Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell about Palazzo La Rocca

A half-Baroque church

A museum to save a tradition

The senses tell the story of the church of San Giuseppe

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Corbels: a celebration of the Nicolaci family

A prominent church

A square as the heart of the city

An eagle-shaped city

The internal colours

From International Gothic to present day

One city, three sites

Militello, the story of an enlightened fiefdom

Some prestigious works

A small room with a golden entrance

Limestone, the colour of harmony

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of the Annunciation

Many owners, one palace

The senses tell the story of the Church of San Giovanni Evangelista

Connections with other UNESCO sites

San Nicolò l’Arena: an unfinished church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Baroque and the loss of equilibrium in the 16th century

Feast days

Fontana della Ninfa Zizza, public water in the town

A symbol for the town

A hall for the feasts

The interior and its masterpieces

St. Agatha and the giant candelabras

Searching for colour

The Maiolica of the staircase

The cathedral of Sant’Agata: a lengthy reconstruction

The façade used as a puppet theatre

The Burgos crucifix

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A miniature city

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giuliano ai Crociferi

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of Santa Chiara

The city of museums

The wall comes to life

From St. Thomas to St. Joseph

The senses tell about Palazzo Nicolaci

A new site for a new church

One city, two sites

Some masterpieces

Feasting in Palazzolo

A colourful floor

Prominent façade

The Staircase of Angels

The two churches

Between white and black

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new city

The senses tell the story of the Church of San Benedetto

The Infiorata, a feast of colours and flowers

The kitchen, a treasure chest of colours

A feast only for Scicli

The Supernatural dimension of the chapel of the Santissimo Sacramento

The theatre of taste

St. Sebastian, so much work!

A city in colour

The church of Carmine

The role of the religious orders in rebuilding the Val di Noto

The character of Badia Sant’Agata

The disastrous earthquake

Norman apses

A design by Vincenzo Sinatra

Garden of Novices and the restorations by Giancarlo De Carlo

The Feast of San Giacomo (St. James)

Discovering the mother church

Places of knowledge: the Benedictines’ library

New roads for Catania

The senses tell the Cathedral of Sant’Agata

Modica, a city with ancient origins

A long reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The colours of the cathedral

The chocolate of Modica

A Nobel Prize in Modica

A talking palace

The senses tell the story of the church of Santa Maria del Carmelo

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

A triumph of colour

Two illustrious patron saints

The Barresi-Branciforte lords

San Benedetto: a treasure reopened to the public

A new palace for the La Rocca lords

The senses tell the story of the Badia di Sant’Agata

Wonderful quick decorations

The senses tell the story of the Church of Santa Chiara