Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo La Rocca

Limestone, the colour of harmony

A long reconstruction

From the contrast of the exterior to the internal jubilation of colours

Fontana della Ninfa Zizza, public water in the town

Wonderful quick decorations

The city of museums

The Burgos crucifix

Rosario Gagliardi, the maestro of the Val di Noto

Searching for colour

A triumph of colour

New roads for Catania

The senses tell the story of the Church of San Giuliano ai Crociferi

The façade used as a puppet theatre

One city, three sites

Connections with other UNESCO sites

A new site for a new city

Militello, the story of an enlightened fiefdom

The role of the religious orders in rebuilding the Val di Noto

The character of Badia Sant’Agata

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Sebastiano

A new palace for the La Rocca lords

The senses tell the story of the Church of the Annunciation

The wall comes to life

One city, two sites

The chocolate of Modica

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

The Benedictine Monastery, one of the largest in Europe

The two churches

The colours of the cathedral

The senses tell the story of the staircase of Santa Maria del Monte

Norman apses

A prominent church

The senses tell the Cathedral of Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

The interior and its masterpieces

Many owners, one palace

Between white and black

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

A half-Baroque church

The Staircase of Angels

A new entrance for Santa Chiara (St. Claire)

Prominent façade

The theatre of taste

A museum to save a tradition

St. Sebastian, so much work!

San Nicolò l’Arena: an unfinished church

Feast days

A colourful floor

A hall for the feasts

Baroque and the loss of equilibrium in the 16th century

The Barresi-Branciforte lords

The disastrous earthquake

A symbol for the town

Discovering the mother church

Modica, a city with ancient origins

The senses tell the story of the Church of San Giovanni Evangelista

A feast only for Scicli

The senses tell the story of the church of Santa Maria del Carmelo

A small room with a golden entrance

The senses tell the story of the church of San Giovanni Battista

An eagle-shaped city

A talking palace

The Feast of San Giacomo (St. James)

Some prestigious works

Feasting in Palazzolo

Two illustrious patron saints

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Baroque town by the sea

A new site for a new church

The church of Carmine

The kitchen, a treasure chest of colours

Corbels: a celebration of the Nicolaci family

A design by Vincenzo Sinatra

A Nobel Prize in Modica

A square as the heart of the city

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Badia di Sant’Agata

Some masterpieces

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

A city in colour

The Infiorata, a feast of colours and flowers

The cathedral of Sant’Agata: a lengthy reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From St. Thomas to St. Joseph

From International Gothic to present day

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A miniature city

A majestic and luminous church