Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

A new entrance for Santa Chiara (St. Claire)

The internal colours

The theatre of taste

A city in colour

The Feast of San Giacomo (St. James)

Connections with other UNESCO sites

One city, three sites

From International Gothic to present day

An eagle-shaped city

Corbels: a celebration of the Nicolaci family

A half-Baroque church

The disastrous earthquake

A new site for a new city

Norman apses

A miniature city

The Supernatural dimension of the chapel of the Santissimo Sacramento

A talking palace

The senses tell about Palazzo Napolino Tommasi Rosso

Feast days

Fontana della Ninfa Zizza, public water in the town

The kitchen, a treasure chest of colours

A majestic and luminous church

Garden of Novices and the restorations by Giancarlo De Carlo

Wonderful quick decorations

The two churches

A design by Vincenzo Sinatra

The façade used as a puppet theatre

The senses tell the story of the church of San Giuseppe

St. Agatha and the giant candelabras

Limestone, the colour of harmony

A new palace for the La Rocca lords

A symbol for the town

A colourful floor

Militello, the story of an enlightened fiefdom

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Nicolaci

The senses tell the Benedictine Monastery and San NicoIò l’Arena

New roads for Catania

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Sebastiano

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giovanni Evangelista

Some masterpieces

The senses tell the story of the Badia di Sant’Agata

A feast only for Scicli

Between white and black

The senses tell about Palazzo La Rocca

From St. Thomas to St. Joseph

The senses tell the Cathedral of Sant’Agata

A Nobel Prize in Modica

A new site for a new church

The senses tell the story of the church of Santa Maria del Carmelo

The role of the religious orders in rebuilding the Val di Noto

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Benedetto

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

The Benedictine Monastery, one of the largest in Europe

The colours of the cathedral

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of the Annunciation

A square as the heart of the city

Two illustrious patron saints

Palazzo Nicolaci di Villadorata, who is the architect?

A prominent church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Giuliano ai Crociferi

Many owners, one palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Searching for colour

One city, two sites

The Burgos crucifix

Feasting in Palazzolo

The church of Carmine

The interior and its masterpieces

The Maiolica of the staircase

St. Sebastian, so much work!

The Barresi-Branciforte lords

Prominent façade

Baroque and the loss of equilibrium in the 16th century

A small room with a golden entrance

A long reconstruction

A museum to save a tradition

A hall for the feasts

A triumph of colour

The city of museums

Some prestigious works

The character of Badia Sant’Agata

Modica, a city with ancient origins

Discovering the mother church

Places of knowledge: the Benedictines’ library

The wall comes to life

The senses tell the story of the staircase of Santa Maria del Monte

The Staircase of Angels

From the contrast of the exterior to the internal jubilation of colours

The Baroque town by the sea

San Nicolò l’Arena: an unfinished church