Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

From St. Thomas to St. Joseph

The wall comes to life

From International Gothic to present day

Limestone, the colour of harmony

Many owners, one palace

The senses tell about Palazzo La Rocca

A new site for a new church

The kitchen, a treasure chest of colours

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of San Giovanni Battista

A talking palace

A new site for a new city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The role of the religious orders in rebuilding the Val di Noto

Two illustrious patron saints

The senses tell the story of the Church of Santa Chiara

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A miniature city

The Infiorata, a feast of colours and flowers

Searching for colour

Wonderful quick decorations

The character of Badia Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

San Nicolò l’Arena: an unfinished church

Baroque and the loss of equilibrium in the 16th century

From the contrast of the exterior to the internal jubilation of colours

A museum to save a tradition

A feast only for Scicli

The Barresi-Branciforte lords

A colourful floor

The disastrous earthquake

A half-Baroque church

A new palace for the La Rocca lords

Between white and black

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

One city, two sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The internal colours

A triumph of colour

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

One city, three sites

The senses tell the story of the Church of the Annunciation

A hall for the feasts

Connections with other UNESCO sites

The senses tell the story of the church of San Giuseppe

The cathedral of Sant’Agata: a lengthy reconstruction

St. Agatha and the giant candelabras

Some prestigious works

The chocolate of Modica

The senses tell the Cathedral of Sant’Agata

The colours of the cathedral

The Baroque town by the sea

The façade used as a puppet theatre

Places of knowledge: the Benedictines’ library

A small room with a golden entrance

The Burgos crucifix

St. Sebastian, so much work!

The senses tell the story of the Church of San Sebastiano

The Feast of San Giacomo (St. James)

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo Nicolaci

A long reconstruction

An eagle-shaped city

Corbels: a celebration of the Nicolaci family

The two churches

The church of Carmine

A Nobel Prize in Modica

The Maiolica of the staircase

Rosario Gagliardi, the maestro of the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

The city of museums

New roads for Catania

A new entrance for Santa Chiara (St. Claire)

A majestic and luminous church

Feast days

A prominent church

The senses tell the story of the Church of Santa Chiara

The Benedictine Monastery, one of the largest in Europe

The interior and its masterpieces

Fontana della Ninfa Zizza, public water in the town

A city in colour

Norman apses

Prominent façade

Garden of Novices and the restorations by Giancarlo De Carlo

A design by Vincenzo Sinatra

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Modica, a city with ancient origins

The senses tell the story of the church of Santa Maria del Carmelo

A symbol for the town

Feasting in Palazzolo

Some masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

The theatre of taste

A square as the heart of the city

The senses tell the story of the Church of San Benedetto

Discovering the mother church

San Benedetto: a treasure reopened to the public