell the story of the Church of Santa Chiara

Feast days

A long reconstruction

The senses tell the story of the Church of San Benedetto

The colours of the cathedral

Norman apses

A half-Baroque church

Feasting in Palazzolo

A museum to save a tradition

The senses tell about Palazzo Napolino Tommasi Rosso

The two churches

Some prestigious works

A new site for a new church

From the contrast of the exterior to the internal jubilation of colours

Many owners, one palace

A Nobel Prize in Modica

The senses tell the story of the church of Santa Maria del Carmelo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A miniature city

A symbol for the town

The senses tell the story of the Church of the Annunciation

The role of the religious orders in rebuilding the Val di Noto

The Infiorata, a feast of colours and flowers

The façade used as a puppet theatre

Searching for colour