Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Rosario Gagliardi, the maestro of the Val di Noto

Feasting in Palazzolo

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new city

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

New roads for Catania

The senses tell about Palazzo La Rocca

Connections with other UNESCO sites

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Sebastiano

A design by Vincenzo Sinatra

San Benedetto: a treasure reopened to the public

The wall comes to life

The interior and its masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From International Gothic to present day

The Supernatural dimension of the chapel of the Santissimo Sacramento

Limestone, the colour of harmony

The two churches

Searching for colour

The church of Carmine

The senses tell the story of the Church of San Giovanni Evangelista

Modica, a city with ancient origins

A feast only for Scicli

Prominent façade

The internal colours

The kitchen, a treasure chest of colours

A colourful floor

Two illustrious patron saints

Corbels: a celebration of the Nicolaci family

A new palace for the La Rocca lords

A new entrance for Santa Chiara (St. Claire)

The Benedictine Monastery, one of the largest in Europe

A miniature city

A prominent church

From St. Thomas to St. Joseph

The Baroque town by the sea

The senses tell the story of the church of Santa Maria del Carmelo

Garden of Novices and the restorations by Giancarlo De Carlo

Discovering the mother church

The city of museums

The Maiolica of the staircase

St. Sebastian, so much work!

A new site for a new church

Baroque and the loss of equilibrium in the 16th century

The Burgos crucifix

Wonderful quick decorations

One city, three sites

Some prestigious works

The role of the religious orders in rebuilding the Val di Noto

St. Agatha and the giant candelabras

The Staircase of Angels

A half-Baroque church

The senses tell the story of the Church of San Benedetto

An eagle-shaped city

One city, two sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of San Giuseppe

From the contrast of the exterior to the internal jubilation of colours

Many owners, one palace

The Barresi-Branciforte lords

The colours of the cathedral

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Nicolaci di Villadorata, who is the architect?

A city in colour

The disastrous earthquake

San Nicolò l’Arena: an unfinished church

A small room with a golden entrance

Feast days

A long reconstruction

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

The Infiorata, a feast of colours and flowers

A hall for the feasts

The senses tell the story of the Church of the Annunciation

A museum to save a tradition

The senses tell about Palazzo Nicolaci

Between white and black

A talking palace

A majestic and luminous church

Militello, the story of an enlightened fiefdom

The senses tell the story of the Badia di Sant’Agata

The senses tell the Cathedral of Sant’Agata

A square as the heart of the city

The façade used as a puppet theatre

A Nobel Prize in Modica

Fontana della Ninfa Zizza, public water in the town

Some masterpieces

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Norman apses

A symbol for the town

A triumph of colour

The theatre of taste