Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the Badia di Sant’Agata

A city in colour

A long reconstruction

A square as the heart of the city

The senses tell the Cathedral of Sant’Agata

The wall comes to life

The city of museums

The disastrous earthquake

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of Santa Chiara

A prominent church

The senses tell the story of the Church of Santa Chiara

Militello, the story of an enlightened fiefdom

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

From International Gothic to present day

Prominent façade

A design by Vincenzo Sinatra

Searching for colour

St. Sebastian, so much work!

A new site for a new city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The theatre of taste

The façade used as a puppet theatre

Feasting in Palazzolo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Limestone, the colour of harmony

A small room with a golden entrance

Feast days

The senses tell the story of the church of San Giovanni Battista

The character of Badia Sant’Agata

Between white and black

The two churches

Two illustrious patron saints

St. Agatha and the giant candelabras

The Supernatural dimension of the chapel of the Santissimo Sacramento

An eagle-shaped city

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Sebastiano

San Benedetto: a treasure reopened to the public

A new palace for the La Rocca lords

Modica, a city with ancient origins

The Barresi-Branciforte lords

One city, two sites

The Burgos crucifix

A colourful floor

The Baroque town by the sea

The Feast of San Giacomo (St. James)

Connections with other UNESCO sites

Rosario Gagliardi, the maestro of the Val di Noto

A talking palace

One city, three sites

The colours of the cathedral

Many owners, one palace

The senses tell the story of the staircase of Santa Maria del Monte

Some prestigious works

A triumph of colour

Norman apses

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo La Rocca

The Benedictine Monastery, one of the largest in Europe

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The interior and its masterpieces

A Nobel Prize in Modica

The Maiolica of the staircase

The role of the religious orders in rebuilding the Val di Noto

Wonderful quick decorations

The senses tell the story of the church of San Giuseppe

Places of knowledge: the Benedictines’ library

A half-Baroque church

San Nicolò l’Arena: an unfinished church

A feast only for Scicli

The cathedral of Sant’Agata: a lengthy reconstruction

The Infiorata, a feast of colours and flowers

A majestic and luminous church

The senses tell about Palazzo Nicolaci

New roads for Catania

Garden of Novices and the restorations by Giancarlo De Carlo

The kitchen, a treasure chest of colours

The Staircase of Angels

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From the contrast of the exterior to the internal jubilation of colours

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

From St. Thomas to St. Joseph

The internal colours

A new site for a new church

A miniature city

A symbol for the town

The senses tell about Palazzo Napolino Tommasi Rosso

Some masterpieces

The senses tell the story of the church of Santa Maria del Carmelo

A hall for the feasts

The senses tell the story of the Church of San Giuliano ai Crociferi

Baroque and the loss of equilibrium in the 16th century

The chocolate of Modica

Discovering the mother church

The church of Carmine

A museum to save a tradition