Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Between white and black

The wall comes to life

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The colours of the cathedral

The senses tell about Palazzo Nicolaci

Militello, the story of an enlightened fiefdom

The city of museums

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Norman apses

The church of Carmine

A museum to save a tradition

A talking palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

A small room with a golden entrance

San Benedetto: a treasure reopened to the public

One city, two sites

The Baroque town by the sea

New roads for Catania

The senses tell the story of the church of Santa Maria del Carmelo

Wonderful quick decorations

A long reconstruction

A new site for a new city

A new site for a new church

Garden of Novices and the restorations by Giancarlo De Carlo

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Cathedral of Sant’Agata

A symbol for the town

Corbels: a celebration of the Nicolaci family

A colourful floor

The senses tell the story of the Church of San Sebastiano

A design by Vincenzo Sinatra

The theatre of taste

The disastrous earthquake

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

A feast only for Scicli

Feast days

A city in colour

The chocolate of Modica

A triumph of colour

Some masterpieces

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of the Annunciation

From the contrast of the exterior to the internal jubilation of colours

Many owners, one palace

The character of Badia Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

The role of the religious orders in rebuilding the Val di Noto

Connections with other UNESCO sites

A new palace for the La Rocca lords

The senses tell the story of the Badia di Sant’Agata

From St. Thomas to St. Joseph

A hall for the feasts

The senses tell the story of the Church of San Giuliano ai Crociferi

Fontana della Ninfa Zizza, public water in the town

Modica, a city with ancient origins

The Infiorata, a feast of colours and flowers

Places of knowledge: the Benedictines’ library

The internal colours

St. Sebastian, so much work!

A Nobel Prize in Modica

Discovering the mother church

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Benedetto

From International Gothic to present day

Some prestigious works

Two illustrious patron saints

A half-Baroque church

The Benedictine Monastery, one of the largest in Europe

St. Agatha and the giant candelabras

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Barresi-Branciforte lords

A new entrance for Santa Chiara (St. Claire)

A majestic and luminous church

Baroque and the loss of equilibrium in the 16th century

One city, three sites

The interior and its masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

San Nicolò l’Arena: an unfinished church

The two churches

Prominent façade

An eagle-shaped city

The senses tell about Palazzo Napolino Tommasi Rosso

A square as the heart of the city

The Staircase of Angels

A miniature city

The façade used as a puppet theatre

The senses tell the story of the church of San Giuseppe

The Burgos crucifix

The kitchen, a treasure chest of colours

Limestone, the colour of harmony

Feasting in Palazzolo

The senses tell the story of the Church of San Giovanni Evangelista

A prominent church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Maiolica of the staircase

Searching for colour