Militello in Val di Catania

Militello, the story of an enlightened fiefdom

The town of Militello in Val di Catania, once called Militello in Val di Noto, is one of the centres rebuilt on a new site following the great earthquake of 1693.
Located in the northern part of the Hyblaean Mountains, it was rebuilt in a grid layout further upstream but still nearby the former site.foto militello droneThe name Militellus, or Militum Tellus, land of soldiers, is said to be of Roman origin like the town, though no proof of this has yet been found. Another fascinating theory links the name’s origin to the honey-coloured local stone, from which “Mellis Tellus”, or land of honey, would derive.
The first settlement is thought to date back to the Byzantine era near the valley of the river Lèmbasi, south of the current town. This is shown by the transformation of the necropolises into homes and places of Christian worship.
Militello was also a fortified centre and remained a fiefdom until the 18th century, following the rule of the Barresi and Branciforte lords. The town reached maximum expansion in the 17th century, before the great earthquake of 1693. In fact, the enlightened Prince Francesco Branciforte designed a new road layout and came up with a possible way to expand the town without completely changing site.
The two main churches, Santa Maria della Stella (St. Mary of the Star) and San Nicolò (St. Nicholas), were rebuilt in the upper part of the town in late Baroque style, following the destruction of the earthquake.

The Maiolica of the staircase

A new site for a new church

A colourful floor

San Benedetto: a treasure reopened to the public

A prominent church

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of Santa Chiara

Corbels: a celebration of the Nicolaci family

The wall comes to life

A half-Baroque church

A design by Vincenzo Sinatra

A symbol for the town

The senses tell the story of the Church of San Giovanni Evangelista

Modica, a city with ancient origins

The senses tell the story of the Badia di Sant’Agata

A miniature city

Many owners, one palace

A new palace for the La Rocca lords

The Benedictine Monastery, one of the largest in Europe

Some masterpieces

One city, three sites

The colours of the cathedral

Places of knowledge: the Benedictines’ library

The façade used as a puppet theatre

The interior and its masterpieces

Discovering the mother church

Garden of Novices and the restorations by Giancarlo De Carlo

Some prestigious works

The church of Carmine

The Staircase of Angels

The senses tell the story of the Church of the Annunciation

Prominent façade

A new site for a new city

The Infiorata, a feast of colours and flowers

An eagle-shaped city

Connections with other UNESCO sites

Feasting in Palazzolo

Between white and black

Limestone, the colour of harmony

The senses tell about Palazzo La Rocca

The senses tell the Cathedral of Sant’Agata

A talking palace

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Benedetto

The internal colours

Feast days

A square as the heart of the city

Militello, the story of an enlightened fiefdom

Wonderful quick decorations

St. Sebastian, so much work!

A hall for the feasts

The senses tell the story of the church of San Giuseppe

The chocolate of Modica

A city in colour

A museum to save a tradition

A small room with a golden entrance

A feast only for Scicli

The senses tell about Palazzo Napolino Tommasi Rosso

The Baroque town by the sea

The senses tell the story of the church of Santa Maria del Carmelo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Nicolò l’Arena: an unfinished church

From the contrast of the exterior to the internal jubilation of colours

The Feast of San Giacomo (St. James)

The disastrous earthquake

A new entrance for Santa Chiara (St. Claire)

Norman apses

The cathedral of Sant’Agata: a lengthy reconstruction

The Burgos crucifix

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Palazzo Nicolaci di Villadorata, who is the architect?

A Nobel Prize in Modica

St. Agatha and the giant candelabras

A triumph of colour

The kitchen, a treasure chest of colours

The character of Badia Sant’Agata

From International Gothic to present day

The city of museums

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo Nicolaci

Searching for colour

The Barresi-Branciforte lords

The two churches

Baroque and the loss of equilibrium in the 16th century

New roads for Catania

One city, two sites

Fontana della Ninfa Zizza, public water in the town

Rosario Gagliardi, the maestro of the Val di Noto

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Sebastiano

A long reconstruction

From St. Thomas to St. Joseph

Two illustrious patron saints

The theatre of taste

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara