Palazzolo Acreide

Akrai and Syracuse: an unbreakable bond

In this lush territory rich in springs and watercourses, the Corinthians of Syracuse founded their first colony between 664 and 663 BC, which was named Akrai.
It was a fortress city for military and political control over the Sicels of the Hyblaean plateau.
As testified by literary sources, Akrai’s history is closely linked to that of Syracuse. Plutarch tells us that Dion stopped there in 357 BC on his march to Syracuse.
The colony is mentioned in the peace treaty between Rome and Syracuse of 263 BC at the beginning of the First Punic War. This period coincided with the height of the city’s splendour. In 214 BC, Hippocrates was hosted there after being defeated in the clash with the Romans. For Sicily, the period of Roman rule was generally a period of decadence, but this was not the case for Akrai.
This was when the city began to mint its own coins and assumed some economic importance in the region.

The senses tell the story of the Church of the Badia di Sant’Agata

Verticality and dynamism of the façade of the Church of San Carlo

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The works in the church

A stone garden

Expansion, spatiality and light in the church of San Domenico

Piazza Duomo, the elephant fountain, the heart of the city

The articulated interior spaces

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

A story of rebirth

The senses tell about Palazzo Zacco

A casket of precious works

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of San Giorgio

The interior of the church: space and colour

The senses tell about Palazzo Ducezio

The interior and works of art

The senses tell about Palazzo Beneventano

The senses tell the Church of San Michele

The illusion of light and the decorative splendour

Akrai and Syracuse: an unbreakable bond

Altars, saints and sculptural works

The smallest Greek theatre in the world

The Monastery of the Benedictine nuns

The Franciscan convent

The senses tell of the Cathedral of San Pietro

Baroque creativity: recurring themes

A new site for the church of San Giorgio

A Nobel Prize in Modica

San Domenico and Gagliardi’s work

The two churches

City and nature

The senses tell the story of the Church of Santa Maria del Monte

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Benedictines’ library

A compromise between Neoclassicism and Baroque

The senses tell of Palazzo della Cancelleria

Fountain of the Nymph Zizza: public water in the town

A unifying project for the city of Catania

The senses tell the story of the Church of San Giuliano ai Crociferi

Luminous sacred spaces

The senses tell the Church of San Domenico

Views denied, views conquered: the power of the devout Benedictines

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of San Paolo

Palazzo Trigona di Canicarao

St. Agatha and the candelore

The Church of St. Paul

The new roads of the city

The interiors: diffused light and Byzantine relics

Virtuosity, decorations and altars

The church and the monastery

Scenography and devotion for St. Agatha

The Antonino Uccello Birthplace Museum

Majestic exteriors, grandiose interiors

The city within the city

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Religious architecture

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Church of Madonna della Stella

The Church of St. John the Evangelist

The senses tell the story of the Church of San Giovanni Evangelista

The Church of St. Benedict

The Church of St. Francis

The senses tell the story of the Church of San Benedetto

The church and the college

The senses tell the story of the Church of San Carlo and the former Jesuit college

Baroque and the loss of balance in the 16th century

The Infiorata of Noto, a modern tradition

One city, three sites

The palace, the town, the church

The casket of austerity under the great dome

The dynamics of the Church of San Michele

Madonna of the Militia: a singular warrior virgin

Scenography, lights and colours of the cathedral

From the end of the world to rebirth from the rubble

The city of Modica, a balance between nature and urbanism

The triumph of Baroque: expansion of spaces

The senses tell about Palazzo Trigona

Reconstruction after the earthquake

Palazzo Zacco, a balance between sobriety and decoration

Militello: The story of an enlightened fiefdom

The beginning of an authentic Baroque conception

The expansion of space and changing reality

The Church of St. Mary of the Mountain

Palazzo Trigona: a building with a complex shape

A heritage of votive works

The Monte delle Prestanze in the new city layout

The Palazzo dei due mori

Unusual iconographies: the Burgos crucifix

The art of maiolica

Rebirth and urban planning of the city of Noto

Scicli, the city of Baroque scenery

Art in the cathedral

Expanded spaces, stucco and colourful lights

The Madonna dei Conadomini and the art of devotion

The senses tell the Cathedral of Sant’Agata

The Duomo di San Giorgio (Cathedral of St. George)

The Staircase of Angels

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The neo-Gothic seminary chapel: symbols, light and space

The city palace

Palazzo della Cancelleria: from former stable to the Nicastro family

The eagle-shaped city