Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

One city, two sites

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

Norman apses

A half-Baroque church

The Maiolica of the staircase

An eagle-shaped city

Garden of Novices and the restorations by Giancarlo De Carlo

The Staircase of Angels

St. Sebastian, so much work!

The Infiorata, a feast of colours and flowers

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The chocolate of Modica

A new entrance for Santa Chiara (St. Claire)

A symbol for the town

The church of Carmine

Some masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

A hall for the feasts

Rosario Gagliardi, the maestro of the Val di Noto

Connections with other UNESCO sites

A new palace for the La Rocca lords

New roads for Catania

Places of knowledge: the Benedictines’ library

The theatre of taste

The senses tell the story of the Church of San Giuliano ai Crociferi

The façade used as a puppet theatre

From the contrast of the exterior to the internal jubilation of colours

A design by Vincenzo Sinatra

Some prestigious works

From International Gothic to present day

Limestone, the colour of harmony

A feast only for Scicli

The wall comes to life

The internal colours

A new site for a new city

The senses tell the Cathedral of Sant’Agata

Two illustrious patron saints

The senses tell the story of the church of Santa Maria del Carmelo

A talking palace

The city of museums

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A small room with a golden entrance

A long reconstruction

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

The Baroque town by the sea

The role of the religious orders in rebuilding the Val di Noto

The Burgos crucifix

Feasting in Palazzolo

The disastrous earthquake

A miniature city

Discovering the mother church

The Benedictine Monastery, one of the largest in Europe

Corbels: a celebration of the Nicolaci family

A prominent church

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of San Giovanni Battista

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

Baroque and the loss of equilibrium in the 16th century

Searching for colour

A Nobel Prize in Modica

The senses tell the story of the Badia di Sant’Agata

A majestic and luminous church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A triumph of colour

Palazzo Nicolaci di Villadorata, who is the architect?

From St. Thomas to St. Joseph

A city in colour

Wonderful quick decorations

Feast days

A colourful floor

St. Agatha and the giant candelabras

Prominent façade

The kitchen, a treasure chest of colours

The character of Badia Sant’Agata

San Benedetto: a treasure reopened to the public

The colours of the cathedral

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new church

The two churches

Many owners, one palace

The Barresi-Branciforte lords

The senses tell about Palazzo La Rocca

Fontana della Ninfa Zizza, public water in the town

A museum to save a tradition

The cathedral of Sant’Agata: a lengthy reconstruction

Between white and black

One city, three sites

The senses tell the story of the Church of the Annunciation