Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The Burgos crucifix

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

A hall for the feasts

Between white and black

St. Sebastian, so much work!

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

One city, two sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Places of knowledge: the Benedictines’ library

Searching for colour

Fontana della Ninfa Zizza, public water in the town

One city, three sites

The senses tell the story of the Church of San Giovanni Evangelista

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

Corbels: a celebration of the Nicolaci family

A prominent church

A new palace for the La Rocca lords

The chocolate of Modica

A new site for a new city

A square as the heart of the city

The senses tell the Cathedral of Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

A symbol for the town

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo Nicolaci

An eagle-shaped city

Palazzo Nicolaci di Villadorata, who is the architect?

A new entrance for Santa Chiara (St. Claire)

A city in colour

The senses tell the story of the Badia di Sant’Agata

The Benedictine Monastery, one of the largest in Europe

From International Gothic to present day

Two illustrious patron saints

Connections with other UNESCO sites

Modica, a city with ancient origins

The Supernatural dimension of the chapel of the Santissimo Sacramento

A half-Baroque church

A small room with a golden entrance

San Benedetto: a treasure reopened to the public

The theatre of taste

The city of museums

The senses tell the story of the church of San Giuseppe

The internal colours

The senses tell the story of the church of Santa Maria del Carmelo

A Nobel Prize in Modica

Many owners, one palace

Wonderful quick decorations

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Benedetto

A feast only for Scicli

The Staircase of Angels

The senses tell about Palazzo La Rocca

A long reconstruction

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Baroque town by the sea

Limestone, the colour of harmony

The Infiorata, a feast of colours and flowers

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Napolino Tommasi Rosso

Norman apses

The interior and its masterpieces

Feasting in Palazzolo

The cathedral of Sant’Agata: a lengthy reconstruction

The colours of the cathedral

A majestic and luminous church

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

The two churches

Feast days

A colourful floor

Prominent façade

The disastrous earthquake

The Feast of San Giacomo (St. James)

A miniature city

A new site for a new church

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

The church of Carmine

A talking palace

The wall comes to life

A museum to save a tradition

New roads for Catania

Militello, the story of an enlightened fiefdom

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Garden of Novices and the restorations by Giancarlo De Carlo

Some masterpieces

A design by Vincenzo Sinatra

Rosario Gagliardi, the maestro of the Val di Noto

The character of Badia Sant’Agata

A triumph of colour

The Maiolica of the staircase

The Barresi-Branciforte lords