Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

From St. Thomas to St. Joseph

Norman apses

The senses tell the story of the Badia di Sant’Agata

From International Gothic to present day

A talking palace

The senses tell the story of the Church of San Giovanni Evangelista

A majestic and luminous church

The chocolate of Modica

The wall comes to life

The church of Carmine

A new palace for the La Rocca lords

The senses tell the story of the staircase of Santa Maria del Monte

St. Agatha and the giant candelabras

The cathedral of Sant’Agata: a lengthy reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

A city in colour

Connections with other UNESCO sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, two sites

Two illustrious patron saints

The senses tell the story of the church of San Giovanni Battista

Militello, the story of an enlightened fiefdom

A triumph of colour

The internal colours

A long reconstruction

Wonderful quick decorations

The façade used as a puppet theatre

New roads for Catania

Fontana della Ninfa Zizza, public water in the town

Limestone, the colour of harmony

From the contrast of the exterior to the internal jubilation of colours

The character of Badia Sant’Agata

A miniature city

The Barresi-Branciforte lords

An eagle-shaped city

Some prestigious works

The senses tell the story of the Church of the Annunciation

The city of museums

The two churches

Modica, a city with ancient origins

A feast only for Scicli

San Benedetto: a treasure reopened to the public

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Benedictine Monastery, one of the largest in Europe

The senses tell about Palazzo La Rocca

A Nobel Prize in Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Discovering the mother church

Prominent façade

A new site for a new church

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Sebastiano

A design by Vincenzo Sinatra

Searching for colour

A symbol for the town

Baroque and the loss of equilibrium in the 16th century

The Feast of San Giacomo (St. James)

A half-Baroque church

A museum to save a tradition

A square as the heart of the city

The senses tell about Palazzo Nicolaci

Many owners, one palace

Between white and black

Places of knowledge: the Benedictines’ library

The theatre of taste

San Nicolò l’Arena: an unfinished church

A prominent church

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of Santa Chiara

The Staircase of Angels

The Burgos crucifix

The Infiorata, a feast of colours and flowers

Some masterpieces

Feasting in Palazzolo

The colours of the cathedral

The senses tell the story of the Church of San Benedetto

A new site for a new city

The senses tell the story of the Church of Santa Chiara

A hall for the feasts

The Maiolica of the staircase

The senses tell the story of the church of San Giuseppe

Garden of Novices and the restorations by Giancarlo De Carlo

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

The disastrous earthquake

St. Sebastian, so much work!

A small room with a golden entrance

The senses tell the Cathedral of Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

The Baroque town by the sea

One city, three sites

The senses tell about Palazzo Napolino Tommasi Rosso

The interior and its masterpieces

The kitchen, a treasure chest of colours

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Corbels: a celebration of the Nicolaci family

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A colourful floor

Feast days