Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

The senses tell about Palazzo Napolino Tommasi Rosso

The chocolate of Modica

The senses tell the story of the Church of San Giovanni Evangelista

A new site for a new church

The senses tell the story of the Church of San Sebastiano

Places of knowledge: the Benedictines’ library

Searching for colour

Prominent façade

From the contrast of the exterior to the internal jubilation of colours

Palazzo Nicolaci di Villadorata, who is the architect?

A new entrance for Santa Chiara (St. Claire)

From St. Thomas to St. Joseph

A new palace for the La Rocca lords

Rosario Gagliardi, the maestro of the Val di Noto

The church of Carmine

The senses tell the story of the Badia di Sant’Agata

Two illustrious patron saints

A design by Vincenzo Sinatra

Militello, the story of an enlightened fiefdom

One city, two sites

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of the Annunciation

Many owners, one palace

Baroque and the loss of equilibrium in the 16th century

Between white and black

Feasting in Palazzolo

Connections with other UNESCO sites

Limestone, the colour of harmony

The Staircase of Angels

The senses tell the story of the Church of Santa Chiara

The kitchen, a treasure chest of colours

The Benedictine Monastery, one of the largest in Europe

A colourful floor

A prominent church

The senses tell the story of the Church of San Giuliano ai Crociferi

A city in colour

Garden of Novices and the restorations by Giancarlo De Carlo

The Feast of San Giacomo (St. James)

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Barresi-Branciforte lords

A talking palace

The role of the religious orders in rebuilding the Val di Noto

A triumph of colour

Fontana della Ninfa Zizza, public water in the town

The city of museums

New roads for Catania

Norman apses

A symbol for the town

The internal colours

Some prestigious works

The two churches

A majestic and luminous church

A museum to save a tradition

San Nicolò l’Arena: an unfinished church

The character of Badia Sant’Agata

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Burgos crucifix

The cathedral of Sant’Agata: a lengthy reconstruction

The wall comes to life

St. Agatha and the giant candelabras

The Baroque town by the sea

A long reconstruction

A square as the heart of the city

Modica, a city with ancient origins

Some masterpieces

One city, three sites

The façade used as a puppet theatre

From International Gothic to present day

A half-Baroque church

The senses tell the story of the church of Santa Maria del Carmelo

The theatre of taste

The senses tell the story of the church of San Giuseppe

The Maiolica of the staircase

An eagle-shaped city

The interior and its masterpieces

St. Sebastian, so much work!

Discovering the mother church

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo La Rocca

A small room with a golden entrance

A feast only for Scicli

Wonderful quick decorations

Feast days

The senses tell the story of the Church of San Benedetto

A hall for the feasts

The colours of the cathedral

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

San Benedetto: a treasure reopened to the public

The senses tell about Palazzo Nicolaci

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Corbels: a celebration of the Nicolaci family

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A Nobel Prize in Modica

The senses tell the story of the church of San Giovanni Battista

The Infiorata, a feast of colours and flowers

A new site for a new city

A miniature city