Catania

The Staircase of Angels

The entrance to the wonderful church of San Benedetto (St. Benedict) is up the scala degli angeli (staircase of angels).
It was built to solve the problem of connecting the church to the street level, which is 7 metres lower. The staircase is one of the most characteristic examples of Sicilian Baroque. Its uniqueness, and name, is due to the sculptures of angels in marble stucco , a less valuable material than marble. It is no coincidence that this poor material was also used to highlight the church interior.
For the same reason it was left entirely white with a few golden decorations, so that the triumph of colour in the frescoes was even more evident and the contrast even greater.
Everything outside the church had to be made of less valuable materials. In fact, the main altar, the focus of the worshippers’ attention, was made of pure gold and silver.
Worshippers were to have no distractions; they would have had a clear idea of what the centre of their attention should have been: the altar, where religious service took place.

San Benedetto: a treasure reopened to the public

Modica, a city with ancient origins

St. Sebastian, so much work!

A prominent church

A majestic and luminous church

The wall comes to life

Searching for colour

The senses tell about Palazzo La Rocca

Palazzo Nicolaci di Villadorata, who is the architect?

The kitchen, a treasure chest of colours

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Burgos crucifix

One city, two sites

The character of Badia Sant’Agata

The façade used as a puppet theatre

The church of Carmine

The interior and its masterpieces

Wonderful quick decorations

A symbol for the town

New roads for Catania

Places of knowledge: the Benedictines’ library

A museum to save a tradition

The Feast of San Giacomo (St. James)

The senses tell the story of the Badia di Sant’Agata

A talking palace

A hall for the feasts

A triumph of colour

Rosario Gagliardi, the maestro of the Val di Noto

The Supernatural dimension of the chapel of the Santissimo Sacramento

Between white and black

The internal colours

The senses tell the story of the Church of San Sebastiano

A colourful floor

The chocolate of Modica

A half-Baroque church

The Maiolica of the staircase

A design by Vincenzo Sinatra

Feast days

Some masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new site for a new church

Norman apses

The Staircase of Angels

San Nicolò l’Arena: an unfinished church

A Nobel Prize in Modica

A new palace for the La Rocca lords

A small room with a golden entrance

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo Napolino Tommasi Rosso

The Barresi-Branciforte lords

The senses tell the story of the church of San Giovanni Battista

The cathedral of Sant’Agata: a lengthy reconstruction

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of Santa Maria del Carmelo

From St. Thomas to St. Joseph

Some prestigious works

The senses tell the story of the staircase of Santa Maria del Monte

Militello, the story of an enlightened fiefdom

Connections with other UNESCO sites

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Nicolaci

A new site for a new city

The city of museums

The Baroque town by the sea

Discovering the mother church

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Cathedral of Sant’Agata

The disastrous earthquake

From the contrast of the exterior to the internal jubilation of colours

Many owners, one palace

Fontana della Ninfa Zizza, public water in the town

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of San Giuliano ai Crociferi

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Baroque and the loss of equilibrium in the 16th century

From International Gothic to present day

An eagle-shaped city

One city, three sites

The two churches

Garden of Novices and the restorations by Giancarlo De Carlo

Limestone, the colour of harmony

A square as the heart of the city

A long reconstruction

The Benedictine Monastery, one of the largest in Europe

The colours of the cathedral

A feast only for Scicli

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the church of San Giuseppe

A city in colour

Prominent façade

St. Agatha and the giant candelabras

A miniature city

The senses tell the story of the Church of San Giovanni Evangelista

The theatre of taste

The senses tell the story of the Church of Santa Chiara

Two illustrious patron saints