Introduction to Val di Noto

Baroque and the loss of equilibrium in the 16th century

Baroque is a particular cultural and artistic period that began in Rome in the early 17th century before spreading across Europe, in various forms, in the second half of the century.
The negative connotation attributed to Baroque by 18th-century critics, who also coined the term, was aimed at artists who in their architecture and painting had moved away from the principles of harmony, beauty and functionality found in Renaissance culture.
18th-century theorists saw and recognised in Baroque art bizarre, eccentric and fantastic elements in stark contrast with the harmony derived from the rigorous application of geometric, proportional principles used in the Renaissance.
Baroque was considered in a more positive light from the end of the 19th century, a period that recognised the importance in art of a new perception of space, with its symbolic and scenographic force that was widely accepted by both the aristocratic and less affluent classes.

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giovanni Evangelista

The Baroque town by the sea

The senses tell the story of the staircase of Santa Maria del Monte

Baroque and the loss of equilibrium in the 16th century

Norman apses

Prominent façade

One city, two sites

The senses tell the story of the church of San Giovanni Battista

A new site for a new city

A majestic and luminous church

From the contrast of the exterior to the internal jubilation of colours

The Feast of San Giacomo (St. James)

Militello, the story of an enlightened fiefdom

A museum to save a tradition

Feasting in Palazzolo

Many owners, one palace

A miniature city

Modica, a city with ancient origins

Some masterpieces

New roads for Catania

The senses tell the story of the Church of San Benedetto

A new palace for the La Rocca lords

The interior and its masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

St. Agatha and the giant candelabras

A design by Vincenzo Sinatra

Discovering the mother church

San Benedetto: a treasure reopened to the public

Connections with other UNESCO sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Some prestigious works

The kitchen, a treasure chest of colours

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of the Annunciation

The Infiorata, a feast of colours and flowers

Palazzo Nicolaci di Villadorata, who is the architect?

The two churches

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Sebastiano

St. Sebastian, so much work!

Searching for colour

The chocolate of Modica

The Maiolica of the staircase

The senses tell about Palazzo Napolino Tommasi Rosso

A half-Baroque church

The senses tell the story of the church of Santa Maria del Carmelo

The Benedictine Monastery, one of the largest in Europe

The façade used as a puppet theatre

The cathedral of Sant’Agata: a lengthy reconstruction

The Staircase of Angels

The senses tell about Palazzo Nicolaci

Fontana della Ninfa Zizza, public water in the town

A Nobel Prize in Modica

A new site for a new church

A new entrance for Santa Chiara (St. Claire)

From St. Thomas to St. Joseph

The church of Carmine

Between white and black

A colourful floor

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

A city in colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

A long reconstruction

The theatre of taste

The senses tell the Cathedral of Sant’Agata

A talking palace

Feast days

The senses tell about Palazzo La Rocca

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A hall for the feasts

The colours of the cathedral

The character of Badia Sant’Agata

The disastrous earthquake

The city of museums

An eagle-shaped city

The Barresi-Branciforte lords

A symbol for the town

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Limestone, the colour of harmony

Rosario Gagliardi, the maestro of the Val di Noto

A prominent church

Two illustrious patron saints

San Nicolò l’Arena: an unfinished church

One city, three sites

A feast only for Scicli

A square as the heart of the city

The senses tell the story of the Badia di Sant’Agata

The internal colours

The role of the religious orders in rebuilding the Val di Noto

The Burgos crucifix

The wall comes to life

A triumph of colour

Wonderful quick decorations

A small room with a golden entrance