Catania

San Benedetto: a treasure reopened to the public

The church of San Benedetto (St. Benedict) is part of a larger complex including the monastery and a small church where the MACS (Museo Arte Contemporanea Sicilia, Sicily Contemporary Art Museum) is now located.foto del prospetto
It was also part of the reorganisation after the earthquake in 1693.
In fact, the Benedictine monastery originally had only one church, the second (home to the museum) was part of the old convent of Santa Maddalena (St. Magdalene), which were connected by an arch in 1704. The church was rebuilt in a few years (1704-1713) and dedicated to St. Benedict of Nursia .
foto arco d’unione foto monastero da via crociferi inquadrando l’arco d’unione
The façade of the church on Via dei Crociferi is tall and majestic and separated from the street by a wrought iron gate. The gate is divided horizontally into three levels: in the first there is the access portal; in the second there is a louvre window with a balcony; and the same layout is also repeated on the final level which completes the façade with a triangular structure.
For the decoration some architectural elements were used creatively; one example includes the structures on the first level that divide the façade vertically and are formed by a half column, on which a pilaster strip then another half column are placed.
foto gradinata dal basso verso l'alto foto dettaglio statue angeli
The entrance is up a spectacular staircase; the church has a single nave nave and is illuminated by the six large windows on the vault and the chandeliers resting on the trabeation .
The polychrome marble floor is the only remnant of the 17th-century church and was recovered from the ruins of the earthquake.

Fontana della Ninfa Zizza, public water in the town

Between white and black

Garden of Novices and the restorations by Giancarlo De Carlo

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Giuliano ai Crociferi

A talking palace

The character of Badia Sant’Agata

Baroque and the loss of equilibrium in the 16th century

The façade used as a puppet theatre

Many owners, one palace

A museum to save a tradition

The two churches

Feast days

An eagle-shaped city

The cathedral of Sant’Agata: a lengthy reconstruction

The city of museums

A new palace for the La Rocca lords

Rosario Gagliardi, the maestro of the Val di Noto

The kitchen, a treasure chest of colours

A half-Baroque church

The senses tell the story of the Church of the Annunciation

From International Gothic to present day

Two illustrious patron saints

New roads for Catania

The Barresi-Branciforte lords

The church of Carmine

Prominent façade

A Nobel Prize in Modica

The Maiolica of the staircase

Connections with other UNESCO sites

Places of knowledge: the Benedictines’ library

A city in colour

A square as the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

Feasting in Palazzolo

The wall comes to life

The senses tell the story of the church of Santa Maria del Carmelo

A hall for the feasts

A new site for a new church

A long reconstruction

St. Sebastian, so much work!

St. Agatha and the giant candelabras

A miniature city

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Badia di Sant’Agata

A majestic and luminous church

A symbol for the town

A colourful floor

Corbels: a celebration of the Nicolaci family

The Supernatural dimension of the chapel of the Santissimo Sacramento

A prominent church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Infiorata, a feast of colours and flowers

From St. Thomas to St. Joseph

Modica, a city with ancient origins

Searching for colour

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

San Benedetto: a treasure reopened to the public

The chocolate of Modica

The senses tell about Palazzo La Rocca

The interior and its masterpieces

Limestone, the colour of harmony

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The colours of the cathedral

The role of the religious orders in rebuilding the Val di Noto

A triumph of colour

The internal colours

San Nicolò l’Arena: an unfinished church

Norman apses

The senses tell the Cathedral of Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new entrance for Santa Chiara (St. Claire)

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Benedetto

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

One city, three sites

Some prestigious works

A new site for a new city

The senses tell about Palazzo Nicolaci

Discovering the mother church

A feast only for Scicli

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo Napolino Tommasi Rosso

A small room with a golden entrance

One city, two sites

The Feast of San Giacomo (St. James)

The senses tell the story of the staircase of Santa Maria del Monte

Some masterpieces

The Benedictine Monastery, one of the largest in Europe

Palazzo Nicolaci di Villadorata, who is the architect?

The disastrous earthquake

The Staircase of Angels

The theatre of taste

Wonderful quick decorations

The Burgos crucifix