Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

Rosario Gagliardi, the maestro of the Val di Noto

Fontana della Ninfa Zizza, public water in the town

The disastrous earthquake

Some masterpieces

Feasting in Palazzolo

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Cathedral of Sant’Agata

The Maiolica of the staircase

The Supernatural dimension of the chapel of the Santissimo Sacramento

A hall for the feasts

A museum to save a tradition

A triumph of colour

The Benedictine Monastery, one of the largest in Europe

The wall comes to life

Baroque and the loss of equilibrium in the 16th century

A Nobel Prize in Modica

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo La Rocca

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The colours of the cathedral

Two illustrious patron saints

St. Agatha and the giant candelabras

An eagle-shaped city

A majestic and luminous church

A miniature city

From St. Thomas to St. Joseph

From International Gothic to present day

A feast only for Scicli

The senses tell the story of the staircase of Santa Maria del Monte

The internal colours

The theatre of taste

San Benedetto: a treasure reopened to the public

The city of museums

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

From the contrast of the exterior to the internal jubilation of colours

The façade used as a puppet theatre

A new site for a new city

The character of Badia Sant’Agata

The chocolate of Modica

The kitchen, a treasure chest of colours

Discovering the mother church

The church of Carmine

Norman apses

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of the Annunciation

Wonderful quick decorations

The Baroque town by the sea

A square as the heart of the city

The two churches

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Feast days

Modica, a city with ancient origins

The senses tell about Palazzo Nicolaci

Garden of Novices and the restorations by Giancarlo De Carlo

New roads for Catania

Limestone, the colour of harmony

A new site for a new church

The senses tell the story of the church of Santa Maria del Carmelo

A small room with a golden entrance

Some prestigious works

The senses tell the story of the Church of San Sebastiano

A city in colour

The Barresi-Branciforte lords

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

The Burgos crucifix

Corbels: a celebration of the Nicolaci family

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A talking palace

One city, three sites

A half-Baroque church

The senses tell the story of the Church of San Benedetto

Connections with other UNESCO sites

The senses tell the story of the Church of Santa Chiara

Between white and black

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of San Giuseppe

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

Places of knowledge: the Benedictines’ library

The Staircase of Angels

A prominent church

A symbol for the town

A new palace for the La Rocca lords

A long reconstruction

A colourful floor

The senses tell the story of the church of San Giovanni Battista

The interior and its masterpieces

Prominent façade

Many owners, one palace

Searching for colour

One city, two sites

A design by Vincenzo Sinatra

The Infiorata, a feast of colours and flowers

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

St. Sebastian, so much work!