Catania

The senses tell the story of the Badia di Sant’Agata

sight
What a view!

If we climbed the steps leading to the terrace above the abbey of St. Agatha, perhaps we would be a little tired or out of breath, but there would be a splendid landscape before us.
The entire city can be seen from here: the Bellini Theatre, the Cathedral, the Ursino Castle, the churches on Via Crociferi and the great Benedictine monastery.
The cloistered nuns (who never left the monastery) used this terrace to participate in city life and attend processions without being seen.

smell
The scent of church candles

The smell of wax is one of the most characteristic scents inside a church and in the streets of Catania during the patron saint’s celebrations.
Votive candles are still produced today in Catania’s artisanal workshops using techniques and raw materials steeped in ancient knowledge.
There were originally two types of candles: those made with beeswax, which were more refined and expensive, and those made with animal fat, which were far cheaper but gave off an unpleasant smell and smoke.

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A talking palace

The façade used as a puppet theatre

San Benedetto: a treasure reopened to the public

The senses tell the Cathedral of Sant’Agata

A new entrance for Santa Chiara (St. Claire)

A Nobel Prize in Modica

One city, three sites

Feasting in Palazzolo

A miniature city

The character of Badia Sant’Agata

A feast only for Scicli

The senses tell the story of the Church of San Giuliano ai Crociferi

A design by Vincenzo Sinatra

The city of museums

Modica, a city with ancient origins

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo Napolino Tommasi Rosso

Some prestigious works

A prominent church

The role of the religious orders in rebuilding the Val di Noto

A majestic and luminous church

New roads for Catania

The theatre of taste

Palazzo Nicolaci di Villadorata, who is the architect?

Many owners, one palace

The Feast of San Giacomo (St. James)

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Badia di Sant’Agata

A small room with a golden entrance

The senses tell the story of the Church of Santa Chiara

A triumph of colour

The Infiorata, a feast of colours and flowers

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, two sites

The senses tell the story of the church of San Giuseppe

From St. Thomas to St. Joseph

The church of Carmine

St. Sebastian, so much work!

The cathedral of Sant’Agata: a lengthy reconstruction

The Maiolica of the staircase

From International Gothic to present day

A square as the heart of the city

Between white and black

The senses tell the story of the church of Santa Maria del Carmelo

A new site for a new church

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of San Giovanni Battista

San Nicolò l’Arena: an unfinished church

Wonderful quick decorations

Baroque and the loss of equilibrium in the 16th century

Fontana della Ninfa Zizza, public water in the town

The Benedictine Monastery, one of the largest in Europe

The kitchen, a treasure chest of colours

The two churches

The Staircase of Angels

The wall comes to life

Searching for colour

Militello, the story of an enlightened fiefdom

The senses tell the story of the staircase of Santa Maria del Monte

Connections with other UNESCO sites

Discovering the mother church

The Barresi-Branciforte lords

The senses tell the story of the Church of the Annunciation

St. Agatha and the giant candelabras

Prominent façade

Some masterpieces

Norman apses

The senses tell the story of the Church of San Giovanni Evangelista

A new palace for the La Rocca lords

The senses tell about Palazzo Nicolaci

Rosario Gagliardi, the maestro of the Val di Noto

A new site for a new city

Limestone, the colour of harmony

The colours of the cathedral

A half-Baroque church

The internal colours

The Baroque town by the sea

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A symbol for the town

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A long reconstruction

The interior and its masterpieces

The senses tell the story of the Church of San Benedetto

The disastrous earthquake

Garden of Novices and the restorations by Giancarlo De Carlo

Two illustrious patron saints

The chocolate of Modica

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A museum to save a tradition

A hall for the feasts

A colourful floor

From the contrast of the exterior to the internal jubilation of colours

Feast days

The Burgos crucifix

A city in colour

An eagle-shaped city