Catania

San Benedetto: a treasure reopened to the public

The church of San Benedetto (St. Benedict) is part of a larger complex including the monastery and a small church where the MACS (Museo Arte Contemporanea Sicilia, Sicily Contemporary Art Museum) is now located.foto del prospetto
It was also part of the reorganisation after the earthquake in 1693.
In fact, the Benedictine monastery originally had only one church, the second (home to the museum) was part of the old convent of Santa Maddalena (St. Magdalene), which were connected by an arch in 1704. The church was rebuilt in a few years (1704-1713) and dedicated to St. Benedict of Nursia .
foto arco d’unione foto monastero da via crociferi inquadrando l’arco d’unione
The façade of the church on Via dei Crociferi is tall and majestic and separated from the street by a wrought iron gate. The gate is divided horizontally into three levels: in the first there is the access portal; in the second there is a louvre window with a balcony; and the same layout is also repeated on the final level which completes the façade with a triangular structure.
For the decoration some architectural elements were used creatively; one example includes the structures on the first level that divide the façade vertically and are formed by a half column, on which a pilaster strip then another half column are placed.
foto gradinata dal basso verso l'alto foto dettaglio statue angeli
The entrance is up a spectacular staircase; the church has a single nave nave and is illuminated by the six large windows on the vault and the chandeliers resting on the trabeation .
The polychrome marble floor is the only remnant of the 17th-century church and was recovered from the ruins of the earthquake.

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the staircase of Santa Maria del Monte

A Nobel Prize in Modica

From International Gothic to present day

The role of the religious orders in rebuilding the Val di Noto

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Giuliano ai Crociferi

A prominent church

A square as the heart of the city

An eagle-shaped city

The disastrous earthquake

The senses tell about Palazzo Napolino Tommasi Rosso

The city of museums

From St. Thomas to St. Joseph

A miniature city

The kitchen, a treasure chest of colours

Garden of Novices and the restorations by Giancarlo De Carlo

A feast only for Scicli

The senses tell the story of the Church of San Benedetto

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo La Rocca

Two illustrious patron saints

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

Discovering the mother church

A new palace for the La Rocca lords

Some prestigious works

A triumph of colour

Rosario Gagliardi, the maestro of the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the church of Santa Maria del Carmelo

The Infiorata, a feast of colours and flowers

A majestic and luminous church

A new site for a new city

The internal colours

The character of Badia Sant’Agata

Some masterpieces

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

Modica, a city with ancient origins

San Benedetto: a treasure reopened to the public

The Baroque town by the sea

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Places of knowledge: the Benedictines’ library

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A hall for the feasts

The senses tell the story of the church of San Giovanni Battista

A small room with a golden entrance

One city, three sites

Feasting in Palazzolo

New roads for Catania

The senses tell the story of the church of San Giuseppe

Baroque and the loss of equilibrium in the 16th century

A design by Vincenzo Sinatra

A colourful floor

Limestone, the colour of harmony

The Maiolica of the staircase

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Feast days

Prominent façade

A city in colour

A half-Baroque church

Corbels: a celebration of the Nicolaci family

Searching for colour

Between white and black

The senses tell about Palazzo Nicolaci

The theatre of taste

The Staircase of Angels

The Barresi-Branciforte lords

A talking palace

Militello, the story of an enlightened fiefdom

From the contrast of the exterior to the internal jubilation of colours

The Benedictine Monastery, one of the largest in Europe

Connections with other UNESCO sites

The colours of the cathedral

St. Sebastian, so much work!

Norman apses

St. Agatha and the giant candelabras

A museum to save a tradition

The chocolate of Modica

The interior and its masterpieces

The wall comes to life

One city, two sites

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of the Annunciation

San Nicolò l’Arena: an unfinished church

The church of Carmine

The façade used as a puppet theatre

The Burgos crucifix

Many owners, one palace

A long reconstruction

Wonderful quick decorations

The two churches

A new entrance for Santa Chiara (St. Claire)

A symbol for the town

The senses tell the story of the Church of Santa Chiara

A new site for a new church