Catania

Scenography, lights and colours of the cathedral

Portale Maggiore
The most original element of Vaccarini ‘s composition is found in the chromatic variations resulting from the use of different materials for the façade.
The three-level façade houses, in the lower section, the main portal flanked by two statues of St. Peter and St. Paul and the two smaller side portals, surmounted by large oval windows.

trabeazione cattedrale sant'AgataThe first level has six free-standing columns in red granite, perhaps from the Roman Theatre of Catania. The second level is divided by six columns placed at the sides of a large window that illuminates the central nave, and houses, in the centre of the niche, the statue of St. Agatha flanked by angels.
The façade is defined with a tympanum supported by four minor columns.
The interior of the cathedral is an absolute wonder.
As you enter it, you can sense the greatness of the Baroque reconstruction that continues to interact with some Norman period elements made entirely of lava stone .
The mighty pillars in yellow limestone rest on lava stone bases, dividing the three naves.
From the entrance, enriched by two pairs of red columns on a marble base, extends a polychrome marble floor with geometric designs. All these elements create a strong perspective centred on the altar, increasing the room’s scenic impact.
pavimento in marmo policromipavimento in marmo policromi

Reconstruction after the earthquake

The Antonino Uccello Birthplace Museum

A unifying project for the city of Catania

San Domenico and Gagliardi’s work

The Duomo di San Giorgio (Cathedral of St. George)

Religious architecture

The senses tell the Cathedral of San Giorgio

The senses tell the Cathedral of San Giorgio

The Madonna dei Conadomini and the art of devotion

The Badia di Sant’Agata (St. Agatha’s Abbey)

Virtuosity, decorations and altars

A casket of precious works

The Church of St. Julian on Via dei Crociferi

From the end of the world to rebirth from the rubble

Scenography and devotion for St. Agatha

Palazzo Trigona di Canicarao

The Benedictines’ library

The Church of St. Francis

A story of rebirth

The Church of St. John the Evangelist

The dynamics of the Church of San Michele

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell the Cathedral of Sant’Agata

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Art in the cathedral

Expansion, spatiality and light in the church of San Domenico

The church and the monastery

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Palazzo dei due mori

Militello: The story of an enlightened fiefdom

Fountain of the Nymph Zizza: public water in the town

The Church of Madonna della Stella

Luminous sacred spaces

The senses tell the Church of San Domenico

The Church of St. Paul

A new site for the church of San Giorgio

The triumph of Baroque: expansion of spaces

The senses tell about Palazzo Ducezio

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A heritage of votive works

The Monte delle Prestanze in the new city layout

Palazzo Trigona: a building with a complex shape

The city of Modica, a balance between nature and urbanism

The beginning of an authentic Baroque conception

The art of maiolica

The Church of St. Benedict

The senses tell the story of the Church of Santa Maria del Monte

The smallest Greek theatre in the world

The new roads of the city

Palazzo Zacco, a balance between sobriety and decoration

The city within the city

Verticality and dynamism of the façade of the Church of San Carlo

The palace, the town, the church

The Staircase of Angels

Baroque and the loss of balance in the 16th century

The illusion of light and the decorative splendour

The interior of the church: space and colour

One city, three sites

City and nature

The expansion of space and changing reality

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Paolo

St. Agatha and the candelore

Unusual iconographies: the Burgos crucifix

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell about Palazzo Trigona

Altars, saints and sculptural works

Palazzo della Cancelleria: from former stable to the Nicastro family

The works in the church

The senses tell of Palazzo della Cancelleria

The senses tell the story of the Church of San Carlo and the former Jesuit college

Expanded spaces, stucco and colourful lights

The senses tell the story of the Church of the Badia di Sant’Agata

Rebirth and urban planning of the city of Noto

The two churches

The senses tell the story of the Church of San Giuliano ai Crociferi

Madonna of the Militia: a singular warrior virgin

The Church of St. Mary of the Mountain

Baroque creativity: recurring themes

Garden of Novices and the restorations by Giancarlo De Carlo

The interior and works of art

The casket of austerity under the great dome

The senses tell the story of the Church of San Giovanni Evangelista

A Nobel Prize in Modica

The senses tell about Palazzo Zacco

The senses tell the Church of San Michele

The church and the college

Scicli, the city of Baroque scenery

Scenography, lights and colours of the cathedral

The neo-Gothic seminary chapel: symbols, light and space

The senses tell about Palazzo Beneventano

Views denied, views conquered: the power of the devout Benedictines

The Franciscan convent

Piazza Duomo, the elephant fountain, the heart of the city

The articulated interior spaces

Akrai and Syracuse: an unbreakable bond

The eagle-shaped city

The city palace

A compromise between Neoclassicism and Baroque

The Monastery of the Benedictine nuns

The interiors: diffused light and Byzantine relics

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Majestic exteriors, grandiose interiors

A stone garden

The senses tell of the Cathedral of San Pietro

The Infiorata of Noto, a modern tradition