Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

One city, two sites

Discovering the mother church

Places of knowledge: the Benedictines’ library

The interior and its masterpieces

A new site for a new church

A new palace for the La Rocca lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

The senses tell the story of the church of San Giuseppe

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giuliano ai Crociferi

Feasting in Palazzolo

The senses tell the story of the Church of San Giovanni Evangelista

The Benedictine Monastery, one of the largest in Europe

Rosario Gagliardi, the maestro of the Val di Noto

The Staircase of Angels

The senses tell the story of the Church of San Sebastiano

The Infiorata, a feast of colours and flowers

A majestic and luminous church

A city in colour

Some masterpieces

From the contrast of the exterior to the internal jubilation of colours

Prominent façade

A miniature city

The church of Carmine

The cathedral of Sant’Agata: a lengthy reconstruction

Many owners, one palace

A symbol for the town

The theatre of taste

St. Sebastian, so much work!

The senses tell about Palazzo Nicolaci

Limestone, the colour of harmony

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Supernatural dimension of the chapel of the Santissimo Sacramento

The kitchen, a treasure chest of colours

A small room with a golden entrance

A hall for the feasts

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Agatha and the giant candelabras

Between white and black

Norman apses

Modica, a city with ancient origins

A talking palace

Wonderful quick decorations

Corbels: a celebration of the Nicolaci family

From St. Thomas to St. Joseph

San Nicolò l’Arena: an unfinished church

Palazzo Nicolaci di Villadorata, who is the architect?

A triumph of colour

New roads for Catania

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

The character of Badia Sant’Agata

One city, three sites

Connections with other UNESCO sites

Garden of Novices and the restorations by Giancarlo De Carlo

The façade used as a puppet theatre

A design by Vincenzo Sinatra

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of the Annunciation

The Burgos crucifix

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The internal colours

A long reconstruction

A museum to save a tradition

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Benedetto

Some prestigious works

The senses tell the story of the church of Santa Maria del Carmelo

Two illustrious patron saints

A square as the heart of the city

The Feast of San Giacomo (St. James)

Baroque and the loss of equilibrium in the 16th century

The Maiolica of the staircase

San Benedetto: a treasure reopened to the public

The senses tell the story of the staircase of Santa Maria del Monte

The Barresi-Branciforte lords

The senses tell about Palazzo La Rocca

The city of museums

The wall comes to life

A feast only for Scicli

The Baroque town by the sea

The senses tell about Palazzo Napolino Tommasi Rosso

A colourful floor

A Nobel Prize in Modica

An eagle-shaped city

The role of the religious orders in rebuilding the Val di Noto

The two churches

The colours of the cathedral

A prominent church

The senses tell the story of the church of San Giovanni Battista

A half-Baroque church

The chocolate of Modica

The senses tell the story of the Badia di Sant’Agata

Searching for colour

Feast days

A new site for a new city