Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Discovering the mother church

San Benedetto: a treasure reopened to the public

An eagle-shaped city

St. Sebastian, so much work!

Norman apses

The two churches

Limestone, the colour of harmony

A feast only for Scicli

Palazzo Nicolaci di Villadorata, who is the architect?

Modica, a city with ancient origins

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, three sites

A miniature city

The colours of the cathedral

The wall comes to life

The theatre of taste

A square as the heart of the city

The senses tell the story of the Church of San Sebastiano

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Burgos crucifix

The church of Carmine

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Nicolaci

A new palace for the La Rocca lords

The senses tell the story of the staircase of Santa Maria del Monte

The cathedral of Sant’Agata: a lengthy reconstruction

The disastrous earthquake

The kitchen, a treasure chest of colours

The role of the religious orders in rebuilding the Val di Noto

The internal colours

A symbol for the town

A design by Vincenzo Sinatra

The senses tell the story of the Church of the Annunciation

The Infiorata, a feast of colours and flowers

A new site for a new church

Baroque and the loss of equilibrium in the 16th century

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of San Giovanni Battista

A half-Baroque church

The senses tell the story of the Badia di Sant’Agata

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giuseppe

Feasting in Palazzolo

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of Santa Chiara

The Supernatural dimension of the chapel of the Santissimo Sacramento

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new city

Connections with other UNESCO sites

The Benedictine Monastery, one of the largest in Europe

The Maiolica of the staircase

Militello, the story of an enlightened fiefdom

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Nicolò l’Arena: an unfinished church

Some prestigious works

A Nobel Prize in Modica

Between white and black

The senses tell about Palazzo Napolino Tommasi Rosso

One city, two sites

A triumph of colour

The senses tell the story of the church of Santa Maria del Carmelo

A long reconstruction

The Barresi-Branciforte lords

Fontana della Ninfa Zizza, public water in the town

The character of Badia Sant’Agata

A museum to save a tradition

From International Gothic to present day

A majestic and luminous church

The façade used as a puppet theatre

A city in colour

A small room with a golden entrance

The Staircase of Angels

Wonderful quick decorations

Searching for colour

Garden of Novices and the restorations by Giancarlo De Carlo

Feast days

The chocolate of Modica

The city of museums

The interior and its masterpieces

The senses tell the story of the Church of San Benedetto

The senses tell the Cathedral of Sant’Agata

A new entrance for Santa Chiara (St. Claire)

A prominent church

Many owners, one palace

Prominent façade

From St. Thomas to St. Joseph

Two illustrious patron saints

Some masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

A talking palace

A colourful floor

Places of knowledge: the Benedictines’ library

New roads for Catania

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A hall for the feasts

The Baroque town by the sea

The Feast of San Giacomo (St. James)