Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

A prominent church

Between white and black

The Feast of San Giacomo (St. James)

A small room with a golden entrance

The two churches

The Supernatural dimension of the chapel of the Santissimo Sacramento

A miniature city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Sebastian, so much work!

Corbels: a celebration of the Nicolaci family

Some masterpieces

Connections with other UNESCO sites

Searching for colour

The senses tell the story of the Church of San Benedetto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The kitchen, a treasure chest of colours

The senses tell the story of the Badia di Sant’Agata

The façade used as a puppet theatre

The senses tell the story of the Church of Santa Chiara

A long reconstruction

From the contrast of the exterior to the internal jubilation of colours

New roads for Catania

From St. Thomas to St. Joseph

The Baroque town by the sea

Rosario Gagliardi, the maestro of the Val di Noto

The city of museums

The wall comes to life

The Maiolica of the staircase

Some prestigious works

A new entrance for Santa Chiara (St. Claire)

Palazzo Nicolaci di Villadorata, who is the architect?

Modica, a city with ancient origins

Feasting in Palazzolo

The senses tell the story of the church of San Giovanni Battista

The role of the religious orders in rebuilding the Val di Noto

Two illustrious patron saints

The internal colours

The senses tell the story of the staircase of Santa Maria del Monte

Fontana della Ninfa Zizza, public water in the town

The disastrous earthquake

The senses tell about Palazzo La Rocca

A square as the heart of the city

A half-Baroque church

Baroque and the loss of equilibrium in the 16th century

The chocolate of Modica

Feast days

Discovering the mother church

The senses tell the story of the church of San Giuseppe

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A Nobel Prize in Modica

Limestone, the colour of harmony

The senses tell the story of the Church of San Sebastiano

Wonderful quick decorations

Norman apses

A colourful floor

The senses tell about Palazzo Nicolaci

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of the Annunciation

The Staircase of Angels

The senses tell the Cathedral of Sant’Agata

Militello, the story of an enlightened fiefdom

One city, two sites

Many owners, one palace

The cathedral of Sant’Agata: a lengthy reconstruction

The Barresi-Branciforte lords

The senses tell the story of the Church of Santa Chiara

Places of knowledge: the Benedictines’ library

The interior and its masterpieces

The character of Badia Sant’Agata

The church of Carmine

St. Agatha and the giant candelabras

A majestic and luminous church

The senses tell about Palazzo Napolino Tommasi Rosso

The Infiorata, a feast of colours and flowers

A talking palace

A symbol for the town

San Nicolò l’Arena: an unfinished church

The colours of the cathedral

An eagle-shaped city

A new palace for the La Rocca lords

San Benedetto: a treasure reopened to the public

The theatre of taste

A new site for a new city

A city in colour

Garden of Novices and the restorations by Giancarlo De Carlo

A museum to save a tradition

A hall for the feasts

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Benedictine Monastery, one of the largest in Europe

A new site for a new church

A feast only for Scicli

The senses tell the story of the Church of San Giovanni Evangelista

A design by Vincenzo Sinatra

Prominent façade

A triumph of colour

The Burgos crucifix

From International Gothic to present day

One city, three sites