Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

A miniature city

A prominent church

A triumph of colour

The disastrous earthquake

The cathedral of Sant’Agata: a lengthy reconstruction

Wonderful quick decorations

Baroque and the loss of equilibrium in the 16th century

The wall comes to life

Feast days

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

A majestic and luminous church

From International Gothic to present day

The senses tell the story of the church of Santa Maria del Carmelo

Fontana della Ninfa Zizza, public water in the town

The kitchen, a treasure chest of colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo Nicolaci

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From St. Thomas to St. Joseph

A Nobel Prize in Modica

Modica, a city with ancient origins

Palazzo Nicolaci di Villadorata, who is the architect?

Many owners, one palace

Between white and black

Two illustrious patron saints

St. Sebastian, so much work!

The Barresi-Branciforte lords

Searching for colour

A new entrance for Santa Chiara (St. Claire)

The Feast of San Giacomo (St. James)

The Baroque town by the sea

The senses tell about Palazzo La Rocca

A city in colour

A talking palace

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

The colours of the cathedral

The senses tell the story of the church of San Giovanni Battista

A small room with a golden entrance

Places of knowledge: the Benedictines’ library

The theatre of taste

One city, two sites

New roads for Catania

Militello, the story of an enlightened fiefdom

The city of museums

The senses tell the story of the Badia di Sant’Agata

The chocolate of Modica

A new site for a new city

The Infiorata, a feast of colours and flowers

Rosario Gagliardi, the maestro of the Val di Noto

Some masterpieces

A square as the heart of the city

Norman apses

San Benedetto: a treasure reopened to the public

The Benedictine Monastery, one of the largest in Europe

A hall for the feasts

Prominent façade

The character of Badia Sant’Agata

A symbol for the town

San Nicolò l’Arena: an unfinished church

Some prestigious works

A colourful floor

Garden of Novices and the restorations by Giancarlo De Carlo

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo Napolino Tommasi Rosso

The façade used as a puppet theatre

A feast only for Scicli

The internal colours

One city, three sites

The two churches

Corbels: a celebration of the Nicolaci family

A long reconstruction

The senses tell the story of the Church of San Giuliano ai Crociferi

An eagle-shaped city

The senses tell the story of the Church of San Sebastiano

A museum to save a tradition

The senses tell the story of the staircase of Santa Maria del Monte

Connections with other UNESCO sites

Limestone, the colour of harmony

St. Agatha and the giant candelabras

A half-Baroque church

The Maiolica of the staircase

The interior and its masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The church of Carmine

Feasting in Palazzolo

From the contrast of the exterior to the internal jubilation of colours

A new palace for the La Rocca lords

The senses tell the story of the Church of the Annunciation

A new site for a new church

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giuseppe

The Staircase of Angels

Discovering the mother church

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Benedetto

The Burgos crucifix