Catania

Places of knowledge: the Benedictines’ library

The work of the Benedictines not only followed religious and charitable commitments, but scientific undertakings, too. The monastery’s first collection of books was probably created at its foundation and used exclusively by the monks. The monks also followed strict Benedictine rule through the study of literature and science.
They established relations with the city’s cultural institutions and acquired important collections over the centuries.
There were around 24,000 volumes of rare, ancient and modern manuscripts and parchments; the monks were great connoisseurs and disseminators of ancient knowledge. After the eruption of 1669 and the earthquake of 1693 the monastery suffered great losses but the monks managed to save part of the collection, which they kept until the library was rebuilt.
The construction of the library’s new main hall was entrusted to Vaccarini, who designed it with typical elements from late Baroque art.
In fact, the giant central plan hall, the “Sala Vaccarini” (Vaccarini Hall), is an important room covered almost completely by wooden bookshelves in order that nearly reach the decorated vault, placed between the round windows that illuminate the room.
In addition to the hall there were five other sumptuous rooms used for the Benedictine Museum and designed to closely match the library. Today the former museum rooms are home to the library’s reference and reading rooms.

The Maiolica of the staircase

The senses tell the story of the Church of San Giuliano ai Crociferi

Feasting in Palazzolo

A miniature city

A square as the heart of the city

A majestic and luminous church

The façade used as a puppet theatre

Fontana della Ninfa Zizza, public water in the town

A new palace for the La Rocca lords

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giovanni Evangelista

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

San Benedetto: a treasure reopened to the public

The Baroque town by the sea

The senses tell the story of the church of San Giuseppe

The Infiorata, a feast of colours and flowers

The chocolate of Modica

A new site for a new church

The character of Badia Sant’Agata

The Staircase of Angels

The city of museums

An eagle-shaped city

The senses tell the story of the church of San Giovanni Battista

A feast only for Scicli

Two illustrious patron saints

Baroque and the loss of equilibrium in the 16th century

St. Agatha and the giant candelabras

Places of knowledge: the Benedictines’ library

The senses tell the story of the staircase of Santa Maria del Monte

A long reconstruction

The senses tell the story of the Church of San Sebastiano

The kitchen, a treasure chest of colours

Prominent façade

One city, two sites

A small room with a golden entrance

The senses tell about Palazzo Napolino Tommasi Rosso

From St. Thomas to St. Joseph

The senses tell the story of the Church of the Annunciation

The disastrous earthquake

The senses tell the story of the Badia di Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The colours of the cathedral

New roads for Catania

A talking palace

Wonderful quick decorations

A city in colour

A colourful floor

The Supernatural dimension of the chapel of the Santissimo Sacramento

Some prestigious works

Modica, a city with ancient origins

A new site for a new city

Norman apses

Palazzo Nicolaci di Villadorata, who is the architect?

Corbels: a celebration of the Nicolaci family

The theatre of taste

The Benedictine Monastery, one of the largest in Europe

Searching for colour

From the contrast of the exterior to the internal jubilation of colours

A new entrance for Santa Chiara (St. Claire)

Discovering the mother church

San Nicolò l’Arena: an unfinished church

The cathedral of Sant’Agata: a lengthy reconstruction

A hall for the feasts

A triumph of colour

From International Gothic to present day

The senses tell the Cathedral of Sant’Agata

A symbol for the town

A prominent church

The Barresi-Branciforte lords

Limestone, the colour of harmony

St. Sebastian, so much work!

The two churches

Between white and black

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

The internal colours

The Burgos crucifix

The wall comes to life

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

One city, three sites

Militello, the story of an enlightened fiefdom

Garden of Novices and the restorations by Giancarlo De Carlo

The role of the religious orders in rebuilding the Val di Noto

A museum to save a tradition

Feast days

Rosario Gagliardi, the maestro of the Val di Noto

A design by Vincenzo Sinatra

Some masterpieces

The Feast of San Giacomo (St. James)

The senses tell the story of the church of Santa Maria del Carmelo

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

A Nobel Prize in Modica

The church of Carmine

The senses tell the story of the Church of San Benedetto

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

A half-Baroque church