Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

A Nobel Prize in Modica

The senses tell the story of the Church of San Sebastiano

A new entrance for Santa Chiara (St. Claire)

Feasting in Palazzolo

A talking palace

The senses tell the story of the Church of San Giuliano ai Crociferi

The façade used as a puppet theatre

A majestic and luminous church

Baroque and the loss of equilibrium in the 16th century

Palazzo Nicolaci di Villadorata, who is the architect?

The two churches

St. Sebastian, so much work!

The senses tell the story of the staircase of Santa Maria del Monte

The interior and its masterpieces

The church of Carmine

San Nicolò l’Arena: an unfinished church

A long reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

Places of knowledge: the Benedictines’ library

The theatre of taste

The kitchen, a treasure chest of colours

Wonderful quick decorations

A new site for a new church

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the church of San Giovanni Battista

A miniature city

One city, two sites

Two illustrious patron saints

The internal colours

The senses tell about Palazzo Nicolaci

A city in colour

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of Santa Chiara

Between white and black

The Maiolica of the staircase

A symbol for the town

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo La Rocca

Many owners, one palace

The senses tell the Cathedral of Sant’Agata

St. Agatha and the giant candelabras

The Burgos crucifix

Modica, a city with ancient origins

The senses tell the story of the Church of San Giovanni Evangelista

From International Gothic to present day

Feast days

Searching for colour

A museum to save a tradition

A new palace for the La Rocca lords

The city of museums

Garden of Novices and the restorations by Giancarlo De Carlo

The Infiorata, a feast of colours and flowers

Militello, the story of an enlightened fiefdom

A square as the heart of the city

The Staircase of Angels

Prominent façade

Connections with other UNESCO sites

The senses tell the story of the Church of San Benedetto

Some prestigious works

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, three sites

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Napolino Tommasi Rosso

A hall for the feasts

The disastrous earthquake

Norman apses

The wall comes to life

An eagle-shaped city

The character of Badia Sant’Agata

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Fontana della Ninfa Zizza, public water in the town

A small room with a golden entrance

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Benedetto: a treasure reopened to the public

A new site for a new city

The Baroque town by the sea

Limestone, the colour of harmony

A triumph of colour

Some masterpieces

The senses tell the story of the church of San Giuseppe

Discovering the mother church

From St. Thomas to St. Joseph

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Badia di Sant’Agata

New roads for Catania

The chocolate of Modica

A colourful floor

The Barresi-Branciforte lords

A prominent church

A feast only for Scicli

A design by Vincenzo Sinatra

The senses tell the story of the Church of the Annunciation

The role of the religious orders in rebuilding the Val di Noto

The colours of the cathedral

Corbels: a celebration of the Nicolaci family

A half-Baroque church

The cathedral of Sant’Agata: a lengthy reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction