Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

San Nicolò l’Arena: an unfinished church

Corbels: a celebration of the Nicolaci family

From the contrast of the exterior to the internal jubilation of colours

A symbol for the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A square as the heart of the city

Wonderful quick decorations

The Infiorata, a feast of colours and flowers

A new entrance for Santa Chiara (St. Claire)

The cathedral of Sant’Agata: a lengthy reconstruction

Limestone, the colour of harmony

The Barresi-Branciforte lords

The Burgos crucifix

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Benedetto: a treasure reopened to the public

Connections with other UNESCO sites

A city in colour

New roads for Catania

The Maiolica of the staircase

The Supernatural dimension of the chapel of the Santissimo Sacramento

Norman apses

Searching for colour

St. Agatha and the giant candelabras

Fontana della Ninfa Zizza, public water in the town

A new site for a new city

The wall comes to life

The Baroque town by the sea

Modica, a city with ancient origins

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Benedetto

A museum to save a tradition

The Staircase of Angels

A new palace for the La Rocca lords

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Badia di Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

The character of Badia Sant’Agata

A long reconstruction

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

A triumph of colour

The church of Carmine

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the church of Santa Maria del Carmelo

A hall for the feasts

The two churches

St. Sebastian, so much work!

The kitchen, a treasure chest of colours

Militello, the story of an enlightened fiefdom

A Nobel Prize in Modica

The senses tell about Palazzo Nicolaci

Between white and black

Many owners, one palace

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Napolino Tommasi Rosso

The façade used as a puppet theatre

The colours of the cathedral

The theatre of taste

The senses tell the story of the Church of Santa Chiara

The city of museums

The Benedictine Monastery, one of the largest in Europe

The chocolate of Modica

One city, three sites

From International Gothic to present day

Places of knowledge: the Benedictines’ library

A small room with a golden entrance

A design by Vincenzo Sinatra

A majestic and luminous church

Some masterpieces

The senses tell the story of the Church of the Annunciation

Prominent façade

From St. Thomas to St. Joseph

Feast days

Feasting in Palazzolo

The disastrous earthquake

A prominent church

Two illustrious patron saints

A half-Baroque church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The role of the religious orders in rebuilding the Val di Noto

The interior and its masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

A talking palace

The internal colours

A colourful floor

A miniature city

An eagle-shaped city

The senses tell about Palazzo La Rocca

Palazzo Nicolaci di Villadorata, who is the architect?

A feast only for Scicli

The senses tell the story of the Church of San Sebastiano

Discovering the mother church

The senses tell the story of the church of San Giovanni Battista

Some prestigious works

The senses tell the Cathedral of Sant’Agata

A new site for a new church

One city, two sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Feast of San Giacomo (St. James)