Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

A prominent church

A colourful floor

A feast only for Scicli

The senses tell the story of the staircase of Santa Maria del Monte

Prominent façade

The senses tell the story of the Church of Santa Chiara

A half-Baroque church

The theatre of taste

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Benedictine Monastery and San NicoIò l’Arena

An eagle-shaped city

A hall for the feasts

Wonderful quick decorations

San Benedetto: a treasure reopened to the public

The wall comes to life

A square as the heart of the city

The senses tell the story of the Church of San Sebastiano

The church of Carmine

A new entrance for Santa Chiara (St. Claire)

A triumph of colour

Feast days

The senses tell the story of the church of San Giovanni Battista

The Baroque town by the sea

A symbol for the town

A new site for a new city

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A small room with a golden entrance

A talking palace

Many owners, one palace

The cathedral of Sant’Agata: a lengthy reconstruction

Two illustrious patron saints

A museum to save a tradition

The Supernatural dimension of the chapel of the Santissimo Sacramento

A miniature city

A design by Vincenzo Sinatra

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

From St. Thomas to St. Joseph

The senses tell the story of the church of Santa Maria del Carmelo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The colours of the cathedral

A new palace for the La Rocca lords

St. Sebastian, so much work!

Limestone, the colour of harmony

The Benedictine Monastery, one of the largest in Europe

From the contrast of the exterior to the internal jubilation of colours

A new site for a new church

One city, three sites

Norman apses

Some prestigious works

The city of museums

The Burgos crucifix

Places of knowledge: the Benedictines’ library

The interior and its masterpieces

A majestic and luminous church

Militello, the story of an enlightened fiefdom

The Feast of San Giacomo (St. James)

St. Agatha and the giant candelabras

A long reconstruction

San Nicolò l’Arena: an unfinished church

Baroque and the loss of equilibrium in the 16th century

The internal colours

Searching for colour

The chocolate of Modica

The senses tell the Cathedral of Sant’Agata

Modica, a city with ancient origins

Garden of Novices and the restorations by Giancarlo De Carlo

A Nobel Prize in Modica

The disastrous earthquake

Connections with other UNESCO sites

Feasting in Palazzolo

One city, two sites

The façade used as a puppet theatre

Some masterpieces

The two churches

New roads for Catania

The Maiolica of the staircase

Between white and black

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

The role of the religious orders in rebuilding the Val di Noto

Corbels: a celebration of the Nicolaci family

From International Gothic to present day

The character of Badia Sant’Agata

The Infiorata, a feast of colours and flowers

A city in colour

The kitchen, a treasure chest of colours

The senses tell about Palazzo Nicolaci

Discovering the mother church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of San Giuseppe

The Barresi-Branciforte lords