Palazzolo Acreide

One city, three sites

Palazzolo Acreide is located further inland in Syracuse and is one of the oldest towns in the Val di Noto.Also struck by the 1693 earthquake, it was reborn from its rubble in the same location. Here the Baroque style fits in perfectly with the narrow, dense medieval streets.
Light enters the squares, making the façades and the contrasts between the colours stand out.
The town has three different construction phases that illustrate three different historical periods.
The medieval centre, which stood near former Acre, was located on a rocky spur in a strategic position for controlling the territory.
There stood a “palatium”, or imperial palace, which is probably where the name “palatiolum” of the new town came from. The oldest centre of the town was founded seventy years after the city of Syracuse, with which a lasting bond was built.
This new town on the plateau of the Hyblaean Mountains allowed trade between Syracuse and the other southern towns, promoting the spread of Hellenic culture in the centuries to come. After the tragic earthquake, the most important Baroque buildings and squares were built around the main street dedicated to Vittorio Emanuele. Palazzolo Acreide still retains some evidence of the ancient Greek city of Akrai: if you walk along Corso Vittorio Emanuele you’ll reach the Greek theatre .

The Benedictine Monastery, one of the largest in Europe

Fontana della Ninfa Zizza, public water in the town

A majestic and luminous church

The façade used as a puppet theatre

The senses tell about Palazzo Nicolaci

St. Agatha and the giant candelabras

Militello, the story of an enlightened fiefdom

The wall comes to life

A museum to save a tradition

Connections with other UNESCO sites

A design by Vincenzo Sinatra

The senses tell the Cathedral of Sant’Agata

A feast only for Scicli

A hall for the feasts

A triumph of colour

A Nobel Prize in Modica

A new site for a new church

A prominent church

A square as the heart of the city

The cathedral of Sant’Agata: a lengthy reconstruction

A half-Baroque church

The Staircase of Angels

Some prestigious works

The role of the religious orders in rebuilding the Val di Noto

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of Santa Chiara

Feasting in Palazzolo

Some masterpieces

The Infiorata, a feast of colours and flowers

A new site for a new city

Places of knowledge: the Benedictines’ library

Rosario Gagliardi, the maestro of the Val di Noto

The theatre of taste

The interior and its masterpieces

The senses tell the story of the Church of San Giuliano ai Crociferi

Baroque and the loss of equilibrium in the 16th century

The chocolate of Modica

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new entrance for Santa Chiara (St. Claire)

From International Gothic to present day

The senses tell the story of the Church of San Benedetto

The Feast of San Giacomo (St. James)

The church of Carmine

The senses tell the story of the church of San Giovanni Battista

Between white and black

Searching for colour

The Burgos crucifix

Prominent façade

Modica, a city with ancient origins

The character of Badia Sant’Agata

A small room with a golden entrance

The Baroque town by the sea

The kitchen, a treasure chest of colours

The senses tell about Palazzo La Rocca

Wonderful quick decorations

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

An eagle-shaped city

One city, two sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

From the contrast of the exterior to the internal jubilation of colours

The disastrous earthquake

Feast days

A symbol for the town

The Barresi-Branciforte lords

From St. Thomas to St. Joseph

A miniature city

Norman apses

Garden of Novices and the restorations by Giancarlo De Carlo

Limestone, the colour of harmony

The senses tell the story of the staircase of Santa Maria del Monte

New roads for Catania

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of Santa Maria del Carmelo

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

San Nicolò l’Arena: an unfinished church

A talking palace

Two illustrious patron saints

Discovering the mother church

A new palace for the La Rocca lords

Corbels: a celebration of the Nicolaci family

San Benedetto: a treasure reopened to the public

Many owners, one palace

One city, three sites

The Maiolica of the staircase

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The internal colours

The two churches

A colourful floor

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Giovanni Evangelista

A long reconstruction

The senses tell the story of the Badia di Sant’Agata

The city of museums

A city in colour

The senses tell the story of the church of San Giuseppe

The colours of the cathedral

St. Sebastian, so much work!

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque