Catania

Places of knowledge: the Benedictines’ library

The work of the Benedictines not only followed religious and charitable commitments, but scientific undertakings, too. The monastery’s first collection of books was probably created at its foundation and used exclusively by the monks. The monks also followed strict Benedictine rule through the study of literature and science.
They established relations with the city’s cultural institutions and acquired important collections over the centuries.
There were around 24,000 volumes of rare, ancient and modern manuscripts and parchments; the monks were great connoisseurs and disseminators of ancient knowledge. After the eruption of 1669 and the earthquake of 1693 the monastery suffered great losses but the monks managed to save part of the collection, which they kept until the library was rebuilt.
The construction of the library’s new main hall was entrusted to Vaccarini, who designed it with typical elements from late Baroque art.
In fact, the giant central plan hall, the “Sala Vaccarini” (Vaccarini Hall), is an important room covered almost completely by wooden bookshelves in order that nearly reach the decorated vault, placed between the round windows that illuminate the room.
In addition to the hall there were five other sumptuous rooms used for the Benedictine Museum and designed to closely match the library. Today the former museum rooms are home to the library’s reference and reading rooms.

The theatre of taste

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new site for a new church

Feasting in Palazzolo

The senses tell the story of the Church of San Benedetto

The church of Carmine

Discovering the mother church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Staircase of Angels

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of Santa Chiara

Between white and black

The disastrous earthquake

One city, three sites

A majestic and luminous church

The senses tell about Palazzo La Rocca

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A museum to save a tradition

The senses tell the story of the Church of Santa Chiara

A hall for the feasts

A talking palace

Many owners, one palace

Militello, the story of an enlightened fiefdom

A city in colour

The senses tell the story of the Church of San Giuliano ai Crociferi

Feast days

A symbol for the town

The chocolate of Modica

A new entrance for Santa Chiara (St. Claire)

The colours of the cathedral

The interior and its masterpieces

The character of Badia Sant’Agata

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of the Annunciation

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giuseppe

Corbels: a celebration of the Nicolaci family

Fontana della Ninfa Zizza, public water in the town

The senses tell the Cathedral of Sant’Agata

A Nobel Prize in Modica

The role of the religious orders in rebuilding the Val di Noto

One city, two sites

A new site for a new city

The Baroque town by the sea

Some prestigious works

Wonderful quick decorations

The Feast of San Giacomo (St. James)

From the contrast of the exterior to the internal jubilation of colours

A new palace for the La Rocca lords

A colourful floor

The Infiorata, a feast of colours and flowers

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A long reconstruction

The senses tell the story of the Church of San Sebastiano

Modica, a city with ancient origins

A small room with a golden entrance

St. Sebastian, so much work!

The city of museums

The Barresi-Branciforte lords

A miniature city

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The kitchen, a treasure chest of colours

From International Gothic to present day

St. Agatha and the giant candelabras

The Burgos crucifix

The Maiolica of the staircase

Some masterpieces

A feast only for Scicli

The Benedictine Monastery, one of the largest in Europe

The cathedral of Sant’Agata: a lengthy reconstruction

A triumph of colour

The internal colours

The wall comes to life

Two illustrious patron saints

A half-Baroque church

From St. Thomas to St. Joseph

Searching for colour

Limestone, the colour of harmony

The two churches

The senses tell the story of the church of San Giovanni Battista

New roads for Catania

Prominent façade

Garden of Novices and the restorations by Giancarlo De Carlo

The façade used as a puppet theatre

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giovanni Evangelista

A square as the heart of the city

A prominent church

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of Santa Maria del Carmelo

Norman apses

The senses tell about Palazzo Napolino Tommasi Rosso

San Nicolò l’Arena: an unfinished church

A design by Vincenzo Sinatra

The senses tell the story of the staircase of Santa Maria del Monte

Palazzo Nicolaci di Villadorata, who is the architect?

Connections with other UNESCO sites

An eagle-shaped city