Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the church of San Giuseppe

The wall comes to life

The role of the religious orders in rebuilding the Val di Noto

One city, three sites

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A half-Baroque church

Prominent façade

Modica, a city with ancient origins

A museum to save a tradition

The senses tell about Palazzo La Rocca

The Infiorata, a feast of colours and flowers

A new site for a new city

A city in colour

Some masterpieces

A symbol for the town

A Nobel Prize in Modica

San Benedetto: a treasure reopened to the public

The Benedictine Monastery, one of the largest in Europe

Many owners, one palace

An eagle-shaped city

The internal colours

A prominent church

The senses tell the story of the Church of San Giovanni Evangelista

New roads for Catania

Discovering the mother church

A majestic and luminous church

A new entrance for Santa Chiara (St. Claire)

The Barresi-Branciforte lords

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Giuliano ai Crociferi

The character of Badia Sant’Agata

The Maiolica of the staircase

A square as the heart of the city

Palazzo Nicolaci di Villadorata, who is the architect?

A triumph of colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Norman apses

The Feast of San Giacomo (St. James)

Between white and black

The senses tell the story of the Badia di Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

The chocolate of Modica

A talking palace

The disastrous earthquake

Fontana della Ninfa Zizza, public water in the town

A hall for the feasts

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

A new site for a new church

Connections with other UNESCO sites

Two illustrious patron saints

A new palace for the La Rocca lords

The façade used as a puppet theatre

From St. Thomas to St. Joseph

Feast days

The Supernatural dimension of the chapel of the Santissimo Sacramento

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

The city of museums

Corbels: a celebration of the Nicolaci family

San Nicolò l’Arena: an unfinished church

A colourful floor

A long reconstruction

The interior and its masterpieces

The senses tell the story of the church of San Giovanni Battista

Some prestigious works

A design by Vincenzo Sinatra

A feast only for Scicli

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Limestone, the colour of harmony

The theatre of taste

The two churches

Feasting in Palazzolo

Searching for colour

Wonderful quick decorations

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

The senses tell the story of the staircase of Santa Maria del Monte

The church of Carmine

St. Sebastian, so much work!

Rosario Gagliardi, the maestro of the Val di Noto

Baroque and the loss of equilibrium in the 16th century

The Staircase of Angels

The Burgos crucifix

One city, two sites

The colours of the cathedral

A miniature city

Places of knowledge: the Benedictines’ library

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Napolino Tommasi Rosso

St. Agatha and the giant candelabras

From International Gothic to present day

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Benedetto