Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A Nobel Prize in Modica

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of Santa Chiara

Prominent façade

A long reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, two sites

An eagle-shaped city

The façade used as a puppet theatre

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giovanni Evangelista

The Supernatural dimension of the chapel of the Santissimo Sacramento

The two churches

Fontana della Ninfa Zizza, public water in the town

The interior and its masterpieces

The chocolate of Modica

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Benedetto

A design by Vincenzo Sinatra

A miniature city

The wall comes to life

Some prestigious works

San Nicolò l’Arena: an unfinished church

Modica, a city with ancient origins

From St. Thomas to St. Joseph

Searching for colour

A square as the heart of the city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Places of knowledge: the Benedictines’ library

A new palace for the La Rocca lords

The Burgos crucifix

A hall for the feasts

New roads for Catania

A new site for a new city

The colours of the cathedral

The city of museums

A city in colour

The senses tell about Palazzo Nicolaci

The theatre of taste

Two illustrious patron saints

One city, three sites

The character of Badia Sant’Agata

From International Gothic to present day

St. Agatha and the giant candelabras

A majestic and luminous church

The Baroque town by the sea

Rosario Gagliardi, the maestro of the Val di Noto

St. Sebastian, so much work!

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque and the loss of equilibrium in the 16th century

The Infiorata, a feast of colours and flowers

A symbol for the town

The Benedictine Monastery, one of the largest in Europe

Palazzo Nicolaci di Villadorata, who is the architect?

A new entrance for Santa Chiara (St. Claire)

The role of the religious orders in rebuilding the Val di Noto

Norman apses

The senses tell the story of the Church of the Annunciation

Many owners, one palace

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the church of San Giuseppe

A prominent church

A colourful floor

Connections with other UNESCO sites

The senses tell the story of the church of San Giovanni Battista

A half-Baroque church

Corbels: a celebration of the Nicolaci family

Limestone, the colour of harmony

A feast only for Scicli

The senses tell the Cathedral of Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

The internal colours

The Staircase of Angels

The senses tell about Palazzo Napolino Tommasi Rosso

The Feast of San Giacomo (St. James)

A triumph of colour

Between white and black

Feasting in Palazzolo

The disastrous earthquake

Wonderful quick decorations

A small room with a golden entrance

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

The Maiolica of the staircase

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Militello, the story of an enlightened fiefdom

A talking palace

The senses tell the story of the staircase of Santa Maria del Monte

The church of Carmine

Discovering the mother church

Some masterpieces

The kitchen, a treasure chest of colours

Feast days

A museum to save a tradition

The Barresi-Branciforte lords