Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A feast only for Scicli

Connections with other UNESCO sites

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

Rosario Gagliardi, the maestro of the Val di Noto

Corbels: a celebration of the Nicolaci family

A miniature city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Benedictine Monastery, one of the largest in Europe

The interior and its masterpieces

Some prestigious works

A new site for a new city

Places of knowledge: the Benedictines’ library

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Feasting in Palazzolo

A long reconstruction

From St. Thomas to St. Joseph

The façade used as a puppet theatre

A symbol for the town

The senses tell the story of the church of San Giuseppe

The Maiolica of the staircase

The Barresi-Branciforte lords

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Benedetto

Some masterpieces

A small room with a golden entrance

St. Sebastian, so much work!

Garden of Novices and the restorations by Giancarlo De Carlo

From International Gothic to present day

Searching for colour

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Sebastiano

The kitchen, a treasure chest of colours

The Baroque town by the sea

The wall comes to life

The cathedral of Sant’Agata: a lengthy reconstruction

Prominent façade

The character of Badia Sant’Agata

The disastrous earthquake

Two illustrious patron saints

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of Santa Chiara

New roads for Catania

The chocolate of Modica

A city in colour

Discovering the mother church

The Feast of San Giacomo (St. James)

San Nicolò l’Arena: an unfinished church

The Burgos crucifix

The Supernatural dimension of the chapel of the Santissimo Sacramento

The church of Carmine

A new palace for the La Rocca lords

San Benedetto: a treasure reopened to the public

A new site for a new church

The senses tell the story of the Church of the Annunciation

The Infiorata, a feast of colours and flowers

The senses tell the story of the Badia di Sant’Agata

A talking palace

A Nobel Prize in Modica

A square as the heart of the city

Baroque and the loss of equilibrium in the 16th century

A colourful floor

The role of the religious orders in rebuilding the Val di Noto

A majestic and luminous church

Palazzo Nicolaci di Villadorata, who is the architect?

The two churches

One city, two sites

The city of museums

The Staircase of Angels

The senses tell about Palazzo Nicolaci

Militello, the story of an enlightened fiefdom

Many owners, one palace

From the contrast of the exterior to the internal jubilation of colours

Norman apses

Wonderful quick decorations

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

The colours of the cathedral

The senses tell the story of the Church of San Giuliano ai Crociferi

Limestone, the colour of harmony

The senses tell about Palazzo La Rocca

Between white and black

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A prominent church

An eagle-shaped city

Modica, a city with ancient origins

One city, three sites

The theatre of taste

The senses tell the story of the staircase of Santa Maria del Monte

Feast days

A hall for the feasts

A triumph of colour

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A half-Baroque church

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

A design by Vincenzo Sinatra