Noto

The senses tell about Palazzo Trigona

sight
Corbels and masks

Baroque civic architecture is marked by some strongly characteristic elements, including the corbels that support the balconies.
The stone elements embedded in the wall were worked by master stonemasons into the most imaginative shapes.

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Rococo fabrics and furnishings

The house had to reflect the importance of the family that lived there, so it was essential to oversee all the details in the interior decoration, especially in the reception rooms.
The rooms were decorated in the French Rococo style in vogue at the time, especially in the choice of furniture and precious fabrics.

The senses tell the Church of San Michele

The city of Modica, a balance between nature and urbanism

Palazzo Zacco, a balance between sobriety and decoration

The Madonna dei Conadomini and the art of devotion

The church and the college

Religious architecture

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell the story of the Church of San Benedetto

The Monte delle Prestanze in the new city layout

The Church of St. Julian on Via dei Crociferi

City and nature

Palazzo Trigona: a building with a complex shape

Altars, saints and sculptural works

The senses tell about Palazzo Zacco

The senses tell of the Cathedral of San Pietro

Palazzo Trigona di Canicarao

A casket of precious works

Scenography, lights and colours of the cathedral

The Church of Madonna della Stella

A compromise between Neoclassicism and Baroque

The senses tell about Palazzo Ducezio

The palace, the town, the church

The senses tell the story of the Church of San Giovanni Evangelista

A new site for the church of San Giorgio

A heritage of votive works

The city within the city

The art of maiolica

The Duomo di San Giorgio (Cathedral of St. George)

Expansion, spatiality and light in the church of San Domenico

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Madonna of the Militia: a singular warrior virgin

Virtuosity, decorations and altars

The Church of St. Benedict

The smallest Greek theatre in the world

Palazzo della Cancelleria: from former stable to the Nicastro family

The interiors: diffused light and Byzantine relics

The Monastery of the Benedictine nuns

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the Cathedral of Sant’Agata

The interior and works of art

Scicli, the city of Baroque scenery

From the end of the world to rebirth from the rubble

The works in the church

The illusion of light and the decorative splendour

A unifying project for the city of Catania

Baroque and the loss of balance in the 16th century

A stone garden

The Church of St. John the Evangelist

Rebirth and urban planning of the city of Noto

Fountain of the Nymph Zizza: public water in the town

The Church of St. Francis

Expanded spaces, stucco and colourful lights

The triumph of Baroque: expansion of spaces

A Nobel Prize in Modica

The church and the monastery

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of the Badia di Sant’Agata

Art in the cathedral

The Staircase of Angels

A story of rebirth

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Cathedral of San Giorgio

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell about Palazzo Beneventano

The dynamics of the Church of San Michele

The senses tell the story of the Church of San Paolo

The two churches

Majestic exteriors, grandiose interiors

Akrai and Syracuse: an unbreakable bond

Militello: The story of an enlightened fiefdom

The Church of St. Paul

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Baroque creativity: recurring themes

The senses tell the Church of San Domenico

The Benedictines’ library

St. Agatha and the candelore

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The interior of the church: space and colour

San Domenico and Gagliardi’s work

One city, three sites

The senses tell of Palazzo della Cancelleria

The articulated interior spaces

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Reconstruction after the earthquake

The expansion of space and changing reality

The Infiorata of Noto, a modern tradition

The eagle-shaped city

The Franciscan convent

The casket of austerity under the great dome

The Palazzo dei due mori

The senses tell the Cathedral of San Giorgio

The Church of St. Mary of the Mountain

The senses tell the story of the Church of Santa Maria del Monte

Piazza Duomo, the elephant fountain, the heart of the city

The beginning of an authentic Baroque conception

The Antonino Uccello Birthplace Museum

Views denied, views conquered: the power of the devout Benedictines

Scenography and devotion for St. Agatha

Garden of Novices and the restorations by Giancarlo De Carlo

The city palace

The neo-Gothic seminary chapel: symbols, light and space

The senses tell about Palazzo Trigona

Luminous sacred spaces

Unusual iconographies: the Burgos crucifix

The new roads of the city