Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Some prestigious works

The interior and its masterpieces

One city, three sites

The cathedral of Sant’Agata: a lengthy reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A talking palace

The senses tell the story of the Badia di Sant’Agata

A new entrance for Santa Chiara (St. Claire)

New roads for Catania

A small room with a golden entrance

Many owners, one palace

The senses tell the story of the Church of San Giovanni Evangelista

The Benedictine Monastery, one of the largest in Europe

Baroque and the loss of equilibrium in the 16th century

A Nobel Prize in Modica

A new site for a new church

The Baroque town by the sea

The chocolate of Modica

Norman apses

St. Agatha and the giant candelabras

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

A new site for a new city

A hall for the feasts

The role of the religious orders in rebuilding the Val di Noto

The Maiolica of the staircase

An eagle-shaped city

From International Gothic to present day

The colours of the cathedral

The Infiorata, a feast of colours and flowers

Discovering the mother church

A symbol for the town

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of San Giovanni Battista

Palazzo Nicolaci di Villadorata, who is the architect?

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo La Rocca

The church of Carmine

The Feast of San Giacomo (St. James)

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Benedetto

San Benedetto: a treasure reopened to the public

Some masterpieces

A colourful floor

The kitchen, a treasure chest of colours

The theatre of taste

The senses tell the story of the Church of San Sebastiano

A feast only for Scicli

Searching for colour

The Staircase of Angels

Prominent façade

Garden of Novices and the restorations by Giancarlo De Carlo

A prominent church

Feasting in Palazzolo

The senses tell the story of the church of Santa Maria del Carmelo

The two churches

The wall comes to life

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giuseppe

Connections with other UNESCO sites

A miniature city

A half-Baroque church

From the contrast of the exterior to the internal jubilation of colours

A museum to save a tradition

The senses tell about Palazzo Nicolaci

A city in colour

A new palace for the La Rocca lords

Limestone, the colour of harmony

The senses tell the story of the Church of San Giuliano ai Crociferi

A square as the heart of the city

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

A majestic and luminous church

Between white and black

The city of museums

Fontana della Ninfa Zizza, public water in the town

Feast days

Corbels: a celebration of the Nicolaci family

Modica, a city with ancient origins

Rosario Gagliardi, the maestro of the Val di Noto

The character of Badia Sant’Agata

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

Places of knowledge: the Benedictines’ library

A design by Vincenzo Sinatra

The façade used as a puppet theatre

The Barresi-Branciforte lords

The internal colours

The senses tell about Palazzo Napolino Tommasi Rosso

A triumph of colour

The disastrous earthquake

The Supernatural dimension of the chapel of the Santissimo Sacramento

St. Sebastian, so much work!

Wonderful quick decorations

Two illustrious patron saints

The senses tell the story of the Church of the Annunciation

One city, two sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A long reconstruction