Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The theatre of taste

The senses tell the Cathedral of Sant’Agata

A hall for the feasts

A prominent church

The Infiorata, a feast of colours and flowers

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of the Annunciation

A miniature city

From St. Thomas to St. Joseph

The colours of the cathedral

St. Agatha and the giant candelabras

A half-Baroque church

Between white and black

The senses tell the story of the staircase of Santa Maria del Monte

A majestic and luminous church

One city, three sites

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A design by Vincenzo Sinatra

A city in colour

Limestone, the colour of harmony

The interior and its masterpieces

A square as the heart of the city

A museum to save a tradition

Some masterpieces

The wall comes to life

The Maiolica of the staircase

Baroque and the loss of equilibrium in the 16th century

A new site for a new church

One city, two sites

The church of Carmine

The city of museums

Discovering the mother church

A new palace for the La Rocca lords

Many owners, one palace

The senses tell the story of the Church of San Benedetto

Modica, a city with ancient origins

The cathedral of Sant’Agata: a lengthy reconstruction

The Benedictine Monastery, one of the largest in Europe

New roads for Catania

A triumph of colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The role of the religious orders in rebuilding the Val di Noto

The disastrous earthquake

The kitchen, a treasure chest of colours

Norman apses

The senses tell the story of the church of Santa Maria del Carmelo

The Barresi-Branciforte lords

The façade used as a puppet theatre

The senses tell about Palazzo La Rocca

The Burgos crucifix

Connections with other UNESCO sites

Rosario Gagliardi, the maestro of the Val di Noto

Feasting in Palazzolo

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

From the contrast of the exterior to the internal jubilation of colours

Places of knowledge: the Benedictines’ library

The two churches

From International Gothic to present day

Prominent façade

A symbol for the town

Garden of Novices and the restorations by Giancarlo De Carlo

The chocolate of Modica

Searching for colour

San Nicolò l’Arena: an unfinished church

The Feast of San Giacomo (St. James)

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giuliano ai Crociferi

An eagle-shaped city

The senses tell the story of the church of San Giuseppe

A long reconstruction

A new entrance for Santa Chiara (St. Claire)

Two illustrious patron saints

San Benedetto: a treasure reopened to the public

Feast days

The Supernatural dimension of the chapel of the Santissimo Sacramento

Fontana della Ninfa Zizza, public water in the town

A talking palace

Wonderful quick decorations

The Staircase of Angels

A colourful floor

St. Sebastian, so much work!

The Baroque town by the sea

Palazzo Nicolaci di Villadorata, who is the architect?

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Sebastiano

The internal colours

A small room with a golden entrance

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Napolino Tommasi Rosso

Some prestigious works

A Nobel Prize in Modica

The senses tell the story of the Badia di Sant’Agata

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

A new site for a new city