Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

The façade used as a puppet theatre

From St. Thomas to St. Joseph

Feasting in Palazzolo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The city of museums

San Nicolò l’Arena: an unfinished church

The Benedictine Monastery, one of the largest in Europe

The interior and its masterpieces

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

Norman apses

The kitchen, a treasure chest of colours

The senses tell the Cathedral of Sant’Agata

A museum to save a tradition

From the contrast of the exterior to the internal jubilation of colours

An eagle-shaped city

The wall comes to life

St. Agatha and the giant candelabras

San Benedetto: a treasure reopened to the public

Between white and black

Prominent façade

Connections with other UNESCO sites

A miniature city

A colourful floor

Rosario Gagliardi, the maestro of the Val di Noto

One city, three sites

The Maiolica of the staircase

The senses tell the story of the Church of San Giuliano ai Crociferi

Feast days

The Baroque town by the sea

A new site for a new city

The senses tell about Palazzo Nicolaci

The disastrous earthquake

Garden of Novices and the restorations by Giancarlo De Carlo

The Supernatural dimension of the chapel of the Santissimo Sacramento

The character of Badia Sant’Agata

A long reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

Modica, a city with ancient origins

The church of Carmine

Palazzo Nicolaci di Villadorata, who is the architect?

Discovering the mother church

One city, two sites

The Feast of San Giacomo (St. James)

The internal colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A majestic and luminous church

The senses tell the story of the Church of San Benedetto

Some prestigious works

Baroque and the loss of equilibrium in the 16th century

New roads for Catania

The Burgos crucifix

The Barresi-Branciforte lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo La Rocca

Wonderful quick decorations

A prominent church

The two churches

The senses tell the story of the Church of San Sebastiano

A Nobel Prize in Modica

The colours of the cathedral

Many owners, one palace

The senses tell the story of the Church of the Annunciation

Militello, the story of an enlightened fiefdom

Limestone, the colour of harmony

A new palace for the La Rocca lords

Fontana della Ninfa Zizza, public water in the town

From International Gothic to present day

A feast only for Scicli

A small room with a golden entrance

The role of the religious orders in rebuilding the Val di Noto

St. Sebastian, so much work!

Places of knowledge: the Benedictines’ library

The Infiorata, a feast of colours and flowers

A triumph of colour

A design by Vincenzo Sinatra

The theatre of taste

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

A hall for the feasts

Two illustrious patron saints

Searching for colour

A talking palace

A new site for a new church

A new entrance for Santa Chiara (St. Claire)

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of Santa Maria del Carmelo

A city in colour

The senses tell the story of the Badia di Sant’Agata

A symbol for the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Some masterpieces

The senses tell about Palazzo Napolino Tommasi Rosso

Corbels: a celebration of the Nicolaci family