Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Palazzo Nicolaci di Villadorata, who is the architect?

A miniature city

The church of Carmine

The city of museums

Wonderful quick decorations

The Feast of San Giacomo (St. James)

From St. Thomas to St. Joseph

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The wall comes to life

From the contrast of the exterior to the internal jubilation of colours

Places of knowledge: the Benedictines’ library

Some prestigious works

The Maiolica of the staircase

Prominent façade

The two churches

Discovering the mother church

Between white and black

The theatre of taste

Norman apses

A long reconstruction

A hall for the feasts

A symbol for the town

A talking palace

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The disastrous earthquake

A majestic and luminous church

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of the Annunciation

A new entrance for Santa Chiara (St. Claire)

Rosario Gagliardi, the maestro of the Val di Noto

From International Gothic to present day

Feast days

The senses tell the story of the Church of San Giuliano ai Crociferi

A museum to save a tradition

An eagle-shaped city

A prominent church

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Badia di Sant’Agata

A small room with a golden entrance

A new site for a new city

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell about Palazzo La Rocca

A triumph of colour

Feasting in Palazzolo

The senses tell the story of the Church of San Benedetto

The Barresi-Branciforte lords

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano

One city, three sites

Garden of Novices and the restorations by Giancarlo De Carlo

A colourful floor

A square as the heart of the city

The senses tell about Palazzo Napolino Tommasi Rosso

The Burgos crucifix

Connections with other UNESCO sites

The cathedral of Sant’Agata: a lengthy reconstruction

Searching for colour

St. Sebastian, so much work!

A feast only for Scicli

Limestone, the colour of harmony

One city, two sites

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

Two illustrious patron saints

Many owners, one palace

Some masterpieces

A design by Vincenzo Sinatra

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the staircase of Santa Maria del Monte

The Supernatural dimension of the chapel of the Santissimo Sacramento

San Benedetto: a treasure reopened to the public

Militello, the story of an enlightened fiefdom

The façade used as a puppet theatre

The senses tell the story of the church of San Giuseppe

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

Modica, a city with ancient origins

The kitchen, a treasure chest of colours

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

The Staircase of Angels

A new palace for the La Rocca lords

A Nobel Prize in Modica

The interior and its masterpieces

New roads for Catania

A new site for a new church

A half-Baroque church

The Infiorata, a feast of colours and flowers

The internal colours

The character of Badia Sant’Agata

San Nicolò l’Arena: an unfinished church

The Baroque town by the sea

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista

The chocolate of Modica

The senses tell about Palazzo Nicolaci

A city in colour

The Benedictine Monastery, one of the largest in Europe