Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The church of Carmine

Prominent façade

A small room with a golden entrance

The internal colours

Palazzo Nicolaci di Villadorata, who is the architect?

A hall for the feasts

From International Gothic to present day

One city, three sites

The Baroque town by the sea

Wonderful quick decorations

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Cathedral of Sant’Agata

A new entrance for Santa Chiara (St. Claire)

The chocolate of Modica

The senses tell the story of the Church of San Sebastiano

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Militello, the story of an enlightened fiefdom

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Some masterpieces

A Nobel Prize in Modica

The kitchen, a treasure chest of colours

Many owners, one palace

The senses tell about Palazzo Nicolaci

A new site for a new city

Corbels: a celebration of the Nicolaci family

A square as the heart of the city

St. Agatha and the giant candelabras

Between white and black

Connections with other UNESCO sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Rosario Gagliardi, the maestro of the Val di Noto

The Staircase of Angels

San Nicolò l’Arena: an unfinished church

The Infiorata, a feast of colours and flowers

A triumph of colour

Some prestigious works

The interior and its masterpieces

A majestic and luminous church

The Burgos crucifix

The senses tell about Palazzo Napolino Tommasi Rosso

A new palace for the La Rocca lords

The façade used as a puppet theatre

Discovering the mother church

A museum to save a tradition

Searching for colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The theatre of taste

The city of museums

The wall comes to life

The senses tell the story of the Church of the Annunciation

The disastrous earthquake

The Maiolica of the staircase

From the contrast of the exterior to the internal jubilation of colours

San Benedetto: a treasure reopened to the public

A feast only for Scicli

The Benedictine Monastery, one of the largest in Europe

A new site for a new church

A long reconstruction

A symbol for the town

The character of Badia Sant’Agata

One city, two sites

A prominent church

Feast days

Modica, a city with ancient origins

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo La Rocca

A half-Baroque church

The colours of the cathedral

The senses tell the story of the Church of San Benedetto

New roads for Catania

Baroque and the loss of equilibrium in the 16th century

The Supernatural dimension of the chapel of the Santissimo Sacramento

An eagle-shaped city

St. Sebastian, so much work!

Places of knowledge: the Benedictines’ library

Feasting in Palazzolo

The senses tell the story of the Badia di Sant’Agata

A design by Vincenzo Sinatra

Norman apses

Fontana della Ninfa Zizza, public water in the town

From St. Thomas to St. Joseph

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of Santa Chiara

A colourful floor

A talking palace

The Barresi-Branciforte lords

A miniature city

Limestone, the colour of harmony

The cathedral of Sant’Agata: a lengthy reconstruction

The two churches

The senses tell the story of the Church of Santa Chiara

Two illustrious patron saints

A city in colour

The senses tell the story of the church of San Giuseppe