Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Sebastiano

A miniature city

The senses tell the story of the Church of San Giuliano ai Crociferi

From International Gothic to present day

The senses tell the story of the staircase of Santa Maria del Monte

The kitchen, a treasure chest of colours

A city in colour

St. Agatha and the giant candelabras

A square as the heart of the city

The senses tell about Palazzo Napolino Tommasi Rosso

A museum to save a tradition

Corbels: a celebration of the Nicolaci family

Garden of Novices and the restorations by Giancarlo De Carlo

St. Sebastian, so much work!

The senses tell the Cathedral of Sant’Agata

A colourful floor

A Nobel Prize in Modica

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Benedetto

A majestic and luminous church

New roads for Catania

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Prominent façade

A feast only for Scicli

The senses tell the story of the Badia di Sant’Agata

A prominent church

Baroque and the loss of equilibrium in the 16th century

Some masterpieces

The senses tell the story of the church of San Giovanni Battista

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The disastrous earthquake

A symbol for the town

The senses tell the story of the Church of the Annunciation

A hall for the feasts

Places of knowledge: the Benedictines’ library

The Barresi-Branciforte lords

The theatre of taste

One city, three sites

The façade used as a puppet theatre

A talking palace

Some prestigious works

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giuseppe

The chocolate of Modica

The Burgos crucifix

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Searching for colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

Rosario Gagliardi, the maestro of the Val di Noto

A small room with a golden entrance

The two churches

The Maiolica of the staircase

Connections with other UNESCO sites

The city of museums

Two illustrious patron saints

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

Wonderful quick decorations

Many owners, one palace

The interior and its masterpieces

A half-Baroque church

Feasting in Palazzolo

Palazzo Nicolaci di Villadorata, who is the architect?

San Benedetto: a treasure reopened to the public

One city, two sites

Limestone, the colour of harmony

The Feast of San Giacomo (St. James)

A design by Vincenzo Sinatra

A triumph of colour

The internal colours

The senses tell the story of the Church of Santa Chiara

San Nicolò l’Arena: an unfinished church

An eagle-shaped city

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

The Infiorata, a feast of colours and flowers

A new palace for the La Rocca lords

The Benedictine Monastery, one of the largest in Europe

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giovanni Evangelista

From the contrast of the exterior to the internal jubilation of colours

A new site for a new city

Modica, a city with ancient origins

The character of Badia Sant’Agata

The church of Carmine

The cathedral of Sant’Agata: a lengthy reconstruction

Between white and black

The senses tell the story of the church of Santa Maria del Carmelo

Feast days

The wall comes to life

The Baroque town by the sea

A long reconstruction

The Staircase of Angels

Discovering the mother church

A new site for a new church

From St. Thomas to St. Joseph

Norman apses