Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

A long reconstruction

Norman apses

Militello, the story of an enlightened fiefdom

Rosario Gagliardi, the maestro of the Val di Noto

A Nobel Prize in Modica

From International Gothic to present day

The internal colours

The Benedictine Monastery, one of the largest in Europe

Many owners, one palace

The senses tell the story of the church of San Giuseppe

Two illustrious patron saints

The theatre of taste

Modica, a city with ancient origins

The interior and its masterpieces

A majestic and luminous church

A small room with a golden entrance

A new site for a new church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A symbol for the town

The senses tell the Cathedral of Sant’Agata

Feast days

A hall for the feasts

The two churches

St. Agatha and the giant candelabras

An eagle-shaped city

Some prestigious works

The Feast of San Giacomo (St. James)

Some masterpieces

New roads for Catania

Baroque and the loss of equilibrium in the 16th century

The character of Badia Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo La Rocca

Corbels: a celebration of the Nicolaci family

A square as the heart of the city

Discovering the mother church

Wonderful quick decorations

A new entrance for Santa Chiara (St. Claire)

Connections with other UNESCO sites

Feasting in Palazzolo

The senses tell about Palazzo Nicolaci

The Infiorata, a feast of colours and flowers

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Badia di Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the staircase of Santa Maria del Monte

From the contrast of the exterior to the internal jubilation of colours

A triumph of colour

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of the Annunciation

The Supernatural dimension of the chapel of the Santissimo Sacramento

The façade used as a puppet theatre

A prominent church

A new palace for the La Rocca lords

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

The kitchen, a treasure chest of colours

A colourful floor

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giuliano ai Crociferi

The Burgos crucifix

One city, three sites

Prominent façade

One city, two sites

Between white and black

A feast only for Scicli

The senses tell the story of the Church of San Benedetto

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

A design by Vincenzo Sinatra

Limestone, the colour of harmony

Searching for colour

The senses tell the story of the church of Santa Maria del Carmelo

The disastrous earthquake

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of San Giovanni Battista

The Barresi-Branciforte lords

The wall comes to life

The Staircase of Angels

A half-Baroque church

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Giovanni Evangelista

San Benedetto: a treasure reopened to the public

The city of museums

A city in colour

Places of knowledge: the Benedictines’ library

A miniature city

The Maiolica of the staircase

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

The Baroque town by the sea

The colours of the cathedral

St. Sebastian, so much work!

A museum to save a tradition

A talking palace

The church of Carmine