Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

One city, three sites

The church of Carmine

Between white and black

The two churches

Limestone, the colour of harmony

The senses tell about Palazzo La Rocca

The kitchen, a treasure chest of colours

The cathedral of Sant’Agata: a lengthy reconstruction

Palazzo Nicolaci di Villadorata, who is the architect?

A talking palace

The senses tell the story of the church of Santa Maria del Carmelo

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

The senses tell the Benedictine Monastery and San NicoIò l’Arena

From the contrast of the exterior to the internal jubilation of colours

A small room with a golden entrance

The internal colours

A long reconstruction

The senses tell the Cathedral of Sant’Agata

Norman apses

The city of museums

The Barresi-Branciforte lords

The role of the religious orders in rebuilding the Val di Noto

The Supernatural dimension of the chapel of the Santissimo Sacramento

Baroque and the loss of equilibrium in the 16th century

The senses tell about Palazzo Napolino Tommasi Rosso

The interior and its masterpieces

A design by Vincenzo Sinatra

One city, two sites

New roads for Catania

The colours of the cathedral

Many owners, one palace

Discovering the mother church

A new site for a new church

A prominent church

A majestic and luminous church

Feast days

The façade used as a puppet theatre

The senses tell the story of the church of San Giovanni Battista

Some masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the giant candelabras

The Feast of San Giacomo (St. James)

Feasting in Palazzolo

Militello, the story of an enlightened fiefdom

The Benedictine Monastery, one of the largest in Europe

The theatre of taste

Searching for colour

The senses tell the story of the church of San Giuseppe

A hall for the feasts

The Baroque town by the sea

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A Nobel Prize in Modica

The senses tell the story of the staircase of Santa Maria del Monte

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Benedetto

The disastrous earthquake

A triumph of colour

Corbels: a celebration of the Nicolaci family

The wall comes to life

Modica, a city with ancient origins

Two illustrious patron saints

A symbol for the town

Places of knowledge: the Benedictines’ library

A miniature city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Infiorata, a feast of colours and flowers

The senses tell the story of the Badia di Sant’Agata

San Benedetto: a treasure reopened to the public

From International Gothic to present day

A square as the heart of the city

A new entrance for Santa Chiara (St. Claire)

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Sebastiano

A new palace for the La Rocca lords

The chocolate of Modica

A colourful floor

The senses tell about Palazzo Nicolaci

The Burgos crucifix

Some prestigious works

A new site for a new city

The senses tell the story of the Church of the Annunciation

The Staircase of Angels

Garden of Novices and the restorations by Giancarlo De Carlo

A city in colour

Fontana della Ninfa Zizza, public water in the town

St. Sebastian, so much work!

The Maiolica of the staircase

Prominent façade

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Giovanni Evangelista

From St. Thomas to St. Joseph

A half-Baroque church

A feast only for Scicli

Wonderful quick decorations

An eagle-shaped city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A museum to save a tradition