Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Cathedral of Sant’Agata

Fontana della Ninfa Zizza, public water in the town

Baroque and the loss of equilibrium in the 16th century

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some masterpieces

Feasting in Palazzolo

A miniature city

San Nicolò l’Arena: an unfinished church

An eagle-shaped city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giuseppe

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of the Annunciation

One city, three sites

The Infiorata, a feast of colours and flowers

Prominent façade

St. Sebastian, so much work!

Limestone, the colour of harmony

From St. Thomas to St. Joseph

A small room with a golden entrance

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano

New roads for Catania

Between white and black

The senses tell the story of the Church of San Giuliano ai Crociferi

Searching for colour

The character of Badia Sant’Agata

Feast days

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giovanni Evangelista

A Nobel Prize in Modica

The senses tell about Palazzo La Rocca

One city, two sites

A feast only for Scicli

A triumph of colour

The senses tell the story of the Church of Santa Chiara

The disastrous earthquake

Militello, the story of an enlightened fiefdom

The role of the religious orders in rebuilding the Val di Noto

A square as the heart of the city

Palazzo Nicolaci di Villadorata, who is the architect?

From the contrast of the exterior to the internal jubilation of colours

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

The theatre of taste

The chocolate of Modica

A symbol for the town

The cathedral of Sant’Agata: a lengthy reconstruction

A prominent church

Some prestigious works

Norman apses

A museum to save a tradition

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the staircase of Santa Maria del Monte

A colourful floor

St. Agatha and the giant candelabras

The façade used as a puppet theatre

The Burgos crucifix

A new site for a new city

A design by Vincenzo Sinatra

A half-Baroque church

The internal colours

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

San Benedetto: a treasure reopened to the public

The church of Carmine

A new palace for the La Rocca lords

Discovering the mother church

A new site for a new church

The senses tell the story of the church of San Giovanni Battista

Two illustrious patron saints

A city in colour

The Maiolica of the staircase

Connections with other UNESCO sites

The Staircase of Angels

The Barresi-Branciforte lords

A talking palace

The wall comes to life

Places of knowledge: the Benedictines’ library

Garden of Novices and the restorations by Giancarlo De Carlo

The interior and its masterpieces

The kitchen, a treasure chest of colours

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Benedetto

The two churches

A majestic and luminous church

Modica, a city with ancient origins

A hall for the feasts

Wonderful quick decorations

The Baroque town by the sea

A long reconstruction

Corbels: a celebration of the Nicolaci family

The city of museums

The senses tell the story of the church of Santa Maria del Carmelo