Catania

Places of knowledge: the Benedictines’ library

The work of the Benedictines not only followed religious and charitable commitments, but scientific undertakings, too. The monastery’s first collection of books was probably created at its foundation and used exclusively by the monks. The monks also followed strict Benedictine rule through the study of literature and science.
They established relations with the city’s cultural institutions and acquired important collections over the centuries.
There were around 24,000 volumes of rare, ancient and modern manuscripts and parchments; the monks were great connoisseurs and disseminators of ancient knowledge. After the eruption of 1669 and the earthquake of 1693 the monastery suffered great losses but the monks managed to save part of the collection, which they kept until the library was rebuilt.
The construction of the library’s new main hall was entrusted to Vaccarini, who designed it with typical elements from late Baroque art.
In fact, the giant central plan hall, the “Sala Vaccarini” (Vaccarini Hall), is an important room covered almost completely by wooden bookshelves in order that nearly reach the decorated vault, placed between the round windows that illuminate the room.
In addition to the hall there were five other sumptuous rooms used for the Benedictine Museum and designed to closely match the library. Today the former museum rooms are home to the library’s reference and reading rooms.

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giuliano ai Crociferi

Connections with other UNESCO sites

Places of knowledge: the Benedictines’ library

The Infiorata, a feast of colours and flowers

The Maiolica of the staircase

A museum to save a tradition

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giovanni Evangelista

Many owners, one palace

Wonderful quick decorations

An eagle-shaped city

Feasting in Palazzolo

The church of Carmine

Baroque and the loss of equilibrium in the 16th century

The theatre of taste

The senses tell the story of the Church of Santa Chiara

The city of museums

The wall comes to life

The senses tell the story of the church of San Giuseppe

A Nobel Prize in Modica

The senses tell about Palazzo Nicolaci

A triumph of colour

The cathedral of Sant’Agata: a lengthy reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Burgos crucifix

The senses tell about Palazzo La Rocca

The Staircase of Angels

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

New roads for Catania

A new site for a new city

The Feast of San Giacomo (St. James)

The Benedictine Monastery, one of the largest in Europe

Searching for colour

Two illustrious patron saints

A feast only for Scicli

Some prestigious works

A talking palace

Rosario Gagliardi, the maestro of the Val di Noto

The internal colours

Fontana della Ninfa Zizza, public water in the town

A miniature city

A new site for a new church

The disastrous earthquake

A long reconstruction

The two churches

Modica, a city with ancient origins

San Benedetto: a treasure reopened to the public

The interior and its masterpieces

A new entrance for Santa Chiara (St. Claire)

St. Agatha and the giant candelabras

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Badia di Sant’Agata

Prominent façade

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of Santa Chiara

One city, two sites

A prominent church

A square as the heart of the city

The senses tell about Palazzo Napolino Tommasi Rosso

Norman apses

The senses tell the story of the Church of San Benedetto

The role of the religious orders in rebuilding the Val di Noto

Limestone, the colour of harmony

A majestic and luminous church

A hall for the feasts

St. Sebastian, so much work!

Militello, the story of an enlightened fiefdom

A colourful floor

The colours of the cathedral

A symbol for the town

One city, three sites

Garden of Novices and the restorations by Giancarlo De Carlo

A design by Vincenzo Sinatra

Palazzo Nicolaci di Villadorata, who is the architect?

Between white and black

The Baroque town by the sea

From International Gothic to present day

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Sebastiano

The chocolate of Modica

The senses tell the story of the staircase of Santa Maria del Monte

The Supernatural dimension of the chapel of the Santissimo Sacramento

From St. Thomas to St. Joseph

The façade used as a puppet theatre

The character of Badia Sant’Agata

Discovering the mother church

Some masterpieces

A half-Baroque church

From the contrast of the exterior to the internal jubilation of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the Cathedral of Sant’Agata

The Barresi-Branciforte lords

The senses tell the story of the church of Santa Maria del Carmelo

A city in colour

The senses tell the story of the church of San Giovanni Battista

A small room with a golden entrance

Feast days

The kitchen, a treasure chest of colours