Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The Staircase of Angels

A colourful floor

A new entrance for Santa Chiara (St. Claire)

The façade used as a puppet theatre

San Benedetto: a treasure reopened to the public

From the contrast of the exterior to the internal jubilation of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giovanni Evangelista

The interior and its masterpieces

A prominent church

One city, three sites

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

A new site for a new city

The senses tell the story of the staircase of Santa Maria del Monte

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Benedetto

The Baroque town by the sea

A new palace for the La Rocca lords

From St. Thomas to St. Joseph

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell about Palazzo Napolino Tommasi Rosso

A half-Baroque church

A Nobel Prize in Modica

The senses tell the story of the Badia di Sant’Agata

The senses tell the Cathedral of Sant’Agata

The colours of the cathedral

The senses tell about Palazzo Nicolaci

A hall for the feasts

An eagle-shaped city

The senses tell the story of the church of Santa Maria del Carmelo

Corbels: a celebration of the Nicolaci family

Some masterpieces

The church of Carmine

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, two sites

A talking palace

Modica, a city with ancient origins

Connections with other UNESCO sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo La Rocca

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giuliano ai Crociferi

Limestone, the colour of harmony

St. Agatha and the giant candelabras

Norman apses

Feast days

Many owners, one palace

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A majestic and luminous church

Militello, the story of an enlightened fiefdom

Feasting in Palazzolo

A triumph of colour

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of San Giuseppe

A design by Vincenzo Sinatra

The wall comes to life

The Benedictine Monastery, one of the largest in Europe

The city of museums

A long reconstruction

A small room with a golden entrance

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of the Annunciation

A new site for a new church

The disastrous earthquake

Prominent façade

St. Sebastian, so much work!

Discovering the mother church

The role of the religious orders in rebuilding the Val di Noto

The character of Badia Sant’Agata

The internal colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

New roads for Catania

The two churches

The senses tell the story of the church of San Giovanni Battista

A feast only for Scicli

Between white and black

Searching for colour

The Feast of San Giacomo (St. James)

Fontana della Ninfa Zizza, public water in the town

The Infiorata, a feast of colours and flowers

A miniature city

The Barresi-Branciforte lords

Some prestigious works

A square as the heart of the city

Wonderful quick decorations

Two illustrious patron saints

The Maiolica of the staircase

A city in colour

The Burgos crucifix

A museum to save a tradition

A symbol for the town

The theatre of taste

Baroque and the loss of equilibrium in the 16th century

The chocolate of Modica

The senses tell the story of the Church of San Sebastiano

Palazzo Nicolaci di Villadorata, who is the architect?