Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

An eagle-shaped city

The Benedictine Monastery, one of the largest in Europe

The colours of the cathedral

The role of the religious orders in rebuilding the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

A new site for a new city

The Maiolica of the staircase

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A square as the heart of the city

A feast only for Scicli

The senses tell about Palazzo La Rocca

One city, two sites

A design by Vincenzo Sinatra

The chocolate of Modica

A symbol for the town

A new palace for the La Rocca lords

The senses tell the story of the Church of San Sebastiano

Feast days

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of Santa Chiara

A talking palace

The Staircase of Angels

The senses tell about Palazzo Napolino Tommasi Rosso

A Nobel Prize in Modica

Palazzo Nicolaci di Villadorata, who is the architect?

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of Santa Maria del Carmelo

The kitchen, a treasure chest of colours

Prominent façade

The senses tell the Benedictine Monastery and San NicoIò l’Arena

San Nicolò l’Arena: an unfinished church

The wall comes to life

Wonderful quick decorations

The senses tell the story of the Church of San Giovanni Evangelista

A triumph of colour

Modica, a city with ancient origins

Connections with other UNESCO sites

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A majestic and luminous church

From International Gothic to present day

The Infiorata, a feast of colours and flowers

Fontana della Ninfa Zizza, public water in the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of San Giovanni Battista

St. Sebastian, so much work!

A city in colour

The senses tell the story of the Badia di Sant’Agata

A prominent church

A museum to save a tradition

From the contrast of the exterior to the internal jubilation of colours

Corbels: a celebration of the Nicolaci family

The senses tell the story of the staircase of Santa Maria del Monte

The Burgos crucifix

Rosario Gagliardi, the maestro of the Val di Noto

A small room with a golden entrance

St. Agatha and the giant candelabras

Feasting in Palazzolo

The interior and its masterpieces

Two illustrious patron saints

The senses tell the story of the Church of the Annunciation

Between white and black

The façade used as a puppet theatre

The city of museums

The senses tell the story of the church of San Giuseppe

Norman apses

A half-Baroque church

The character of Badia Sant’Agata

One city, three sites

The Baroque town by the sea

Limestone, the colour of harmony

The senses tell the story of the Church of Santa Chiara

New roads for Catania

A long reconstruction

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell about Palazzo Nicolaci

The Barresi-Branciforte lords

A hall for the feasts

Searching for colour

The church of Carmine

The disastrous earthquake

Some prestigious works

Places of knowledge: the Benedictines’ library

The senses tell the Cathedral of Sant’Agata

A new site for a new church

Baroque and the loss of equilibrium in the 16th century

A colourful floor

Some masterpieces

The senses tell the story of the Church of San Benedetto

The Feast of San Giacomo (St. James)

The theatre of taste

The cathedral of Sant’Agata: a lengthy reconstruction

From St. Thomas to St. Joseph

A new entrance for Santa Chiara (St. Claire)

Discovering the mother church

Many owners, one palace

The internal colours

The senses tell the story of the Church of San Giuliano ai Crociferi

A miniature city

The two churches