Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

One city, two sites

Many owners, one palace

Feast days

A new entrance for Santa Chiara (St. Claire)

Some masterpieces

The senses tell about Palazzo Napolino Tommasi Rosso

The Staircase of Angels

A new palace for the La Rocca lords

A miniature city

Some prestigious works

The Supernatural dimension of the chapel of the Santissimo Sacramento

The two churches

The senses tell the story of the Badia di Sant’Agata

One city, three sites

Norman apses

The city of museums

A city in colour

A museum to save a tradition

A feast only for Scicli

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Nicolaci di Villadorata, who is the architect?

Fontana della Ninfa Zizza, public water in the town

Limestone, the colour of harmony

An eagle-shaped city

The Feast of San Giacomo (St. James)

Discovering the mother church

The Maiolica of the staircase

From St. Thomas to St. Joseph

The senses tell about Palazzo Nicolaci

The wall comes to life

The senses tell the story of the Church of San Benedetto

A design by Vincenzo Sinatra

Garden of Novices and the restorations by Giancarlo De Carlo

A half-Baroque church

Baroque and the loss of equilibrium in the 16th century

The cathedral of Sant’Agata: a lengthy reconstruction

A square as the heart of the city

The senses tell the story of the church of San Giovanni Battista

A symbol for the town

The senses tell about Palazzo La Rocca

The Barresi-Branciforte lords

A talking palace

The senses tell the story of the Church of Santa Chiara

A new site for a new city

A small room with a golden entrance

The internal colours

St. Sebastian, so much work!

Modica, a city with ancient origins

The senses tell the story of the Church of the Annunciation

The church of Carmine

Feasting in Palazzolo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Wonderful quick decorations

The Burgos crucifix

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Connections with other UNESCO sites

San Benedetto: a treasure reopened to the public

Militello, the story of an enlightened fiefdom

The theatre of taste

A hall for the feasts

A colourful floor

A Nobel Prize in Modica

The interior and its masterpieces

The senses tell the story of the church of San Giuseppe

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

New roads for Catania

The character of Badia Sant’Agata

A new site for a new church

The senses tell the story of the Church of San Sebastiano

A majestic and luminous church

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

The colours of the cathedral

Between white and black

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

The disastrous earthquake

Places of knowledge: the Benedictines’ library

Corbels: a celebration of the Nicolaci family

From the contrast of the exterior to the internal jubilation of colours

A triumph of colour

The façade used as a puppet theatre

The Benedictine Monastery, one of the largest in Europe

The Baroque town by the sea

A long reconstruction

The chocolate of Modica

The Infiorata, a feast of colours and flowers

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

A prominent church

Prominent façade

From International Gothic to present day

The kitchen, a treasure chest of colours

St. Agatha and the giant candelabras

Two illustrious patron saints

Searching for colour

Rosario Gagliardi, the maestro of the Val di Noto