Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Sebastiano

The senses tell the Cathedral of Sant’Agata

The colours of the cathedral

The theatre of taste

The senses tell about Palazzo La Rocca

Rosario Gagliardi, the maestro of the Val di Noto

Places of knowledge: the Benedictines’ library

A hall for the feasts

The Infiorata, a feast of colours and flowers

Some masterpieces

From International Gothic to present day

The wall comes to life

Many owners, one palace

A Nobel Prize in Modica

The façade used as a puppet theatre

The Supernatural dimension of the chapel of the Santissimo Sacramento

New roads for Catania

A square as the heart of the city

St. Sebastian, so much work!

A majestic and luminous church

The Feast of San Giacomo (St. James)

Militello, the story of an enlightened fiefdom

A new site for a new city

The senses tell about Palazzo Nicolaci

The interior and its masterpieces

Norman apses

Discovering the mother church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Two illustrious patron saints

Limestone, the colour of harmony

San Nicolò l’Arena: an unfinished church

A museum to save a tradition

One city, three sites

A colourful floor

The Burgos crucifix

Modica, a city with ancient origins

A new site for a new church

The senses tell the story of the Church of San Benedetto

An eagle-shaped city

The Baroque town by the sea

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giovanni Battista

A design by Vincenzo Sinatra

The Staircase of Angels

Feast days

A new entrance for Santa Chiara (St. Claire)

San Benedetto: a treasure reopened to the public

The senses tell the story of the staircase of Santa Maria del Monte

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A triumph of colour

A long reconstruction

A prominent church

The role of the religious orders in rebuilding the Val di Noto

A miniature city

A small room with a golden entrance

The senses tell about Palazzo Napolino Tommasi Rosso

St. Agatha and the giant candelabras

A half-Baroque church

Prominent façade

The chocolate of Modica

Feasting in Palazzolo

Palazzo Nicolaci di Villadorata, who is the architect?

The city of museums

The Maiolica of the staircase

One city, two sites

A city in colour

Searching for colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A talking palace

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of Santa Maria del Carmelo

A symbol for the town

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giuliano ai Crociferi

From the contrast of the exterior to the internal jubilation of colours

The two churches

Between white and black

Connections with other UNESCO sites

A new palace for the La Rocca lords

The disastrous earthquake

Baroque and the loss of equilibrium in the 16th century

The kitchen, a treasure chest of colours

The internal colours

From St. Thomas to St. Joseph

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

The church of Carmine

The character of Badia Sant’Agata

The Benedictine Monastery, one of the largest in Europe

Corbels: a celebration of the Nicolaci family

Fontana della Ninfa Zizza, public water in the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Wonderful quick decorations

Some prestigious works

A feast only for Scicli