Introduction to Val di Noto

Religious architecture

For religious buildings, the architecture of the Baroque period sought to become a guiding principle for a journey of faith through the very form of the construction and its ornaments.
The façade features the characteristic elements of the sacred building and reveals its symbolic contents in its sculptural decorations, allegories of saints, votive scrolls and dedications, kept within the rigid geometric and compositional rules typical of the architecture of this period.
The sculptural and “moved” façades lead to an interior that is rich and exciting due to the triumph of colour, stuccoes and decorations that captivate worshippers, rousing wonder and amazement, right up to the crowning moment in the vault with the mystical sight of the triumph of the Saints.

Religious architecture

The smallest Greek theatre in the world

The dynamics of the Church of San Michele

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of San Benedetto

The senses tell the Church of San Michele

Expanded spaces, stucco and colourful lights

Art in the cathedral

The senses tell the Cathedral of Sant’Agata

One city, three sites

The Church of St. Mary of the Mountain

The articulated interior spaces

The Church of St. John the Evangelist

The art of maiolica

Piazza Duomo, the elephant fountain, the heart of the city

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Trigona: a building with a complex shape

The senses tell about Palazzo Trigona

The senses tell the story of the Church of Santa Maria del Monte

The Palazzo dei due mori

The senses tell the story of the Church of San Giuliano ai Crociferi

Scicli, the city of Baroque scenery

The Duomo di San Giorgio (Cathedral of St. George)

The Monte delle Prestanze in the new city layout

Luminous sacred spaces

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The palace, the town, the church

The senses tell the Cathedral of San Giorgio

Verticality and dynamism of the façade of the Church of San Carlo

A story of rebirth

City and nature

A casket of precious works

The two churches

The expansion of space and changing reality

The eagle-shaped city

Madonna of the Militia: a singular warrior virgin

Majestic exteriors, grandiose interiors

The senses tell about Palazzo Ducezio

The triumph of Baroque: expansion of spaces

Akrai and Syracuse: an unbreakable bond

Palazzo Trigona di Canicarao

Scenography and devotion for St. Agatha

The Staircase of Angels

The city within the city

The Franciscan convent

The works in the church

The Infiorata of Noto, a modern tradition

San Domenico and Gagliardi’s work

The neo-Gothic seminary chapel: symbols, light and space

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell about Palazzo Beneventano

The senses tell about Palazzo Zacco

The church and the monastery

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell the Church of San Domenico

The new roads of the city

Rebirth and urban planning of the city of Noto

Fountain of the Nymph Zizza: public water in the town

Baroque creativity: recurring themes

The Madonna dei Conadomini and the art of devotion

The senses tell the story of the Church of San Carlo and the former Jesuit college

A Nobel Prize in Modica

The Church of St. Julian on Via dei Crociferi

The city palace

The interior of the church: space and colour

A stone garden

A new site for the church of San Giorgio

The interior and works of art

Baroque and the loss of balance in the 16th century

The interiors: diffused light and Byzantine relics

The church and the college

The Benedictines’ library

The Badia di Sant’Agata (St. Agatha’s Abbey)

From the end of the world to rebirth from the rubble

The senses tell the story of the Church of the Badia di Sant’Agata

A heritage of votive works

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The illusion of light and the decorative splendour

The Church of St. Paul

The Church of St. Francis

The senses tell the story of the Church of San Paolo

A compromise between Neoclassicism and Baroque

Virtuosity, decorations and altars

The Church of Madonna della Stella

The Church of St. Benedict

The casket of austerity under the great dome

Views denied, views conquered: the power of the devout Benedictines

St. Agatha and the candelore

Reconstruction after the earthquake

The senses tell of Palazzo della Cancelleria

The beginning of an authentic Baroque conception

A unifying project for the city of Catania

The Antonino Uccello Birthplace Museum

Altars, saints and sculptural works

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of San Giovanni Evangelista

Scenography, lights and colours of the cathedral

Palazzo Zacco, a balance between sobriety and decoration

Unusual iconographies: the Burgos crucifix

The Monastery of the Benedictine nuns

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The city of Modica, a balance between nature and urbanism

The senses tell of the Cathedral of San Pietro

Militello: The story of an enlightened fiefdom