Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A majestic and luminous church

Limestone, the colour of harmony

One city, three sites

The senses tell the story of the Church of the Annunciation

Many owners, one palace

Feasting in Palazzolo

Feast days

A feast only for Scicli

An eagle-shaped city

The internal colours

A new palace for the La Rocca lords

Wonderful quick decorations

The Baroque town by the sea

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

The Barresi-Branciforte lords

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A symbol for the town

A city in colour

The character of Badia Sant’Agata

A half-Baroque church

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo La Rocca

One city, two sites

Baroque and the loss of equilibrium in the 16th century

Militello, the story of an enlightened fiefdom

The role of the religious orders in rebuilding the Val di Noto

Between white and black

San Nicolò l’Arena: an unfinished church

The senses tell the story of the staircase of Santa Maria del Monte

A long reconstruction

A Nobel Prize in Modica

Norman apses

The wall comes to life

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Napolino Tommasi Rosso

New roads for Catania

The city of museums

A talking palace

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

A square as the heart of the city

The two churches

Connections with other UNESCO sites

Modica, a city with ancient origins

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Badia di Sant’Agata

The Maiolica of the staircase

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A miniature city

The church of Carmine

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Benedetto

Some prestigious works

The senses tell the story of the Church of San Sebastiano

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A small room with a golden entrance

St. Sebastian, so much work!

The Benedictine Monastery, one of the largest in Europe

The disastrous earthquake

From International Gothic to present day

A new site for a new city

A new entrance for Santa Chiara (St. Claire)

Palazzo Nicolaci di Villadorata, who is the architect?

Discovering the mother church

Garden of Novices and the restorations by Giancarlo De Carlo

A prominent church

From the contrast of the exterior to the internal jubilation of colours

The Infiorata, a feast of colours and flowers

A museum to save a tradition

A triumph of colour

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

Two illustrious patron saints

The senses tell the Cathedral of Sant’Agata

Fontana della Ninfa Zizza, public water in the town

A new site for a new church

The theatre of taste

The Burgos crucifix

Some masterpieces

From St. Thomas to St. Joseph

The cathedral of Sant’Agata: a lengthy reconstruction

The interior and its masterpieces

The chocolate of Modica

San Benedetto: a treasure reopened to the public

Prominent façade

The kitchen, a treasure chest of colours

Places of knowledge: the Benedictines’ library

Searching for colour

A colourful floor

A hall for the feasts

A design by Vincenzo Sinatra

The façade used as a puppet theatre

The colours of the cathedral

The senses tell the story of the church of San Giuseppe