Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

A hall for the feasts

A triumph of colour

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

The Maiolica of the staircase

The senses tell the story of the staircase of Santa Maria del Monte

Some masterpieces

The Burgos crucifix

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Benedictine Monastery, one of the largest in Europe

A feast only for Scicli

San Benedetto: a treasure reopened to the public

The Feast of San Giacomo (St. James)

Between white and black

The Supernatural dimension of the chapel of the Santissimo Sacramento

The cathedral of Sant’Agata: a lengthy reconstruction

A prominent church

A square as the heart of the city

A new site for a new church

The Infiorata, a feast of colours and flowers

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Two illustrious patron saints

Places of knowledge: the Benedictines’ library

Discovering the mother church

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

A half-Baroque church

A miniature city

Norman apses

A talking palace

Connections with other UNESCO sites

One city, three sites

An eagle-shaped city

The senses tell the story of the church of San Giuseppe

Modica, a city with ancient origins

The senses tell the story of the church of Santa Maria del Carmelo

San Nicolò l’Arena: an unfinished church

St. Sebastian, so much work!

A symbol for the town

A new site for a new city

The disastrous earthquake

Limestone, the colour of harmony

A new entrance for Santa Chiara (St. Claire)

The façade used as a puppet theatre

Baroque and the loss of equilibrium in the 16th century

The church of Carmine

The two churches

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Nicolaci di Villadorata, who is the architect?

A Nobel Prize in Modica

From the contrast of the exterior to the internal jubilation of colours

Garden of Novices and the restorations by Giancarlo De Carlo

The role of the religious orders in rebuilding the Val di Noto

The colours of the cathedral

The senses tell the story of the Badia di Sant’Agata

The city of museums

The Baroque town by the sea

Feast days

The senses tell the story of the Church of the Annunciation

The interior and its masterpieces

The chocolate of Modica

A museum to save a tradition

The theatre of taste

Militello, the story of an enlightened fiefdom

A new palace for the La Rocca lords

Searching for colour

A design by Vincenzo Sinatra

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giovanni Battista

A long reconstruction

New roads for Catania

A colourful floor

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A small room with a golden entrance

Feasting in Palazzolo

The Barresi-Branciforte lords

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Cathedral of Sant’Agata

Many owners, one palace

The character of Badia Sant’Agata

Wonderful quick decorations

The Staircase of Angels

The senses tell the story of the Church of Santa Chiara

Prominent façade

The internal colours

The senses tell about Palazzo Nicolaci

One city, two sites

The senses tell the story of the Church of San Giovanni Evangelista

Fontana della Ninfa Zizza, public water in the town

Corbels: a celebration of the Nicolaci family

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The wall comes to life

A city in colour

St. Agatha and the giant candelabras

Some prestigious works

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Benedetto