Catania

San Benedetto: a treasure reopened to the public

The church of San Benedetto (St. Benedict) is part of a larger complex including the monastery and a small church where the MACS (Museo Arte Contemporanea Sicilia, Sicily Contemporary Art Museum) is now located.foto del prospetto
It was also part of the reorganisation after the earthquake in 1693.
In fact, the Benedictine monastery originally had only one church, the second (home to the museum) was part of the old convent of Santa Maddalena (St. Magdalene), which were connected by an arch in 1704. The church was rebuilt in a few years (1704-1713) and dedicated to St. Benedict of Nursia .
foto arco d’unione foto monastero da via crociferi inquadrando l’arco d’unione
The façade of the church on Via dei Crociferi is tall and majestic and separated from the street by a wrought iron gate. The gate is divided horizontally into three levels: in the first there is the access portal; in the second there is a louvre window with a balcony; and the same layout is also repeated on the final level which completes the façade with a triangular structure.
For the decoration some architectural elements were used creatively; one example includes the structures on the first level that divide the façade vertically and are formed by a half column, on which a pilaster strip then another half column are placed.
foto gradinata dal basso verso l'alto foto dettaglio statue angeli
The entrance is up a spectacular staircase; the church has a single nave nave and is illuminated by the six large windows on the vault and the chandeliers resting on the trabeation .
The polychrome marble floor is the only remnant of the 17th-century church and was recovered from the ruins of the earthquake.

The city of museums

The Infiorata, a feast of colours and flowers

A small room with a golden entrance

The disastrous earthquake

The senses tell about Palazzo Nicolaci

Discovering the mother church

The Supernatural dimension of the chapel of the Santissimo Sacramento

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A colourful floor

The kitchen, a treasure chest of colours

The Baroque town by the sea

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of San Giuliano ai Crociferi

The Benedictine Monastery, one of the largest in Europe

The cathedral of Sant’Agata: a lengthy reconstruction

Some masterpieces

The Feast of San Giacomo (St. James)

The façade used as a puppet theatre

Norman apses

Militello, the story of an enlightened fiefdom

The Maiolica of the staircase

The Staircase of Angels

A hall for the feasts

A half-Baroque church

Modica, a city with ancient origins

The senses tell the story of the Church of Santa Chiara

St. Sebastian, so much work!

Feasting in Palazzolo

San Nicolò l’Arena: an unfinished church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

An eagle-shaped city

Two illustrious patron saints

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Sebastiano

Corbels: a celebration of the Nicolaci family

Wonderful quick decorations

A new palace for the La Rocca lords

The interior and its masterpieces

Baroque and the loss of equilibrium in the 16th century

The Burgos crucifix

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The role of the religious orders in rebuilding the Val di Noto

One city, two sites

From St. Thomas to St. Joseph

St. Agatha and the giant candelabras

A long reconstruction

A city in colour

The church of Carmine

Rosario Gagliardi, the maestro of the Val di Noto

A Nobel Prize in Modica

A symbol for the town

Many owners, one palace

A new entrance for Santa Chiara (St. Claire)

The theatre of taste

The senses tell the story of the Church of San Benedetto

One city, three sites

A feast only for Scicli

Garden of Novices and the restorations by Giancarlo De Carlo

Between white and black

A talking palace

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the church of Santa Maria del Carmelo

Searching for colour

A prominent church

The Barresi-Branciforte lords

A triumph of colour

A design by Vincenzo Sinatra

The senses tell the story of the Badia di Sant’Agata

The wall comes to life

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

New roads for Catania

The senses tell the story of the Church of the Annunciation

A new site for a new church

San Benedetto: a treasure reopened to the public

From the contrast of the exterior to the internal jubilation of colours

A museum to save a tradition

The senses tell the Cathedral of Sant’Agata

The character of Badia Sant’Agata

Connections with other UNESCO sites

A miniature city

The colours of the cathedral

Limestone, the colour of harmony

The senses tell the story of the Church of San Giovanni Evangelista

From International Gothic to present day

Feast days

A square as the heart of the city

Places of knowledge: the Benedictines’ library

Some prestigious works

Fontana della Ninfa Zizza, public water in the town

The two churches

A majestic and luminous church

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new city

The internal colours

Prominent façade

The chocolate of Modica