Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A hall for the feasts

Two illustrious patron saints

From St. Thomas to St. Joseph

Many owners, one palace

Prominent façade

The senses tell the story of the church of Santa Maria del Carmelo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Limestone, the colour of harmony

Rosario Gagliardi, the maestro of the Val di Noto

The role of the religious orders in rebuilding the Val di Noto

Searching for colour

The kitchen, a treasure chest of colours

The interior and its masterpieces

The Infiorata, a feast of colours and flowers

A city in colour

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giuseppe

Militello, the story of an enlightened fiefdom

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Modica, a city with ancient origins

The internal colours

Norman apses

The senses tell the story of the Church of San Benedetto

A majestic and luminous church

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of the Annunciation

A square as the heart of the city

A feast only for Scicli

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

The Barresi-Branciforte lords

The Burgos crucifix

The Supernatural dimension of the chapel of the Santissimo Sacramento

The disastrous earthquake

An eagle-shaped city

A new entrance for Santa Chiara (St. Claire)

The Baroque town by the sea

A new palace for the La Rocca lords

A museum to save a tradition

A Nobel Prize in Modica

A long reconstruction

The senses tell about Palazzo Nicolaci

Discovering the mother church

A new site for a new church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The city of museums

The senses tell the Cathedral of Sant’Agata

The colours of the cathedral

St. Agatha and the giant candelabras

The senses tell about Palazzo Napolino Tommasi Rosso

St. Sebastian, so much work!

The church of Carmine

A new site for a new city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Places of knowledge: the Benedictines’ library

The Staircase of Angels

The senses tell the story of the Church of San Sebastiano

San Nicolò l’Arena: an unfinished church

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of San Giovanni Evangelista

The two churches

From International Gothic to present day

Palazzo Nicolaci di Villadorata, who is the architect?

A miniature city

Connections with other UNESCO sites

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Badia di Sant’Agata

The wall comes to life

Baroque and the loss of equilibrium in the 16th century

Feasting in Palazzolo

A small room with a golden entrance

New roads for Catania

The senses tell the story of the staircase of Santa Maria del Monte

Corbels: a celebration of the Nicolaci family

A colourful floor

The theatre of taste

A half-Baroque church

The chocolate of Modica

A prominent church

Some masterpieces

Wonderful quick decorations

The Feast of San Giacomo (St. James)

One city, two sites

The character of Badia Sant’Agata

The senses tell about Palazzo La Rocca

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Giuliano ai Crociferi

A symbol for the town

Between white and black

One city, three sites

The façade used as a puppet theatre

A talking palace

Some prestigious works

Feast days

A triumph of colour

The cathedral of Sant’Agata: a lengthy reconstruction