Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the church of San Giovanni Battista

St. Sebastian, so much work!

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the staircase of Santa Maria del Monte

Discovering the mother church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The cathedral of Sant’Agata: a lengthy reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some masterpieces

The senses tell about Palazzo Napolino Tommasi Rosso

Fontana della Ninfa Zizza, public water in the town

Between white and black

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Wonderful quick decorations

The character of Badia Sant’Agata

Two illustrious patron saints

The senses tell the story of the Church of San Sebastiano

A museum to save a tradition

From International Gothic to present day

The Infiorata, a feast of colours and flowers

New roads for Catania

Modica, a city with ancient origins

Feast days

The internal colours

The colours of the cathedral

San Nicolò l’Arena: an unfinished church

Baroque and the loss of equilibrium in the 16th century

The Benedictine Monastery, one of the largest in Europe

The two churches

The Barresi-Branciforte lords

The interior and its masterpieces

The role of the religious orders in rebuilding the Val di Noto

One city, two sites

The chocolate of Modica

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A city in colour

The church of Carmine

Corbels: a celebration of the Nicolaci family

The theatre of taste

A colourful floor

A feast only for Scicli

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

A hall for the feasts

A Nobel Prize in Modica

The façade used as a puppet theatre

The senses tell the story of the Church of San Benedetto

Rosario Gagliardi, the maestro of the Val di Noto

Norman apses

A miniature city

One city, three sites

Places of knowledge: the Benedictines’ library

The senses tell the story of the Badia di Sant’Agata

A small room with a golden entrance

A prominent church

Garden of Novices and the restorations by Giancarlo De Carlo

St. Agatha and the giant candelabras

Palazzo Nicolaci di Villadorata, who is the architect?

The Baroque town by the sea

Feasting in Palazzolo

The disastrous earthquake

From St. Thomas to St. Joseph

The senses tell the story of the church of Santa Maria del Carmelo

The Staircase of Angels

The wall comes to life

A long reconstruction

San Benedetto: a treasure reopened to the public

The Burgos crucifix

Many owners, one palace

The senses tell the story of the Church of the Annunciation

A new site for a new church

The Maiolica of the staircase

The senses tell the story of the Church of San Giovanni Evangelista

Searching for colour

From the contrast of the exterior to the internal jubilation of colours

Militello, the story of an enlightened fiefdom

The city of museums

A new palace for the La Rocca lords

An eagle-shaped city

A talking palace

A symbol for the town

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

The senses tell about Palazzo Nicolaci

The Feast of San Giacomo (St. James)

Prominent façade

The senses tell the story of the Church of Santa Chiara

A triumph of colour

The senses tell about Palazzo La Rocca

A majestic and luminous church

A square as the heart of the city

Limestone, the colour of harmony

A half-Baroque church

Some prestigious works

A new site for a new city

The kitchen, a treasure chest of colours

A design by Vincenzo Sinatra

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giuseppe