Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A long reconstruction

Limestone, the colour of harmony

The Benedictine Monastery, one of the largest in Europe

One city, three sites

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A hall for the feasts

Rosario Gagliardi, the maestro of the Val di Noto

The interior and its masterpieces

San Benedetto: a treasure reopened to the public

Militello, the story of an enlightened fiefdom

A symbol for the town

The senses tell the story of the Church of San Giovanni Evangelista

The Baroque town by the sea

A new site for a new city

Some masterpieces

Fontana della Ninfa Zizza, public water in the town

From International Gothic to present day

A feast only for Scicli

A new palace for the La Rocca lords

The wall comes to life

A colourful floor

A new site for a new church

Many owners, one palace

Wonderful quick decorations

Corbels: a celebration of the Nicolaci family

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A Nobel Prize in Modica

The senses tell the story of the church of San Giuseppe

Feast days

Feasting in Palazzolo

The disastrous earthquake

The two churches

The Infiorata, a feast of colours and flowers

A prominent church

The senses tell the story of the Church of San Sebastiano

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Badia di Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of Santa Chiara

Palazzo Nicolaci di Villadorata, who is the architect?

A square as the heart of the city

The senses tell about Palazzo Napolino Tommasi Rosso

A design by Vincenzo Sinatra

The role of the religious orders in rebuilding the Val di Noto

Norman apses

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Cathedral of Sant’Agata

St. Sebastian, so much work!

A talking palace

A miniature city

One city, two sites

The senses tell the story of the staircase of Santa Maria del Monte

Garden of Novices and the restorations by Giancarlo De Carlo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A majestic and luminous church

The senses tell the story of the Church of the Annunciation

Discovering the mother church

The senses tell the story of the church of San Giovanni Battista

The church of Carmine

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

Connections with other UNESCO sites

From St. Thomas to St. Joseph

The chocolate of Modica

A museum to save a tradition

The Staircase of Angels

The façade used as a puppet theatre

Places of knowledge: the Benedictines’ library

Two illustrious patron saints

The city of museums

The senses tell about Palazzo La Rocca

The senses tell the story of the church of Santa Maria del Carmelo

An eagle-shaped city

The senses tell about Palazzo Nicolaci

The Feast of San Giacomo (St. James)

A city in colour

Between white and black

The character of Badia Sant’Agata

The Supernatural dimension of the chapel of the Santissimo Sacramento

Searching for colour

A half-Baroque church

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

San Nicolò l’Arena: an unfinished church

From the contrast of the exterior to the internal jubilation of colours

The theatre of taste

A new entrance for Santa Chiara (St. Claire)

A triumph of colour

New roads for Catania

Modica, a city with ancient origins

The Barresi-Branciforte lords

The Burgos crucifix

The colours of the cathedral

The kitchen, a treasure chest of colours

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

Prominent façade