Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

From the contrast of the exterior to the internal jubilation of colours

Searching for colour

The senses tell the story of the staircase of Santa Maria del Monte

From St. Thomas to St. Joseph

The theatre of taste

A Nobel Prize in Modica

From International Gothic to present day

A museum to save a tradition

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Sebastiano

Militello, the story of an enlightened fiefdom

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Benedetto

One city, three sites

A half-Baroque church

The senses tell the story of the Church of San Giuliano ai Crociferi

Two illustrious patron saints

The Maiolica of the staircase

A triumph of colour

The senses tell the story of the Church of Santa Chiara

A square as the heart of the city

The Benedictine Monastery, one of the largest in Europe

A design by Vincenzo Sinatra

The character of Badia Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

A new palace for the La Rocca lords

The senses tell about Palazzo La Rocca

Palazzo Nicolaci di Villadorata, who is the architect?

The façade used as a puppet theatre

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The kitchen, a treasure chest of colours

The Burgos crucifix

Modica, a city with ancient origins

A city in colour

A feast only for Scicli

The senses tell about Palazzo Nicolaci

Feasting in Palazzolo

The senses tell about Palazzo Napolino Tommasi Rosso

The chocolate of Modica

Rosario Gagliardi, the maestro of the Val di Noto

Connections with other UNESCO sites

New roads for Catania

Feast days

The senses tell the story of the church of Santa Maria del Carmelo

St. Sebastian, so much work!

The Staircase of Angels

A new site for a new church

A hall for the feasts

A talking palace

A symbol for the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The disastrous earthquake

Norman apses

San Benedetto: a treasure reopened to the public

The Baroque town by the sea

The cathedral of Sant’Agata: a lengthy reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

Places of knowledge: the Benedictines’ library

A small room with a golden entrance

The Feast of San Giacomo (St. James)

Many owners, one palace

Between white and black

The senses tell the story of the Badia di Sant’Agata

One city, two sites

Prominent façade

The Barresi-Branciforte lords

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

Corbels: a celebration of the Nicolaci family

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Wonderful quick decorations

The senses tell the story of the church of San Giuseppe

The colours of the cathedral

The internal colours

The wall comes to life

The senses tell the story of the Church of the Annunciation

Discovering the mother church

Some masterpieces

The senses tell the story of the church of San Giovanni Battista

A new site for a new city

A colourful floor

The city of museums

San Nicolò l’Arena: an unfinished church

Some prestigious works

The church of Carmine

Limestone, the colour of harmony

A prominent church

A miniature city

A new entrance for Santa Chiara (St. Claire)

The Infiorata, a feast of colours and flowers

The two churches

Fontana della Ninfa Zizza, public water in the town

A long reconstruction

St. Agatha and the giant candelabras

An eagle-shaped city

Baroque and the loss of equilibrium in the 16th century

The interior and its masterpieces

The senses tell the story of the Church of Santa Chiara

A majestic and luminous church