Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A city in colour

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Nicolaci

The Staircase of Angels

The character of Badia Sant’Agata

A talking palace

Some masterpieces

The senses tell the story of the Badia di Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new site for a new city

The senses tell the story of the Church of the Annunciation

The interior and its masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

The church of Carmine

The senses tell about Palazzo Napolino Tommasi Rosso

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

A miniature city

The senses tell the story of the Church of San Giovanni Evangelista

The kitchen, a treasure chest of colours

Discovering the mother church

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of San Giovanni Battista

From International Gothic to present day

The two churches

A hall for the feasts

A museum to save a tradition

The senses tell the story of the church of San Giuseppe

The role of the religious orders in rebuilding the Val di Noto

Wonderful quick decorations

The senses tell the story of the staircase of Santa Maria del Monte

San Benedetto: a treasure reopened to the public

A Nobel Prize in Modica

From St. Thomas to St. Joseph

The wall comes to life

A triumph of colour

Militello, the story of an enlightened fiefdom

A new entrance for Santa Chiara (St. Claire)

Rosario Gagliardi, the maestro of the Val di Noto

The disastrous earthquake

Baroque and the loss of equilibrium in the 16th century

A colourful floor

San Nicolò l’Arena: an unfinished church

New roads for Catania

The senses tell the Cathedral of Sant’Agata

Some prestigious works

A half-Baroque church

A small room with a golden entrance

A symbol for the town

The façade used as a puppet theatre

The city of museums

The Maiolica of the staircase

Feast days

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Between white and black

Connections with other UNESCO sites

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Sebastiano

A prominent church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A square as the heart of the city

A feast only for Scicli

Fontana della Ninfa Zizza, public water in the town

One city, three sites

A design by Vincenzo Sinatra

St. Sebastian, so much work!

The chocolate of Modica

The theatre of taste

Modica, a city with ancient origins

The cathedral of Sant’Agata: a lengthy reconstruction

Searching for colour

The Benedictine Monastery, one of the largest in Europe

St. Agatha and the giant candelabras

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

A majestic and luminous church

Prominent façade

Two illustrious patron saints

Norman apses

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Benedetto

Limestone, the colour of harmony

One city, two sites

The Baroque town by the sea

The colours of the cathedral

From the contrast of the exterior to the internal jubilation of colours

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

An eagle-shaped city

The Burgos crucifix

Corbels: a celebration of the Nicolaci family

The Barresi-Branciforte lords

A long reconstruction

Places of knowledge: the Benedictines’ library

The Supernatural dimension of the chapel of the Santissimo Sacramento

The internal colours