Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The theatre of taste

The interior and its masterpieces

The two churches

Some prestigious works

The cathedral of Sant’Agata: a lengthy reconstruction

From the contrast of the exterior to the internal jubilation of colours

The city of museums

The façade used as a puppet theatre

Discovering the mother church

The Barresi-Branciforte lords

The senses tell about Palazzo Napolino Tommasi Rosso

From International Gothic to present day

A design by Vincenzo Sinatra

The Feast of San Giacomo (St. James)

The role of the religious orders in rebuilding the Val di Noto

The Staircase of Angels

The disastrous earthquake

A miniature city

Some masterpieces

The senses tell the Cathedral of Sant’Agata

St. Sebastian, so much work!

The senses tell the story of the Church of Santa Chiara

The character of Badia Sant’Agata

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the church of San Giuseppe

Feasting in Palazzolo

The Burgos crucifix

The Infiorata, a feast of colours and flowers

An eagle-shaped city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Benedetto: a treasure reopened to the public

The colours of the cathedral

The kitchen, a treasure chest of colours

Two illustrious patron saints

A triumph of colour

Many owners, one palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Giuliano ai Crociferi

Connections with other UNESCO sites

The Maiolica of the staircase

Places of knowledge: the Benedictines’ library

One city, three sites

The internal colours

A feast only for Scicli

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Sebastiano

A museum to save a tradition

A new site for a new city

The senses tell the story of the Church of the Annunciation

The wall comes to life

Garden of Novices and the restorations by Giancarlo De Carlo

Prominent façade

The senses tell the story of the staircase of Santa Maria del Monte

A talking palace

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Benedetto

Feast days

A Nobel Prize in Modica

A symbol for the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

Modica, a city with ancient origins

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A hall for the feasts

Rosario Gagliardi, the maestro of the Val di Noto

New roads for Catania

The senses tell the story of the church of Santa Maria del Carmelo

A square as the heart of the city

The church of Carmine

The senses tell about Palazzo La Rocca

Between white and black

Militello, the story of an enlightened fiefdom

A prominent church

Norman apses

A majestic and luminous church

The senses tell the story of the Badia di Sant’Agata

A new palace for the La Rocca lords

Limestone, the colour of harmony

The Benedictine Monastery, one of the largest in Europe

A long reconstruction

Baroque and the loss of equilibrium in the 16th century

Wonderful quick decorations

Searching for colour

The chocolate of Modica

A city in colour

A new entrance for Santa Chiara (St. Claire)

A colourful floor

A small room with a golden entrance

One city, two sites

The senses tell about Palazzo Nicolaci

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new church

The Baroque town by the sea

San Nicolò l’Arena: an unfinished church

A half-Baroque church

The senses tell the story of the Church of Santa Chiara