Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Wonderful quick decorations

A miniature city

A city in colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Between white and black

The city of museums

The Staircase of Angels

The two churches

An eagle-shaped city

St. Sebastian, so much work!

The Infiorata, a feast of colours and flowers

Corbels: a celebration of the Nicolaci family

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Searching for colour

A new entrance for Santa Chiara (St. Claire)

One city, three sites

Feast days

San Benedetto: a treasure reopened to the public

A new site for a new city

Norman apses

A Nobel Prize in Modica

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of Santa Maria del Carmelo

The Barresi-Branciforte lords

Prominent façade

The colours of the cathedral

From International Gothic to present day

Discovering the mother church

The senses tell the story of the Church of the Annunciation

A majestic and luminous church

The senses tell the Cathedral of Sant’Agata

One city, two sites

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

The wall comes to life

Connections with other UNESCO sites

The interior and its masterpieces

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The kitchen, a treasure chest of colours

The Maiolica of the staircase

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

New roads for Catania

The senses tell the story of the Badia di Sant’Agata

The Baroque town by the sea

The Supernatural dimension of the chapel of the Santissimo Sacramento

Limestone, the colour of harmony

The Burgos crucifix

From the contrast of the exterior to the internal jubilation of colours

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Nicolaci

A new site for a new church

The senses tell the story of the Church of San Giovanni Evangelista

A colourful floor

The senses tell about Palazzo La Rocca

Two illustrious patron saints

A long reconstruction

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

The Benedictine Monastery, one of the largest in Europe

Some masterpieces

Rosario Gagliardi, the maestro of the Val di Noto

A symbol for the town

The senses tell the story of the staircase of Santa Maria del Monte

San Nicolò l’Arena: an unfinished church

The chocolate of Modica

Modica, a city with ancient origins

A talking palace

A hall for the feasts

The theatre of taste

Feasting in Palazzolo

The character of Badia Sant’Agata

The Feast of San Giacomo (St. James)

The disastrous earthquake

A triumph of colour

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Sebastiano

A square as the heart of the city

Many owners, one palace

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

The cathedral of Sant’Agata: a lengthy reconstruction

The role of the religious orders in rebuilding the Val di Noto

From St. Thomas to St. Joseph

The senses tell the story of the church of San Giuseppe

The façade used as a puppet theatre

The church of Carmine

A half-Baroque church

A museum to save a tradition

A prominent church

The internal colours

The senses tell the story of the church of San Giovanni Battista

A new palace for the La Rocca lords

A feast only for Scicli

The senses tell about Palazzo Napolino Tommasi Rosso

Some prestigious works