Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

The senses tell the story of the church of Santa Maria del Carmelo

A triumph of colour

One city, three sites

Many owners, one palace

The interior and its masterpieces

A symbol for the town

A feast only for Scicli

The senses tell the story of the Church of San Giovanni Evangelista

A museum to save a tradition

Limestone, the colour of harmony

A prominent church

A city in colour

Connections with other UNESCO sites

The Maiolica of the staircase

The senses tell the story of the Church of San Benedetto

Some masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

Prominent façade

A new site for a new church

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Sebastiano

An eagle-shaped city

A half-Baroque church

From the contrast of the exterior to the internal jubilation of colours

From International Gothic to present day

Norman apses

Searching for colour

A talking palace

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

Between white and black

St. Agatha and the giant candelabras

The Supernatural dimension of the chapel of the Santissimo Sacramento

The kitchen, a treasure chest of colours

The wall comes to life

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A Nobel Prize in Modica

The Benedictine Monastery, one of the largest in Europe

The internal colours

Two illustrious patron saints

The senses tell about Palazzo Napolino Tommasi Rosso

The Feast of San Giacomo (St. James)

The senses tell the story of the church of San Giuseppe

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A small room with a golden entrance

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

New roads for Catania

A majestic and luminous church

The senses tell the story of the Church of San Giuliano ai Crociferi

The character of Badia Sant’Agata

The church of Carmine

The city of museums

The theatre of taste

Wonderful quick decorations

The senses tell the story of the Church of the Annunciation

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new entrance for Santa Chiara (St. Claire)

The senses tell the Cathedral of Sant’Agata

Some prestigious works

The cathedral of Sant’Agata: a lengthy reconstruction

San Nicolò l’Arena: an unfinished church

Modica, a city with ancient origins

San Benedetto: a treasure reopened to the public

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The two churches

The chocolate of Modica

The Staircase of Angels

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giovanni Battista

The role of the religious orders in rebuilding the Val di Noto

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

A new palace for the La Rocca lords

A long reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

The Burgos crucifix

A miniature city

A colourful floor

One city, two sites

The disastrous earthquake

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

From St. Thomas to St. Joseph

The senses tell about Palazzo La Rocca

St. Sebastian, so much work!

The colours of the cathedral

A square as the heart of the city

Feast days

A hall for the feasts

Feasting in Palazzolo

The Barresi-Branciforte lords

Garden of Novices and the restorations by Giancarlo De Carlo

Places of knowledge: the Benedictines’ library

Rosario Gagliardi, the maestro of the Val di Noto

The Baroque town by the sea

Militello, the story of an enlightened fiefdom

The Infiorata, a feast of colours and flowers