Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The theatre of taste

Feasting in Palazzolo

The disastrous earthquake

The Benedictine Monastery, one of the largest in Europe

Searching for colour

A hall for the feasts

The Baroque town by the sea

The Staircase of Angels

The Barresi-Branciforte lords

Norman apses

Limestone, the colour of harmony

Many owners, one palace

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of San Giuseppe

Prominent façade

The senses tell the story of the Church of San Giovanni Evangelista

The chocolate of Modica

The character of Badia Sant’Agata

The Feast of San Giacomo (St. James)

A square as the heart of the city

The Infiorata, a feast of colours and flowers

A majestic and luminous church

A colourful floor

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

A half-Baroque church

Discovering the mother church

The senses tell the story of the Badia di Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

Some prestigious works

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of the Annunciation

St. Sebastian, so much work!

Modica, a city with ancient origins

Wonderful quick decorations

Two illustrious patron saints

The internal colours

New roads for Catania

A symbol for the town

The church of Carmine

A Nobel Prize in Modica

An eagle-shaped city

A small room with a golden entrance

Garden of Novices and the restorations by Giancarlo De Carlo

Feast days

The Maiolica of the staircase

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the Cathedral of Sant’Agata

From International Gothic to present day

The wall comes to life

One city, three sites

From St. Thomas to St. Joseph

From the contrast of the exterior to the internal jubilation of colours

St. Agatha and the giant candelabras

The city of museums

Connections with other UNESCO sites

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

Between white and black

The Burgos crucifix

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The colours of the cathedral

Some masterpieces

A new site for a new city

Places of knowledge: the Benedictines’ library

The kitchen, a treasure chest of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Nicolò l’Arena: an unfinished church

A new site for a new church

The senses tell about Palazzo Nicolaci

Rosario Gagliardi, the maestro of the Val di Noto

A prominent church

A long reconstruction

Fontana della Ninfa Zizza, public water in the town

The façade used as a puppet theatre

The role of the religious orders in rebuilding the Val di Noto

A new palace for the La Rocca lords

The senses tell about Palazzo La Rocca

One city, two sites

The senses tell about Palazzo Napolino Tommasi Rosso

A new entrance for Santa Chiara (St. Claire)

The two churches

Militello, the story of an enlightened fiefdom

Corbels: a celebration of the Nicolaci family

Baroque and the loss of equilibrium in the 16th century

The interior and its masterpieces

A talking palace

The senses tell the story of the Church of San Benedetto

The Supernatural dimension of the chapel of the Santissimo Sacramento

A triumph of colour

The senses tell the story of the staircase of Santa Maria del Monte

A city in colour

A design by Vincenzo Sinatra

A miniature city

The senses tell the story of the church of San Giovanni Battista