Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A new site for a new city

The senses tell the story of the church of San Giovanni Battista

A square as the heart of the city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

A new site for a new church

Connections with other UNESCO sites

The cathedral of Sant’Agata: a lengthy reconstruction

A half-Baroque church

Prominent façade

Garden of Novices and the restorations by Giancarlo De Carlo

St. Agatha and the giant candelabras

The city of museums

The senses tell the story of the church of Santa Maria del Carmelo

The Maiolica of the staircase

The interior and its masterpieces

Feast days

A triumph of colour

Corbels: a celebration of the Nicolaci family

From International Gothic to present day

The theatre of taste

The Benedictine Monastery, one of the largest in Europe

A city in colour

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of the Annunciation

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, two sites

The senses tell the story of the Church of Santa Chiara

The church of Carmine

Places of knowledge: the Benedictines’ library

The colours of the cathedral

The wall comes to life

A prominent church

The senses tell the story of the staircase of Santa Maria del Monte

Two illustrious patron saints

A majestic and luminous church

A miniature city

One city, three sites

A design by Vincenzo Sinatra

The senses tell about Palazzo Napolino Tommasi Rosso

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

A long reconstruction

Searching for colour

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giuliano ai Crociferi

San Benedetto: a treasure reopened to the public

A museum to save a tradition

Norman apses

The senses tell the story of the Badia di Sant’Agata

Fontana della Ninfa Zizza, public water in the town

Limestone, the colour of harmony

Many owners, one palace

The Barresi-Branciforte lords

Between white and black

Some masterpieces

The internal colours

The senses tell the story of the Church of San Giovanni Evangelista

A feast only for Scicli

Palazzo Nicolaci di Villadorata, who is the architect?

From the contrast of the exterior to the internal jubilation of colours

The Feast of San Giacomo (St. James)

Feasting in Palazzolo

A talking palace

Discovering the mother church

The two churches

A small room with a golden entrance

New roads for Catania

The Infiorata, a feast of colours and flowers

The chocolate of Modica

A symbol for the town

Modica, a city with ancient origins

From St. Thomas to St. Joseph

The senses tell the Cathedral of Sant’Agata

St. Sebastian, so much work!

Baroque and the loss of equilibrium in the 16th century

The disastrous earthquake

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Militello, the story of an enlightened fiefdom

Wonderful quick decorations

A Nobel Prize in Modica

A new palace for the La Rocca lords

The Burgos crucifix

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Sebastiano

A colourful floor

Rosario Gagliardi, the maestro of the Val di Noto

A new entrance for Santa Chiara (St. Claire)

The Supernatural dimension of the chapel of the Santissimo Sacramento

Some prestigious works

The Baroque town by the sea

The character of Badia Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Nicolò l’Arena: an unfinished church

A hall for the feasts

The senses tell the story of the church of San Giuseppe

An eagle-shaped city