Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista

San Nicolò l’Arena: an unfinished church

A colourful floor

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Badia di Sant’Agata

A new site for a new city

St. Sebastian, so much work!

The Maiolica of the staircase

The role of the religious orders in rebuilding the Val di Noto

A hall for the feasts

Between white and black

Some masterpieces

The Benedictine Monastery, one of the largest in Europe

Two illustrious patron saints

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The colours of the cathedral

A square as the heart of the city

A design by Vincenzo Sinatra

The Burgos crucifix

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

A museum to save a tradition

From St. Thomas to St. Joseph

The wall comes to life

A majestic and luminous church

The character of Badia Sant’Agata

Militello, the story of an enlightened fiefdom

A talking palace

The senses tell the story of the Church of San Benedetto

Modica, a city with ancient origins

Prominent façade

The disastrous earthquake

Discovering the mother church

St. Agatha and the giant candelabras

The Feast of San Giacomo (St. James)

The senses tell the story of the church of San Giovanni Battista

A Nobel Prize in Modica

A triumph of colour

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Sebastiano

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From International Gothic to present day

Fontana della Ninfa Zizza, public water in the town

Palazzo Nicolaci di Villadorata, who is the architect?

Feast days

The Barresi-Branciforte lords

The kitchen, a treasure chest of colours

San Benedetto: a treasure reopened to the public

The theatre of taste

The senses tell the Cathedral of Sant’Agata

Limestone, the colour of harmony

A small room with a golden entrance

New roads for Catania

Garden of Novices and the restorations by Giancarlo De Carlo

The Baroque town by the sea

The Staircase of Angels

Wonderful quick decorations

The internal colours

Connections with other UNESCO sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The façade used as a puppet theatre

A miniature city

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

A new site for a new church

A long reconstruction

The church of Carmine

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Searching for colour

A symbol for the town

The city of museums

The senses tell the story of the Church of the Annunciation

A half-Baroque church

A city in colour

The senses tell about Palazzo La Rocca

From the contrast of the exterior to the internal jubilation of colours

The cathedral of Sant’Agata: a lengthy reconstruction

Norman apses

Many owners, one palace

The senses tell the story of the church of Santa Maria del Carmelo

Some prestigious works

The two churches

One city, two sites

One city, three sites

Places of knowledge: the Benedictines’ library

Feasting in Palazzolo

A new palace for the La Rocca lords

Baroque and the loss of equilibrium in the 16th century

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo Napolino Tommasi Rosso

A prominent church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Giuliano ai Crociferi

A new entrance for Santa Chiara (St. Claire)