Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A new site for a new city

Feasting in Palazzolo

A city in colour

Palazzo Nicolaci di Villadorata, who is the architect?

The Maiolica of the staircase

Between white and black

The senses tell the story of the church of Santa Maria del Carmelo

A Nobel Prize in Modica

New roads for Catania

The senses tell the story of the Church of San Sebastiano

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The colours of the cathedral

Rosario Gagliardi, the maestro of the Val di Noto

A hall for the feasts

Baroque and the loss of equilibrium in the 16th century

A colourful floor

Many owners, one palace

Some masterpieces

The chocolate of Modica

The senses tell about Palazzo Napolino Tommasi Rosso

Some prestigious works

The senses tell the story of the staircase of Santa Maria del Monte

A miniature city

A talking palace

The Barresi-Branciforte lords

A half-Baroque church

The senses tell the story of the Church of the Annunciation

A new palace for the La Rocca lords

The cathedral of Sant’Agata: a lengthy reconstruction

From International Gothic to present day

The city of museums

Discovering the mother church

The Feast of San Giacomo (St. James)

One city, two sites

The disastrous earthquake

A triumph of colour

The Staircase of Angels

Searching for colour

The senses tell the story of the Church of San Benedetto

A square as the heart of the city

The wall comes to life

Limestone, the colour of harmony

The interior and its masterpieces

A feast only for Scicli

Modica, a city with ancient origins

A long reconstruction

The Baroque town by the sea

The Benedictine Monastery, one of the largest in Europe

The theatre of taste

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giuliano ai Crociferi

A prominent church

Wonderful quick decorations

Two illustrious patron saints

The two churches

The Burgos crucifix

The church of Carmine

A new site for a new church

The character of Badia Sant’Agata

The Infiorata, a feast of colours and flowers

Norman apses

A museum to save a tradition

A majestic and luminous church

The Supernatural dimension of the chapel of the Santissimo Sacramento

Connections with other UNESCO sites

A small room with a golden entrance

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

St. Sebastian, so much work!

A design by Vincenzo Sinatra

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo La Rocca

San Nicolò l’Arena: an unfinished church

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Giovanni Evangelista

Garden of Novices and the restorations by Giancarlo De Carlo

Places of knowledge: the Benedictines’ library

Feast days

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The façade used as a puppet theatre

Militello, the story of an enlightened fiefdom

A new entrance for Santa Chiara (St. Claire)

Prominent façade

The senses tell the story of the church of San Giuseppe

An eagle-shaped city

One city, three sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

The internal colours

The role of the religious orders in rebuilding the Val di Noto

From St. Thomas to St. Joseph

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Nicolaci

A symbol for the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The kitchen, a treasure chest of colours