Scicli

The senses tell the Church of San Michele

sight
Stuccoes, floors and geometric decorations

The interior of the church is defined by numerous decorations featuring a geometric design. For example, the floor is made with two-tone tiles and is inscribed within the elliptical plan.
The apsidal vault is decorated with small octagons, and the frescoes on the vault are divided by bands that echo the pattern of the small octagons on the apsidal vault.
It is interesting to note how all these geometric elements, with their simple shapes, give a sense of order within the dynamic spatiality typical of Baroque church interiors.

A heritage of votive works

The works in the church

The dynamics of the Church of San Michele

The senses tell the Cathedral of San Giorgio

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

A Nobel Prize in Modica

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Trigona: a building with a complex shape

The triumph of Baroque: expansion of spaces

The illusion of light and the decorative splendour

Rebirth and urban planning of the city of Noto

The interior and works of art

A new site for the church of San Giorgio

The Church of St. Mary of the Mountain

The senses tell the story of the Church of San Giovanni Evangelista

Art in the cathedral

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Monte delle Prestanze in the new city layout

The Staircase of Angels

The smallest Greek theatre in the world

The Infiorata of Noto, a modern tradition

The Palazzo dei due mori

The Monastery of the Benedictine nuns

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the story of the Church of San Carlo and the former Jesuit college

The art of maiolica

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

A unifying project for the city of Catania

Akrai and Syracuse: an unbreakable bond

Militello: The story of an enlightened fiefdom

Majestic exteriors, grandiose interiors

The articulated interior spaces

The neo-Gothic seminary chapel: symbols, light and space

The Badia di Sant’Agata (St. Agatha’s Abbey)

Scicli, the city of Baroque scenery

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the candelore

Scenography and devotion for St. Agatha

The senses tell of Palazzo della Cancelleria

Fountain of the Nymph Zizza: public water in the town

The palace, the town, the church

The two churches

The casket of austerity under the great dome

Unusual iconographies: the Burgos crucifix

The senses tell about Palazzo Zacco

From the end of the world to rebirth from the rubble

Madonna of the Militia: a singular warrior virgin

San Domenico and Gagliardi’s work

Altars, saints and sculptural works

The Church of Madonna della Stella

The senses tell about Palazzo Ducezio

The Church of St. Julian on Via dei Crociferi

Religious architecture

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of Santa Maria del Monte

A stone garden

Palazzo Zacco, a balance between sobriety and decoration

Baroque and the loss of balance in the 16th century

Baroque creativity: recurring themes

The church and the monastery

The senses tell about Palazzo Trigona

Palazzo Trigona di Canicarao

The senses tell the story of the Church of the Badia di Sant’Agata

The Church of St. Francis

The interiors: diffused light and Byzantine relics

The senses tell the Church of San Domenico

The senses tell the Church of San Michele

A casket of precious works

Reconstruction after the earthquake

City and nature

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The beginning of an authentic Baroque conception

The city of Modica, a balance between nature and urbanism

Expansion, spatiality and light in the church of San Domenico

The city palace

The eagle-shaped city

The Benedictines’ library

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Madonna dei Conadomini and the art of devotion

The new roads of the city

The Antonino Uccello Birthplace Museum

The Church of St. John the Evangelist

Piazza Duomo, the elephant fountain, the heart of the city

The Franciscan convent

A compromise between Neoclassicism and Baroque

The interior of the church: space and colour

The expansion of space and changing reality

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the Cathedral of Sant’Agata

Luminous sacred spaces

Palazzo della Cancelleria: from former stable to the Nicastro family

Views denied, views conquered: the power of the devout Benedictines

The senses tell of the Cathedral of San Pietro

The church and the college

The senses tell the story of the Church of San Paolo

The city within the city

The Church of St. Paul

One city, three sites

Expanded spaces, stucco and colourful lights

Virtuosity, decorations and altars

A story of rebirth

The senses tell about Palazzo Beneventano

Scenography, lights and colours of the cathedral

The senses tell the story of the Church of San Benedetto

The Church of St. Benedict