Catania

Places of knowledge: the Benedictines’ library

The work of the Benedictines not only followed religious and charitable commitments, but scientific undertakings, too. The monastery’s first collection of books was probably created at its foundation and used exclusively by the monks. The monks also followed strict Benedictine rule through the study of literature and science.
They established relations with the city’s cultural institutions and acquired important collections over the centuries.
There were around 24,000 volumes of rare, ancient and modern manuscripts and parchments; the monks were great connoisseurs and disseminators of ancient knowledge. After the eruption of 1669 and the earthquake of 1693 the monastery suffered great losses but the monks managed to save part of the collection, which they kept until the library was rebuilt.
The construction of the library’s new main hall was entrusted to Vaccarini, who designed it with typical elements from late Baroque art.
In fact, the giant central plan hall, the “Sala Vaccarini” (Vaccarini Hall), is an important room covered almost completely by wooden bookshelves in order that nearly reach the decorated vault, placed between the round windows that illuminate the room.
In addition to the hall there were five other sumptuous rooms used for the Benedictine Museum and designed to closely match the library. Today the former museum rooms are home to the library’s reference and reading rooms.

The senses tell the story of the Church of San Giovanni Evangelista

The Burgos crucifix

St. Sebastian, so much work!

The Benedictine Monastery, one of the largest in Europe

One city, two sites

A new site for a new church

From St. Thomas to St. Joseph

A talking palace

The senses tell the story of the Church of Santa Chiara

The chocolate of Modica

The Barresi-Branciforte lords

One city, three sites

New roads for Catania

Corbels: a celebration of the Nicolaci family

The role of the religious orders in rebuilding the Val di Noto

The church of Carmine

The senses tell the story of the Church of Santa Chiara

Norman apses

The disastrous earthquake

The senses tell the Cathedral of Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

An eagle-shaped city

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Baroque and the loss of equilibrium in the 16th century

Garden of Novices and the restorations by Giancarlo De Carlo

A city in colour

The senses tell the story of the staircase of Santa Maria del Monte

Militello, the story of an enlightened fiefdom

The Feast of San Giacomo (St. James)

A half-Baroque church

Some masterpieces

The Staircase of Angels

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo La Rocca

Connections with other UNESCO sites

Feast days

Prominent façade

Limestone, the colour of harmony

A new entrance for Santa Chiara (St. Claire)

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of San Giuliano ai Crociferi

Fontana della Ninfa Zizza, public water in the town

From the contrast of the exterior to the internal jubilation of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The colours of the cathedral

The city of museums

A miniature city

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

The two churches

The Baroque town by the sea

A majestic and luminous church

A new palace for the La Rocca lords

The interior and its masterpieces

A square as the heart of the city

The theatre of taste

The Supernatural dimension of the chapel of the Santissimo Sacramento

A triumph of colour

The kitchen, a treasure chest of colours

Places of knowledge: the Benedictines’ library

San Benedetto: a treasure reopened to the public

The façade used as a puppet theatre

A feast only for Scicli

A small room with a golden entrance

A long reconstruction

Between white and black

The senses tell the story of the church of San Giuseppe

Two illustrious patron saints

A design by Vincenzo Sinatra

Some prestigious works

The senses tell the story of the church of San Giovanni Battista

The Infiorata, a feast of colours and flowers

The Maiolica of the staircase

A Nobel Prize in Modica

Palazzo Nicolaci di Villadorata, who is the architect?

A museum to save a tradition

The senses tell the story of the Church of San Benedetto

A hall for the feasts

A new site for a new city

The character of Badia Sant’Agata

A symbol for the town

The senses tell the story of the church of Santa Maria del Carmelo

The cathedral of Sant’Agata: a lengthy reconstruction

A colourful floor

Feasting in Palazzolo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Badia di Sant’Agata

The internal colours

The senses tell about Palazzo Napolino Tommasi Rosso

Wonderful quick decorations

Many owners, one palace

The senses tell the story of the Church of the Annunciation

Discovering the mother church

From International Gothic to present day

St. Agatha and the giant candelabras

Searching for colour

The wall comes to life

A prominent church