Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

St. Sebastian, so much work!

The façade used as a puppet theatre

The Infiorata, a feast of colours and flowers

A new site for a new city

The senses tell the story of the Church of San Giuliano ai Crociferi

The Barresi-Branciforte lords

A new entrance for Santa Chiara (St. Claire)

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A colourful floor

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

Militello, the story of an enlightened fiefdom

The Feast of San Giacomo (St. James)

The chocolate of Modica

The wall comes to life

A symbol for the town

A prominent church

The church of Carmine

New roads for Catania

St. Agatha and the giant candelabras

A half-Baroque church

From St. Thomas to St. Joseph

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of San Giovanni Battista

The Supernatural dimension of the chapel of the Santissimo Sacramento

Prominent façade

The senses tell about Palazzo Napolino Tommasi Rosso

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Baroque town by the sea

The kitchen, a treasure chest of colours

The senses tell the story of the church of Santa Maria del Carmelo

Discovering the mother church

One city, two sites

Between white and black

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of Sant’Agata

A hall for the feasts

The senses tell the story of the Church of San Giovanni Evangelista

A small room with a golden entrance

Some masterpieces

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

The role of the religious orders in rebuilding the Val di Noto

A long reconstruction

Wonderful quick decorations

The senses tell the story of the Church of San Benedetto

Some prestigious works

A Nobel Prize in Modica

A miniature city

A triumph of colour

The two churches

A talking palace

A square as the heart of the city

A city in colour

An eagle-shaped city

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, three sites

Connections with other UNESCO sites

The internal colours

The senses tell the story of the church of San Giuseppe

A new site for a new church

The colours of the cathedral

The interior and its masterpieces

Norman apses

Palazzo Nicolaci di Villadorata, who is the architect?

The disastrous earthquake

The city of museums

Feast days

Searching for colour

Limestone, the colour of harmony

A new palace for the La Rocca lords

The Staircase of Angels

Modica, a city with ancient origins

Places of knowledge: the Benedictines’ library

San Benedetto: a treasure reopened to the public

From International Gothic to present day

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Burgos crucifix

Two illustrious patron saints

Feasting in Palazzolo

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Nicolaci

A design by Vincenzo Sinatra

The Benedictine Monastery, one of the largest in Europe

The theatre of taste

The Maiolica of the staircase

Many owners, one palace

A museum to save a tradition

A feast only for Scicli

Fontana della Ninfa Zizza, public water in the town

The character of Badia Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

San Nicolò l’Arena: an unfinished church

A majestic and luminous church