Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A miniature city

The theatre of taste

Searching for colour

Some prestigious works

Fontana della Ninfa Zizza, public water in the town

A majestic and luminous church

Norman apses

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Badia di Sant’Agata

A triumph of colour

The Baroque town by the sea

Two illustrious patron saints

The Barresi-Branciforte lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

New roads for Catania

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giuliano ai Crociferi

The Feast of San Giacomo (St. James)

Many owners, one palace

From the contrast of the exterior to the internal jubilation of colours

The role of the religious orders in rebuilding the Val di Noto

St. Agatha and the giant candelabras

Connections with other UNESCO sites

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

A Nobel Prize in Modica

A new palace for the La Rocca lords

The senses tell the story of the church of Santa Maria del Carmelo

The internal colours

A small room with a golden entrance

An eagle-shaped city

A design by Vincenzo Sinatra

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

A hall for the feasts

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Nicolò l’Arena: an unfinished church

The wall comes to life

The two churches

One city, three sites

The Maiolica of the staircase

The interior and its masterpieces

The Staircase of Angels

The senses tell the story of the Church of Santa Chiara

From St. Thomas to St. Joseph

The Benedictine Monastery, one of the largest in Europe

Feasting in Palazzolo

Wonderful quick decorations

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Palazzo Nicolaci di Villadorata, who is the architect?

The disastrous earthquake

The senses tell the story of the church of San Giovanni Battista

The kitchen, a treasure chest of colours

Some masterpieces

The senses tell about Palazzo Napolino Tommasi Rosso

Between white and black

The cathedral of Sant’Agata: a lengthy reconstruction

The city of museums

A long reconstruction

A square as the heart of the city

Prominent façade

The senses tell the story of the Church of San Sebastiano

A colourful floor

The senses tell the story of the church of San Giuseppe

The chocolate of Modica

Baroque and the loss of equilibrium in the 16th century

The façade used as a puppet theatre

The senses tell the story of the Church of San Benedetto

Modica, a city with ancient origins

The Burgos crucifix

A feast only for Scicli

A half-Baroque church

One city, two sites

Feast days

The senses tell the Cathedral of Sant’Agata

A prominent church

A new site for a new church

San Benedetto: a treasure reopened to the public

A symbol for the town

Discovering the mother church

The senses tell about Palazzo La Rocca

Militello, the story of an enlightened fiefdom

Garden of Novices and the restorations by Giancarlo De Carlo

Limestone, the colour of harmony

Places of knowledge: the Benedictines’ library

A new site for a new city

A museum to save a tradition

A city in colour

The church of Carmine

A new entrance for Santa Chiara (St. Claire)

A talking palace

St. Sebastian, so much work!

The senses tell the story of the Church of the Annunciation

The character of Badia Sant’Agata

The senses tell about Palazzo Nicolaci

The colours of the cathedral