Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The role of the religious orders in rebuilding the Val di Noto

A miniature city

The Staircase of Angels

A Nobel Prize in Modica

San Benedetto: a treasure reopened to the public

The cathedral of Sant’Agata: a lengthy reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of Santa Maria del Carmelo

The kitchen, a treasure chest of colours

A hall for the feasts

The senses tell the story of the Church of Santa Chiara

St. Agatha and the giant candelabras

Palazzo Nicolaci di Villadorata, who is the architect?

A half-Baroque church

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

From the contrast of the exterior to the internal jubilation of colours

A square as the heart of the city

A city in colour

A triumph of colour

The senses tell the story of the Church of the Annunciation

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A design by Vincenzo Sinatra

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of San Giovanni Battista

A museum to save a tradition

The chocolate of Modica

New roads for Catania

The Burgos crucifix

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Between white and black

From St. Thomas to St. Joseph

The city of museums

A colourful floor

The senses tell the story of the Church of San Giovanni Evangelista

The church of Carmine

The Baroque town by the sea

The senses tell about Palazzo Nicolaci

A talking palace

The two churches

The character of Badia Sant’Agata

The Infiorata, a feast of colours and flowers

Searching for colour

Many owners, one palace

The senses tell the story of the church of San Giuseppe

A small room with a golden entrance

Places of knowledge: the Benedictines’ library

The interior and its masterpieces

Feast days

A new site for a new church

Fontana della Ninfa Zizza, public water in the town

Prominent façade

A majestic and luminous church

Baroque and the loss of equilibrium in the 16th century

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

St. Sebastian, so much work!

From International Gothic to present day

The senses tell about Palazzo Napolino Tommasi Rosso

A new palace for the La Rocca lords

The Benedictine Monastery, one of the largest in Europe

Connections with other UNESCO sites

San Nicolò l’Arena: an unfinished church

Norman apses

The Feast of San Giacomo (St. James)

Two illustrious patron saints

The senses tell the Cathedral of Sant’Agata

The wall comes to life

The senses tell the story of the staircase of Santa Maria del Monte

The internal colours

Limestone, the colour of harmony

A feast only for Scicli

The senses tell the story of the Church of San Giuliano ai Crociferi

Rosario Gagliardi, the maestro of the Val di Noto

Discovering the mother church

A symbol for the town

Militello, the story of an enlightened fiefdom

Some prestigious works

The disastrous earthquake

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A prominent church

One city, three sites

The façade used as a puppet theatre

The theatre of taste

An eagle-shaped city

Some masterpieces

The senses tell the story of the Badia di Sant’Agata

Feasting in Palazzolo

A long reconstruction

Corbels: a celebration of the Nicolaci family

A new site for a new city

The senses tell the story of the Church of San Benedetto

Modica, a city with ancient origins

A new entrance for Santa Chiara (St. Claire)

The Barresi-Branciforte lords

Wonderful quick decorations

The Maiolica of the staircase

One city, two sites