Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

A museum to save a tradition

Militello, the story of an enlightened fiefdom

A design by Vincenzo Sinatra

A prominent church

The kitchen, a treasure chest of colours

San Nicolò l’Arena: an unfinished church

The wall comes to life

Limestone, the colour of harmony

Corbels: a celebration of the Nicolaci family

The city of museums

New roads for Catania

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new city

Some masterpieces

The Infiorata, a feast of colours and flowers

One city, two sites

The character of Badia Sant’Agata

St. Agatha and the giant candelabras

The interior and its masterpieces

A Nobel Prize in Modica

From International Gothic to present day

The Staircase of Angels

The senses tell the story of the Church of the Annunciation

The colours of the cathedral

The façade used as a puppet theatre

Norman apses

The senses tell about Palazzo La Rocca

A square as the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

The Barresi-Branciforte lords

St. Sebastian, so much work!

A talking palace

The Baroque town by the sea

A miniature city

The senses tell about Palazzo Napolino Tommasi Rosso

A city in colour

The senses tell about Palazzo Nicolaci

A new site for a new church

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Some prestigious works

The senses tell the story of the Church of Santa Chiara

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Maiolica of the staircase

A majestic and luminous church

Wonderful quick decorations

Between white and black

The internal colours

A triumph of colour

Two illustrious patron saints

Discovering the mother church

A half-Baroque church

A long reconstruction

Searching for colour

The senses tell the story of the church of San Giovanni Battista

Rosario Gagliardi, the maestro of the Val di Noto

A colourful floor

Feasting in Palazzolo

The senses tell the story of the church of San Giuseppe

A hall for the feasts

The senses tell the story of the Church of San Sebastiano

The Supernatural dimension of the chapel of the Santissimo Sacramento

A symbol for the town

The Feast of San Giacomo (St. James)

An eagle-shaped city

Feast days

The Benedictine Monastery, one of the largest in Europe

From the contrast of the exterior to the internal jubilation of colours

Baroque and the loss of equilibrium in the 16th century

The chocolate of Modica

A new entrance for Santa Chiara (St. Claire)

The two churches

From St. Thomas to St. Joseph

Prominent façade

Garden of Novices and the restorations by Giancarlo De Carlo

Many owners, one palace

A feast only for Scicli

Places of knowledge: the Benedictines’ library

A new palace for the La Rocca lords

A small room with a golden entrance

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the staircase of Santa Maria del Monte

Modica, a city with ancient origins

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the Cathedral of Sant’Agata

One city, three sites

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

The Burgos crucifix

Connections with other UNESCO sites

San Benedetto: a treasure reopened to the public

The disastrous earthquake

The senses tell the story of the Badia di Sant’Agata

The church of Carmine