Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The city of museums

The kitchen, a treasure chest of colours

The cathedral of Sant’Agata: a lengthy reconstruction

The Infiorata, a feast of colours and flowers

A symbol for the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Maiolica of the staircase

A small room with a golden entrance

Norman apses

The façade used as a puppet theatre

The colours of the cathedral

A new palace for the La Rocca lords

The senses tell the story of the Badia di Sant’Agata

The character of Badia Sant’Agata

San Nicolò l’Arena: an unfinished church

Many owners, one palace

A half-Baroque church

The Baroque town by the sea

Two illustrious patron saints

A new site for a new city

The Barresi-Branciforte lords

The Feast of San Giacomo (St. James)

From the contrast of the exterior to the internal jubilation of colours

The theatre of taste

Some prestigious works

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Sebastian, so much work!

One city, three sites

The Burgos crucifix

Feasting in Palazzolo

The disastrous earthquake

Prominent façade

The senses tell the story of the Church of the Annunciation

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of Santa Chiara

Militello, the story of an enlightened fiefdom

The senses tell about Palazzo Napolino Tommasi Rosso

A museum to save a tradition

A new site for a new church

A triumph of colour

Limestone, the colour of harmony

Rosario Gagliardi, the maestro of the Val di Noto

A majestic and luminous church

A miniature city

Feast days

The internal colours

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

The role of the religious orders in rebuilding the Val di Noto

An eagle-shaped city

Wonderful quick decorations

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of San Giuseppe

Garden of Novices and the restorations by Giancarlo De Carlo

The chocolate of Modica

From International Gothic to present day

The two churches

A colourful floor

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Sebastiano

Searching for colour

Connections with other UNESCO sites

The senses tell about Palazzo La Rocca

A Nobel Prize in Modica

A prominent church

Between white and black

From St. Thomas to St. Joseph

A feast only for Scicli

San Benedetto: a treasure reopened to the public

A hall for the feasts

A talking palace

The Staircase of Angels

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The wall comes to life

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Benedictine Monastery, one of the largest in Europe

A square as the heart of the city

The senses tell about Palazzo Nicolaci

St. Agatha and the giant candelabras

Modica, a city with ancient origins

A long reconstruction

Places of knowledge: the Benedictines’ library

A design by Vincenzo Sinatra

Some masterpieces

The church of Carmine

The senses tell the story of the Church of San Benedetto

Discovering the mother church

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Palazzo Nicolaci di Villadorata, who is the architect?

A city in colour

The interior and its masterpieces

A new entrance for Santa Chiara (St. Claire)

One city, two sites

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the staircase of Santa Maria del Monte

New roads for Catania

Fontana della Ninfa Zizza, public water in the town