Introduction to Val di Noto

Religious architecture

For religious buildings, the architecture of the Baroque period sought to become a guiding principle for a journey of faith through the very form of the construction and its ornaments.
The façade features the characteristic elements of the sacred building and reveals its symbolic contents in its sculptural decorations, allegories of saints, votive scrolls and dedications, kept within the rigid geometric and compositional rules typical of the architecture of this period.
The sculptural and “moved” façades lead to an interior that is rich and exciting due to the triumph of colour, stuccoes and decorations that captivate worshippers, rousing wonder and amazement, right up to the crowning moment in the vault with the mystical sight of the triumph of the Saints.

Religious architecture

Scenography and devotion for St. Agatha

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the Church of San Michele

Palazzo della Cancelleria: from former stable to the Nicastro family

The city of Modica, a balance between nature and urbanism

The art of maiolica

The senses tell the story of the Church of San Paolo

Baroque and the loss of balance in the 16th century

The neo-Gothic seminary chapel: symbols, light and space

Majestic exteriors, grandiose interiors

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Church of St. Paul

The senses tell the story of the Church of San Benedetto

Akrai and Syracuse: an unbreakable bond

The new roads of the city

The Church of St. Benedict

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The palace, the town, the church

The beginning of an authentic Baroque conception

The senses tell of Palazzo della Cancelleria

The Duomo di San Giorgio (Cathedral of St. George)

The Madonna dei Conadomini and the art of devotion

A Nobel Prize in Modica

The senses tell the story of the Church of Santa Maria del Monte

A story of rebirth

The expansion of space and changing reality

The city palace

The interior and works of art

The senses tell of the Cathedral of San Pietro

A new site for the church of San Giorgio

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

City and nature

Garden of Novices and the restorations by Giancarlo De Carlo

The articulated interior spaces

The senses tell about Palazzo Trigona

From the end of the world to rebirth from the rubble

Unusual iconographies: the Burgos crucifix

Luminous sacred spaces

A stone garden

The senses tell about Palazzo Ducezio

The interior of the church: space and colour

The senses tell the Church of San Domenico

The Infiorata of Noto, a modern tradition

The Antonino Uccello Birthplace Museum

The church and the college

A casket of precious works

The senses tell about Palazzo Beneventano

The illusion of light and the decorative splendour

The triumph of Baroque: expansion of spaces

The casket of austerity under the great dome

The dynamics of the Church of San Michele

A unifying project for the city of Catania

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Franciscan convent

The Church of St. John the Evangelist

Rebirth and urban planning of the city of Noto

The senses tell the Cathedral of San Giorgio

The church and the monastery

Altars, saints and sculptural works

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Church of St. Francis

The Benedictines’ library

The Church of St. Julian on Via dei Crociferi

Expanded spaces, stucco and colourful lights

The Staircase of Angels

The Palazzo dei due mori

Madonna of the Militia: a singular warrior virgin

Palazzo Zacco, a balance between sobriety and decoration

Fountain of the Nymph Zizza: public water in the town

The senses tell the story of the Church of the Badia di Sant’Agata

Palazzo Trigona: a building with a complex shape

The senses tell the story of the Church of San Giovanni Evangelista

The eagle-shaped city

Scenography, lights and colours of the cathedral

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Monte delle Prestanze in the new city layout

Reconstruction after the earthquake

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell about Palazzo Zacco

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A compromise between Neoclassicism and Baroque

The senses tell the Cathedral of Sant’Agata

The interiors: diffused light and Byzantine relics

Expansion, spatiality and light in the church of San Domenico

A heritage of votive works

Baroque creativity: recurring themes

San Domenico and Gagliardi’s work

St. Agatha and the candelore

The senses tell the story of the Church of San Giuliano ai Crociferi

The works in the church

The Monastery of the Benedictine nuns

The city within the city

Views denied, views conquered: the power of the devout Benedictines

Scicli, the city of Baroque scenery

The senses tell the Cathedral of San Giorgio

The Church of St. Mary of the Mountain

One city, three sites

Militello: The story of an enlightened fiefdom

Palazzo Trigona di Canicarao

The smallest Greek theatre in the world

Art in the cathedral

The two churches

The Church of Madonna della Stella

Virtuosity, decorations and altars