Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The interior and its masterpieces

Searching for colour

The cathedral of Sant’Agata: a lengthy reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

Some prestigious works

Rosario Gagliardi, the maestro of the Val di Noto

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

Norman apses

The colours of the cathedral

Garden of Novices and the restorations by Giancarlo De Carlo

Feast days

The senses tell the Cathedral of Sant’Agata

A majestic and luminous church

A new site for a new church

From International Gothic to present day

A small room with a golden entrance

The Infiorata, a feast of colours and flowers

Two illustrious patron saints

Feasting in Palazzolo

The Maiolica of the staircase

The senses tell about Palazzo Napolino Tommasi Rosso

A symbol for the town

Some masterpieces

A new site for a new city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Baroque town by the sea

Fontana della Ninfa Zizza, public water in the town

A talking palace

The senses tell the story of the Church of the Annunciation

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giuseppe

Modica, a city with ancient origins

The Burgos crucifix

The Feast of San Giacomo (St. James)

A triumph of colour

The senses tell the story of the church of Santa Maria del Carmelo

A feast only for Scicli

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Benedetto

Between white and black

Militello, the story of an enlightened fiefdom

Palazzo Nicolaci di Villadorata, who is the architect?

St. Sebastian, so much work!

The internal colours

New roads for Catania

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

A half-Baroque church

The senses tell the story of the Church of San Sebastiano

The disastrous earthquake

From the contrast of the exterior to the internal jubilation of colours

Wonderful quick decorations

A long reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Badia di Sant’Agata

The church of Carmine

The senses tell the story of the Church of San Giuliano ai Crociferi

The character of Badia Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Corbels: a celebration of the Nicolaci family

The theatre of taste

Prominent façade

Connections with other UNESCO sites

Baroque and the loss of equilibrium in the 16th century

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, two sites

A hall for the feasts

The Barresi-Branciforte lords

From St. Thomas to St. Joseph

A colourful floor

The senses tell about Palazzo Nicolaci

The chocolate of Modica

A Nobel Prize in Modica

The Staircase of Angels

The city of museums

Many owners, one palace

A prominent church

One city, three sites

A miniature city

San Benedetto: a treasure reopened to the public

The wall comes to life

The façade used as a puppet theatre

St. Agatha and the giant candelabras

An eagle-shaped city

The senses tell the story of the Church of San Giovanni Evangelista

The two churches

The senses tell the story of the church of San Giovanni Battista

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

A city in colour

A square as the heart of the city

Discovering the mother church

Limestone, the colour of harmony

The senses tell the story of the staircase of Santa Maria del Monte

A museum to save a tradition