Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Two illustrious patron saints

A miniature city

From St. Thomas to St. Joseph

San Nicolò l’Arena: an unfinished church

The two churches

The senses tell the story of the Church of the Annunciation

The theatre of taste

Norman apses

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo Nicolaci

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Badia di Sant’Agata

St. Agatha and the giant candelabras

Modica, a city with ancient origins

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of Santa Maria del Carmelo

A majestic and luminous church

The wall comes to life

Between white and black

The Infiorata, a feast of colours and flowers

Discovering the mother church

The Burgos crucifix

Baroque and the loss of equilibrium in the 16th century

The colours of the cathedral

A long reconstruction

Connections with other UNESCO sites

A new site for a new city

The façade used as a puppet theatre

The senses tell the story of the Church of San Sebastiano

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

A prominent church

Searching for colour

The senses tell about Palazzo Napolino Tommasi Rosso

The character of Badia Sant’Agata

A talking palace

Rosario Gagliardi, the maestro of the Val di Noto

A small room with a golden entrance

The cathedral of Sant’Agata: a lengthy reconstruction

The church of Carmine

A museum to save a tradition

The senses tell the Cathedral of Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new palace for the La Rocca lords

The Maiolica of the staircase

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

A half-Baroque church

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

A square as the heart of the city

A colourful floor

A symbol for the town

An eagle-shaped city

New roads for Catania

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A city in colour

From International Gothic to present day

The senses tell the story of the staircase of Santa Maria del Monte

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Staircase of Angels

One city, three sites

Some masterpieces

A new site for a new church

Some prestigious works

Corbels: a celebration of the Nicolaci family

A new entrance for Santa Chiara (St. Claire)

A triumph of colour

The senses tell about Palazzo La Rocca

The Barresi-Branciforte lords

The Benedictine Monastery, one of the largest in Europe

The chocolate of Modica

St. Sebastian, so much work!

Fontana della Ninfa Zizza, public water in the town

Wonderful quick decorations

A Nobel Prize in Modica

Feast days

The senses tell the story of the Church of San Benedetto

One city, two sites

The Baroque town by the sea

Prominent façade

Palazzo Nicolaci di Villadorata, who is the architect?

A hall for the feasts

A design by Vincenzo Sinatra

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A feast only for Scicli

The senses tell the story of the church of San Giuseppe

The disastrous earthquake

The internal colours

Many owners, one palace

The senses tell the story of the Church of San Giovanni Evangelista

The Feast of San Giacomo (St. James)

The kitchen, a treasure chest of colours

The city of museums

The senses tell the story of the Church of San Giuliano ai Crociferi