Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the church of San Giuseppe

Some masterpieces

The theatre of taste

The senses tell the story of the Church of the Annunciation

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giovanni Battista

A small room with a golden entrance

The senses tell the story of the staircase of Santa Maria del Monte

Palazzo Nicolaci di Villadorata, who is the architect?

The city of museums

The character of Badia Sant’Agata

New roads for Catania

Feast days

The senses tell the story of the Church of San Sebastiano

One city, three sites

Wonderful quick decorations

The disastrous earthquake

The Supernatural dimension of the chapel of the Santissimo Sacramento

An eagle-shaped city

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

The Maiolica of the staircase

The senses tell the story of the Church of San Giovanni Evangelista

One city, two sites

The Benedictine Monastery, one of the largest in Europe

The internal colours

Modica, a city with ancient origins

The kitchen, a treasure chest of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The colours of the cathedral

Corbels: a celebration of the Nicolaci family

A triumph of colour

Garden of Novices and the restorations by Giancarlo De Carlo

The façade used as a puppet theatre

A new site for a new church

A museum to save a tradition

The senses tell the story of the Church of San Benedetto

A square as the heart of the city

From the contrast of the exterior to the internal jubilation of colours

Searching for colour

Norman apses

The church of Carmine

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A colourful floor

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of Santa Chiara

A talking palace

Many owners, one palace

From St. Thomas to St. Joseph

A hall for the feasts

A Nobel Prize in Modica

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

A city in colour

The Feast of San Giacomo (St. James)

A new entrance for Santa Chiara (St. Claire)

A prominent church

The Burgos crucifix

A design by Vincenzo Sinatra

A long reconstruction

St. Sebastian, so much work!

Places of knowledge: the Benedictines’ library

The Staircase of Angels

The senses tell about Palazzo Nicolaci

The senses tell about Palazzo Napolino Tommasi Rosso

A miniature city

The Baroque town by the sea

Connections with other UNESCO sites

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

San Benedetto: a treasure reopened to the public

The senses tell the story of the Badia di Sant’Agata

Two illustrious patron saints

The role of the religious orders in rebuilding the Val di Noto

The chocolate of Modica

Between white and black

Discovering the mother church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The wall comes to life

A symbol for the town

The Barresi-Branciforte lords

San Nicolò l’Arena: an unfinished church

Some prestigious works

Limestone, the colour of harmony

Militello, the story of an enlightened fiefdom

The two churches

The senses tell the story of the Church of San Giuliano ai Crociferi

A new palace for the La Rocca lords

A feast only for Scicli

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo La Rocca

From International Gothic to present day

Prominent façade

A majestic and luminous church

The interior and its masterpieces

Feasting in Palazzolo

A half-Baroque church

St. Agatha and the giant candelabras