Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The church of Carmine

The Burgos crucifix

Some prestigious works

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giovanni Battista

Modica, a city with ancient origins

Searching for colour

The interior and its masterpieces

New roads for Catania

A Nobel Prize in Modica

The senses tell the story of the Badia di Sant’Agata

A prominent church

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Benedetto

From International Gothic to present day

One city, three sites

The Infiorata, a feast of colours and flowers

Fontana della Ninfa Zizza, public water in the town

The façade used as a puppet theatre

The senses tell the story of the Church of the Annunciation

Between white and black

The senses tell the story of the church of San Giuseppe

A new palace for the La Rocca lords

Discovering the mother church

A long reconstruction

A square as the heart of the city

The senses tell the Cathedral of Sant’Agata

The Maiolica of the staircase

The wall comes to life

The chocolate of Modica

Many owners, one palace

The disastrous earthquake

Wonderful quick decorations

Some masterpieces

Norman apses

Connections with other UNESCO sites

A new entrance for Santa Chiara (St. Claire)

One city, two sites

The cathedral of Sant’Agata: a lengthy reconstruction

A city in colour

The city of museums

The kitchen, a treasure chest of colours

The Barresi-Branciforte lords

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

Limestone, the colour of harmony

Feast days

St. Agatha and the giant candelabras

From the contrast of the exterior to the internal jubilation of colours

A symbol for the town

The senses tell about Palazzo Nicolaci

From St. Thomas to St. Joseph

The Benedictine Monastery, one of the largest in Europe

A new site for a new church

The theatre of taste

The internal colours

San Benedetto: a treasure reopened to the public

The Staircase of Angels

The Supernatural dimension of the chapel of the Santissimo Sacramento

A triumph of colour

A colourful floor

The senses tell the story of the church of Santa Maria del Carmelo

A majestic and luminous church

Militello, the story of an enlightened fiefdom

The senses tell the story of the staircase of Santa Maria del Monte

A design by Vincenzo Sinatra

The Baroque town by the sea

Prominent façade

A miniature city

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Napolino Tommasi Rosso

A museum to save a tradition

A small room with a golden entrance

The character of Badia Sant’Agata

The Feast of San Giacomo (St. James)

Garden of Novices and the restorations by Giancarlo De Carlo

An eagle-shaped city

The two churches

The senses tell the story of the Church of Santa Chiara

St. Sebastian, so much work!

A hall for the feasts

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Two illustrious patron saints

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The role of the religious orders in rebuilding the Val di Noto

A half-Baroque church

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giuliano ai Crociferi

Corbels: a celebration of the Nicolaci family

A talking palace

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Baroque and the loss of equilibrium in the 16th century

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Nicolò l’Arena: an unfinished church

Feasting in Palazzolo

The colours of the cathedral

A feast only for Scicli

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new city