Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The city of museums

One city, three sites

The church of Carmine

The Feast of San Giacomo (St. James)

From International Gothic to present day

The disastrous earthquake

Many owners, one palace

The senses tell the story of the Church of the Annunciation

Some masterpieces

The Burgos crucifix

The wall comes to life

Fontana della Ninfa Zizza, public water in the town

The internal colours

The cathedral of Sant’Agata: a lengthy reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

San Benedetto: a treasure reopened to the public

The character of Badia Sant’Agata

St. Agatha and the giant candelabras

Wonderful quick decorations

An eagle-shaped city

The façade used as a puppet theatre

The kitchen, a treasure chest of colours

A feast only for Scicli

The Maiolica of the staircase

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

A long reconstruction

The Infiorata, a feast of colours and flowers

A talking palace

Prominent façade

Places of knowledge: the Benedictines’ library

Searching for colour

Connections with other UNESCO sites

The interior and its masterpieces

The Staircase of Angels

A majestic and luminous church

Discovering the mother church

A prominent church

The theatre of taste

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of San Giuseppe

The Baroque town by the sea

A miniature city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Rosario Gagliardi, the maestro of the Val di Noto

Feast days

Norman apses

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

Corbels: a celebration of the Nicolaci family

Baroque and the loss of equilibrium in the 16th century

A triumph of colour

The senses tell the story of the Church of San Sebastiano

A colourful floor

Some prestigious works

A new entrance for Santa Chiara (St. Claire)

A museum to save a tradition

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Napolino Tommasi Rosso

Feasting in Palazzolo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A new palace for the La Rocca lords

The senses tell the Cathedral of Sant’Agata

Modica, a city with ancient origins

A city in colour

The senses tell the story of the Badia di Sant’Agata

From St. Thomas to St. Joseph

St. Sebastian, so much work!

The senses tell the story of the church of Santa Maria del Carmelo

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, two sites

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

The colours of the cathedral

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

A new site for a new city

A design by Vincenzo Sinatra

The senses tell the story of the staircase of Santa Maria del Monte

The two churches

The senses tell the story of the Church of San Giovanni Evangelista

A small room with a golden entrance

Militello, the story of an enlightened fiefdom

The Benedictine Monastery, one of the largest in Europe

Two illustrious patron saints

A square as the heart of the city

New roads for Catania

Between white and black

A hall for the feasts

The senses tell about Palazzo La Rocca

The Barresi-Branciforte lords

The senses tell the story of the church of San Giovanni Battista

A Nobel Prize in Modica

A half-Baroque church

A symbol for the town

The chocolate of Modica