Catania

San Benedetto: a treasure reopened to the public

The church of San Benedetto (St. Benedict) is part of a larger complex including the monastery and a small church where the MACS (Museo Arte Contemporanea Sicilia, Sicily Contemporary Art Museum) is now located.foto del prospetto
It was also part of the reorganisation after the earthquake in 1693.
In fact, the Benedictine monastery originally had only one church, the second (home to the museum) was part of the old convent of Santa Maddalena (St. Magdalene), which were connected by an arch in 1704. The church was rebuilt in a few years (1704-1713) and dedicated to St. Benedict of Nursia .
foto arco d’unione foto monastero da via crociferi inquadrando l’arco d’unione
The façade of the church on Via dei Crociferi is tall and majestic and separated from the street by a wrought iron gate. The gate is divided horizontally into three levels: in the first there is the access portal; in the second there is a louvre window with a balcony; and the same layout is also repeated on the final level which completes the façade with a triangular structure.
For the decoration some architectural elements were used creatively; one example includes the structures on the first level that divide the façade vertically and are formed by a half column, on which a pilaster strip then another half column are placed.
foto gradinata dal basso verso l'alto foto dettaglio statue angeli
The entrance is up a spectacular staircase; the church has a single nave nave and is illuminated by the six large windows on the vault and the chandeliers resting on the trabeation .
The polychrome marble floor is the only remnant of the 17th-century church and was recovered from the ruins of the earthquake.

The Benedictine Monastery, one of the largest in Europe

A majestic and luminous church

A new site for a new church

The two churches

The Baroque town by the sea

Feasting in Palazzolo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Militello, the story of an enlightened fiefdom

Modica, a city with ancient origins

San Benedetto: a treasure reopened to the public

A triumph of colour

A new site for a new city

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the staircase of Santa Maria del Monte

The kitchen, a treasure chest of colours

Some prestigious works

Wonderful quick decorations

The character of Badia Sant’Agata

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Cathedral of Sant’Agata

One city, two sites

Corbels: a celebration of the Nicolaci family

The Supernatural dimension of the chapel of the Santissimo Sacramento

The façade used as a puppet theatre

Discovering the mother church

The senses tell the story of the Church of San Giuliano ai Crociferi

San Nicolò l’Arena: an unfinished church

A feast only for Scicli

The senses tell the story of the Church of the Annunciation

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Agatha and the giant candelabras

The disastrous earthquake

Prominent façade

A half-Baroque church

A hall for the feasts

Some masterpieces

A miniature city

The chocolate of Modica

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of San Giuseppe

St. Sebastian, so much work!

The senses tell the story of the church of San Giovanni Battista

Fontana della Ninfa Zizza, public water in the town

Two illustrious patron saints

A talking palace

Rosario Gagliardi, the maestro of the Val di Noto

From International Gothic to present day

A square as the heart of the city

A city in colour

The senses tell the story of the Church of Santa Chiara

A small room with a golden entrance

The role of the religious orders in rebuilding the Val di Noto

Between white and black

The Infiorata, a feast of colours and flowers

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

One city, three sites

The Maiolica of the staircase

The church of Carmine

The senses tell the story of the Church of San Sebastiano

The internal colours

Limestone, the colour of harmony

From St. Thomas to St. Joseph

A long reconstruction

A museum to save a tradition

Places of knowledge: the Benedictines’ library

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo La Rocca

A new entrance for Santa Chiara (St. Claire)

A colourful floor

The interior and its masterpieces

A prominent church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A Nobel Prize in Modica

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Benedetto

Searching for colour

From the contrast of the exterior to the internal jubilation of colours

The Burgos crucifix

New roads for Catania

An eagle-shaped city

The senses tell the story of the Church of San Giovanni Evangelista

Many owners, one palace

The colours of the cathedral

The senses tell about Palazzo Napolino Tommasi Rosso

A symbol for the town

The wall comes to life

The theatre of taste

Feast days

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

The city of museums

The Staircase of Angels

The Barresi-Branciforte lords

Garden of Novices and the restorations by Giancarlo De Carlo

The Feast of San Giacomo (St. James)

A new palace for the La Rocca lords

A design by Vincenzo Sinatra

Connections with other UNESCO sites

Norman apses