Catania

The Benedictines’ library

The work of the Benedictines not only followed religious and charitable commitments, but scientific undertakings, too. The monastery’s first collection of books was probably created at its foundation and used exclusively by the monks, who followed the strict Benedictine rule also through the study of literature and science.
They established relations with the city’s cultural institutions, opening to and acquiring from it important collections over the centuries.
There were around 24 thousand volumes of rare, ancient and modern manuscripts and parchments; this cultural wealth meant that the monks were great connoisseurs and disseminators of ancient knowledge, focused, at the same time, on the future.
After the eruption of 1669 and the earthquake of 1693 the monastery suffered great losses, but the monks managed to save part of the collection, which they looked after until the library was rebuilt. Located in most of the 18th-century wing, the construction of the new main hall of the library was entrusted to Giovanni Battista Vaccarini , who designed it with typical late Baroque features.
In fact, the monumental hall with a central elliptical plan is an authoritative room almost completely covered by orderly wooden bookshelves that reach the decorated vault, occupying the spaces up to the circular windows that illuminate the vast room from above.
In addition, the monastery had five other sumptuous rooms used for the Benedictine Museum , designed to closely match the library.
Today the former museum rooms are home to the library’s consultation and reading rooms.
biblioteca

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Palazzo Trigona di Canicarao

Palazzo Zacco, a balance between sobriety and decoration

The beginning of an authentic Baroque conception

Scicli, the city of Baroque scenery

The senses tell of the Cathedral of San Pietro

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Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Church of San Michele

The city palace

The Monte delle Prestanze in the new city layout

Art in the cathedral

Scenography and devotion for St. Agatha

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The interior of the church: space and colour

The eagle-shaped city

The Church of St. John the Evangelist

The Franciscan convent

The Church of St. Julian on Via dei Crociferi

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Baroque creativity: recurring themes

The triumph of Baroque: expansion of spaces

The senses tell the story of the Church of San Carlo and the former Jesuit college

The expansion of space and changing reality

The senses tell about Palazzo Ducezio

Expansion, spatiality and light in the church of San Domenico

The senses tell about Palazzo Beneventano

A stone garden

The Staircase of Angels

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Reconstruction after the earthquake

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

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The art of maiolica

The works in the church

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Verticality and dynamism of the façade of the Church of San Carlo

A unifying project for the city of Catania

The Benedictines’ library

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A heritage of votive works

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Baroque and the loss of balance in the 16th century

Militello: The story of an enlightened fiefdom

The senses tell the story of the Church of the Badia di Sant’Agata

From the end of the world to rebirth from the rubble

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Cathedral of San Giorgio

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The Palazzo dei due mori

The senses tell the story of the Church of San Benedetto

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A compromise between Neoclassicism and Baroque

The new roads of the city

Rebirth and urban planning of the city of Noto

The interior and works of art