Scicli

The senses tell the Church of San Michele

sight
Stuccoes, floors and geometric decorations

The interior of the church is defined by numerous decorations featuring a geometric design. For example, the floor is made with two-tone tiles and is inscribed within the elliptical plan.
The apsidal vault is decorated with small octagons, and the frescoes on the vault are divided by bands that echo the pattern of the small octagons on the apsidal vault.
It is interesting to note how all these geometric elements, with their simple shapes, give a sense of order within the dynamic spatiality typical of Baroque church interiors.

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Luminous sacred spaces

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Altars, saints and sculptural works

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The Franciscan convent

Fountain of the Nymph Zizza: public water in the town

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The senses tell of Palazzo della Cancelleria

A story of rebirth

Virtuosity, decorations and altars

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Garden of Novices and the restorations by Giancarlo De Carlo

The Staircase of Angels

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The expansion of space and changing reality

Palazzo Zacco, a balance between sobriety and decoration

Scenography, lights and colours of the cathedral

Verticality and dynamism of the façade of the Church of San Carlo

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The Madonna dei Conadomini and the art of devotion

The Infiorata of Noto, a modern tradition

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The palace, the town, the church

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The two churches

The Church of St. Benedict

The works in the church

Scenography and devotion for St. Agatha

A unifying project for the city of Catania

The Palazzo dei due mori

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The city of Modica, a balance between nature and urbanism

The illusion of light and the decorative splendour

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A new site for the church of San Giorgio

The triumph of Baroque: expansion of spaces

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The Badia di Sant’Agata (St. Agatha’s Abbey)

St. Agatha and the candelore

The church and the college

The Church of St. Julian on Via dei Crociferi

The Monastery of the Benedictine nuns

The eagle-shaped city

The Antonino Uccello Birthplace Museum

The senses tell the Church of San Michele

The Duomo di San Giorgio (Cathedral of St. George)

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A Nobel Prize in Modica

Unusual iconographies: the Burgos crucifix

The dynamics of the Church of San Michele

A heritage of votive works

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The Monte delle Prestanze in the new city layout

San Domenico and Gagliardi’s work

Religious architecture

Reconstruction after the earthquake

One city, three sites

The Benedictines’ library

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The beginning of an authentic Baroque conception

A stone garden

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Piazza Duomo, the elephant fountain, the heart of the city

The new roads of the city

Militello: The story of an enlightened fiefdom

The articulated interior spaces

City and nature

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Baroque and the loss of balance in the 16th century

The city palace

The art of maiolica

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

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Palazzo Trigona di Canicarao

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