Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A half-Baroque church

A triumph of colour

Between white and black

The façade used as a puppet theatre

The two churches

Feasting in Palazzolo

Discovering the mother church

A majestic and luminous church

The senses tell the Cathedral of Sant’Agata

The chocolate of Modica

A city in colour

The Barresi-Branciforte lords

The Burgos crucifix

The senses tell the Benedictine Monastery and San NicoIò l’Arena

St. Sebastian, so much work!

The interior and its masterpieces

New roads for Catania

A new site for a new church

Modica, a city with ancient origins

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of Santa Chiara

A symbol for the town

The senses tell the story of the Badia di Sant’Agata

Militello, the story of an enlightened fiefdom

The theatre of taste

The Staircase of Angels

Some prestigious works

From the contrast of the exterior to the internal jubilation of colours

A square as the heart of the city

Places of knowledge: the Benedictines’ library

Searching for colour

The role of the religious orders in rebuilding the Val di Noto

A prominent church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A long reconstruction

The senses tell the story of the Church of San Benedetto

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Benedictine Monastery, one of the largest in Europe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The colours of the cathedral

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo Nicolaci

Limestone, the colour of harmony

San Benedetto: a treasure reopened to the public

A new entrance for Santa Chiara (St. Claire)

The internal colours

From International Gothic to present day

A feast only for Scicli

The senses tell the story of the Church of San Giovanni Evangelista

One city, three sites

The wall comes to life

The senses tell the story of the Church of San Sebastiano

The Infiorata, a feast of colours and flowers

St. Agatha and the giant candelabras

The senses tell the story of the staircase of Santa Maria del Monte

From St. Thomas to St. Joseph

Palazzo Nicolaci di Villadorata, who is the architect?

Corbels: a celebration of the Nicolaci family

Rosario Gagliardi, the maestro of the Val di Noto

An eagle-shaped city

A small room with a golden entrance

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo La Rocca

Many owners, one palace

A design by Vincenzo Sinatra

A museum to save a tradition

A hall for the feasts

One city, two sites

The church of Carmine

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Giuliano ai Crociferi

Norman apses

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new city

Prominent façade

The senses tell the story of the Church of Santa Chiara

Two illustrious patron saints

The Baroque town by the sea

A miniature city

The character of Badia Sant’Agata

Connections with other UNESCO sites

The city of museums

The senses tell the story of the church of San Giovanni Battista

A colourful floor

Fontana della Ninfa Zizza, public water in the town

The Maiolica of the staircase

The senses tell about Palazzo Napolino Tommasi Rosso

Some masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

A Nobel Prize in Modica

The disastrous earthquake

A talking palace

A new palace for the La Rocca lords

San Nicolò l’Arena: an unfinished church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feast days

Wonderful quick decorations

The Feast of San Giacomo (St. James)

Baroque and the loss of equilibrium in the 16th century