Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The senses tell about Palazzo Napolino Tommasi Rosso

Palazzo Nicolaci di Villadorata, who is the architect?

A new entrance for Santa Chiara (St. Claire)

A city in colour

The church of Carmine

A symbol for the town

Searching for colour

Some masterpieces

Some prestigious works

The senses tell the story of the Church of San Giovanni Evangelista

New roads for Catania

A hall for the feasts

A feast only for Scicli

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Connections with other UNESCO sites

The cathedral of Sant’Agata: a lengthy reconstruction

The role of the religious orders in rebuilding the Val di Noto

A Nobel Prize in Modica

Norman apses

Garden of Novices and the restorations by Giancarlo De Carlo

One city, three sites

St. Agatha and the giant candelabras

Prominent façade

Baroque and the loss of equilibrium in the 16th century

The Maiolica of the staircase

The city of museums

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new palace for the La Rocca lords

Many owners, one palace

A half-Baroque church

The theatre of taste

The senses tell the story of the Church of San Sebastiano

The two churches

The Infiorata, a feast of colours and flowers

The interior and its masterpieces

Feast days

An eagle-shaped city

A majestic and luminous church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Feast of San Giacomo (St. James)

St. Sebastian, so much work!

San Benedetto: a treasure reopened to the public

The colours of the cathedral

A long reconstruction

From International Gothic to present day

The disastrous earthquake

The Supernatural dimension of the chapel of the Santissimo Sacramento

The character of Badia Sant’Agata

Modica, a city with ancient origins

The chocolate of Modica

The Barresi-Branciforte lords

A square as the heart of the city

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

A museum to save a tradition

Two illustrious patron saints

Wonderful quick decorations

The senses tell the story of the Church of San Benedetto

The senses tell the Cathedral of Sant’Agata

A small room with a golden entrance

A design by Vincenzo Sinatra

The Benedictine Monastery, one of the largest in Europe

The Baroque town by the sea

Militello, the story of an enlightened fiefdom

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of San Giuliano ai Crociferi

A colourful floor

The wall comes to life

The senses tell the story of the Badia di Sant’Agata

Places of knowledge: the Benedictines’ library

Limestone, the colour of harmony

A talking palace

A prominent church

From St. Thomas to St. Joseph

The internal colours

The senses tell about Palazzo Nicolaci

One city, two sites

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of the Annunciation

Corbels: a celebration of the Nicolaci family

A new site for a new church

San Nicolò l’Arena: an unfinished church

The Staircase of Angels

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the staircase of Santa Maria del Monte

The kitchen, a treasure chest of colours

The senses tell the story of the church of San Giovanni Battista

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A triumph of colour

A new site for a new city

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

The senses tell about Palazzo La Rocca

A miniature city

The façade used as a puppet theatre

Between white and black

The senses tell the story of the church of Santa Maria del Carmelo

Feasting in Palazzolo

Discovering the mother church