Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

Feasting in Palazzolo

A new palace for the La Rocca lords

The senses tell the Cathedral of Sant’Agata

A symbol for the town

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of Santa Maria del Carmelo

Palazzo Nicolaci di Villadorata, who is the architect?

A new site for a new church

The two churches

The Baroque town by the sea

Corbels: a celebration of the Nicolaci family

From the contrast of the exterior to the internal jubilation of colours

An eagle-shaped city

The Maiolica of the staircase

Feast days

The senses tell the story of the Church of San Giovanni Evangelista

The colours of the cathedral

The city of museums

St. Agatha and the giant candelabras

The theatre of taste

A colourful floor

The church of Carmine

San Nicolò l’Arena: an unfinished church

A long reconstruction

Connections with other UNESCO sites

The Staircase of Angels

A new site for a new city

The senses tell about Palazzo Napolino Tommasi Rosso

A half-Baroque church

The façade used as a puppet theatre

A city in colour

The senses tell the story of the Church of Santa Chiara

A Nobel Prize in Modica

Modica, a city with ancient origins

The senses tell the story of the Badia di Sant’Agata

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo La Rocca

Some masterpieces

The senses tell the story of the church of San Giovanni Battista

Between white and black

The wall comes to life

Militello, the story of an enlightened fiefdom

The internal colours

From St. Thomas to St. Joseph

A talking palace

A feast only for Scicli

New roads for Catania

A new entrance for Santa Chiara (St. Claire)

Limestone, the colour of harmony

A small room with a golden entrance

From International Gothic to present day

A prominent church

San Benedetto: a treasure reopened to the public

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Benedictine Monastery, one of the largest in Europe

Searching for colour

The interior and its masterpieces

Fontana della Ninfa Zizza, public water in the town

The Barresi-Branciforte lords

Prominent façade

The senses tell the story of the Church of San Giuliano ai Crociferi

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

St. Sebastian, so much work!

The chocolate of Modica

The senses tell the story of the Church of San Benedetto

A square as the heart of the city

Rosario Gagliardi, the maestro of the Val di Noto

A triumph of colour

Two illustrious patron saints

The senses tell about Palazzo Nicolaci

Some prestigious works

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

The kitchen, a treasure chest of colours

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

One city, three sites

Norman apses

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A design by Vincenzo Sinatra

Wonderful quick decorations

Baroque and the loss of equilibrium in the 16th century

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The role of the religious orders in rebuilding the Val di Noto

One city, two sites

Discovering the mother church

Many owners, one palace

The senses tell the story of the church of San Giuseppe

The cathedral of Sant’Agata: a lengthy reconstruction

A hall for the feasts

The Burgos crucifix

The character of Badia Sant’Agata

The Infiorata, a feast of colours and flowers

The disastrous earthquake

A museum to save a tradition

A miniature city