Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Feast days

The Staircase of Angels

A miniature city

A half-Baroque church

A symbol for the town

The character of Badia Sant’Agata

The Benedictine Monastery, one of the largest in Europe

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giuliano ai Crociferi

The city of museums

Corbels: a celebration of the Nicolaci family

The theatre of taste

A square as the heart of the city

Norman apses

The Baroque town by the sea

One city, three sites

A prominent church

A museum to save a tradition

Many owners, one palace

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Between white and black

Connections with other UNESCO sites

A majestic and luminous church

A feast only for Scicli

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giovanni Evangelista

A city in colour

Some prestigious works

Searching for colour

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

The two churches

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo La Rocca

The senses tell the story of the Badia di Sant’Agata

Wonderful quick decorations

Limestone, the colour of harmony

The internal colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A Nobel Prize in Modica

Modica, a city with ancient origins

The wall comes to life

The senses tell the story of the church of San Giovanni Battista

The Burgos crucifix

The disastrous earthquake

Fontana della Ninfa Zizza, public water in the town

A talking palace

Discovering the mother church

A long reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

St. Sebastian, so much work!

The senses tell the story of the church of San Giuseppe

The Feast of San Giacomo (St. James)

Feasting in Palazzolo

The church of Carmine

Militello, the story of an enlightened fiefdom

Some masterpieces

The senses tell the story of the Church of the Annunciation

San Benedetto: a treasure reopened to the public

A new site for a new city

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

The kitchen, a treasure chest of colours

New roads for Catania

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Sebastiano

St. Agatha and the giant candelabras

An eagle-shaped city

Rosario Gagliardi, the maestro of the Val di Noto

A design by Vincenzo Sinatra

A triumph of colour

Palazzo Nicolaci di Villadorata, who is the architect?

The Maiolica of the staircase

From International Gothic to present day

San Nicolò l’Arena: an unfinished church

The chocolate of Modica

Prominent façade

The colours of the cathedral

A new site for a new church

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo Napolino Tommasi Rosso

One city, two sites

Two illustrious patron saints

The Barresi-Branciforte lords

From St. Thomas to St. Joseph

The senses tell the Cathedral of Sant’Agata

The façade used as a puppet theatre

The senses tell the story of the staircase of Santa Maria del Monte

The role of the religious orders in rebuilding the Val di Noto

The interior and its masterpieces

From the contrast of the exterior to the internal jubilation of colours

A hall for the feasts

The senses tell about Palazzo Nicolaci

Baroque and the loss of equilibrium in the 16th century

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of Santa Maria del Carmelo

A new entrance for Santa Chiara (St. Claire)

A colourful floor