Modica

Modica, a city with ancient origins

The city of Modica , sat in the middle of the Hyblaean plateau between deep quarries , fits perfectly into the hills of the Hyblaean countryside which is rich in vegetation and typical dry stone walls .Città panoramica ModicaThe inhabited centre is built across two districts, Modica alta (Upper Modica), in a high and rocky hilly area, and Modica bassa (Lower Modica), which is built around two streams.
Corso Umberto ICittà panoramica ModicaThe inhabited history of the Hyblaean city begins a long time ago. In fact, the first settlements date back to 1800-1400 BC.
The city we see today is the result of a transformation that took place after the earthquake of 1693. Unlike other towns in the Val di Noto, Modica was rebuilt on the same site. The city spaces were reorganised and reconstruction was supervised by the monastic orders and the rich and powerful agricultural nobility.
The earthquake destroyed what remained of the old medieval town and gave way to precious and noble residences in the valley floor, as well as imposing and majestic churches, veritable masterpieces of the reconstruction.
The landscape is characterised by the typical Modica stone with infinite shades from beige to white, and quartz veins that make it shine under the hot sun. Until the beginning of the 20th century Modica was crossed by small streams and a series of bridges that connected the various parts of the city. Back then it was decided to bury the streams and the old river became the current street, Corso Umberto, today overlooked by the town hall of Modica and the ancient Palazzo Manenti.

Many owners, one palace

The Benedictine Monastery, one of the largest in Europe

A new site for a new church

The senses tell the story of the staircase of Santa Maria del Monte

Between white and black

The senses tell about Palazzo Napolino Tommasi Rosso

A square as the heart of the city

Militello, the story of an enlightened fiefdom

Searching for colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of Santa Chiara

The cathedral of Sant’Agata: a lengthy reconstruction

A small room with a golden entrance

The disastrous earthquake

Palazzo Nicolaci di Villadorata, who is the architect?

The city of museums

The character of Badia Sant’Agata

A prominent church

New roads for Catania

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo La Rocca

From International Gothic to present day

The Burgos crucifix

The theatre of taste

An eagle-shaped city

Some masterpieces

The Barresi-Branciforte lords

The kitchen, a treasure chest of colours

The Maiolica of the staircase

The senses tell the story of the Church of San Giovanni Evangelista

The Staircase of Angels

The wall comes to life

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of San Giuseppe

The Feast of San Giacomo (St. James)

Fontana della Ninfa Zizza, public water in the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A miniature city

San Benedetto: a treasure reopened to the public

Limestone, the colour of harmony

A symbol for the town

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Benedetto

Corbels: a celebration of the Nicolaci family

Connections with other UNESCO sites

Norman apses

The internal colours

St. Sebastian, so much work!

A city in colour

A Nobel Prize in Modica

A new site for a new city

One city, two sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

A design by Vincenzo Sinatra

San Nicolò l’Arena: an unfinished church

A museum to save a tradition

Feast days

Two illustrious patron saints

Wonderful quick decorations

The senses tell the Cathedral of Sant’Agata

A talking palace

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of San Sebastiano

A feast only for Scicli

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Giuliano ai Crociferi

The chocolate of Modica

From St. Thomas to St. Joseph

From the contrast of the exterior to the internal jubilation of colours

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Some prestigious works

The colours of the cathedral

A new palace for the La Rocca lords

The façade used as a puppet theatre

The two churches

A half-Baroque church

A triumph of colour

Prominent façade

A colourful floor

A long reconstruction

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

St. Agatha and the giant candelabras

A majestic and luminous church

Garden of Novices and the restorations by Giancarlo De Carlo

Feasting in Palazzolo

The senses tell the story of the church of San Giovanni Battista

Places of knowledge: the Benedictines’ library

One city, three sites

The Baroque town by the sea

The senses tell the story of the Badia di Sant’Agata

Modica, a city with ancient origins

A new entrance for Santa Chiara (St. Claire)

The interior and its masterpieces

Discovering the mother church

The senses tell the story of the church of Santa Maria del Carmelo

A hall for the feasts

The church of Carmine