Catania

Scenography, lights and colours of the cathedral

Portale Maggiore
The most original element of Vaccarini ‘s composition is found in the chromatic variations resulting from the use of different materials for the façade.
The three-level façade houses, in the lower section, the main portal flanked by two statues of St. Peter and St. Paul and the two smaller side portals, surmounted by large oval windows.

trabeazione cattedrale sant'AgataThe first level has six free-standing columns in red granite, perhaps from the Roman Theatre of Catania. The second level is divided by six columns placed at the sides of a large window that illuminates the central nave, and houses, in the centre of the niche, the statue of St. Agatha flanked by angels.
The façade is defined with a tympanum supported by four minor columns.
The interior of the cathedral is an absolute wonder.
As you enter it, you can sense the greatness of the Baroque reconstruction that continues to interact with some Norman period elements made entirely of lava stone .
The mighty pillars in yellow limestone rest on lava stone bases, dividing the three naves.
From the entrance, enriched by two pairs of red columns on a marble base, extends a polychrome marble floor with geometric designs. All these elements create a strong perspective centred on the altar, increasing the room’s scenic impact.
pavimento in marmo policromipavimento in marmo policromi

The interior of the church: space and colour

Militello: The story of an enlightened fiefdom

The Monastery of the Benedictine nuns

The Church of St. John the Evangelist

The Church of St. Francis

The Monte delle Prestanze in the new city layout

Religious architecture

A new site for the church of San Giorgio

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the story of the Church of San Paolo

The senses tell the story of the Church of Santa Maria del Monte

The Palazzo dei due mori

Piazza Duomo, the elephant fountain, the heart of the city

The interiors: diffused light and Byzantine relics

The senses tell the story of the Church of San Giuliano ai Crociferi

The Church of St. Mary of the Mountain

The Church of St. Paul

The articulated interior spaces

The senses tell the Cathedral of San Giorgio

A compromise between Neoclassicism and Baroque

Unusual iconographies: the Burgos crucifix

The senses tell the story of the Church of San Carlo and the former Jesuit college

Palazzo Trigona di Canicarao

The Church of St. Benedict

A stone garden

The city palace

Madonna of the Militia: a singular warrior virgin

Baroque creativity: recurring themes

The casket of austerity under the great dome

The triumph of Baroque: expansion of spaces

Altars, saints and sculptural works

The city within the city

Expansion, spatiality and light in the church of San Domenico

Reconstruction after the earthquake

From the end of the world to rebirth from the rubble

The Staircase of Angels

Akrai and Syracuse: an unbreakable bond

Majestic exteriors, grandiose interiors

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Baroque and the loss of balance in the 16th century

The art of maiolica

A casket of precious works

The senses tell about Palazzo Ducezio

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell about Palazzo Beneventano

The senses tell about Palazzo Trigona

A story of rebirth

The works in the church

The Benedictines’ library

Garden of Novices and the restorations by Giancarlo De Carlo

St. Agatha and the candelore

The expansion of space and changing reality

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Church of San Domenico

Rebirth and urban planning of the city of Noto

The Infiorata of Noto, a modern tradition

The new roads of the city

The dynamics of the Church of San Michele

The senses tell the Cathedral of Sant’Agata

The church and the college

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell of Palazzo della Cancelleria

Palazzo Trigona: a building with a complex shape

The beginning of an authentic Baroque conception

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The smallest Greek theatre in the world

The Antonino Uccello Birthplace Museum

Scenography, lights and colours of the cathedral

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the Church of San Michele

The interior and works of art

The eagle-shaped city

The church and the monastery

The Duomo di San Giorgio (Cathedral of St. George)

Virtuosity, decorations and altars

The Madonna dei Conadomini and the art of devotion

The senses tell the story of the Church of San Giovanni Evangelista

The illusion of light and the decorative splendour

Scicli, the city of Baroque scenery

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Church of St. Julian on Via dei Crociferi

Expanded spaces, stucco and colourful lights

The senses tell of the Cathedral of San Pietro

Views denied, views conquered: the power of the devout Benedictines

The Church of Madonna della Stella

The palace, the town, the church

One city, three sites

Verticality and dynamism of the façade of the Church of San Carlo

The Franciscan convent

The neo-Gothic seminary chapel: symbols, light and space

Luminous sacred spaces

Palazzo Zacco, a balance between sobriety and decoration

A Nobel Prize in Modica

The senses tell the story of the Church of San Benedetto

Art in the cathedral

A heritage of votive works

The senses tell the Cathedral of San Giorgio

Fountain of the Nymph Zizza: public water in the town

Scenography and devotion for St. Agatha

The city of Modica, a balance between nature and urbanism

A unifying project for the city of Catania

The senses tell about Palazzo Zacco

San Domenico and Gagliardi’s work

The two churches

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

City and nature