Modica

The senses tell of the Cathedral of San Pietro

touch
The tactile experience of materials

dettaglio colonna tortileAs you walk through the side naves of the church you will realise that the columns placed between the altars are made of different materials: some are marble, some are finished with stucco, some are fluted, some are smooth and some are Solomonic.
The use of different materials and finishes not only generates different reflections of light inside the spaces, but also different perceptions to the touch, relating to porosity, smoothness, roughness and temperature.

taste
Modica chocolate, a famous earthly pleasure

cioccolato di ModicaLocated just a few metres from the church is the oldest chocolate shop on the island.
The original chocolate recipe is from Aztec, the land of origin of cocoa beans, and was imported by the Spanish in the early 16th century.
In Modica, the chocolate shop was opened in 1880 by Francesco Bonajuto and produces the famous chocolate according to the ancient 18th-century recipe of “cold” processing.
A visit here will satisfy your taste buds!

sight
The Madonna Vasa

On the feast of the Madonna Vasa, the statue of the Madonna meets the statue of the Risen Christ at the foot of the steps of the Cathedral of San Pietro.
On Easter, between sacred performances and music, a rather scenic and sacred moment is celebrated and enjoyed by the community.

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the story of the Church of San Paolo

Garden of Novices and the restorations by Giancarlo De Carlo

The Benedictines’ library

Piazza Duomo, the elephant fountain, the heart of the city

The Church of St. Benedict

Militello: The story of an enlightened fiefdom

Palazzo Trigona di Canicarao

The dynamics of the Church of San Michele

Expanded spaces, stucco and colourful lights

The Church of St. Mary of the Mountain

The senses tell the Church of San Michele

The Duomo di San Giorgio (Cathedral of St. George)

The Church of Madonna della Stella

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

Scenography, lights and colours of the cathedral

The senses tell about Palazzo Beneventano

The Antonino Uccello Birthplace Museum

The senses tell the story of the Church of San Carlo and the former Jesuit college

Verticality and dynamism of the façade of the Church of San Carlo

The city within the city

The senses tell the story of the Church of San Giovanni Evangelista

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Views denied, views conquered: the power of the devout Benedictines

The Franciscan convent

The Palazzo dei due mori

City and nature

A Nobel Prize in Modica

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Altars, saints and sculptural works

The palace, the town, the church

The senses tell about Palazzo Trigona

Palazzo Trigona: a building with a complex shape

The church and the monastery

The Church of St. Julian on Via dei Crociferi

The Madonna dei Conadomini and the art of devotion

The senses tell about Palazzo Ducezio

The new roads of the city

Religious architecture

St. Agatha and the candelore

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Reconstruction after the earthquake

Baroque and the loss of balance in the 16th century

A stone garden

Rebirth and urban planning of the city of Noto

A heritage of votive works

The senses tell the Cathedral of Sant’Agata

A unifying project for the city of Catania

Luminous sacred spaces

The Monastery of the Benedictine nuns

The senses tell the Cathedral of San Giorgio

Art in the cathedral

The beginning of an authentic Baroque conception

The city of Modica, a balance between nature and urbanism

The Monte delle Prestanze in the new city layout

Baroque creativity: recurring themes

The Church of St. Paul

The eagle-shaped city

The works in the church

Palazzo Zacco, a balance between sobriety and decoration

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

San Domenico and Gagliardi’s work

Virtuosity, decorations and altars

The art of maiolica

A casket of precious works

The articulated interior spaces

The city palace

The church and the college

The illusion of light and the decorative splendour

The Staircase of Angels

The smallest Greek theatre in the world

Expansion, spatiality and light in the church of San Domenico

From the end of the world to rebirth from the rubble

The triumph of Baroque: expansion of spaces

The expansion of space and changing reality

Majestic exteriors, grandiose interiors

Scicli, the city of Baroque scenery

The two churches

A new site for the church of San Giorgio

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Infiorata of Noto, a modern tradition

The senses tell the story of the Church of Santa Maria del Monte

Unusual iconographies: the Burgos crucifix

The casket of austerity under the great dome

Fountain of the Nymph Zizza: public water in the town

The senses tell the Church of San Domenico

Madonna of the Militia: a singular warrior virgin

The senses tell about Palazzo Zacco

The interior of the church: space and colour

The Church of St. John the Evangelist

The interiors: diffused light and Byzantine relics

One city, three sites

A compromise between Neoclassicism and Baroque

The senses tell of Palazzo della Cancelleria

Scenography and devotion for St. Agatha

The senses tell of the Cathedral of San Pietro

The senses tell the Cathedral of San Giorgio

Palazzo della Cancelleria: from former stable to the Nicastro family

The interior and works of art

Akrai and Syracuse: an unbreakable bond

The Church of St. Francis

A story of rebirth