Noto

San Domenico and Gagliardi’s work

The church of San Domenico (St. Dominic) is adjacent to the former Dominican Order convent, now used as a school, and overlooks Piazza XVI Maggio, adorned by the gardens of the “Villetta di Ercole” (Hercules’ Small House).

The church of San Domenico
It was built between 1703 and 1727 to a design by Rosario Gagliardi and is considered the most representative church of the baroque of Noto. The facade, anticipated by a short curved staircase, is divided into two bands, at first in Doric style and the second in Ionic style, and takes up the theme of the free column, that is, that the wall of the facade is not attached, which is placed at the points where the convex part bends, accentuating its bulge outwards. Thanks to these elements, the facade is not flat and motionless but highlights the play of light in light-dark, even in the elegant niches that fit on the sides of the facade creating movement on the massive facade.

The religious building was built between 1703 and 1727 according to a design by Rosario Gagliardi , and is considered the most representative church of Baroque in Noto for its uniqueness.
Here Gagliardi perfected what he had already experienced in Modica with the models of the church of San Carlo ai Catinari, and perhaps the Kollegienkirche in Salzburg.
The façade is strongly convex in the central part; it appears to stick out due to the compression of the internal spaces that “push” outwards.
The elevation, pre-empted by a short curved staircase, is divided into two levels.
The first is dorico , and the second is Ionic, and recaptures the theme of the free-standing column placed at the points where the convex part curves, emphasising it, as if seeking interaction with the surrounding environment.
Thanks to these elements, the façade has a strong dynamism accentuated by the play of light in chiaroscuro, as well as the elegant niches in the sides of the convexity, creating movement on the majestic mass of the façade.
  

A new site for the church of San Giorgio

The senses tell the Cathedral of Sant’Agata

The senses tell the Cathedral of San Giorgio

The senses tell the Church of San Domenico

A casket of precious works

The senses tell about Palazzo Ducezio

Scicli, the city of Baroque scenery

Art in the cathedral

The city palace

The Church of St. Francis

Verticality and dynamism of the façade of the Church of San Carlo

A story of rebirth

The interior and works of art

The Church of St. Benedict

St. Agatha and the candelore

The church and the college

The Madonna dei Conadomini and the art of devotion

Luminous sacred spaces

The illusion of light and the decorative splendour

The Infiorata of Noto, a modern tradition

The smallest Greek theatre in the world

Expansion, spatiality and light in the church of San Domenico

Religious architecture

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of Santa Maria del Monte

The Benedictines’ library

A compromise between Neoclassicism and Baroque

A stone garden

The palace, the town, the church

A Nobel Prize in Modica

The senses tell the Church of San Michele

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

One city, three sites

The church and the monastery

The triumph of Baroque: expansion of spaces

A heritage of votive works

Palazzo Trigona di Canicarao

Altars, saints and sculptural works

The senses tell the Cathedral of San Giorgio

The Church of Madonna della Stella

The senses tell about Palazzo Zacco

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Madonna of the Militia: a singular warrior virgin

Rebirth and urban planning of the city of Noto

The senses tell the story of the Church of San Giovanni Evangelista

The interior of the church: space and colour

Militello: The story of an enlightened fiefdom

The Monte delle Prestanze in the new city layout

The senses tell the story of the Church of San Benedetto

The Church of St. Mary of the Mountain

The articulated interior spaces

City and nature

The city of Modica, a balance between nature and urbanism

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The new roads of the city

The city within the city

The senses tell of Palazzo della Cancelleria

Palazzo Trigona: a building with a complex shape

A unifying project for the city of Catania

The senses tell the story of the Church of the Badia di Sant’Agata

Virtuosity, decorations and altars

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Majestic exteriors, grandiose interiors

The senses tell the story of the Church of San Giuliano ai Crociferi

Expanded spaces, stucco and colourful lights

The Antonino Uccello Birthplace Museum

Fountain of the Nymph Zizza: public water in the town

The Franciscan convent

Palazzo della Cancelleria: from former stable to the Nicastro family

The beginning of an authentic Baroque conception

Akrai and Syracuse: an unbreakable bond

Unusual iconographies: the Burgos crucifix

Baroque and the loss of balance in the 16th century

The art of maiolica

The senses tell of the Cathedral of San Pietro

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Church of St. Julian on Via dei Crociferi

The two churches

The senses tell about Palazzo Trigona

Palazzo Zacco, a balance between sobriety and decoration

The eagle-shaped city

The senses tell the story of the Church of San Paolo

Piazza Duomo, the elephant fountain, the heart of the city

The Duomo di San Giorgio (Cathedral of St. George)

The casket of austerity under the great dome

The Church of St. John the Evangelist

The Church of St. Paul

The senses tell the story of the Church of San Carlo and the former Jesuit college

Reconstruction after the earthquake

The Monastery of the Benedictine nuns

Views denied, views conquered: the power of the devout Benedictines

The interiors: diffused light and Byzantine relics

The expansion of space and changing reality

The senses tell about Palazzo Beneventano

San Domenico and Gagliardi’s work

Scenography, lights and colours of the cathedral

From the end of the world to rebirth from the rubble

The works in the church

The Palazzo dei due mori

The Staircase of Angels

Scenography and devotion for St. Agatha

The dynamics of the Church of San Michele

Baroque creativity: recurring themes