Modica

Modica, a city with ancient origins

The city of Modica , sat in the middle of the Hyblaean plateau between deep quarries , fits perfectly into the hills of the Hyblaean countryside which is rich in vegetation and typical dry stone walls .Città panoramica ModicaThe inhabited centre is built across two districts, Modica alta (Upper Modica), in a high and rocky hilly area, and Modica bassa (Lower Modica), which is built around two streams.
Corso Umberto ICittà panoramica ModicaThe inhabited history of the Hyblaean city begins a long time ago. In fact, the first settlements date back to 1800-1400 BC.
The city we see today is the result of a transformation that took place after the earthquake of 1693. Unlike other towns in the Val di Noto, Modica was rebuilt on the same site. The city spaces were reorganised and reconstruction was supervised by the monastic orders and the rich and powerful agricultural nobility.
The earthquake destroyed what remained of the old medieval town and gave way to precious and noble residences in the valley floor, as well as imposing and majestic churches, veritable masterpieces of the reconstruction.
The landscape is characterised by the typical Modica stone with infinite shades from beige to white, and quartz veins that make it shine under the hot sun. Until the beginning of the 20th century Modica was crossed by small streams and a series of bridges that connected the various parts of the city. Back then it was decided to bury the streams and the old river became the current street, Corso Umberto, today overlooked by the town hall of Modica and the ancient Palazzo Manenti.

A symbol for the town

The theatre of taste

The disastrous earthquake

A new site for a new city

A long reconstruction

From the contrast of the exterior to the internal jubilation of colours

A colourful floor

A triumph of colour

A majestic and luminous church

A hall for the feasts

A new site for a new church

New roads for Catania

The senses tell about Palazzo Napolino Tommasi Rosso

The Baroque town by the sea

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The city of museums

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giovanni Evangelista

One city, three sites

The Benedictine Monastery, one of the largest in Europe

The kitchen, a treasure chest of colours

The senses tell about Palazzo Nicolaci

Discovering the mother church

The senses tell about Palazzo La Rocca

An eagle-shaped city

From St. Thomas to St. Joseph

The character of Badia Sant’Agata

The Staircase of Angels

The senses tell the story of the church of San Giovanni Battista

A new palace for the La Rocca lords

A half-Baroque church

One city, two sites

Rosario Gagliardi, the maestro of the Val di Noto

Limestone, the colour of harmony

The senses tell the Cathedral of Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Sebastiano

A talking palace

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Connections with other UNESCO sites

The Feast of San Giacomo (St. James)

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A city in colour

The colours of the cathedral

Fontana della Ninfa Zizza, public water in the town

San Benedetto: a treasure reopened to the public

A feast only for Scicli

A museum to save a tradition

The senses tell the story of the Church of the Annunciation

A new entrance for Santa Chiara (St. Claire)

A Nobel Prize in Modica

St. Sebastian, so much work!

The Infiorata, a feast of colours and flowers

A prominent church

Prominent façade

The Supernatural dimension of the chapel of the Santissimo Sacramento

Some prestigious works

Feast days

From International Gothic to present day

The church of Carmine

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

The chocolate of Modica

Palazzo Nicolaci di Villadorata, who is the architect?

A miniature city

Norman apses

Baroque and the loss of equilibrium in the 16th century

A square as the heart of the city

Militello, the story of an enlightened fiefdom

The Burgos crucifix

The cathedral of Sant’Agata: a lengthy reconstruction

The Barresi-Branciforte lords

The Maiolica of the staircase

Some masterpieces

Many owners, one palace

The internal colours

The two churches

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

The wall comes to life

A small room with a golden entrance

Between white and black

St. Agatha and the giant candelabras

Wonderful quick decorations

A design by Vincenzo Sinatra

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the staircase of Santa Maria del Monte

Feasting in Palazzolo

The interior and its masterpieces

Two illustrious patron saints

Modica, a city with ancient origins

The façade used as a puppet theatre

Searching for colour

Garden of Novices and the restorations by Giancarlo De Carlo

Corbels: a celebration of the Nicolaci family