Caltagirone

The Monte delle Prestanze in the new city layout

The city, hit by the earthquake, was rebuilt in the same place, maintaining the previous urban plan and inserting beautiful new buildings in Baroque style.
The city of Caltagirone became an example of urban planning for the other cities affected by the earthquake of 1693. In particular, its plan was adopted in the reconstruction of Catania by the Duke of Camastra. The new buildings within the modern urban layout include the Monte delle Prestanze or Monte di Pietà in the square bordered by the Senatorial Palace, and opposite the church of San Giuliano (St. Julian).
monte prestanze prospetto frontale
dettaglio colonne ingressoBuilt at the start of the 18th century by architect Natale Bonaiuto, the building has a square plan. Its uniqueness manifests in the elevation.
In fact, it has a series of giant half columns on tall plinths, i.e. extending from the ground up to the upper floor, arranged in a tight pattern.
The absence of corbels and the thicker columns near the entrance are newer elements than the local tradition.
It was a symbol of great modernity and a very representative style for a building used as a civic bank.

The Duomo di San Giorgio (Cathedral of St. George)

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the story of the Church of San Carlo and the former Jesuit college

The beginning of an authentic Baroque conception

The Church of St. Francis

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

A unifying project for the city of Catania

Majestic exteriors, grandiose interiors

The two churches

From the end of the world to rebirth from the rubble

The illusion of light and the decorative splendour

The city within the city

Rebirth and urban planning of the city of Noto

Verticality and dynamism of the façade of the Church of San Carlo

A casket of precious works

The Church of Madonna della Stella

The senses tell about Palazzo Beneventano

The senses tell the story of the Church of San Benedetto

The interiors: diffused light and Byzantine relics

The senses tell the story of the Church of San Paolo

Scicli, the city of Baroque scenery

The Badia di Sant’Agata (St. Agatha’s Abbey)

Expansion, spatiality and light in the church of San Domenico

A heritage of votive works

The Monastery of the Benedictine nuns

Unusual iconographies: the Burgos crucifix

The senses tell the Cathedral of Sant’Agata

The dynamics of the Church of San Michele

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell about Palazzo Zacco

Baroque and the loss of balance in the 16th century

The Church of St. Benedict

The Infiorata of Noto, a modern tradition

Baroque creativity: recurring themes

The Antonino Uccello Birthplace Museum

The interior and works of art

Militello: The story of an enlightened fiefdom

A new site for the church of San Giorgio

The Staircase of Angels

Akrai and Syracuse: an unbreakable bond

The palace, the town, the church

Expanded spaces, stucco and colourful lights

The senses tell the story of the Church of Santa Maria del Monte

Art in the cathedral

The senses tell of the Cathedral of San Pietro

A Nobel Prize in Modica

The neo-Gothic seminary chapel: symbols, light and space

Palazzo della Cancelleria: from former stable to the Nicastro family

The triumph of Baroque: expansion of spaces

San Domenico and Gagliardi’s work

The interior of the church: space and colour

The senses tell the Cathedral of San Giorgio

The art of maiolica

The expansion of space and changing reality

The eagle-shaped city

The Church of St. Mary of the Mountain

Palazzo Zacco, a balance between sobriety and decoration

The Franciscan convent

The new roads of the city

The smallest Greek theatre in the world

The senses tell about Palazzo Trigona

Views denied, views conquered: the power of the devout Benedictines

Piazza Duomo, the elephant fountain, the heart of the city

A story of rebirth

The senses tell the story of the Church of San Giuliano ai Crociferi

The church and the monastery

The city of Modica, a balance between nature and urbanism

Altars, saints and sculptural works

Virtuosity, decorations and altars

Scenography, lights and colours of the cathedral

Religious architecture

The Church of St. Paul

St. Agatha and the candelore

The senses tell the story of the Church of San Giovanni Evangelista

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Madonna dei Conadomini and the art of devotion

One city, three sites

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Palazzo dei due mori

The senses tell the Church of San Domenico

Madonna of the Militia: a singular warrior virgin

Scenography and devotion for St. Agatha

The senses tell the Church of San Michele

Reconstruction after the earthquake

A stone garden

The church and the college

Luminous sacred spaces

The Church of St. Julian on Via dei Crociferi

The city palace

The Monte delle Prestanze in the new city layout

The works in the church

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Benedictines’ library

The casket of austerity under the great dome

Palazzo Trigona: a building with a complex shape

The Church of St. John the Evangelist

The senses tell the Cathedral of San Giorgio

A compromise between Neoclassicism and Baroque

The senses tell about Palazzo Ducezio

Palazzo Trigona di Canicarao

City and nature

Fountain of the Nymph Zizza: public water in the town

The articulated interior spaces

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell of Palazzo della Cancelleria