Catania

Places of knowledge: the Benedictines’ library

The work of the Benedictines not only followed religious and charitable commitments, but scientific undertakings, too. The monastery’s first collection of books was probably created at its foundation and used exclusively by the monks. The monks also followed strict Benedictine rule through the study of literature and science.
They established relations with the city’s cultural institutions and acquired important collections over the centuries.
There were around 24,000 volumes of rare, ancient and modern manuscripts and parchments; the monks were great connoisseurs and disseminators of ancient knowledge. After the eruption of 1669 and the earthquake of 1693 the monastery suffered great losses but the monks managed to save part of the collection, which they kept until the library was rebuilt.
The construction of the library’s new main hall was entrusted to Vaccarini, who designed it with typical elements from late Baroque art.
In fact, the giant central plan hall, the “Sala Vaccarini” (Vaccarini Hall), is an important room covered almost completely by wooden bookshelves in order that nearly reach the decorated vault, placed between the round windows that illuminate the room.
In addition to the hall there were five other sumptuous rooms used for the Benedictine Museum and designed to closely match the library. Today the former museum rooms are home to the library’s reference and reading rooms.

Modica, a city with ancient origins

The character of Badia Sant’Agata

Searching for colour

The senses tell the Cathedral of Sant’Agata

An eagle-shaped city

New roads for Catania

Between white and black

A majestic and luminous church

A triumph of colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A small room with a golden entrance

A square as the heart of the city

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

A half-Baroque church

Wonderful quick decorations

The senses tell the story of the staircase of Santa Maria del Monte

A feast only for Scicli

A colourful floor

A museum to save a tradition

The Maiolica of the staircase

The Baroque town by the sea

The senses tell the story of the church of San Giovanni Battista

Feast days

The Benedictine Monastery, one of the largest in Europe

San Nicolò l’Arena: an unfinished church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Barresi-Branciforte lords

One city, three sites

From St. Thomas to St. Joseph

The façade used as a puppet theatre

A prominent church

Discovering the mother church

A design by Vincenzo Sinatra

One city, two sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Places of knowledge: the Benedictines’ library

From International Gothic to present day

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Napolino Tommasi Rosso

Many owners, one palace

A miniature city

Some masterpieces

The chocolate of Modica

San Benedetto: a treasure reopened to the public

A new site for a new city

Feasting in Palazzolo

The colours of the cathedral

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giuseppe

The Supernatural dimension of the chapel of the Santissimo Sacramento

A hall for the feasts

The Burgos crucifix

Norman apses

A new entrance for Santa Chiara (St. Claire)

The wall comes to life

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Sebastiano

Rosario Gagliardi, the maestro of the Val di Noto

The kitchen, a treasure chest of colours

The theatre of taste

The city of museums

A talking palace

The senses tell the story of the Church of San Benedetto

A long reconstruction

The two churches

A city in colour

A Nobel Prize in Modica

The senses tell the story of the Church of San Giuliano ai Crociferi

The Infiorata, a feast of colours and flowers

The Staircase of Angels

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The disastrous earthquake

The role of the religious orders in rebuilding the Val di Noto

Militello, the story of an enlightened fiefdom

Prominent façade

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

The internal colours

Two illustrious patron saints

A new site for a new church

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo La Rocca

Some prestigious works

From the contrast of the exterior to the internal jubilation of colours

Corbels: a celebration of the Nicolaci family

Baroque and the loss of equilibrium in the 16th century

Fontana della Ninfa Zizza, public water in the town

St. Agatha and the giant candelabras

Connections with other UNESCO sites

A new palace for the La Rocca lords

A symbol for the town

The interior and its masterpieces

The cathedral of Sant’Agata: a lengthy reconstruction

St. Sebastian, so much work!

The senses tell about Palazzo Nicolaci

The church of Carmine

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara