Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A Nobel Prize in Modica

The interior and its masterpieces

The Burgos crucifix

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giuliano ai Crociferi

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

From St. Thomas to St. Joseph

The Benedictine Monastery, one of the largest in Europe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Barresi-Branciforte lords

The cathedral of Sant’Agata: a lengthy reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The city of museums

The wall comes to life

One city, three sites

A talking palace

One city, two sites

The theatre of taste

Many owners, one palace

Prominent façade

St. Sebastian, so much work!

The senses tell about Palazzo Napolino Tommasi Rosso

A square as the heart of the city

The senses tell the story of the church of San Giovanni Battista

The disastrous earthquake

The Feast of San Giacomo (St. James)

Between white and black

The senses tell the Cathedral of Sant’Agata

Militello, the story of an enlightened fiefdom

The church of Carmine

Rosario Gagliardi, the maestro of the Val di Noto

The façade used as a puppet theatre

The internal colours

A feast only for Scicli

Norman apses

A new site for a new church

A symbol for the town

A new site for a new city

A triumph of colour

From the contrast of the exterior to the internal jubilation of colours

New roads for Catania

A hall for the feasts

The senses tell the story of the Church of San Benedetto

Corbels: a celebration of the Nicolaci family

A majestic and luminous church

The Maiolica of the staircase

The Infiorata, a feast of colours and flowers

Places of knowledge: the Benedictines’ library

A new entrance for Santa Chiara (St. Claire)

The two churches

A small room with a golden entrance

A city in colour

Some prestigious works

Some masterpieces

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

A colourful floor

The character of Badia Sant’Agata

San Benedetto: a treasure reopened to the public

A half-Baroque church

A new palace for the La Rocca lords

The senses tell the story of the church of Santa Maria del Carmelo

Searching for colour

The senses tell about Palazzo La Rocca

A design by Vincenzo Sinatra

The kitchen, a treasure chest of colours

A long reconstruction

Wonderful quick decorations

St. Agatha and the giant candelabras

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

From International Gothic to present day

Modica, a city with ancient origins

The colours of the cathedral

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Badia di Sant’Agata

Feast days

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Nicolaci

Feasting in Palazzolo

A prominent church

A museum to save a tradition

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Nicolò l’Arena: an unfinished church

Connections with other UNESCO sites

The senses tell the story of the church of San Giuseppe

The chocolate of Modica

The senses tell the story of the Church of San Sebastiano

The role of the religious orders in rebuilding the Val di Noto

Two illustrious patron saints

Garden of Novices and the restorations by Giancarlo De Carlo

The Baroque town by the sea

A miniature city

Fontana della Ninfa Zizza, public water in the town

Limestone, the colour of harmony

Discovering the mother church

An eagle-shaped city

Palazzo Nicolaci di Villadorata, who is the architect?