Palazzolo Acreide

Akrai and Syracuse: an unbreakable bond

In this lush territory rich in springs and watercourses, the Corinthians of Syracuse founded their first colony between 664 and 663 BC, which was named Akrai.
It was a fortress city for military and political control over the Sicels of the Hyblaean plateau.
As testified by literary sources, Akrai’s history is closely linked to that of Syracuse. Plutarch tells us that Dion stopped there in 357 BC on his march to Syracuse.
The colony is mentioned in the peace treaty between Rome and Syracuse of 263 BC at the beginning of the First Punic War. This period coincided with the height of the city’s splendour. In 214 BC, Hippocrates was hosted there after being defeated in the clash with the Romans. For Sicily, the period of Roman rule was generally a period of decadence, but this was not the case for Akrai.
This was when the city began to mint its own coins and assumed some economic importance in the region.

Majestic exteriors, grandiose interiors

The city within the city

The city palace

A new site for the church of San Giorgio

The Duomo di San Giorgio (Cathedral of St. George)

St. Agatha and the candelore

The senses tell about Palazzo Trigona

The Monastery of the Benedictine nuns

Verticality and dynamism of the façade of the Church of San Carlo

A compromise between Neoclassicism and Baroque

Reconstruction after the earthquake

Baroque and the loss of balance in the 16th century

The beginning of an authentic Baroque conception

Scenography and devotion for St. Agatha

The senses tell about Palazzo Zacco

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Scicli, the city of Baroque scenery

Luminous sacred spaces

The senses tell about Palazzo Beneventano

The senses tell the story of the Church of San Giovanni Evangelista

The two churches

Palazzo della Cancelleria: from former stable to the Nicastro family

Rebirth and urban planning of the city of Noto

The new roads of the city

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Akrai and Syracuse: an unbreakable bond

From the end of the world to rebirth from the rubble

The senses tell the Cathedral of Sant’Agata

One city, three sites

The senses tell of the Cathedral of San Pietro

The casket of austerity under the great dome

The eagle-shaped city

Palazzo Zacco, a balance between sobriety and decoration

The interior of the church: space and colour

The Church of Madonna della Stella

The Church of St. Mary of the Mountain

The senses tell the story of the Church of the Badia di Sant’Agata

Religious architecture

The Madonna dei Conadomini and the art of devotion

The senses tell the story of the Church of San Paolo

The senses tell the story of the Church of San Carlo and the former Jesuit college

City and nature

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell the Church of San Michele

The Badia di Sant’Agata (St. Agatha’s Abbey)

Altars, saints and sculptural works

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of San Benedetto

The Franciscan convent

Art in the cathedral

San Domenico and Gagliardi’s work

The Infiorata of Noto, a modern tradition

The Staircase of Angels

The Church of St. Paul

Baroque creativity: recurring themes

Madonna of the Militia: a singular warrior virgin

Palazzo Trigona: a building with a complex shape

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The articulated interior spaces

The palace, the town, the church

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The interior and works of art

Virtuosity, decorations and altars

The church and the monastery

The Church of St. John the Evangelist

Militello: The story of an enlightened fiefdom

The art of maiolica

The interiors: diffused light and Byzantine relics

A stone garden

The smallest Greek theatre in the world

A unifying project for the city of Catania

The senses tell of Palazzo della Cancelleria

The senses tell the Church of San Domenico

The Monte delle Prestanze in the new city layout

Unusual iconographies: the Burgos crucifix

The works in the church

The senses tell the Cathedral of San Giorgio

Piazza Duomo, the elephant fountain, the heart of the city

The Palazzo dei due mori

The Benedictines’ library

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of Santa Maria del Monte

The expansion of space and changing reality

A Nobel Prize in Modica

Scenography, lights and colours of the cathedral

The Antonino Uccello Birthplace Museum

The illusion of light and the decorative splendour

The Church of St. Benedict

A story of rebirth

The senses tell about Palazzo Ducezio

The dynamics of the Church of San Michele

Palazzo Trigona di Canicarao

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of San Giuliano ai Crociferi

The neo-Gothic seminary chapel: symbols, light and space

Expanded spaces, stucco and colourful lights

The Church of St. Francis

The church and the college

A casket of precious works

The city of Modica, a balance between nature and urbanism

The triumph of Baroque: expansion of spaces

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A heritage of votive works

Views denied, views conquered: the power of the devout Benedictines

Garden of Novices and the restorations by Giancarlo De Carlo

Fountain of the Nymph Zizza: public water in the town