Catania

San Benedetto: a treasure reopened to the public

The church of San Benedetto (St. Benedict) is part of a larger complex including the monastery and a small church where the MACS (Museo Arte Contemporanea Sicilia, Sicily Contemporary Art Museum) is now located.foto del prospetto
It was also part of the reorganisation after the earthquake in 1693.
In fact, the Benedictine monastery originally had only one church, the second (home to the museum) was part of the old convent of Santa Maddalena (St. Magdalene), which were connected by an arch in 1704. The church was rebuilt in a few years (1704-1713) and dedicated to St. Benedict of Nursia .
foto arco d’unione foto monastero da via crociferi inquadrando l’arco d’unione
The façade of the church on Via dei Crociferi is tall and majestic and separated from the street by a wrought iron gate. The gate is divided horizontally into three levels: in the first there is the access portal; in the second there is a louvre window with a balcony; and the same layout is also repeated on the final level which completes the façade with a triangular structure.
For the decoration some architectural elements were used creatively; one example includes the structures on the first level that divide the façade vertically and are formed by a half column, on which a pilaster strip then another half column are placed.
foto gradinata dal basso verso l'alto foto dettaglio statue angeli
The entrance is up a spectacular staircase; the church has a single nave nave and is illuminated by the six large windows on the vault and the chandeliers resting on the trabeation .
The polychrome marble floor is the only remnant of the 17th-century church and was recovered from the ruins of the earthquake.

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Feast days

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A design by Vincenzo Sinatra

A museum to save a tradition

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A city in colour

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The colours of the cathedral

A symbol for the town

A long reconstruction

A prominent church

Baroque and the loss of equilibrium in the 16th century

The church of Carmine

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A colourful floor

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The kitchen, a treasure chest of colours

San Benedetto: a treasure reopened to the public

A talking palace

Fontana della Ninfa Zizza, public water in the town

From the contrast of the exterior to the internal jubilation of colours

The theatre of taste

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Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

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Many owners, one palace

New roads for Catania

The Burgos crucifix

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From International Gothic to present day

Connections with other UNESCO sites

The internal colours

The disastrous earthquake

The senses tell about Palazzo Nicolaci

Two illustrious patron saints

Searching for colour

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The Benedictine Monastery, one of the largest in Europe

St. Agatha and the giant candelabras

A triumph of colour

Norman apses

Between white and black

One city, three sites

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The character of Badia Sant’Agata

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Prominent façade

Limestone, the colour of harmony

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The chocolate of Modica

The façade used as a puppet theatre

The Maiolica of the staircase

The interior and its masterpieces

Some masterpieces

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The senses tell the Cathedral of Sant’Agata

Some prestigious works

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The Staircase of Angels

The Barresi-Branciforte lords

The two churches

Feasting in Palazzolo

A square as the heart of the city

The Feast of San Giacomo (St. James)

A new palace for the La Rocca lords

A half-Baroque church

St. Sebastian, so much work!

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Wonderful quick decorations

Rosario Gagliardi, the maestro of the Val di Noto

Militello, the story of an enlightened fiefdom

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The wall comes to life

Modica, a city with ancient origins

A hall for the feasts

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From St. Thomas to St. Joseph

A miniature city

The senses tell the story of the Church of San Benedetto