Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

San Nicolò l’Arena: an unfinished church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Staircase of Angels

The character of Badia Sant’Agata

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo Napolino Tommasi Rosso

St. Sebastian, so much work!

A new palace for the La Rocca lords

The chocolate of Modica

The senses tell about Palazzo Nicolaci

The wall comes to life

The kitchen, a treasure chest of colours

Limestone, the colour of harmony

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Giuliano ai Crociferi

Prominent façade

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giuseppe

The Infiorata, a feast of colours and flowers

A square as the heart of the city

From St. Thomas to St. Joseph

New roads for Catania

A colourful floor

Corbels: a celebration of the Nicolaci family

The colours of the cathedral

A symbol for the town

The Benedictine Monastery, one of the largest in Europe

The Supernatural dimension of the chapel of the Santissimo Sacramento

Searching for colour

A new site for a new church

Garden of Novices and the restorations by Giancarlo De Carlo

One city, two sites

Palazzo Nicolaci di Villadorata, who is the architect?

The church of Carmine

The disastrous earthquake

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of Santa Chiara

A long reconstruction

Many owners, one palace

St. Agatha and the giant candelabras

The role of the religious orders in rebuilding the Val di Noto

One city, three sites

Some masterpieces

The façade used as a puppet theatre

Between white and black

The senses tell the story of the Church of San Giovanni Evangelista

A miniature city

The theatre of taste

A feast only for Scicli

A triumph of colour

A small room with a golden entrance

Places of knowledge: the Benedictines’ library

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of the Annunciation

A new entrance for Santa Chiara (St. Claire)

Feasting in Palazzolo

A museum to save a tradition

Wonderful quick decorations

A talking palace

Modica, a city with ancient origins

A design by Vincenzo Sinatra

Some prestigious works

The interior and its masterpieces

The senses tell the story of the Church of Santa Chiara

A half-Baroque church

The cathedral of Sant’Agata: a lengthy reconstruction

An eagle-shaped city

Two illustrious patron saints

The Baroque town by the sea

The Barresi-Branciforte lords

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Badia di Sant’Agata

A new site for a new city

A prominent church

The internal colours

The senses tell the Cathedral of Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

The Maiolica of the staircase

The Feast of San Giacomo (St. James)

Discovering the mother church

A majestic and luminous church

Feast days

A Nobel Prize in Modica

The Burgos crucifix

Baroque and the loss of equilibrium in the 16th century

The two churches

Norman apses

Connections with other UNESCO sites

Militello, the story of an enlightened fiefdom

A city in colour

The senses tell about Palazzo La Rocca

The city of museums

A hall for the feasts

The senses tell the story of the church of Santa Maria del Carmelo

From International Gothic to present day