Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A Nobel Prize in Modica

Limestone, the colour of harmony

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, two sites

A triumph of colour

Modica, a city with ancient origins

The Infiorata, a feast of colours and flowers

The Baroque town by the sea

The senses tell the story of the Church of the Annunciation

The cathedral of Sant’Agata: a lengthy reconstruction

A hall for the feasts

The two churches

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The kitchen, a treasure chest of colours

Garden of Novices and the restorations by Giancarlo De Carlo

The Staircase of Angels

Discovering the mother church

From International Gothic to present day

Some prestigious works

A square as the heart of the city

The church of Carmine

The senses tell the story of the church of San Giuseppe

Some masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

The internal colours

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo La Rocca

New roads for Catania

Two illustrious patron saints

San Benedetto: a treasure reopened to the public

The interior and its masterpieces

A new entrance for Santa Chiara (St. Claire)

The character of Badia Sant’Agata

The senses tell the story of the Church of San Sebastiano

A new palace for the La Rocca lords

The disastrous earthquake

The senses tell the Benedictine Monastery and San NicoIò l’Arena

St. Agatha and the giant candelabras

A colourful floor

A talking palace

The senses tell about Palazzo Napolino Tommasi Rosso

The wall comes to life

The senses tell about Palazzo Nicolaci

Many owners, one palace

St. Sebastian, so much work!

The senses tell the story of the Church of San Giuliano ai Crociferi

Fontana della Ninfa Zizza, public water in the town

A design by Vincenzo Sinatra

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giovanni Evangelista

Norman apses

The façade used as a puppet theatre

From the contrast of the exterior to the internal jubilation of colours

The city of museums

A long reconstruction

A museum to save a tradition

A majestic and luminous church

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the staircase of Santa Maria del Monte

Connections with other UNESCO sites

A half-Baroque church

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

One city, three sites

A city in colour

The senses tell the story of the Badia di Sant’Agata

Feast days

Feasting in Palazzolo

Baroque and the loss of equilibrium in the 16th century

A new site for a new church

A miniature city

Searching for colour

The Feast of San Giacomo (St. James)

The Burgos crucifix

Between white and black

From St. Thomas to St. Joseph

A small room with a golden entrance

Prominent façade

The theatre of taste

Wonderful quick decorations

The chocolate of Modica

A new site for a new city

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of Santa Maria del Carmelo

Rosario Gagliardi, the maestro of the Val di Noto

The Barresi-Branciforte lords

The Maiolica of the staircase

The Benedictine Monastery, one of the largest in Europe

A symbol for the town

Corbels: a celebration of the Nicolaci family

A prominent church

An eagle-shaped city

The colours of the cathedral

San Nicolò l’Arena: an unfinished church

The senses tell the Cathedral of Sant’Agata