Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

A hall for the feasts

The Infiorata, a feast of colours and flowers

One city, two sites

The Burgos crucifix

Modica, a city with ancient origins

A new entrance for Santa Chiara (St. Claire)

A small room with a golden entrance

Some masterpieces

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of the Annunciation

A triumph of colour

A new palace for the La Rocca lords

A feast only for Scicli

St. Sebastian, so much work!

New roads for Catania

Places of knowledge: the Benedictines’ library

Militello, the story of an enlightened fiefdom

The wall comes to life

A Nobel Prize in Modica

The two churches

Prominent façade

Baroque and the loss of equilibrium in the 16th century

Connections with other UNESCO sites

The senses tell the story of the Church of San Giovanni Evangelista

The theatre of taste

Norman apses

A miniature city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Two illustrious patron saints

The cathedral of Sant’Agata: a lengthy reconstruction

Corbels: a celebration of the Nicolaci family

A city in colour

The senses tell the story of the church of Santa Maria del Carmelo

The city of museums

The Maiolica of the staircase

A prominent church

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Nicolò l’Arena: an unfinished church

The internal colours

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

A museum to save a tradition

Many owners, one palace

A design by Vincenzo Sinatra

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Sebastiano

The Staircase of Angels

A half-Baroque church

Feast days

The senses tell about Palazzo La Rocca

A symbol for the town

Palazzo Nicolaci di Villadorata, who is the architect?

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

From the contrast of the exterior to the internal jubilation of colours

St. Agatha and the giant candelabras

From St. Thomas to St. Joseph

A majestic and luminous church

A new site for a new city

Rosario Gagliardi, the maestro of the Val di Noto

Limestone, the colour of harmony

The chocolate of Modica

A new site for a new church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Benedictine Monastery, one of the largest in Europe

The senses tell the Cathedral of Sant’Agata

The Baroque town by the sea

The colours of the cathedral

The senses tell the story of the Badia di Sant’Agata

The disastrous earthquake

A long reconstruction

The senses tell about Palazzo Nicolaci

A colourful floor

From International Gothic to present day

The façade used as a puppet theatre

A talking palace

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of San Giuseppe

Some prestigious works

Fontana della Ninfa Zizza, public water in the town

One city, three sites

The Barresi-Branciforte lords

Feasting in Palazzolo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Benedetto: a treasure reopened to the public

Discovering the mother church

Searching for colour

The senses tell the story of the staircase of Santa Maria del Monte

Between white and black

Wonderful quick decorations

The kitchen, a treasure chest of colours

The church of Carmine

An eagle-shaped city