Noto

Limestone, the colour of harmony

The harmonious architecture and homogeneity of Noto stone create such a scenic balance that the city looks as though it were built in one night.
Noto was actually built over half a century by various architects and craftspeople. Noto omogeneita e l'armonia archtettureThe work of the architect Angelo Italia was fundamental: he organised the city space and created splendid scenographic effects, transforming squares and streets into stages.
No less important was Rosario Gagliardi .
His constant presence in Noto allowed him to closely monitor all of his construction sites and to teach and prepare new, young architects. Upon his death, his works were completed by one of his students, Vincenzo Sinatra , who never forgot the expert’s teachings.
None of this could have been achieved without good basic organisation.
Thanks to Baron Giuseppe Asmundo, the land for constructing the new buildings was allocated fairly and the height of the buildings was also clearly defined. In this way, the buildings were all the same, creating a harmonious and homogeneous landscape.
The choice of white limestone , was also important.This local stone, when lit up by the sun, takes on a golden yellow colour reminiscent of honey.Its appearance has remained unchanged over the centuries; minimal interventions were made and you can still admire it in all its beauty and grace today.The effect is a landscape wrapped in an ethereal light.

Many owners, one palace

A hall for the feasts

Rosario Gagliardi, the maestro of the Val di Noto

The Barresi-Branciforte lords

The Feast of San Giacomo (St. James)

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Burgos crucifix

Fontana della Ninfa Zizza, public water in the town

New roads for Catania

Norman apses

The Supernatural dimension of the chapel of the Santissimo Sacramento

From International Gothic to present day

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A design by Vincenzo Sinatra

The Maiolica of the staircase

The senses tell the story of the Church of San Giuliano ai Crociferi

A half-Baroque church

Connections with other UNESCO sites

The church of Carmine

St. Sebastian, so much work!

A new site for a new church

A symbol for the town

A prominent church

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A Nobel Prize in Modica

The senses tell the story of the Church of the Annunciation

One city, two sites

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo La Rocca

Some prestigious works

A museum to save a tradition

San Nicolò l’Arena: an unfinished church

Searching for colour

Wonderful quick decorations

A talking palace

The theatre of taste

A new entrance for Santa Chiara (St. Claire)

A city in colour

The chocolate of Modica

Militello, the story of an enlightened fiefdom

A square as the heart of the city

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

The role of the religious orders in rebuilding the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

The kitchen, a treasure chest of colours

The senses tell the story of the church of San Giuseppe

Two illustrious patron saints

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A triumph of colour

An eagle-shaped city

The interior and its masterpieces

Prominent façade

Between white and black

The senses tell the story of the staircase of Santa Maria del Monte

Feasting in Palazzolo

The disastrous earthquake

The senses tell the story of the church of San Giovanni Battista

A majestic and luminous church

Discovering the mother church

Corbels: a celebration of the Nicolaci family

The Infiorata, a feast of colours and flowers

The internal colours

The wall comes to life

Feast days

The senses tell about Palazzo Nicolaci

The Benedictine Monastery, one of the largest in Europe

A long reconstruction

The city of museums

From St. Thomas to St. Joseph

Places of knowledge: the Benedictines’ library

The cathedral of Sant’Agata: a lengthy reconstruction

Baroque and the loss of equilibrium in the 16th century

A miniature city

A new site for a new city

The senses tell the story of the Church of San Sebastiano

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell about Palazzo Napolino Tommasi Rosso

One city, three sites

A small room with a golden entrance

The character of Badia Sant’Agata

A new palace for the La Rocca lords

The two churches

The colours of the cathedral

Garden of Novices and the restorations by Giancarlo De Carlo

St. Agatha and the giant candelabras

Some masterpieces

Modica, a city with ancient origins

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

San Benedetto: a treasure reopened to the public

The senses tell the Cathedral of Sant’Agata

A colourful floor

Limestone, the colour of harmony

The Baroque town by the sea

The Staircase of Angels

A feast only for Scicli