Catania

San Benedetto: a treasure reopened to the public

The church of San Benedetto (St. Benedict) is part of a larger complex including the monastery and a small church where the MACS (Museo Arte Contemporanea Sicilia, Sicily Contemporary Art Museum) is now located.foto del prospetto
It was also part of the reorganisation after the earthquake in 1693.
In fact, the Benedictine monastery originally had only one church, the second (home to the museum) was part of the old convent of Santa Maddalena (St. Magdalene), which were connected by an arch in 1704. The church was rebuilt in a few years (1704-1713) and dedicated to St. Benedict of Nursia .
foto arco d’unione foto monastero da via crociferi inquadrando l’arco d’unione
The façade of the church on Via dei Crociferi is tall and majestic and separated from the street by a wrought iron gate. The gate is divided horizontally into three levels: in the first there is the access portal; in the second there is a louvre window with a balcony; and the same layout is also repeated on the final level which completes the façade with a triangular structure.
For the decoration some architectural elements were used creatively; one example includes the structures on the first level that divide the façade vertically and are formed by a half column, on which a pilaster strip then another half column are placed.
foto gradinata dal basso verso l'alto foto dettaglio statue angeli
The entrance is up a spectacular staircase; the church has a single nave nave and is illuminated by the six large windows on the vault and the chandeliers resting on the trabeation .
The polychrome marble floor is the only remnant of the 17th-century church and was recovered from the ruins of the earthquake.

A Nobel Prize in Modica

Feasting in Palazzolo

The interior and its masterpieces

A hall for the feasts

From the contrast of the exterior to the internal jubilation of colours

The character of Badia Sant’Agata

The façade used as a puppet theatre

A new entrance for Santa Chiara (St. Claire)

The Staircase of Angels

Two illustrious patron saints

The cathedral of Sant’Agata: a lengthy reconstruction

A triumph of colour

One city, three sites

The Maiolica of the staircase

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

Modica, a city with ancient origins

A city in colour

A miniature city

One city, two sites

A majestic and luminous church

Searching for colour

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giuseppe

A feast only for Scicli

The senses tell the story of the Church of San Sebastiano

A new site for a new church

The Burgos crucifix

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A talking palace

Some masterpieces

A small room with a golden entrance

The Benedictine Monastery, one of the largest in Europe

The city of museums

The internal colours

A square as the heart of the city

A long reconstruction

New roads for Catania

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Badia di Sant’Agata

An eagle-shaped city

A half-Baroque church

The colours of the cathedral

The senses tell about Palazzo Napolino Tommasi Rosso

A museum to save a tradition

Connections with other UNESCO sites

The senses tell the story of the Church of San Giovanni Evangelista

Norman apses

The chocolate of Modica

Between white and black

The senses tell the Cathedral of Sant’Agata

From International Gothic to present day

A new palace for the La Rocca lords

The Infiorata, a feast of colours and flowers

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of Santa Maria del Carmelo

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Giuliano ai Crociferi

Garden of Novices and the restorations by Giancarlo De Carlo

From St. Thomas to St. Joseph

St. Sebastian, so much work!

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The theatre of taste

Many owners, one palace

Some prestigious works

The disastrous earthquake

A new site for a new city

Discovering the mother church

Feast days

St. Agatha and the giant candelabras

The wall comes to life

The senses tell the story of the Church of the Annunciation

The two churches

A colourful floor

The Barresi-Branciforte lords

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

A prominent church

Wonderful quick decorations

The senses tell the story of the staircase of Santa Maria del Monte

The church of Carmine

Prominent façade

The Baroque town by the sea

The kitchen, a treasure chest of colours

Corbels: a celebration of the Nicolaci family

The senses tell about Palazzo La Rocca

San Nicolò l’Arena: an unfinished church

Places of knowledge: the Benedictines’ library

The Feast of San Giacomo (St. James)

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Benedetto

A symbol for the town

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo Nicolaci

Rosario Gagliardi, the maestro of the Val di Noto

Limestone, the colour of harmony