Modica

Modica, a city with ancient origins

The city of Modica , sat in the middle of the Hyblaean plateau between deep quarries , fits perfectly into the hills of the Hyblaean countryside which is rich in vegetation and typical dry stone walls .Città panoramica ModicaThe inhabited centre is built across two districts, Modica alta (Upper Modica), in a high and rocky hilly area, and Modica bassa (Lower Modica), which is built around two streams.
Corso Umberto ICittà panoramica ModicaThe inhabited history of the Hyblaean city begins a long time ago. In fact, the first settlements date back to 1800-1400 BC.
The city we see today is the result of a transformation that took place after the earthquake of 1693. Unlike other towns in the Val di Noto, Modica was rebuilt on the same site. The city spaces were reorganised and reconstruction was supervised by the monastic orders and the rich and powerful agricultural nobility.
The earthquake destroyed what remained of the old medieval town and gave way to precious and noble residences in the valley floor, as well as imposing and majestic churches, veritable masterpieces of the reconstruction.
The landscape is characterised by the typical Modica stone with infinite shades from beige to white, and quartz veins that make it shine under the hot sun. Until the beginning of the 20th century Modica was crossed by small streams and a series of bridges that connected the various parts of the city. Back then it was decided to bury the streams and the old river became the current street, Corso Umberto, today overlooked by the town hall of Modica and the ancient Palazzo Manenti.

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the church of Santa Maria del Carmelo

A talking palace

Corbels: a celebration of the Nicolaci family

One city, two sites

Wonderful quick decorations

A triumph of colour

A hall for the feasts

Feasting in Palazzolo

The Infiorata, a feast of colours and flowers

A city in colour

The city of museums

A miniature city

San Nicolò l’Arena: an unfinished church

A museum to save a tradition

The senses tell the story of the Church of San Benedetto

The Maiolica of the staircase

A new site for a new city

The two churches

St. Agatha and the giant candelabras

A half-Baroque church

New roads for Catania

The disastrous earthquake

Connections with other UNESCO sites

The chocolate of Modica

The senses tell the story of the Church of San Sebastiano

Feast days

The Benedictine Monastery, one of the largest in Europe

The cathedral of Sant’Agata: a lengthy reconstruction

A symbol for the town

Searching for colour

The senses tell about Palazzo Nicolaci

A small room with a golden entrance

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The façade used as a puppet theatre

The colours of the cathedral

A majestic and luminous church

The senses tell about Palazzo La Rocca

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of the Annunciation

The interior and its masterpieces

From International Gothic to present day

The Staircase of Angels

The church of Carmine

The theatre of taste

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From St. Thomas to St. Joseph

A Nobel Prize in Modica

Limestone, the colour of harmony

Palazzo Nicolaci di Villadorata, who is the architect?

Prominent façade

A feast only for Scicli

The wall comes to life

One city, three sites

The senses tell the story of the Church of San Giovanni Evangelista

A colourful floor

The senses tell the story of the church of San Giuseppe

Between white and black

Places of knowledge: the Benedictines’ library

Fontana della Ninfa Zizza, public water in the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Supernatural dimension of the chapel of the Santissimo Sacramento

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

The Baroque town by the sea

A design by Vincenzo Sinatra

A new entrance for Santa Chiara (St. Claire)

An eagle-shaped city

Militello, the story of an enlightened fiefdom

A long reconstruction

Some prestigious works

Many owners, one palace

Rosario Gagliardi, the maestro of the Val di Noto

A new palace for the La Rocca lords

The Barresi-Branciforte lords

The internal colours

Modica, a city with ancient origins

A prominent church

The senses tell the story of the Church of San Giuliano ai Crociferi

Discovering the mother church

Two illustrious patron saints

Some masterpieces

The Feast of San Giacomo (St. James)

Garden of Novices and the restorations by Giancarlo De Carlo

Norman apses

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo Napolino Tommasi Rosso

St. Sebastian, so much work!

The senses tell the story of the Badia di Sant’Agata

The Burgos crucifix

The character of Badia Sant’Agata

The senses tell the Cathedral of Sant’Agata

The kitchen, a treasure chest of colours

The role of the religious orders in rebuilding the Val di Noto

A new site for a new church

The senses tell the story of the staircase of Santa Maria del Monte

From the contrast of the exterior to the internal jubilation of colours