Catania

Places of knowledge: the Benedictines’ library

The work of the Benedictines not only followed religious and charitable commitments, but scientific undertakings, too. The monastery’s first collection of books was probably created at its foundation and used exclusively by the monks. The monks also followed strict Benedictine rule through the study of literature and science.
They established relations with the city’s cultural institutions and acquired important collections over the centuries.
There were around 24,000 volumes of rare, ancient and modern manuscripts and parchments; the monks were great connoisseurs and disseminators of ancient knowledge. After the eruption of 1669 and the earthquake of 1693 the monastery suffered great losses but the monks managed to save part of the collection, which they kept until the library was rebuilt.
The construction of the library’s new main hall was entrusted to Vaccarini, who designed it with typical elements from late Baroque art.
In fact, the giant central plan hall, the “Sala Vaccarini” (Vaccarini Hall), is an important room covered almost completely by wooden bookshelves in order that nearly reach the decorated vault, placed between the round windows that illuminate the room.
In addition to the hall there were five other sumptuous rooms used for the Benedictine Museum and designed to closely match the library. Today the former museum rooms are home to the library’s reference and reading rooms.

Feast days

Baroque and the loss of equilibrium in the 16th century

The disastrous earthquake

The senses tell the story of the church of San Giovanni Battista

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

The Maiolica of the staircase

New roads for Catania

A prominent church

An eagle-shaped city

Modica, a city with ancient origins

A new entrance for Santa Chiara (St. Claire)

A small room with a golden entrance

The senses tell about Palazzo La Rocca

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Sebastiano

The church of Carmine

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Many owners, one palace

A feast only for Scicli

A new site for a new city

The wall comes to life

A Nobel Prize in Modica

The character of Badia Sant’Agata

Between white and black

Connections with other UNESCO sites

The façade used as a puppet theatre

One city, three sites

A design by Vincenzo Sinatra

From International Gothic to present day

Garden of Novices and the restorations by Giancarlo De Carlo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A half-Baroque church

St. Sebastian, so much work!

A colourful floor

Prominent façade

A new palace for the La Rocca lords

Wonderful quick decorations

The Feast of San Giacomo (St. James)

The Infiorata, a feast of colours and flowers

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Staircase of Angels

Searching for colour

Some masterpieces

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

A long reconstruction

A talking palace

The Baroque town by the sea

The Burgos crucifix

A new site for a new church

A majestic and luminous church

A city in colour

The Barresi-Branciforte lords

A symbol for the town

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giovanni Evangelista

The colours of the cathedral

San Benedetto: a treasure reopened to the public

Fontana della Ninfa Zizza, public water in the town

A museum to save a tradition

The city of museums

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The internal colours

The two churches

The interior and its masterpieces

Limestone, the colour of harmony

A square as the heart of the city

Two illustrious patron saints

The chocolate of Modica

Palazzo Nicolaci di Villadorata, who is the architect?

The cathedral of Sant’Agata: a lengthy reconstruction

A hall for the feasts

Militello, the story of an enlightened fiefdom

San Nicolò l’Arena: an unfinished church

From St. Thomas to St. Joseph

Norman apses

Some prestigious works

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of the Annunciation

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Giuliano ai Crociferi

Rosario Gagliardi, the maestro of the Val di Noto

One city, two sites

St. Agatha and the giant candelabras

A triumph of colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Benedetto

The role of the religious orders in rebuilding the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

A miniature city

The kitchen, a treasure chest of colours

Discovering the mother church

The theatre of taste

The senses tell the Cathedral of Sant’Agata