Introduction to Val di Noto

Religious architecture

For religious buildings, the architecture of the Baroque period sought to become a guiding principle for a journey of faith through the very form of the construction and its ornaments.
The façade features the characteristic elements of the sacred building and reveals its symbolic contents in its sculptural decorations, allegories of saints, votive scrolls and dedications, kept within the rigid geometric and compositional rules typical of the architecture of this period.
The sculptural and “moved” façades lead to an interior that is rich and exciting due to the triumph of colour, stuccoes and decorations that captivate worshippers, rousing wonder and amazement, right up to the crowning moment in the vault with the mystical sight of the triumph of the Saints.

St. Agatha and the candelore

The senses tell the story of the Church of San Paolo

The interior of the church: space and colour

The city within the city

The dynamics of the Church of San Michele

The new roads of the city

The senses tell about Palazzo Zacco

From the end of the world to rebirth from the rubble

The Monastery of the Benedictine nuns

Baroque and the loss of balance in the 16th century

The neo-Gothic seminary chapel: symbols, light and space

The eagle-shaped city

Palazzo Trigona: a building with a complex shape

The church and the college

Baroque creativity: recurring themes

Verticality and dynamism of the façade of the Church of San Carlo

The smallest Greek theatre in the world

The two churches

Palazzo Trigona di Canicarao

Scenography, lights and colours of the cathedral

The senses tell the Church of San Michele

The Church of St. Paul

The senses tell about Palazzo Ducezio

Militello: The story of an enlightened fiefdom

Unusual iconographies: the Burgos crucifix

The works in the church

The Palazzo dei due mori

Expanded spaces, stucco and colourful lights

A compromise between Neoclassicism and Baroque

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell of Palazzo della Cancelleria

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Benedetto

The city of Modica, a balance between nature and urbanism

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Views denied, views conquered: the power of the devout Benedictines

Garden of Novices and the restorations by Giancarlo De Carlo

Altars, saints and sculptural works

The Monte delle Prestanze in the new city layout

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The city palace

San Domenico and Gagliardi’s work

The Church of St. Benedict

The art of maiolica

The Staircase of Angels

Art in the cathedral

The Badia di Sant’Agata (St. Agatha’s Abbey)

Luminous sacred spaces

The Franciscan convent

Majestic exteriors, grandiose interiors

The interior and works of art

Palazzo della Cancelleria: from former stable to the Nicastro family

A unifying project for the city of Catania

A stone garden

A new site for the church of San Giorgio

Virtuosity, decorations and altars

The senses tell the Church of San Domenico

A casket of precious works

The palace, the town, the church

The casket of austerity under the great dome

The Church of St. Mary of the Mountain

Akrai and Syracuse: an unbreakable bond

The senses tell the story of the Church of San Giuliano ai Crociferi

The Duomo di San Giorgio (Cathedral of St. George)

Palazzo Zacco, a balance between sobriety and decoration

The articulated interior spaces

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Fountain of the Nymph Zizza: public water in the town

The senses tell the Cathedral of San Giorgio

Scenography and devotion for St. Agatha

The senses tell about Palazzo Beneventano

The Antonino Uccello Birthplace Museum

The Madonna dei Conadomini and the art of devotion

City and nature

The senses tell the story of the Church of San Giovanni Evangelista

The Benedictines’ library

The church and the monastery

The senses tell the Cathedral of San Giorgio

The beginning of an authentic Baroque conception

Scicli, the city of Baroque scenery

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The interiors: diffused light and Byzantine relics

The senses tell the story of the Church of Santa Maria del Monte

The triumph of Baroque: expansion of spaces

Rebirth and urban planning of the city of Noto

One city, three sites

The illusion of light and the decorative splendour

The expansion of space and changing reality

A heritage of votive works

The Church of St. Francis

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of the Badia di Sant’Agata

Religious architecture

Reconstruction after the earthquake

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the Cathedral of Sant’Agata

The Church of Madonna della Stella

A Nobel Prize in Modica

A story of rebirth

The senses tell of the Cathedral of San Pietro

The Church of St. Julian on Via dei Crociferi

The Infiorata of Noto, a modern tradition

Madonna of the Militia: a singular warrior virgin

The Church of St. John the Evangelist

The senses tell about Palazzo Trigona