Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A city in colour

Prominent façade

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giuseppe

One city, three sites

Searching for colour

Militello, the story of an enlightened fiefdom

Norman apses

Feasting in Palazzolo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A talking palace

St. Sebastian, so much work!

The city of museums

The Staircase of Angels

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

The senses tell the story of the staircase of Santa Maria del Monte

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Sebastiano

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Baroque town by the sea

The Feast of San Giacomo (St. James)

The two churches

A long reconstruction

St. Agatha and the giant candelabras

From St. Thomas to St. Joseph

The character of Badia Sant’Agata

A majestic and luminous church

Garden of Novices and the restorations by Giancarlo De Carlo

The Barresi-Branciforte lords

The senses tell the story of the church of Santa Maria del Carmelo

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

A square as the heart of the city

A hall for the feasts

The senses tell about Palazzo Napolino Tommasi Rosso

New roads for Catania

The kitchen, a treasure chest of colours

The disastrous earthquake

Corbels: a celebration of the Nicolaci family

A symbol for the town

The senses tell the story of the Church of San Giuliano ai Crociferi

A new entrance for Santa Chiara (St. Claire)

San Benedetto: a treasure reopened to the public

The interior and its masterpieces

The internal colours

A design by Vincenzo Sinatra

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Benedetto

A prominent church

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

A miniature city

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of the Annunciation

Discovering the mother church

The wall comes to life

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Baroque and the loss of equilibrium in the 16th century

Places of knowledge: the Benedictines’ library

San Nicolò l’Arena: an unfinished church

A half-Baroque church

The senses tell the Cathedral of Sant’Agata

The Benedictine Monastery, one of the largest in Europe

One city, two sites

The Burgos crucifix

The chocolate of Modica

Some prestigious works

An eagle-shaped city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new site for a new city

A small room with a golden entrance

Wonderful quick decorations

Connections with other UNESCO sites

A colourful floor

Some masterpieces

Between white and black

The theatre of taste

Modica, a city with ancient origins

Many owners, one palace

The cathedral of Sant’Agata: a lengthy reconstruction

A triumph of colour

A feast only for Scicli

Feast days

The senses tell the story of the Badia di Sant’Agata

Two illustrious patron saints

The church of Carmine

A museum to save a tradition

The senses tell the story of the Church of San Giovanni Evangelista

Limestone, the colour of harmony

The senses tell about Palazzo Nicolaci

The façade used as a puppet theatre

From International Gothic to present day

A new site for a new church

The senses tell the story of the church of San Giovanni Battista

The colours of the cathedral

Rosario Gagliardi, the maestro of the Val di Noto