Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

The chocolate of Modica

A feast only for Scicli

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A colourful floor

Searching for colour

The senses tell the story of the Church of San Giuliano ai Crociferi

The façade used as a puppet theatre

From International Gothic to present day

A design by Vincenzo Sinatra

A majestic and luminous church

The two churches

St. Sebastian, so much work!

Militello, the story of an enlightened fiefdom

A talking palace

Fontana della Ninfa Zizza, public water in the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The interior and its masterpieces

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

The theatre of taste

From St. Thomas to St. Joseph

Places of knowledge: the Benedictines’ library

The senses tell the story of the Badia di Sant’Agata

A square as the heart of the city

One city, two sites

The role of the religious orders in rebuilding the Val di Noto

Connections with other UNESCO sites

The senses tell about Palazzo Nicolaci

Wonderful quick decorations

A museum to save a tradition

The Feast of San Giacomo (St. James)

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of Santa Maria del Carmelo

Palazzo Nicolaci di Villadorata, who is the architect?

Rosario Gagliardi, the maestro of the Val di Noto

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

The Infiorata, a feast of colours and flowers

Limestone, the colour of harmony

The senses tell the story of the staircase of Santa Maria del Monte

A triumph of colour

The senses tell the story of the Church of San Sebastiano

A miniature city

From the contrast of the exterior to the internal jubilation of colours

A hall for the feasts

Discovering the mother church

The Staircase of Angels

The cathedral of Sant’Agata: a lengthy reconstruction

The city of museums

San Nicolò l’Arena: an unfinished church

A Nobel Prize in Modica

Modica, a city with ancient origins

The church of Carmine

A small room with a golden entrance

A prominent church

The senses tell the story of the Church of the Annunciation

Baroque and the loss of equilibrium in the 16th century

A long reconstruction

The internal colours

The Supernatural dimension of the chapel of the Santissimo Sacramento

Prominent façade

A new site for a new church

The senses tell the story of the church of San Giovanni Battista

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

Feast days

Norman apses

Garden of Novices and the restorations by Giancarlo De Carlo

A new palace for the La Rocca lords

The Baroque town by the sea

Many owners, one palace

San Benedetto: a treasure reopened to the public

One city, three sites

A half-Baroque church

The Barresi-Branciforte lords

The wall comes to life

The senses tell the story of the church of San Giuseppe

The senses tell the Cathedral of Sant’Agata

An eagle-shaped city

St. Agatha and the giant candelabras

A new entrance for Santa Chiara (St. Claire)

The Burgos crucifix

The senses tell the story of the Church of San Benedetto

Between white and black

Some prestigious works

The senses tell the story of the Church of San Giovanni Evangelista

The kitchen, a treasure chest of colours

A symbol for the town

New roads for Catania

Some masterpieces

The colours of the cathedral

The senses tell about Palazzo La Rocca

Two illustrious patron saints

A city in colour

The senses tell about Palazzo Napolino Tommasi Rosso

The Benedictine Monastery, one of the largest in Europe

A new site for a new city