Introduction to Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque was born and developed in a historical period worn out by conflict between the Catholic Counter-Reformation and Protestantism that led to the Thirty Years’ War, a scene of blood and death in Europe.
With the Peace of Westphalia in 1648, freedom of worship was approved for the three main faiths (Protestant, Calvinist and Catholic), despite the fact that the major European powers involved in the conflict sought the undisputed dominance of one religion.
The Catholic Church had a decisive role in spreading Baroque, which was used as a propaganda tool against the rampant forms of Protestantism and heresy.
Baroque art was born to celebrate the power of the Catholic Church, leading artists to create pictorial, sculptural and architectural representations that amazed and astounded the observer.
Baroque encouraged a new vision of the world in which reality and fiction merged to create veritable masterpieces.
Colour and colourful marble were used to decorate church interiors and unusual, often curvilinear shapes such as ovals were used for church floor plans. It was important to incite amazement and demonstrate the greatness of papal authority.

Some prestigious works

The senses tell the story of the staircase of Santa Maria del Monte

An eagle-shaped city

Baroque and the loss of equilibrium in the 16th century

A colourful floor

The senses tell about Palazzo Nicolaci

A talking palace

A design by Vincenzo Sinatra

A majestic and luminous church

The city of museums

The kitchen, a treasure chest of colours

Searching for colour

Many owners, one palace

Some masterpieces

From St. Thomas to St. Joseph

A Nobel Prize in Modica

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Baroque town by the sea

The wall comes to life

A new site for a new city

A museum to save a tradition

The Burgos crucifix

A city in colour

San Benedetto: a treasure reopened to the public

Militello, the story of an enlightened fiefdom

Feast days

The cathedral of Sant’Agata: a lengthy reconstruction

Between white and black

New roads for Catania

From the contrast of the exterior to the internal jubilation of colours

Prominent façade

From International Gothic to present day

The character of Badia Sant’Agata

The façade used as a puppet theatre

Modica, a city with ancient origins

The senses tell about Palazzo Napolino Tommasi Rosso

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Benedetto

The internal colours

A prominent church

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giuliano ai Crociferi

The Barresi-Branciforte lords

A small room with a golden entrance

A triumph of colour

A miniature city

A symbol for the town

The senses tell the Cathedral of Sant’Agata

The two churches

The senses tell the story of the church of San Giovanni Battista

The Staircase of Angels

Corbels: a celebration of the Nicolaci family

The Feast of San Giacomo (St. James)

A long reconstruction

A new site for a new church

The senses tell the story of the Church of San Sebastiano

San Nicolò l’Arena: an unfinished church

The disastrous earthquake

The Infiorata, a feast of colours and flowers

One city, two sites

The theatre of taste

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Norman apses

The senses tell the story of the church of San Giuseppe

A hall for the feasts

A new palace for the La Rocca lords

A half-Baroque church

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of the Annunciation

Rosario Gagliardi, the maestro of the Val di Noto

Connections with other UNESCO sites

Palazzo Nicolaci di Villadorata, who is the architect?

Feasting in Palazzolo

The senses tell the story of the Badia di Sant’Agata

Discovering the mother church

The Maiolica of the staircase

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The church of Carmine

The Benedictine Monastery, one of the largest in Europe

A square as the heart of the city

One city, three sites

St. Sebastian, so much work!

The chocolate of Modica

Limestone, the colour of harmony

Places of knowledge: the Benedictines’ library

Garden of Novices and the restorations by Giancarlo De Carlo

A feast only for Scicli

Two illustrious patron saints

The colours of the cathedral

St. Agatha and the giant candelabras

The role of the religious orders in rebuilding the Val di Noto

Wonderful quick decorations