Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A city in colour

The senses tell the Cathedral of Sant’Agata

Many owners, one palace

Feasting in Palazzolo

The senses tell about Palazzo Napolino Tommasi Rosso

The Burgos crucifix

A long reconstruction

The Infiorata, a feast of colours and flowers

Places of knowledge: the Benedictines’ library

A triumph of colour

The Staircase of Angels

Militello, the story of an enlightened fiefdom

The Baroque town by the sea

A half-Baroque church

A square as the heart of the city

A design by Vincenzo Sinatra

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Badia di Sant’Agata

St. Sebastian, so much work!

Garden of Novices and the restorations by Giancarlo De Carlo

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo Nicolaci

Between white and black

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Sebastiano

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

Searching for colour

New roads for Catania

The Maiolica of the staircase

A talking palace

From St. Thomas to St. Joseph

A symbol for the town

Baroque and the loss of equilibrium in the 16th century

Some masterpieces

One city, two sites

The wall comes to life

The senses tell the story of the Church of Santa Chiara

The Barresi-Branciforte lords

The façade used as a puppet theatre

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Benedetto

Modica, a city with ancient origins

The colours of the cathedral

The Feast of San Giacomo (St. James)

A feast only for Scicli

A museum to save a tradition

Some prestigious works

Palazzo Nicolaci di Villadorata, who is the architect?

A prominent church

From International Gothic to present day

The senses tell the story of the Church of San Giuliano ai Crociferi

The church of Carmine

The chocolate of Modica

Corbels: a celebration of the Nicolaci family

The Supernatural dimension of the chapel of the Santissimo Sacramento

Norman apses

San Nicolò l’Arena: an unfinished church

The theatre of taste

Discovering the mother church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The city of museums

Wonderful quick decorations

Connections with other UNESCO sites

The senses tell the story of the Church of San Giovanni Evangelista

A miniature city

A majestic and luminous church

A hall for the feasts

The internal colours

The senses tell about Palazzo La Rocca

The two churches

A small room with a golden entrance

The disastrous earthquake

Feast days

Two illustrious patron saints

Rosario Gagliardi, the maestro of the Val di Noto

The character of Badia Sant’Agata

A Nobel Prize in Modica

From the contrast of the exterior to the internal jubilation of colours

Limestone, the colour of harmony

Fontana della Ninfa Zizza, public water in the town

A new site for a new church

The senses tell the story of the church of Santa Maria del Carmelo

A new palace for the La Rocca lords

An eagle-shaped city

Prominent façade

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new site for a new city

San Benedetto: a treasure reopened to the public

A colourful floor

A new entrance for Santa Chiara (St. Claire)

One city, three sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The cathedral of Sant’Agata: a lengthy reconstruction

The interior and its masterpieces