Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell about Palazzo Napolino Tommasi Rosso

One city, two sites

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Benedetto

A triumph of colour

A symbol for the town

From International Gothic to present day

Discovering the mother church

A majestic and luminous church

Wonderful quick decorations

Rosario Gagliardi, the maestro of the Val di Noto

The Infiorata, a feast of colours and flowers

A new entrance for Santa Chiara (St. Claire)

A new site for a new city

Garden of Novices and the restorations by Giancarlo De Carlo

The Feast of San Giacomo (St. James)

A Nobel Prize in Modica

The façade used as a puppet theatre

The interior and its masterpieces

A colourful floor

The senses tell the story of the church of San Giovanni Battista

St. Sebastian, so much work!

A miniature city

A city in colour

From the contrast of the exterior to the internal jubilation of colours

San Nicolò l’Arena: an unfinished church

The wall comes to life

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

A prominent church

A design by Vincenzo Sinatra

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Giovanni Evangelista

Many owners, one palace

Modica, a city with ancient origins

A new palace for the La Rocca lords

Places of knowledge: the Benedictines’ library

A half-Baroque church

The senses tell the story of the Church of the Annunciation

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

Connections with other UNESCO sites

A feast only for Scicli

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Sebastiano

Palazzo Nicolaci di Villadorata, who is the architect?

Prominent façade

The Maiolica of the staircase

The senses tell the story of the staircase of Santa Maria del Monte

Limestone, the colour of harmony

The senses tell the Cathedral of Sant’Agata

The internal colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Two illustrious patron saints

A hall for the feasts

The senses tell about Palazzo Nicolaci

The Staircase of Angels

Norman apses

The Benedictine Monastery, one of the largest in Europe

The two churches

San Benedetto: a treasure reopened to the public

The disastrous earthquake

The senses tell the story of the church of San Giuseppe

Militello, the story of an enlightened fiefdom

The colours of the cathedral

The church of Carmine

An eagle-shaped city

Feasting in Palazzolo

Some masterpieces

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Fontana della Ninfa Zizza, public water in the town

Between white and black

New roads for Catania

Feast days

A talking palace

A square as the heart of the city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A long reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

The chocolate of Modica

A new site for a new church

The character of Badia Sant’Agata

The senses tell the story of the Badia di Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

Some prestigious works

St. Agatha and the giant candelabras

A small room with a golden entrance

The Barresi-Branciforte lords

The theatre of taste

The Supernatural dimension of the chapel of the Santissimo Sacramento

A museum to save a tradition

Searching for colour

The Baroque town by the sea

The role of the religious orders in rebuilding the Val di Noto

One city, three sites

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The city of museums