Palazzolo Acreide

Akrai and Syracuse: an unbreakable bond

In this lush territory rich in springs and watercourses, the Corinthians of Syracuse founded their first colony between 664 and 663 BC, which was named Akrai.
It was a fortress city for military and political control over the Sicels of the Hyblaean plateau.
As testified by literary sources, Akrai’s history is closely linked to that of Syracuse. Plutarch tells us that Dion stopped there in 357 BC on his march to Syracuse.
The colony is mentioned in the peace treaty between Rome and Syracuse of 263 BC at the beginning of the First Punic War. This period coincided with the height of the city’s splendour. In 214 BC, Hippocrates was hosted there after being defeated in the clash with the Romans. For Sicily, the period of Roman rule was generally a period of decadence, but this was not the case for Akrai.
This was when the city began to mint its own coins and assumed some economic importance in the region.

The neo-Gothic seminary chapel: symbols, light and space

The Badia di Sant’Agata (St. Agatha’s Abbey)

Fountain of the Nymph Zizza: public water in the town

The church and the monastery

The senses tell the Cathedral of Sant’Agata

Palazzo della Cancelleria: from former stable to the Nicastro family

The Duomo di San Giorgio (Cathedral of St. George)

The casket of austerity under the great dome

From the end of the world to rebirth from the rubble

Madonna of the Militia: a singular warrior virgin

Palazzo Trigona: a building with a complex shape

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The interiors: diffused light and Byzantine relics

Piazza Duomo, the elephant fountain, the heart of the city

The interior and works of art

San Domenico and Gagliardi’s work

The senses tell the story of the Church of San Giovanni Evangelista

The Church of St. Julian on Via dei Crociferi

Expansion, spatiality and light in the church of San Domenico

St. Agatha and the candelore

The articulated interior spaces

A casket of precious works

City and nature

Palazzo Zacco, a balance between sobriety and decoration

Expanded spaces, stucco and colourful lights

Luminous sacred spaces

The illusion of light and the decorative splendour

The beginning of an authentic Baroque conception

The Benedictines’ library

The expansion of space and changing reality

The Church of St. Mary of the Mountain

A heritage of votive works

The senses tell the Church of San Michele

Majestic exteriors, grandiose interiors

The senses tell of the Cathedral of San Pietro

One city, three sites

The senses tell the story of the Church of San Giuliano ai Crociferi

Akrai and Syracuse: an unbreakable bond

The dynamics of the Church of San Michele

Garden of Novices and the restorations by Giancarlo De Carlo

The smallest Greek theatre in the world

The senses tell the story of the Church of San Paolo

Reconstruction after the earthquake

The city within the city

The interior of the church: space and colour

The Monte delle Prestanze in the new city layout

The art of maiolica

Scenography, lights and colours of the cathedral

The Staircase of Angels

The works in the church

The church and the college

The Madonna dei Conadomini and the art of devotion

A new site for the church of San Giorgio

The two churches

Baroque and the loss of balance in the 16th century

Religious architecture

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The new roads of the city

The Infiorata of Noto, a modern tradition

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Franciscan convent

The senses tell about Palazzo Ducezio

Unusual iconographies: the Burgos crucifix

The senses tell the story of the Church of Santa Maria del Monte

The Monastery of the Benedictine nuns

The palace, the town, the church

The Church of Madonna della Stella

The senses tell about Palazzo Zacco

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of St. Francis

The senses tell the story of the Church of the Badia di Sant’Agata

Verticality and dynamism of the façade of the Church of San Carlo

The triumph of Baroque: expansion of spaces

The senses tell the story of the Church of San Carlo and the former Jesuit college

Palazzo Trigona di Canicarao

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A story of rebirth

A Nobel Prize in Modica

Art in the cathedral

Scenography and devotion for St. Agatha

The Antonino Uccello Birthplace Museum

The senses tell the story of the Church of San Benedetto

Views denied, views conquered: the power of the devout Benedictines

The senses tell about Palazzo Beneventano

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Church of St. Paul

The senses tell the Cathedral of San Giorgio

The senses tell of Palazzo della Cancelleria

The city palace

Baroque creativity: recurring themes

A stone garden

Virtuosity, decorations and altars

The senses tell the Cathedral of San Giorgio

A unifying project for the city of Catania

Scicli, the city of Baroque scenery

Rebirth and urban planning of the city of Noto

The Church of St. John the Evangelist

The Palazzo dei due mori

The Church of St. Benedict

The senses tell about Palazzo Trigona

The city of Modica, a balance between nature and urbanism

Altars, saints and sculptural works

The senses tell the Church of San Domenico

Militello: The story of an enlightened fiefdom

A compromise between Neoclassicism and Baroque

The eagle-shaped city