Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the Church of Santa Chiara

A miniature city

Corbels: a celebration of the Nicolaci family

The chocolate of Modica

Connections with other UNESCO sites

Wonderful quick decorations

From International Gothic to present day

Militello, the story of an enlightened fiefdom

Two illustrious patron saints

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Supernatural dimension of the chapel of the Santissimo Sacramento

Feasting in Palazzolo

The Barresi-Branciforte lords

Prominent façade

One city, three sites

The Feast of San Giacomo (St. James)

The senses tell the story of the staircase of Santa Maria del Monte

Modica, a city with ancient origins

A long reconstruction

Between white and black

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo La Rocca

The Baroque town by the sea

Some masterpieces

The façade used as a puppet theatre

A new site for a new church

The two churches

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Nicolaci

The church of Carmine

The senses tell the story of the Badia di Sant’Agata

A prominent church

Discovering the mother church

A Nobel Prize in Modica

Fontana della Ninfa Zizza, public water in the town

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

The disastrous earthquake

A colourful floor

A small room with a golden entrance

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of Santa Maria del Carmelo

The theatre of taste

The Burgos crucifix

The internal colours

A hall for the feasts

The senses tell about Palazzo Napolino Tommasi Rosso

The wall comes to life

A new entrance for Santa Chiara (St. Claire)

A symbol for the town

The senses tell the story of the church of San Giuseppe

The Maiolica of the staircase

An eagle-shaped city

Many owners, one palace

New roads for Catania

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A museum to save a tradition

The Infiorata, a feast of colours and flowers

The senses tell the Cathedral of Sant’Agata

A triumph of colour

Norman apses

The colours of the cathedral

Some prestigious works

Feast days

The character of Badia Sant’Agata

St. Sebastian, so much work!

The Staircase of Angels

A feast only for Scicli

The Benedictine Monastery, one of the largest in Europe

The interior and its masterpieces

A new site for a new city

The kitchen, a treasure chest of colours

A talking palace

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of San Giovanni Battista

From the contrast of the exterior to the internal jubilation of colours

Garden of Novices and the restorations by Giancarlo De Carlo

Searching for colour

San Benedetto: a treasure reopened to the public

A majestic and luminous church

A new palace for the La Rocca lords

The senses tell the story of the Church of the Annunciation

From St. Thomas to St. Joseph

A square as the heart of the city

A city in colour

The city of museums

A half-Baroque church

Limestone, the colour of harmony

The senses tell the story of the Church of San Giovanni Evangelista

One city, two sites

A design by Vincenzo Sinatra

Places of knowledge: the Benedictines’ library

The cathedral of Sant’Agata: a lengthy reconstruction

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

St. Agatha and the giant candelabras