Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

The two churches

A majestic and luminous church

Norman apses

The senses tell the story of the church of San Giovanni Battista

Modica, a city with ancient origins

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of the Annunciation

Many owners, one palace

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A design by Vincenzo Sinatra

The kitchen, a treasure chest of colours

The disastrous earthquake

Places of knowledge: the Benedictines’ library

Discovering the mother church

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Nicolaci

The senses tell the Cathedral of Sant’Agata

An eagle-shaped city

A miniature city

The senses tell the story of the Badia di Sant’Agata

Between white and black

The senses tell about Palazzo La Rocca

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

The wall comes to life

The Benedictine Monastery, one of the largest in Europe

Searching for colour

The Feast of San Giacomo (St. James)

A new site for a new city

Prominent façade

The senses tell the story of the staircase of Santa Maria del Monte

A feast only for Scicli

Feast days

Connections with other UNESCO sites

San Nicolò l’Arena: an unfinished church

The city of museums

A talking palace

Fontana della Ninfa Zizza, public water in the town

San Benedetto: a treasure reopened to the public

The Staircase of Angels

Feasting in Palazzolo

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of San Giovanni Evangelista

A new palace for the La Rocca lords

Some prestigious works

A symbol for the town

A new site for a new church

A colourful floor

The Baroque town by the sea

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Giuliano ai Crociferi

A new entrance for Santa Chiara (St. Claire)

The colours of the cathedral

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

From International Gothic to present day

A triumph of colour

Rosario Gagliardi, the maestro of the Val di Noto

A Nobel Prize in Modica

The character of Badia Sant’Agata

St. Agatha and the giant candelabras

St. Sebastian, so much work!

The church of Carmine

A square as the heart of the city

Corbels: a celebration of the Nicolaci family

A hall for the feasts

The chocolate of Modica

The internal colours

The theatre of taste

Baroque and the loss of equilibrium in the 16th century

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Maiolica of the staircase

Some masterpieces

The senses tell the story of the Church of San Benedetto

A small room with a golden entrance

The Barresi-Branciforte lords

From the contrast of the exterior to the internal jubilation of colours

A half-Baroque church

Wonderful quick decorations

A museum to save a tradition

Limestone, the colour of harmony

Militello, the story of an enlightened fiefdom

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The cathedral of Sant’Agata: a lengthy reconstruction

The façade used as a puppet theatre

A city in colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

New roads for Catania

One city, three sites

Two illustrious patron saints

One city, two sites

The senses tell about Palazzo Napolino Tommasi Rosso

From St. Thomas to St. Joseph

A prominent church