Militello in Val di Catania

A new site for a new church

The chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is located on the corner of Via Umberto I and Via Matrice.
It is the result of a long and complex reconstruction following the earthquake of 1693.
Three years after the earthquake the Bishop of Syracuse, on a visit to Militello, ordered the construction of the new church and it was here that problems began. The citizens were divided between those who wanted to rebuild the church in the same place and those who wanted to rebuild it on a safer site; it took 28 years before a definitive location was found.
The foundation stone was laid on 6 December 1721 at the new site, where the present church is located today.
At this point, the reconstruction work was fairly quick: on 20 March 1740, when the church was blessed, the central and lateral naves were almost complete; around 1750, the façade designed by the architect Girolamo Palazzotto was finished; in 1765, the bell tower designed by the architect Francesco Battaglia , from Catania was added, which was joined by the bells and clock eleven years later.
The bell tower on the right was the only one built, thus breaking up the symmetry of the façade. The church was built with the help of many benefactors including the Marquis Nicolò Placido Branciforte and the Abbot Malacria.

The church of San Nicolò and the Most Holy Saviour
The church of San Nicolò and the Most Holy Saviour has an elevated entrance with respect to the road level and can be reached through two side staircases that have twenty-seven steps. The facade is divided horizontally into three levels: the first includes the large central portal, inserted between two pairs of columns and which is closed over by a broken arched tympanum; the two side doors, called “of the sun” and “of the moon”, are surmounted by a window; the second order has in the center a large window with a triangular tympanum on top; the third order, finally, closes the structure, has the shape of a broken arched tympanum and on the top there is a cross supported by a head of cherub. On the right side of the facade is the only bell tower, the left one was not built and the symmetry of the facade is broken.
Searching for colour

One city, two sites

From St. Thomas to St. Joseph

A prominent church

A colourful floor

The role of the religious orders in rebuilding the Val di Noto

The internal colours

Two illustrious patron saints

A small room with a golden entrance

A talking palace

Feast days

The senses tell the story of the church of San Giovanni Battista

The wall comes to life

A city in colour

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of the Annunciation

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Giovanni Evangelista

One city, three sites

The senses tell the story of the church of Santa Maria del Carmelo

Baroque and the loss of equilibrium in the 16th century

Discovering the mother church

Many owners, one palace

The colours of the cathedral

The church of Carmine

San Nicolò l’Arena: an unfinished church

Wonderful quick decorations

Militello, the story of an enlightened fiefdom

A triumph of colour

The Benedictine Monastery, one of the largest in Europe

A hall for the feasts

The senses tell the story of the Church of San Sebastiano

The interior and its masterpieces

The Staircase of Angels

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

From International Gothic to present day

The kitchen, a treasure chest of colours

The façade used as a puppet theatre

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Prominent façade

A long reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Rosario Gagliardi, the maestro of the Val di Noto

The city of museums

The character of Badia Sant’Agata

A design by Vincenzo Sinatra

Garden of Novices and the restorations by Giancarlo De Carlo

Places of knowledge: the Benedictines’ library

The Maiolica of the staircase

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of Santa Chiara

The senses tell the Cathedral of Sant’Agata

The Barresi-Branciforte lords

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo La Rocca

Some prestigious works

Modica, a city with ancient origins

A museum to save a tradition

The senses tell the story of the Badia di Sant’Agata

An eagle-shaped city

A miniature city

New roads for Catania

The senses tell the story of the Church of San Giuliano ai Crociferi

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell about Palazzo Nicolaci

The Infiorata, a feast of colours and flowers

From the contrast of the exterior to the internal jubilation of colours

A Nobel Prize in Modica

The two churches

The disastrous earthquake

A half-Baroque church

A new site for a new city

A new palace for the La Rocca lords

The Baroque town by the sea

The Feast of San Giacomo (St. James)

St. Sebastian, so much work!

A new entrance for Santa Chiara (St. Claire)

Connections with other UNESCO sites

Some masterpieces

Corbels: a celebration of the Nicolaci family

A symbol for the town

The chocolate of Modica

Between white and black

Fontana della Ninfa Zizza, public water in the town

A square as the heart of the city

St. Agatha and the giant candelabras

The theatre of taste

Norman apses

The senses tell the story of the Church of San Benedetto

Limestone, the colour of harmony

The senses tell the story of the staircase of Santa Maria del Monte

A majestic and luminous church

A feast only for Scicli

The Burgos crucifix

A new site for a new church

Palazzo Nicolaci di Villadorata, who is the architect?