Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A new site for a new city

A new palace for the La Rocca lords

New roads for Catania

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giovanni Evangelista

A colourful floor

Norman apses

The Baroque town by the sea

Prominent façade

A new site for a new church

A museum to save a tradition

The senses tell about Palazzo La Rocca

A feast only for Scicli

A square as the heart of the city

Connections with other UNESCO sites

The colours of the cathedral

Limestone, the colour of harmony

The city of museums

A new entrance for Santa Chiara (St. Claire)

The Barresi-Branciforte lords

San Nicolò l’Arena: an unfinished church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The internal colours

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

The interior and its masterpieces

Searching for colour

Palazzo Nicolaci di Villadorata, who is the architect?

Feast days

The Benedictine Monastery, one of the largest in Europe

The kitchen, a treasure chest of colours

From the contrast of the exterior to the internal jubilation of colours

A prominent church

The senses tell the Cathedral of Sant’Agata

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Badia di Sant’Agata

Corbels: a celebration of the Nicolaci family

The Maiolica of the staircase

The disastrous earthquake

The character of Badia Sant’Agata

Two illustrious patron saints

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of Santa Maria del Carmelo

One city, three sites

The façade used as a puppet theatre

Between white and black

A hall for the feasts

San Benedetto: a treasure reopened to the public

A talking palace

The senses tell the story of the staircase of Santa Maria del Monte

The Burgos crucifix

One city, two sites

A design by Vincenzo Sinatra

The chocolate of Modica

Some prestigious works

The theatre of taste

Discovering the mother church

A long reconstruction

A half-Baroque church

A city in colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Rosario Gagliardi, the maestro of the Val di Noto

The church of Carmine

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

Wonderful quick decorations

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Benedetto

The two churches

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giuliano ai Crociferi

The Infiorata, a feast of colours and flowers

From St. Thomas to St. Joseph

The wall comes to life

The senses tell the story of the church of San Giuseppe

Modica, a city with ancient origins

The cathedral of Sant’Agata: a lengthy reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From International Gothic to present day

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of the Annunciation

St. Sebastian, so much work!

An eagle-shaped city

St. Agatha and the giant candelabras

Feasting in Palazzolo

The senses tell about Palazzo Nicolaci

A small room with a golden entrance

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque and the loss of equilibrium in the 16th century

A symbol for the town

Many owners, one palace

A miniature city

A Nobel Prize in Modica

The Feast of San Giacomo (St. James)

Some masterpieces

A triumph of colour

The Staircase of Angels