Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

San Nicolò l’Arena: an unfinished church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new entrance for Santa Chiara (St. Claire)

A majestic and luminous church

Discovering the mother church

The Infiorata, a feast of colours and flowers

A small room with a golden entrance

Prominent façade

The Feast of San Giacomo (St. James)

A feast only for Scicli

Some masterpieces

A colourful floor

A talking palace

Some prestigious works

The senses tell the story of the Church of San Giuliano ai Crociferi

The Burgos crucifix

Many owners, one palace

From International Gothic to present day

The senses tell about Palazzo Napolino Tommasi Rosso

A new site for a new city

A miniature city

An eagle-shaped city

The senses tell the story of the Church of San Giovanni Evangelista

The Baroque town by the sea

The city of museums

Two illustrious patron saints

A city in colour

The two churches

The cathedral of Sant’Agata: a lengthy reconstruction

Feasting in Palazzolo

Connections with other UNESCO sites

A triumph of colour

Militello, the story of an enlightened fiefdom

Between white and black

Wonderful quick decorations

The disastrous earthquake

The Benedictine Monastery, one of the largest in Europe

The colours of the cathedral

The senses tell about Palazzo Nicolaci

The kitchen, a treasure chest of colours

One city, two sites

The senses tell the story of the church of San Giovanni Battista

A design by Vincenzo Sinatra

The church of Carmine

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

From the contrast of the exterior to the internal jubilation of colours

The Barresi-Branciforte lords

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Benedetto

The theatre of taste

The senses tell the story of the Badia di Sant’Agata

The Staircase of Angels

From St. Thomas to St. Joseph

St. Sebastian, so much work!

Searching for colour

The senses tell the story of the church of Santa Maria del Carmelo

The character of Badia Sant’Agata

A half-Baroque church

The senses tell the story of the staircase of Santa Maria del Monte

Modica, a city with ancient origins

Palazzo Nicolaci di Villadorata, who is the architect?

A prominent church

Feast days

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giuseppe

Fontana della Ninfa Zizza, public water in the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Limestone, the colour of harmony

Corbels: a celebration of the Nicolaci family

A museum to save a tradition

One city, three sites

The senses tell the story of the Church of San Sebastiano

A new palace for the La Rocca lords

San Benedetto: a treasure reopened to the public

A new site for a new church

A symbol for the town

Places of knowledge: the Benedictines’ library

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The chocolate of Modica

Norman apses

New roads for Catania

The internal colours

Baroque and the loss of equilibrium in the 16th century

The senses tell the Cathedral of Sant’Agata

A hall for the feasts

The Maiolica of the staircase

The façade used as a puppet theatre

The senses tell about Palazzo La Rocca

The wall comes to life

The senses tell the story of the Church of the Annunciation

The Supernatural dimension of the chapel of the Santissimo Sacramento

A long reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

A Nobel Prize in Modica

The role of the religious orders in rebuilding the Val di Noto