Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Garden of Novices and the restorations by Giancarlo De Carlo

From St. Thomas to St. Joseph

A long reconstruction

Baroque and the loss of equilibrium in the 16th century

Some prestigious works

The senses tell the story of the Church of San Giovanni Evangelista

A small room with a golden entrance

The city of museums

The wall comes to life

A prominent church

A symbol for the town

Discovering the mother church

Prominent façade

From the contrast of the exterior to the internal jubilation of colours

St. Sebastian, so much work!

St. Agatha and the giant candelabras

Rosario Gagliardi, the maestro of the Val di Noto

Norman apses

The façade used as a puppet theatre

Corbels: a celebration of the Nicolaci family

Places of knowledge: the Benedictines’ library

The church of Carmine

The senses tell the story of the church of San Giovanni Battista

A design by Vincenzo Sinatra

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

The senses tell the story of the staircase of Santa Maria del Monte

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano

Feast days

The senses tell the story of the church of Santa Maria del Carmelo

The Staircase of Angels

Limestone, the colour of harmony

San Nicolò l’Arena: an unfinished church

The Benedictine Monastery, one of the largest in Europe

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From International Gothic to present day

A city in colour

A new palace for the La Rocca lords

San Benedetto: a treasure reopened to the public

An eagle-shaped city

Some masterpieces

The Feast of San Giacomo (St. James)

New roads for Catania

A hall for the feasts

The senses tell the story of the church of San Giuseppe

The Baroque town by the sea

A majestic and luminous church

A new entrance for Santa Chiara (St. Claire)

The kitchen, a treasure chest of colours

A triumph of colour

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of the Annunciation

Searching for colour

The Barresi-Branciforte lords

The interior and its masterpieces

Wonderful quick decorations

The Maiolica of the staircase

A talking palace

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

Militello, the story of an enlightened fiefdom

One city, two sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Supernatural dimension of the chapel of the Santissimo Sacramento

A museum to save a tradition

The internal colours

The theatre of taste

Many owners, one palace

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The disastrous earthquake

A new site for a new city

The two churches

The cathedral of Sant’Agata: a lengthy reconstruction

A new site for a new church

A square as the heart of the city

The character of Badia Sant’Agata

The chocolate of Modica

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Nicolaci

Between white and black

A half-Baroque church

A Nobel Prize in Modica

Modica, a city with ancient origins

Fontana della Ninfa Zizza, public water in the town

One city, three sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A miniature city

The Burgos crucifix

Two illustrious patron saints

Palazzo Nicolaci di Villadorata, who is the architect?

Connections with other UNESCO sites

The senses tell the story of the Church of San Giuliano ai Crociferi

A colourful floor

The senses tell the story of the Badia di Sant’Agata

A feast only for Scicli