Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

New roads for Catania

Some masterpieces

The Maiolica of the staircase

A small room with a golden entrance

Prominent façade

Between white and black

The two churches

The senses tell the story of the Church of San Giovanni Evangelista

The Benedictine Monastery, one of the largest in Europe

St. Agatha and the giant candelabras

A design by Vincenzo Sinatra

A city in colour

The senses tell the story of the Church of San Benedetto

A half-Baroque church

Limestone, the colour of harmony

The church of Carmine

Feast days

The theatre of taste

The chocolate of Modica

The wall comes to life

The senses tell the story of the Church of San Sebastiano

Searching for colour

The Staircase of Angels

A talking palace

The Baroque town by the sea

St. Sebastian, so much work!

The disastrous earthquake

A long reconstruction

The senses tell the story of the Badia di Sant’Agata

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Chiara

From St. Thomas to St. Joseph

Militello, the story of an enlightened fiefdom

The colours of the cathedral

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

Norman apses

Discovering the mother church

The city of museums

A colourful floor

The senses tell the story of the Church of San Giuliano ai Crociferi

An eagle-shaped city

Feasting in Palazzolo

The senses tell the story of the staircase of Santa Maria del Monte

A feast only for Scicli

The internal colours

A symbol for the town

Wonderful quick decorations

A square as the heart of the city

From the contrast of the exterior to the internal jubilation of colours

A Nobel Prize in Modica

The façade used as a puppet theatre

The Infiorata, a feast of colours and flowers

Garden of Novices and the restorations by Giancarlo De Carlo

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giovanni Battista

Rosario Gagliardi, the maestro of the Val di Noto

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Palazzo Nicolaci di Villadorata, who is the architect?

The interior and its masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giuseppe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A prominent church

The senses tell about Palazzo Nicolaci

A miniature city

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo La Rocca

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

A triumph of colour

The kitchen, a treasure chest of colours

San Benedetto: a treasure reopened to the public

Places of knowledge: the Benedictines’ library

San Nicolò l’Arena: an unfinished church

One city, two sites

Many owners, one palace

A majestic and luminous church

Some prestigious works

The senses tell the story of the Church of the Annunciation

The Burgos crucifix

Connections with other UNESCO sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The character of Badia Sant’Agata

One city, three sites

From International Gothic to present day

The Barresi-Branciforte lords

A hall for the feasts

Corbels: a celebration of the Nicolaci family

Modica, a city with ancient origins

A new site for a new city

A new palace for the La Rocca lords

Two illustrious patron saints

A museum to save a tradition