Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The senses tell the story of the Church of the Annunciation

A symbol for the town

Fontana della Ninfa Zizza, public water in the town

A prominent church

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giuseppe

Wonderful quick decorations

The city of museums

The senses tell about Palazzo Napolino Tommasi Rosso

One city, three sites

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

A half-Baroque church

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Benedetto

Prominent façade

The internal colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Benedictine Monastery, one of the largest in Europe

New roads for Catania

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Limestone, the colour of harmony

A colourful floor

A feast only for Scicli

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some prestigious works

The senses tell the story of the Church of San Sebastiano

A small room with a golden entrance

The senses tell about Palazzo Nicolaci

A Nobel Prize in Modica

The wall comes to life

The kitchen, a treasure chest of colours

A city in colour

San Benedetto: a treasure reopened to the public

St. Agatha and the giant candelabras

Many owners, one palace

The colours of the cathedral

St. Sebastian, so much work!

From International Gothic to present day

Discovering the mother church

The senses tell the story of the Badia di Sant’Agata

Feast days

The Infiorata, a feast of colours and flowers

San Nicolò l’Arena: an unfinished church

A talking palace

A miniature city

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the staircase of Santa Maria del Monte

A new site for a new church

The façade used as a puppet theatre

A new entrance for Santa Chiara (St. Claire)

The theatre of taste

A majestic and luminous church

The Barresi-Branciforte lords

Feasting in Palazzolo

A hall for the feasts

Militello, the story of an enlightened fiefdom

The role of the religious orders in rebuilding the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo La Rocca

The Staircase of Angels

The Feast of San Giacomo (St. James)

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

The two churches

Connections with other UNESCO sites

The Baroque town by the sea

Baroque and the loss of equilibrium in the 16th century

The disastrous earthquake

The Maiolica of the staircase

The senses tell the story of the church of Santa Maria del Carmelo

Two illustrious patron saints

A museum to save a tradition

A new palace for the La Rocca lords

Between white and black

The character of Badia Sant’Agata

Modica, a city with ancient origins

A long reconstruction

Searching for colour

A triumph of colour

Norman apses

The senses tell the story of the Church of San Giuliano ai Crociferi

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new city

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

An eagle-shaped city

The cathedral of Sant’Agata: a lengthy reconstruction

The Burgos crucifix

Places of knowledge: the Benedictines’ library

The church of Carmine

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

Rosario Gagliardi, the maestro of the Val di Noto

A square as the heart of the city

The chocolate of Modica

Some masterpieces

One city, two sites

Corbels: a celebration of the Nicolaci family