Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The Staircase of Angels

The interior and its masterpieces

The two churches

A colourful floor

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Garden of Novices and the restorations by Giancarlo De Carlo

Rosario Gagliardi, the maestro of the Val di Noto

The city of museums

The senses tell the story of the Church of San Giuliano ai Crociferi

Wonderful quick decorations

A miniature city

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

A new site for a new city

The senses tell the story of the Church of San Sebastiano

The Maiolica of the staircase

The chocolate of Modica

The theatre of taste

Modica, a city with ancient origins

A talking palace

Some prestigious works

The role of the religious orders in rebuilding the Val di Noto

An eagle-shaped city

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the church of Santa Maria del Carmelo

A city in colour

One city, two sites

A feast only for Scicli

A half-Baroque church

Discovering the mother church

A new site for a new church

A Nobel Prize in Modica

The Benedictine Monastery, one of the largest in Europe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Baroque town by the sea

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

The senses tell the story of the Church of the Annunciation

A symbol for the town

From the contrast of the exterior to the internal jubilation of colours

Baroque and the loss of equilibrium in the 16th century

St. Sebastian, so much work!

A triumph of colour

A hall for the feasts

The senses tell the story of the Church of San Giovanni Evangelista

Fontana della Ninfa Zizza, public water in the town

A prominent church

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

Many owners, one palace

A design by Vincenzo Sinatra

The colours of the cathedral

Connections with other UNESCO sites

Searching for colour

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Badia di Sant’Agata

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Nicolaci

A new palace for the La Rocca lords

Two illustrious patron saints

A long reconstruction

The kitchen, a treasure chest of colours

Palazzo Nicolaci di Villadorata, who is the architect?

Places of knowledge: the Benedictines’ library

Militello, the story of an enlightened fiefdom

San Benedetto: a treasure reopened to the public

A museum to save a tradition

Feast days

Prominent façade

The Barresi-Branciforte lords

The internal colours

Limestone, the colour of harmony

Between white and black

A small room with a golden entrance

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, three sites

Some masterpieces

The façade used as a puppet theatre

The cathedral of Sant’Agata: a lengthy reconstruction

The wall comes to life

The senses tell about Palazzo La Rocca

The Burgos crucifix

The church of Carmine

New roads for Catania

Norman apses

The senses tell the story of the church of San Giuseppe

The Infiorata, a feast of colours and flowers

A majestic and luminous church

San Nicolò l’Arena: an unfinished church

A square as the heart of the city

From St. Thomas to St. Joseph

Corbels: a celebration of the Nicolaci family

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The character of Badia Sant’Agata

The disastrous earthquake

The senses tell the story of the Church of San Benedetto

Feasting in Palazzolo

The Supernatural dimension of the chapel of the Santissimo Sacramento