Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

A city in colour

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of Santa Maria del Carmelo

The Staircase of Angels

The senses tell the story of the staircase of Santa Maria del Monte

The role of the religious orders in rebuilding the Val di Noto

The façade used as a puppet theatre

A half-Baroque church

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of San Giuseppe

A majestic and luminous church

The cathedral of Sant’Agata: a lengthy reconstruction

San Nicolò l’Arena: an unfinished church

An eagle-shaped city

Limestone, the colour of harmony

A design by Vincenzo Sinatra

A new entrance for Santa Chiara (St. Claire)

Modica, a city with ancient origins

A small room with a golden entrance

The Feast of San Giacomo (St. James)

Many owners, one palace

The theatre of taste

The senses tell the story of the church of San Giovanni Battista

St. Sebastian, so much work!

Places of knowledge: the Benedictines’ library

Prominent façade

San Benedetto: a treasure reopened to the public

A hall for the feasts

From St. Thomas to St. Joseph

Baroque and the loss of equilibrium in the 16th century

The Barresi-Branciforte lords

The Maiolica of the staircase

From International Gothic to present day

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Agatha and the giant candelabras

Connections with other UNESCO sites

From the contrast of the exterior to the internal jubilation of colours

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Badia di Sant’Agata

Wonderful quick decorations

The chocolate of Modica

A Nobel Prize in Modica

The Supernatural dimension of the chapel of the Santissimo Sacramento

A square as the heart of the city

One city, three sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Burgos crucifix

The interior and its masterpieces

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

One city, two sites

A miniature city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Sebastiano

The character of Badia Sant’Agata

Searching for colour

A new site for a new church

A new site for a new city

The colours of the cathedral

Norman apses

A museum to save a tradition

The senses tell about Palazzo Napolino Tommasi Rosso

A triumph of colour

A new palace for the La Rocca lords

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

A talking palace

The Baroque town by the sea

The city of museums

New roads for Catania

A prominent church

The Infiorata, a feast of colours and flowers

The internal colours

Some prestigious works

The senses tell the story of the Church of San Benedetto

The two churches

A symbol for the town

Garden of Novices and the restorations by Giancarlo De Carlo

The wall comes to life

The church of Carmine

Some masterpieces

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo La Rocca

Fontana della Ninfa Zizza, public water in the town

Feasting in Palazzolo

The senses tell the story of the Church of the Annunciation

Discovering the mother church

Militello, the story of an enlightened fiefdom

A colourful floor

The kitchen, a treasure chest of colours

Palazzo Nicolaci di Villadorata, who is the architect?

Between white and black

The disastrous earthquake

Two illustrious patron saints

The senses tell the Cathedral of Sant’Agata

A long reconstruction

Feast days