Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A new palace for the La Rocca lords

The colours of the cathedral

San Nicolò l’Arena: an unfinished church

Palazzo Nicolaci di Villadorata, who is the architect?

One city, three sites

The character of Badia Sant’Agata

Modica, a city with ancient origins

The senses tell the Cathedral of Sant’Agata

Militello, the story of an enlightened fiefdom

The Burgos crucifix

Feasting in Palazzolo

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

An eagle-shaped city

A feast only for Scicli

A triumph of colour

One city, two sites

The senses tell the story of the Badia di Sant’Agata

A talking palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The chocolate of Modica

A museum to save a tradition

The senses tell the story of the Church of San Sebastiano

Garden of Novices and the restorations by Giancarlo De Carlo

A symbol for the town

From the contrast of the exterior to the internal jubilation of colours

A hall for the feasts

Fontana della Ninfa Zizza, public water in the town

The Supernatural dimension of the chapel of the Santissimo Sacramento

The kitchen, a treasure chest of colours

A city in colour

Corbels: a celebration of the Nicolaci family

A majestic and luminous church

Baroque and the loss of equilibrium in the 16th century

Many owners, one palace

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Nicolaci

The Staircase of Angels

The senses tell the story of the Church of San Benedetto

San Benedetto: a treasure reopened to the public

Places of knowledge: the Benedictines’ library

Connections with other UNESCO sites

The city of museums

A new entrance for Santa Chiara (St. Claire)

A prominent church

The façade used as a puppet theatre

A Nobel Prize in Modica

The Barresi-Branciforte lords

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

A square as the heart of the city

St. Sebastian, so much work!

Some masterpieces

A colourful floor

A half-Baroque church

The wall comes to life

The Infiorata, a feast of colours and flowers

A new site for a new city

Prominent façade

The senses tell the story of the church of San Giovanni Battista

St. Agatha and the giant candelabras

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of San Giuseppe

Wonderful quick decorations

New roads for Catania

The church of Carmine

The Maiolica of the staircase

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

The interior and its masterpieces

A long reconstruction

Feast days

The disastrous earthquake

A small room with a golden entrance

Some prestigious works

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the staircase of Santa Maria del Monte

Two illustrious patron saints

From International Gothic to present day

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

The theatre of taste

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giovanni Evangelista

The two churches

A design by Vincenzo Sinatra

Discovering the mother church

Between white and black

The Baroque town by the sea

The internal colours

A new site for a new church

Norman apses

Searching for colour

A miniature city

The senses tell the story of the church of Santa Maria del Carmelo