Caltagirone

A colourful floor

The interior of the church of Santa Chiara (St. Claire) is surprising for the brightness with which it welcomes us.
The delicate colour of the walls, a very light orange, combined with the white capitals is also found in the corbels that support the louvre galleries;
The white sandstone capitals support the wooden structures, which are lacquered with a gentle sky blue colour and embellished with gold-coloured silver leaves. But what is most striking is the splendid maiolica floor that covers the church.

foto tribunetta di legno  foto ampia porzione del pavimento

foto delle tribunette, gelosie

The floor that can be admired today in Caltagirone is not the original one.
The first floor was created in 1749 by the potter Francesco Branciforte from Caltagirone, funded by the Bonanno del Polino family.
The family coat of arms was inserted in the middle of the maiolica tile design.
In 1886, following the Italian Unification, the monastic orders lost their properties.
The church of Santa Chiara (St. Claire) remained open and was maintained thanks to the generosity of Gaetano Bonanno di Polino, then his daughter, the Marquise Bonanno.
In 1942, the family gave the church away. In 1952, the floor was replaced. It was rebuilt using the same technique and copying the old design, in memory of the Bonanno family.
Yellow, green and turquoise stand out from the white background, creating a floral motif on the floor with a two-headed eagle in the middle containing the family crest.

The church of Santa Chiara
The church of Santa Chiara is located in Via Giovanni Bosco and among the wonders that are located there is a beautiful pavement. In the center there is the coat of arms of the Bonanno family of Polino who financed the work. On a white background is drawn a large floral pattern with bright yellow, green and turquoise colors. At the center in honor of the family Bonanno del Polino was represented a two-headed eagle that contains the family crest. Given the perfect state of preservation it should be remembered that this is not the original flooring of 1749, but is a remake of 1952.
Searching for colour

Fontana della Ninfa Zizza, public water in the town

The senses tell about Palazzo Napolino Tommasi Rosso

The Feast of San Giacomo (St. James)

Baroque and the loss of equilibrium in the 16th century

A design by Vincenzo Sinatra

The character of Badia Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

A hall for the feasts

Connections with other UNESCO sites

Feast days

The kitchen, a treasure chest of colours

The chocolate of Modica

Some prestigious works

A new palace for the La Rocca lords

A colourful floor

The senses tell the story of the Church of San Giuliano ai Crociferi

A miniature city

The internal colours

The senses tell the story of the Church of San Sebastiano

The church of Carmine

St. Sebastian, so much work!

The senses tell the story of the staircase of Santa Maria del Monte

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giovanni Evangelista

A half-Baroque church

Two illustrious patron saints

Feasting in Palazzolo

The senses tell the story of the Church of San Benedetto

The interior and its masterpieces

The senses tell the story of the Church of the Annunciation

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of San Giovanni Battista

A new site for a new church

A prominent church

San Nicolò l’Arena: an unfinished church

Rosario Gagliardi, the maestro of the Val di Noto

From St. Thomas to St. Joseph

The Baroque town by the sea

From the contrast of the exterior to the internal jubilation of colours

A majestic and luminous church

Many owners, one palace

The Supernatural dimension of the chapel of the Santissimo Sacramento

Palazzo Nicolaci di Villadorata, who is the architect?

Militello, the story of an enlightened fiefdom

A triumph of colour

Some masterpieces

A city in colour

Corbels: a celebration of the Nicolaci family

The two churches

One city, three sites

The cathedral of Sant’Agata: a lengthy reconstruction

One city, two sites

The theatre of taste

A symbol for the town

Norman apses

The wall comes to life

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the church of Santa Maria del Carmelo

Prominent façade

Discovering the mother church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A feast only for Scicli

The colours of the cathedral

A square as the heart of the city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo La Rocca

A new entrance for Santa Chiara (St. Claire)

St. Agatha and the giant candelabras

A long reconstruction

The senses tell the story of the Church of Santa Chiara

Limestone, the colour of harmony

The Maiolica of the staircase

The façade used as a puppet theatre

A small room with a golden entrance

The Staircase of Angels

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

A talking palace

A Nobel Prize in Modica

The disastrous earthquake

The Benedictine Monastery, one of the largest in Europe

From International Gothic to present day

New roads for Catania

A new site for a new city

The senses tell the Cathedral of Sant’Agata

Between white and black

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell about Palazzo Nicolaci

The city of museums

The senses tell the story of the church of San Giuseppe

Wonderful quick decorations

San Benedetto: a treasure reopened to the public

The Burgos crucifix

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Infiorata, a feast of colours and flowers

The senses tell the story of the Badia di Sant’Agata

A museum to save a tradition

Modica, a city with ancient origins