Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Rosario Gagliardi, the maestro of the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of Santa Maria del Carmelo

The Barresi-Branciforte lords

The church of Carmine

Some prestigious works

The Baroque town by the sea

The senses tell about Palazzo La Rocca

A small room with a golden entrance

An eagle-shaped city

The senses tell the story of the Badia di Sant’Agata

The disastrous earthquake

A long reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

St. Agatha and the giant candelabras

Garden of Novices and the restorations by Giancarlo De Carlo

Modica, a city with ancient origins

A half-Baroque church

The Staircase of Angels

Feast days

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The theatre of taste

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A triumph of colour

The cathedral of Sant’Agata: a lengthy reconstruction

San Nicolò l’Arena: an unfinished church

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

The chocolate of Modica

The kitchen, a treasure chest of colours

A new site for a new city

The city of museums

The senses tell the story of the church of San Giuseppe

From St. Thomas to St. Joseph

Between white and black

The Feast of San Giacomo (St. James)

Wonderful quick decorations

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Sebastiano

Militello, the story of an enlightened fiefdom

The two churches

A symbol for the town

The façade used as a puppet theatre

The interior and its masterpieces

Norman apses

From International Gothic to present day

A new entrance for Santa Chiara (St. Claire)

A hall for the feasts

San Benedetto: a treasure reopened to the public

A talking palace

A Nobel Prize in Modica

The senses tell the Cathedral of Sant’Agata

Corbels: a celebration of the Nicolaci family

Palazzo Nicolaci di Villadorata, who is the architect?

A feast only for Scicli

Many owners, one palace

St. Sebastian, so much work!

One city, three sites

New roads for Catania

Prominent façade

The senses tell the story of the church of San Giovanni Battista

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giuliano ai Crociferi

The role of the religious orders in rebuilding the Val di Noto

Baroque and the loss of equilibrium in the 16th century

A miniature city

Connections with other UNESCO sites

A colourful floor

One city, two sites

The senses tell the story of the Church of Santa Chiara

A museum to save a tradition

A square as the heart of the city

The colours of the cathedral

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Nicolaci

A city in colour

A design by Vincenzo Sinatra

Two illustrious patron saints

The character of Badia Sant’Agata

Some masterpieces

A majestic and luminous church

The wall comes to life

The Infiorata, a feast of colours and flowers

A new site for a new church

The senses tell the story of the Church of San Giovanni Evangelista

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Burgos crucifix

A new palace for the La Rocca lords

The Benedictine Monastery, one of the largest in Europe

Places of knowledge: the Benedictines’ library

The internal colours

Limestone, the colour of harmony

The Maiolica of the staircase

Searching for colour

Discovering the mother church

A prominent church

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Napolino Tommasi Rosso