Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Garden of Novices and the restorations by Giancarlo De Carlo

A symbol for the town

The internal colours

A city in colour

A new site for a new city

The senses tell the story of the Church of San Sebastiano

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Benedetto

The colours of the cathedral

Places of knowledge: the Benedictines’ library

Modica, a city with ancient origins

The senses tell the story of the Church of Santa Chiara

The character of Badia Sant’Agata

A new site for a new church

A triumph of colour

The church of Carmine

Some masterpieces

Baroque and the loss of equilibrium in the 16th century

Many owners, one palace

A small room with a golden entrance

A colourful floor

The Feast of San Giacomo (St. James)

One city, three sites

St. Sebastian, so much work!

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Cathedral of Sant’Agata

The kitchen, a treasure chest of colours

Two illustrious patron saints

Rosario Gagliardi, the maestro of the Val di Noto

Norman apses

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Benedetto: a treasure reopened to the public

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo Nicolaci

One city, two sites

Feasting in Palazzolo

New roads for Catania

Prominent façade

A new entrance for Santa Chiara (St. Claire)

A feast only for Scicli

The senses tell the story of the Badia di Sant’Agata

A half-Baroque church

Palazzo Nicolaci di Villadorata, who is the architect?

The Staircase of Angels

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giuliano ai Crociferi

A prominent church

The senses tell the story of the church of San Giuseppe

The cathedral of Sant’Agata: a lengthy reconstruction

Some prestigious works

Wonderful quick decorations

Feast days

A square as the heart of the city

The Maiolica of the staircase

A long reconstruction

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

A miniature city

The senses tell about Palazzo La Rocca

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Burgos crucifix

The Infiorata, a feast of colours and flowers

The interior and its masterpieces

The Barresi-Branciforte lords

The wall comes to life

The city of museums

Limestone, the colour of harmony

The senses tell the story of the Church of San Giovanni Evangelista

A Nobel Prize in Modica

An eagle-shaped city

Discovering the mother church

Searching for colour

St. Agatha and the giant candelabras

The Baroque town by the sea

A majestic and luminous church

San Nicolò l’Arena: an unfinished church

A museum to save a tradition

The Benedictine Monastery, one of the largest in Europe

Connections with other UNESCO sites

A new palace for the La Rocca lords

The façade used as a puppet theatre

A talking palace

The senses tell the story of the church of Santa Maria del Carmelo

The two churches

The senses tell the story of the Church of the Annunciation

Corbels: a celebration of the Nicolaci family

The theatre of taste

A hall for the feasts

Between white and black

From International Gothic to present day

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The disastrous earthquake

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara