Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

One city, three sites

The senses tell the story of the Church of San Sebastiano

Two illustrious patron saints

The Barresi-Branciforte lords

The kitchen, a treasure chest of colours

Rosario Gagliardi, the maestro of the Val di Noto

The Baroque town by the sea

The senses tell the story of the staircase of Santa Maria del Monte

A hall for the feasts

The senses tell about Palazzo Nicolaci

St. Agatha and the giant candelabras

An eagle-shaped city

A new palace for the La Rocca lords

Wonderful quick decorations

The senses tell about Palazzo Napolino Tommasi Rosso

Norman apses

A colourful floor

A city in colour

New roads for Catania

Connections with other UNESCO sites

The interior and its masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A majestic and luminous church

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

The cathedral of Sant’Agata: a lengthy reconstruction

The Staircase of Angels

A new site for a new church

Some prestigious works

A talking palace

From St. Thomas to St. Joseph

The character of Badia Sant’Agata

The wall comes to life

The senses tell the Cathedral of Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

A small room with a golden entrance

Corbels: a celebration of the Nicolaci family

The internal colours

The senses tell the story of the church of San Giovanni Battista

One city, two sites

Searching for colour

A feast only for Scicli

A half-Baroque church

Palazzo Nicolaci di Villadorata, who is the architect?

A miniature city

A long reconstruction

Fontana della Ninfa Zizza, public water in the town

Limestone, the colour of harmony

Places of knowledge: the Benedictines’ library

The colours of the cathedral

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Giuliano ai Crociferi

The city of museums

A symbol for the town

The church of Carmine

A triumph of colour

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

Modica, a city with ancient origins

A museum to save a tradition

The senses tell the story of the Church of the Annunciation

The Maiolica of the staircase

Prominent façade

A Nobel Prize in Modica

The Feast of San Giacomo (St. James)

San Nicolò l’Arena: an unfinished church

The chocolate of Modica

San Benedetto: a treasure reopened to the public

The Burgos crucifix

The senses tell the story of the church of Santa Maria del Carmelo

From International Gothic to present day

St. Sebastian, so much work!

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Some masterpieces

From the contrast of the exterior to the internal jubilation of colours

Between white and black

Garden of Novices and the restorations by Giancarlo De Carlo

Feast days

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giuseppe

Feasting in Palazzolo

A new site for a new city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo La Rocca

Militello, the story of an enlightened fiefdom

A square as the heart of the city

The senses tell the story of the Badia di Sant’Agata

The two churches

The Benedictine Monastery, one of the largest in Europe

Discovering the mother church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The façade used as a puppet theatre

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A design by Vincenzo Sinatra

The disastrous earthquake

A prominent church

The theatre of taste

Many owners, one palace