Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new palace for the La Rocca lords

Palazzo Nicolaci di Villadorata, who is the architect?

The role of the religious orders in rebuilding the Val di Noto

A half-Baroque church

A miniature city

St. Agatha and the giant candelabras

A prominent church

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the church of San Giuseppe

Some prestigious works

A feast only for Scicli

Corbels: a celebration of the Nicolaci family

Feasting in Palazzolo

The Baroque town by the sea

The character of Badia Sant’Agata

The chocolate of Modica

The cathedral of Sant’Agata: a lengthy reconstruction

The city of museums

The Supernatural dimension of the chapel of the Santissimo Sacramento

A talking palace

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Sebastiano

A majestic and luminous church

A design by Vincenzo Sinatra

From St. Thomas to St. Joseph

New roads for Catania

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the staircase of Santa Maria del Monte

The Feast of San Giacomo (St. James)

Between white and black

The internal colours

A new site for a new church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

An eagle-shaped city

Feast days

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

A museum to save a tradition

San Nicolò l’Arena: an unfinished church

The kitchen, a treasure chest of colours

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giovanni Battista

St. Sebastian, so much work!

The senses tell about Palazzo Nicolaci

Norman apses

The senses tell the story of the Church of the Annunciation

A Nobel Prize in Modica

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Barresi-Branciforte lords

The senses tell about Palazzo La Rocca

Discovering the mother church

The senses tell the story of the Church of San Benedetto

A new entrance for Santa Chiara (St. Claire)

A new site for a new city

The senses tell the story of the Church of Santa Chiara

One city, two sites

Searching for colour

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

The façade used as a puppet theatre

Modica, a city with ancient origins

A colourful floor

The interior and its masterpieces

The senses tell the Cathedral of Sant’Agata

A city in colour

Prominent façade

The church of Carmine

The Burgos crucifix

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The colours of the cathedral

The disastrous earthquake

Two illustrious patron saints

Fontana della Ninfa Zizza, public water in the town

A square as the heart of the city

The senses tell the story of the Badia di Sant’Agata

One city, three sites

A symbol for the town

The Benedictine Monastery, one of the largest in Europe

The wall comes to life

Rosario Gagliardi, the maestro of the Val di Noto

Some masterpieces

Militello, the story of an enlightened fiefdom

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giuliano ai Crociferi

A small room with a golden entrance

A long reconstruction

A hall for the feasts

Many owners, one palace

A triumph of colour

Places of knowledge: the Benedictines’ library

The two churches

The senses tell the story of the church of Santa Maria del Carmelo

Limestone, the colour of harmony

Wonderful quick decorations

The Maiolica of the staircase

Connections with other UNESCO sites