Modica

Modica, a city with ancient origins

The city of Modica , sat in the middle of the Hyblaean plateau between deep quarries , fits perfectly into the hills of the Hyblaean countryside which is rich in vegetation and typical dry stone walls .Città panoramica ModicaThe inhabited centre is built across two districts, Modica alta (Upper Modica), in a high and rocky hilly area, and Modica bassa (Lower Modica), which is built around two streams.
Corso Umberto ICittà panoramica ModicaThe inhabited history of the Hyblaean city begins a long time ago. In fact, the first settlements date back to 1800-1400 BC.
The city we see today is the result of a transformation that took place after the earthquake of 1693. Unlike other towns in the Val di Noto, Modica was rebuilt on the same site. The city spaces were reorganised and reconstruction was supervised by the monastic orders and the rich and powerful agricultural nobility.
The earthquake destroyed what remained of the old medieval town and gave way to precious and noble residences in the valley floor, as well as imposing and majestic churches, veritable masterpieces of the reconstruction.
The landscape is characterised by the typical Modica stone with infinite shades from beige to white, and quartz veins that make it shine under the hot sun. Until the beginning of the 20th century Modica was crossed by small streams and a series of bridges that connected the various parts of the city. Back then it was decided to bury the streams and the old river became the current street, Corso Umberto, today overlooked by the town hall of Modica and the ancient Palazzo Manenti.

A symbol for the town

The Staircase of Angels

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A long reconstruction

Baroque and the loss of equilibrium in the 16th century

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

The senses tell the story of the Badia di Sant’Agata

Places of knowledge: the Benedictines’ library

San Benedetto: a treasure reopened to the public

A city in colour

The senses tell about Palazzo Napolino Tommasi Rosso

Some prestigious works

The colours of the cathedral

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of the Annunciation

Garden of Novices and the restorations by Giancarlo De Carlo

One city, three sites

The senses tell the Cathedral of Sant’Agata

St. Sebastian, so much work!

The Burgos crucifix

The façade used as a puppet theatre

Discovering the mother church

A new palace for the La Rocca lords

A museum to save a tradition

The Maiolica of the staircase

A Nobel Prize in Modica

The senses tell the story of the Church of Santa Chiara

The two churches

Some masterpieces

The Feast of San Giacomo (St. James)

The senses tell the story of the church of San Giovanni Battista

A design by Vincenzo Sinatra

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Nicolaci

The internal colours

A new site for a new city

Feasting in Palazzolo

Connections with other UNESCO sites

Fontana della Ninfa Zizza, public water in the town

The wall comes to life

The senses tell the story of the Church of San Benedetto

A square as the heart of the city

A new site for a new church

The chocolate of Modica

One city, two sites

Searching for colour

The church of Carmine

The senses tell the story of the Church of San Giovanni Evangelista

The Benedictine Monastery, one of the largest in Europe

The Supernatural dimension of the chapel of the Santissimo Sacramento

A prominent church

The role of the religious orders in rebuilding the Val di Noto

A miniature city

Limestone, the colour of harmony

The disastrous earthquake

A majestic and luminous church

The cathedral of Sant’Agata: a lengthy reconstruction

The character of Badia Sant’Agata

A triumph of colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Modica, a city with ancient origins

From International Gothic to present day

San Nicolò l’Arena: an unfinished church

A colourful floor

Norman apses

Rosario Gagliardi, the maestro of the Val di Noto

Corbels: a celebration of the Nicolaci family

A hall for the feasts

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A talking palace

St. Agatha and the giant candelabras

Prominent façade

Feast days

The Barresi-Branciforte lords

Wonderful quick decorations

A new entrance for Santa Chiara (St. Claire)

Between white and black

The city of museums

Palazzo Nicolaci di Villadorata, who is the architect?

The Baroque town by the sea

Militello, the story of an enlightened fiefdom

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giuliano ai Crociferi

A half-Baroque church

The senses tell the story of the staircase of Santa Maria del Monte

The Infiorata, a feast of colours and flowers

Many owners, one palace

The kitchen, a treasure chest of colours

Two illustrious patron saints

New roads for Catania

The interior and its masterpieces

A small room with a golden entrance

A feast only for Scicli

From the contrast of the exterior to the internal jubilation of colours

The theatre of taste

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the church of Santa Maria del Carmelo