Catania

The Staircase of Angels

The entrance to the wonderful church of San Benedetto (St. Benedict) is up the scala degli angeli (staircase of angels).
It was built to solve the problem of connecting the church to the street level, which is 7 metres lower. The staircase is one of the most characteristic examples of Sicilian Baroque. Its uniqueness, and name, is due to the sculptures of angels in marble stucco , a less valuable material than marble. It is no coincidence that this poor material was also used to highlight the church interior.
For the same reason it was left entirely white with a few golden decorations, so that the triumph of colour in the frescoes was even more evident and the contrast even greater.
Everything outside the church had to be made of less valuable materials. In fact, the main altar, the focus of the worshippers’ attention, was made of pure gold and silver.
Worshippers were to have no distractions; they would have had a clear idea of what the centre of their attention should have been: the altar, where religious service took place.

The senses tell the story of the Badia di Sant’Agata

The Staircase of Angels

New roads for Catania

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The wall comes to life

The senses tell the story of the Church of the Annunciation

A city in colour

The two churches

A new palace for the La Rocca lords

One city, three sites

Discovering the mother church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The city of museums

Prominent façade

The Burgos crucifix

The role of the religious orders in rebuilding the Val di Noto

The kitchen, a treasure chest of colours

A prominent church

A feast only for Scicli

A triumph of colour

The interior and its masterpieces

Feast days

San Nicolò l’Arena: an unfinished church

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the staircase of Santa Maria del Monte

Wonderful quick decorations

One city, two sites

The senses tell the story of the church of San Giovanni Battista

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Napolino Tommasi Rosso

The character of Badia Sant’Agata

Two illustrious patron saints

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo La Rocca

The chocolate of Modica

A talking palace

A museum to save a tradition

St. Sebastian, so much work!

Corbels: a celebration of the Nicolaci family

A new site for a new church

The church of Carmine

A half-Baroque church

The colours of the cathedral

A Nobel Prize in Modica

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

The theatre of taste

A miniature city

Some prestigious works

San Benedetto: a treasure reopened to the public

The cathedral of Sant’Agata: a lengthy reconstruction

Connections with other UNESCO sites

The Infiorata, a feast of colours and flowers

Some masterpieces

A majestic and luminous church

Norman apses

Garden of Novices and the restorations by Giancarlo De Carlo

A small room with a golden entrance

St. Agatha and the giant candelabras

The Barresi-Branciforte lords

The disastrous earthquake

The senses tell the story of the church of San Giuseppe

The Benedictine Monastery, one of the largest in Europe

Fontana della Ninfa Zizza, public water in the town

The Baroque town by the sea

Modica, a city with ancient origins

The senses tell the story of the Church of Santa Chiara

Palazzo Nicolaci di Villadorata, who is the architect?

Searching for colour

The façade used as a puppet theatre

From International Gothic to present day

A colourful floor

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The internal colours

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Limestone, the colour of harmony

A new entrance for Santa Chiara (St. Claire)

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Sebastiano

A new site for a new city

A symbol for the town

Feasting in Palazzolo

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

Many owners, one palace

Between white and black

The senses tell about Palazzo Nicolaci

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Giovanni Evangelista

A design by Vincenzo Sinatra

The Maiolica of the staircase

An eagle-shaped city

A hall for the feasts

A square as the heart of the city

Baroque and the loss of equilibrium in the 16th century

From St. Thomas to St. Joseph

A long reconstruction