Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Fontana della Ninfa Zizza, public water in the town

The colours of the cathedral

The Maiolica of the staircase

The interior and its masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giovanni Battista

A talking palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

A museum to save a tradition

Militello, the story of an enlightened fiefdom

Many owners, one palace

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giovanni Evangelista

Two illustrious patron saints

The role of the religious orders in rebuilding the Val di Noto

From St. Thomas to St. Joseph

The theatre of taste

Norman apses

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of San Benedetto

A colourful floor

Feasting in Palazzolo

One city, three sites

Places of knowledge: the Benedictines’ library

The façade used as a puppet theatre

A miniature city

The two churches

The kitchen, a treasure chest of colours

A symbol for the town

An eagle-shaped city

A feast only for Scicli

Limestone, the colour of harmony

From the contrast of the exterior to the internal jubilation of colours

A design by Vincenzo Sinatra

Discovering the mother church

A prominent church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giuliano ai Crociferi

San Nicolò l’Arena: an unfinished church

The cathedral of Sant’Agata: a lengthy reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

A city in colour

Prominent façade

The senses tell the Cathedral of Sant’Agata

The Feast of San Giacomo (St. James)

Between white and black

The disastrous earthquake

The Barresi-Branciforte lords

From International Gothic to present day

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

The church of Carmine

Some masterpieces

A new palace for the La Rocca lords

Searching for colour

St. Sebastian, so much work!

St. Agatha and the giant candelabras

A square as the heart of the city

Baroque and the loss of equilibrium in the 16th century

San Benedetto: a treasure reopened to the public

The chocolate of Modica

A half-Baroque church

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Nicolaci

Feast days

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The city of museums

The Benedictine Monastery, one of the largest in Europe

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new church

A small room with a golden entrance

The internal colours

The Baroque town by the sea

The wall comes to life

The senses tell the story of the Church of the Annunciation

A hall for the feasts

Palazzo Nicolaci di Villadorata, who is the architect?

A majestic and luminous church

The senses tell the story of the Church of Santa Chiara

A triumph of colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A long reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

A new site for a new city

The senses tell the story of the church of Santa Maria del Carmelo

Corbels: a celebration of the Nicolaci family

The Burgos crucifix

The senses tell the story of the Badia di Sant’Agata

Some prestigious works

One city, two sites

The character of Badia Sant’Agata

Modica, a city with ancient origins

The Staircase of Angels

New roads for Catania

Wonderful quick decorations

Connections with other UNESCO sites

The senses tell the story of the Church of San Sebastiano