Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

A talking palace

Wonderful quick decorations

Modica, a city with ancient origins

The Supernatural dimension of the chapel of the Santissimo Sacramento

The façade used as a puppet theatre

A design by Vincenzo Sinatra

The two churches

The kitchen, a treasure chest of colours

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo La Rocca

The senses tell the story of the church of Santa Maria del Carmelo

The colours of the cathedral

Norman apses

The interior and its masterpieces

Fontana della Ninfa Zizza, public water in the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Feasting in Palazzolo

One city, three sites

The disastrous earthquake

A new site for a new church

Corbels: a celebration of the Nicolaci family

A small room with a golden entrance

Some masterpieces

The senses tell about Palazzo Napolino Tommasi Rosso

The internal colours

Rosario Gagliardi, the maestro of the Val di Noto

From the contrast of the exterior to the internal jubilation of colours

From St. Thomas to St. Joseph

Feast days

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Nicolaci di Villadorata, who is the architect?

From International Gothic to present day

The Baroque town by the sea

The role of the religious orders in rebuilding the Val di Noto

A long reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Benedetto

The chocolate of Modica

Searching for colour

A city in colour

The senses tell about Palazzo Nicolaci

Prominent façade

Two illustrious patron saints

The church of Carmine

Discovering the mother church

One city, two sites

The senses tell the story of the church of San Giovanni Battista

Some prestigious works

A new entrance for Santa Chiara (St. Claire)

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Badia di Sant’Agata

A museum to save a tradition

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A new site for a new city

The Staircase of Angels

Connections with other UNESCO sites

A square as the heart of the city

Limestone, the colour of harmony

A miniature city

The senses tell the story of the Church of Santa Chiara

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giuseppe

The character of Badia Sant’Agata

The Maiolica of the staircase

The Barresi-Branciforte lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of Santa Chiara

Garden of Novices and the restorations by Giancarlo De Carlo

The city of museums

A triumph of colour

San Benedetto: a treasure reopened to the public

A feast only for Scicli

Places of knowledge: the Benedictines’ library

A hall for the feasts

Many owners, one palace

A new palace for the La Rocca lords

St. Sebastian, so much work!

The theatre of taste

An eagle-shaped city

A Nobel Prize in Modica

A prominent church

St. Agatha and the giant candelabras

The Burgos crucifix

The wall comes to life

A colourful floor

The Benedictine Monastery, one of the largest in Europe

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Giovanni Evangelista

A half-Baroque church

Between white and black

A majestic and luminous church

A symbol for the town

New roads for Catania

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of San Sebastiano

The cathedral of Sant’Agata: a lengthy reconstruction