Modica

Modica, a city with ancient origins

The city of Modica , sat in the middle of the Hyblaean plateau between deep quarries , fits perfectly into the hills of the Hyblaean countryside which is rich in vegetation and typical dry stone walls .Città panoramica ModicaThe inhabited centre is built across two districts, Modica alta (Upper Modica), in a high and rocky hilly area, and Modica bassa (Lower Modica), which is built around two streams.
Corso Umberto ICittà panoramica ModicaThe inhabited history of the Hyblaean city begins a long time ago. In fact, the first settlements date back to 1800-1400 BC.
The city we see today is the result of a transformation that took place after the earthquake of 1693. Unlike other towns in the Val di Noto, Modica was rebuilt on the same site. The city spaces were reorganised and reconstruction was supervised by the monastic orders and the rich and powerful agricultural nobility.
The earthquake destroyed what remained of the old medieval town and gave way to precious and noble residences in the valley floor, as well as imposing and majestic churches, veritable masterpieces of the reconstruction.
The landscape is characterised by the typical Modica stone with infinite shades from beige to white, and quartz veins that make it shine under the hot sun. Until the beginning of the 20th century Modica was crossed by small streams and a series of bridges that connected the various parts of the city. Back then it was decided to bury the streams and the old river became the current street, Corso Umberto, today overlooked by the town hall of Modica and the ancient Palazzo Manenti.

Rosario Gagliardi, the maestro of the Val di Noto

Wonderful quick decorations

A museum to save a tradition

San Nicolò l’Arena: an unfinished church

Baroque and the loss of equilibrium in the 16th century

A triumph of colour

A talking palace

The senses tell the story of the Church of the Annunciation

New roads for Catania

Searching for colour

Many owners, one palace

The senses tell about Palazzo Nicolaci

A design by Vincenzo Sinatra

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

A feast only for Scicli

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From the contrast of the exterior to the internal jubilation of colours

The colours of the cathedral

The senses tell about Palazzo Napolino Tommasi Rosso

A hall for the feasts

Feast days

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

A long reconstruction

The Benedictine Monastery, one of the largest in Europe

The interior and its masterpieces

San Benedetto: a treasure reopened to the public

Garden of Novices and the restorations by Giancarlo De Carlo

A colourful floor

A new site for a new church

The Supernatural dimension of the chapel of the Santissimo Sacramento

A miniature city

A majestic and luminous church

Militello, the story of an enlightened fiefdom

Between white and black

The two churches

The senses tell about Palazzo La Rocca

The kitchen, a treasure chest of colours

A Nobel Prize in Modica

Modica, a city with ancient origins

The role of the religious orders in rebuilding the Val di Noto

St. Sebastian, so much work!

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of San Giovanni Battista

Discovering the mother church

One city, two sites

A new palace for the La Rocca lords

The Maiolica of the staircase

A new entrance for Santa Chiara (St. Claire)

A prominent church

The church of Carmine

A square as the heart of the city

The senses tell the story of the church of San Giuseppe

The senses tell the story of the staircase of Santa Maria del Monte

The Feast of San Giacomo (St. James)

The character of Badia Sant’Agata

Feasting in Palazzolo

The Staircase of Angels

From St. Thomas to St. Joseph

The senses tell the Cathedral of Sant’Agata

Limestone, the colour of harmony

Norman apses

One city, three sites

The senses tell the story of the Church of San Giuliano ai Crociferi

A small room with a golden entrance

Two illustrious patron saints

The internal colours

Fontana della Ninfa Zizza, public water in the town

Corbels: a celebration of the Nicolaci family

The chocolate of Modica

A half-Baroque church

A city in colour

Palazzo Nicolaci di Villadorata, who is the architect?

The theatre of taste

The Barresi-Branciforte lords

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The wall comes to life

The façade used as a puppet theatre

Some prestigious works

The disastrous earthquake

The Baroque town by the sea

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

The Infiorata, a feast of colours and flowers

Places of knowledge: the Benedictines’ library

An eagle-shaped city

The senses tell the story of the Church of Santa Chiara

The city of museums

A symbol for the town

A new site for a new city

From International Gothic to present day

The Burgos crucifix

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Connections with other UNESCO sites

Prominent façade

The cathedral of Sant’Agata: a lengthy reconstruction

Some masterpieces