Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Feasting in Palazzolo

From International Gothic to present day

The two churches

The role of the religious orders in rebuilding the Val di Noto

Fontana della Ninfa Zizza, public water in the town

The interior and its masterpieces

St. Sebastian, so much work!

The Maiolica of the staircase

Norman apses

Baroque and the loss of equilibrium in the 16th century

A triumph of colour

A half-Baroque church

Militello, the story of an enlightened fiefdom

The cathedral of Sant’Agata: a lengthy reconstruction

Between white and black

St. Agatha and the giant candelabras

Corbels: a celebration of the Nicolaci family

The colours of the cathedral

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo La Rocca

The city of museums

A feast only for Scicli

The senses tell the story of the Church of Santa Chiara

A new site for a new church

San Benedetto: a treasure reopened to the public

New roads for Catania

The Burgos crucifix

The façade used as a puppet theatre

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Napolino Tommasi Rosso

A museum to save a tradition

Feast days

Wonderful quick decorations

The character of Badia Sant’Agata

San Nicolò l’Arena: an unfinished church

The kitchen, a treasure chest of colours

A Nobel Prize in Modica

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

A long reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

The Supernatural dimension of the chapel of the Santissimo Sacramento

A prominent church

Places of knowledge: the Benedictines’ library

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The wall comes to life

Connections with other UNESCO sites

Garden of Novices and the restorations by Giancarlo De Carlo

Prominent façade

The senses tell the story of the church of San Giovanni Battista

An eagle-shaped city

The senses tell the story of the staircase of Santa Maria del Monte

A colourful floor

From St. Thomas to St. Joseph

Limestone, the colour of harmony

The Benedictine Monastery, one of the largest in Europe

The disastrous earthquake

Some masterpieces

A city in colour

A new site for a new city

A talking palace

A miniature city

A majestic and luminous church

The theatre of taste

Modica, a city with ancient origins

Two illustrious patron saints

The senses tell the Cathedral of Sant’Agata

The Barresi-Branciforte lords

One city, two sites

The senses tell the story of the Church of San Sebastiano

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A square as the heart of the city

Searching for colour

A design by Vincenzo Sinatra

A symbol for the town

The Baroque town by the sea

The Staircase of Angels

The chocolate of Modica

The senses tell the story of the Church of the Annunciation

A new entrance for Santa Chiara (St. Claire)

The internal colours

The senses tell the story of the Church of San Benedetto

Many owners, one palace

The Infiorata, a feast of colours and flowers

Some prestigious works

A small room with a golden entrance

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giuliano ai Crociferi

Rosario Gagliardi, the maestro of the Val di Noto

One city, three sites

The church of Carmine

The Feast of San Giacomo (St. James)

A hall for the feasts

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Badia di Sant’Agata

Discovering the mother church