Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

Feasting in Palazzolo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Modica, a city with ancient origins

A hall for the feasts

A symbol for the town

Feast days

The Feast of San Giacomo (St. James)

Some masterpieces

The disastrous earthquake

A square as the heart of the city

The senses tell about Palazzo La Rocca

A talking palace

One city, three sites

The senses tell the story of the Church of the Annunciation

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Benedetto

San Benedetto: a treasure reopened to the public

Militello, the story of an enlightened fiefdom

Rosario Gagliardi, the maestro of the Val di Noto

A half-Baroque church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giuseppe

Discovering the mother church

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The wall comes to life

The interior and its masterpieces

The façade used as a puppet theatre

A miniature city

The city of museums

Some prestigious works

New roads for Catania

The two churches

The senses tell the story of the church of San Giovanni Battista

The Baroque town by the sea

The kitchen, a treasure chest of colours

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista

Wonderful quick decorations

A new site for a new church

A feast only for Scicli

The internal colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Burgos crucifix

A new entrance for Santa Chiara (St. Claire)

The Maiolica of the staircase

Places of knowledge: the Benedictines’ library

Garden of Novices and the restorations by Giancarlo De Carlo

A small room with a golden entrance

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

Prominent façade

An eagle-shaped city

Between white and black

St. Sebastian, so much work!

Fontana della Ninfa Zizza, public water in the town

Many owners, one palace

The Staircase of Angels

A museum to save a tradition

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

A long reconstruction

From International Gothic to present day

The senses tell the story of the Church of San Giuliano ai Crociferi

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Sebastiano

A city in colour

The senses tell the story of the Badia di Sant’Agata

Two illustrious patron saints

A triumph of colour

The senses tell about Palazzo Nicolaci

The Benedictine Monastery, one of the largest in Europe

Palazzo Nicolaci di Villadorata, who is the architect?

San Nicolò l’Arena: an unfinished church

A colourful floor

A prominent church

St. Agatha and the giant candelabras

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new palace for the La Rocca lords

The senses tell about Palazzo Napolino Tommasi Rosso

The character of Badia Sant’Agata

One city, two sites

The senses tell the story of the church of Santa Maria del Carmelo

The theatre of taste

The church of Carmine

The senses tell the story of the staircase of Santa Maria del Monte

The Barresi-Branciforte lords

Searching for colour

Norman apses

The senses tell the Cathedral of Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

A new site for a new city

A Nobel Prize in Modica

Limestone, the colour of harmony

From St. Thomas to St. Joseph

A majestic and luminous church

A design by Vincenzo Sinatra

The colours of the cathedral

Connections with other UNESCO sites