Catania

Places of knowledge: the Benedictines’ library

The work of the Benedictines not only followed religious and charitable commitments, but scientific undertakings, too. The monastery’s first collection of books was probably created at its foundation and used exclusively by the monks. The monks also followed strict Benedictine rule through the study of literature and science.
They established relations with the city’s cultural institutions and acquired important collections over the centuries.
There were around 24,000 volumes of rare, ancient and modern manuscripts and parchments; the monks were great connoisseurs and disseminators of ancient knowledge. After the eruption of 1669 and the earthquake of 1693 the monastery suffered great losses but the monks managed to save part of the collection, which they kept until the library was rebuilt.
The construction of the library’s new main hall was entrusted to Vaccarini, who designed it with typical elements from late Baroque art.
In fact, the giant central plan hall, the “Sala Vaccarini” (Vaccarini Hall), is an important room covered almost completely by wooden bookshelves in order that nearly reach the decorated vault, placed between the round windows that illuminate the room.
In addition to the hall there were five other sumptuous rooms used for the Benedictine Museum and designed to closely match the library. Today the former museum rooms are home to the library’s reference and reading rooms.

Prominent façade

The senses tell the story of the church of San Giovanni Battista

Rosario Gagliardi, the maestro of the Val di Noto

One city, two sites

Two illustrious patron saints

A small room with a golden entrance

The Supernatural dimension of the chapel of the Santissimo Sacramento

A miniature city

Some masterpieces

A prominent church

A half-Baroque church

The senses tell about Palazzo La Rocca

The wall comes to life

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

Palazzo Nicolaci di Villadorata, who is the architect?

The church of Carmine

Militello, the story of an enlightened fiefdom

A talking palace

From International Gothic to present day

The senses tell the story of the Church of San Sebastiano

St. Sebastian, so much work!

Garden of Novices and the restorations by Giancarlo De Carlo

The city of museums

Some prestigious works

The senses tell about Palazzo Napolino Tommasi Rosso

Connections with other UNESCO sites

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Benedetto

Limestone, the colour of harmony

A majestic and luminous church

The senses tell the story of the Badia di Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A hall for the feasts

Between white and black

The façade used as a puppet theatre

A feast only for Scicli

An eagle-shaped city

Feast days

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The internal colours

Many owners, one palace

The Maiolica of the staircase

Discovering the mother church

The Burgos crucifix

The senses tell the story of the Church of San Giuliano ai Crociferi

From St. Thomas to St. Joseph

The Feast of San Giacomo (St. James)

San Nicolò l’Arena: an unfinished church

The senses tell the story of the church of San Giuseppe

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of the Annunciation

A new entrance for Santa Chiara (St. Claire)

The cathedral of Sant’Agata: a lengthy reconstruction

A long reconstruction

Norman apses

A design by Vincenzo Sinatra

The senses tell the story of the Church of Santa Chiara

Baroque and the loss of equilibrium in the 16th century

One city, three sites

A city in colour

The senses tell the story of the staircase of Santa Maria del Monte

From the contrast of the exterior to the internal jubilation of colours

The two churches

New roads for Catania

The role of the religious orders in rebuilding the Val di Noto

A colourful floor

The chocolate of Modica

The Benedictine Monastery, one of the largest in Europe

The Barresi-Branciforte lords

St. Agatha and the giant candelabras

The character of Badia Sant’Agata

A Nobel Prize in Modica

The senses tell the story of the Church of San Giovanni Evangelista

Feasting in Palazzolo

A triumph of colour

Searching for colour

The colours of the cathedral

A symbol for the town

The interior and its masterpieces

The theatre of taste

The senses tell about Palazzo Nicolaci

A new site for a new church

A new site for a new city

San Benedetto: a treasure reopened to the public

A museum to save a tradition

A new palace for the La Rocca lords

The disastrous earthquake

The Staircase of Angels

The Baroque town by the sea

The senses tell the Cathedral of Sant’Agata

A square as the heart of the city

The kitchen, a treasure chest of colours

Fontana della Ninfa Zizza, public water in the town

Wonderful quick decorations

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Modica, a city with ancient origins

Corbels: a celebration of the Nicolaci family