Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the church of San Giuseppe

A miniature city

St. Sebastian, so much work!

The senses tell the Cathedral of Sant’Agata

Some masterpieces

A new palace for the La Rocca lords

A small room with a golden entrance

A symbol for the town

A hall for the feasts

The façade used as a puppet theatre

The senses tell the story of the Church of the Annunciation

The Burgos crucifix

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Benedetto

A square as the heart of the city

The two churches

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

Norman apses

The Feast of San Giacomo (St. James)

The theatre of taste

The senses tell the story of the staircase of Santa Maria del Monte

From the contrast of the exterior to the internal jubilation of colours

The colours of the cathedral

Some prestigious works

The Benedictine Monastery, one of the largest in Europe

One city, three sites

A prominent church

A feast only for Scicli

Two illustrious patron saints

The role of the religious orders in rebuilding the Val di Noto

The internal colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Infiorata, a feast of colours and flowers

Places of knowledge: the Benedictines’ library

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo La Rocca

Rosario Gagliardi, the maestro of the Val di Noto

Modica, a city with ancient origins

The chocolate of Modica

Discovering the mother church

Fontana della Ninfa Zizza, public water in the town

New roads for Catania

Baroque and the loss of equilibrium in the 16th century

The Maiolica of the staircase

The cathedral of Sant’Agata: a lengthy reconstruction

A design by Vincenzo Sinatra

A colourful floor

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of San Giovanni Battista

A Nobel Prize in Modica

Between white and black

A majestic and luminous church

One city, two sites

Wonderful quick decorations

An eagle-shaped city

From International Gothic to present day

Garden of Novices and the restorations by Giancarlo De Carlo

The Baroque town by the sea

The church of Carmine

The Staircase of Angels

The senses tell about Palazzo Nicolaci

Feasting in Palazzolo

From St. Thomas to St. Joseph

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The disastrous earthquake

A triumph of colour

A new site for a new city

The kitchen, a treasure chest of colours

The interior and its masterpieces

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new church

The senses tell the story of the Badia di Sant’Agata

St. Agatha and the giant candelabras

Searching for colour

Many owners, one palace

The senses tell the story of the Church of San Giuliano ai Crociferi

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giovanni Evangelista

Connections with other UNESCO sites

A half-Baroque church

Palazzo Nicolaci di Villadorata, who is the architect?

The wall comes to life

The Supernatural dimension of the chapel of the Santissimo Sacramento

Corbels: a celebration of the Nicolaci family

The city of museums

San Benedetto: a treasure reopened to the public

A long reconstruction

The character of Badia Sant’Agata

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Sebastiano

A city in colour

A talking palace

A museum to save a tradition

Feast days

The senses tell the story of the church of Santa Maria del Carmelo

Prominent façade