Catania

The Staircase of Angels

The most famous architectural element of the entire monastic complex is the Scala degli Angeli (staircase of the angels). The majestic main entrance leading into the church was completed in 1712 and is a characteristic example of Sicilian Baroque.
The staircase of the angels, so called because of the sculptures depicting the heavenly creatures, is made of marble stucco, a less valuable material than marble but one cleverly used to highlight the opulence of the church.
For this reason, everything outside the entrance portal of the church had to be less valuable, so as not to distract the worshippers from their prayers. With its convexity, concavity, stucco and ellipses, the staircase reflects the dynamics of Baroque architecture.
It was built to connect the church floor to street level, which was seven metres lower.
The floor composed of two-tone marble slabs is very old and stylistically in contrast to the exuberant Baroque staircase. The portal, by an unknown artist, dates back to 1708. It is entirely carved in wood, with 8 panels depicting scenes from the life of St. Benedict.

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

From the end of the world to rebirth from the rubble

The church and the monastery

A unifying project for the city of Catania

Altars, saints and sculptural works

Reconstruction after the earthquake

The church and the college

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Expansion, spatiality and light in the church of San Domenico

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of San Carlo and the former Jesuit college

The new roads of the city

The Monte delle Prestanze in the new city layout

Scenography, lights and colours of the cathedral

The casket of austerity under the great dome

The senses tell the story of the Church of San Benedetto

The two churches

The interior and works of art

A compromise between Neoclassicism and Baroque

One city, three sites

The expansion of space and changing reality

Religious architecture

The illusion of light and the decorative splendour

A heritage of votive works

The Palazzo dei due mori

Scicli, the city of Baroque scenery

Expanded spaces, stucco and colourful lights

The interiors: diffused light and Byzantine relics

The Antonino Uccello Birthplace Museum

Militello: The story of an enlightened fiefdom

The eagle-shaped city

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Zacco

Akrai and Syracuse: an unbreakable bond

The Church of Madonna della Stella

The Franciscan convent

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the story of the Church of Santa Maria del Monte

Palazzo Trigona: a building with a complex shape

The senses tell about Palazzo Trigona

The senses tell of Palazzo della Cancelleria

The senses tell the Cathedral of San Giorgio

The art of maiolica

The Church of St. Benedict

Majestic exteriors, grandiose interiors

The senses tell the story of the Church of the Badia di Sant’Agata

The city of Modica, a balance between nature and urbanism

The interior of the church: space and colour

The senses tell the Church of San Michele

Palazzo Trigona di Canicarao

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Church of San Domenico

Baroque creativity: recurring themes

St. Agatha and the candelore

The senses tell about Palazzo Beneventano

The senses tell the Cathedral of San Giorgio

A Nobel Prize in Modica

The Church of St. Julian on Via dei Crociferi

A casket of precious works

Palazzo Zacco, a balance between sobriety and decoration

City and nature

Palazzo della Cancelleria: from former stable to the Nicastro family

A new site for the church of San Giorgio

The works in the church

A stone garden

Madonna of the Militia: a singular warrior virgin

The senses tell the Cathedral of Sant’Agata

A story of rebirth

Unusual iconographies: the Burgos crucifix

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The palace, the town, the church

The Monastery of the Benedictine nuns

The Church of St. Francis

The city palace

The triumph of Baroque: expansion of spaces

Art in the cathedral

Rebirth and urban planning of the city of Noto

The Madonna dei Conadomini and the art of devotion

Fountain of the Nymph Zizza: public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

The Benedictines’ library

The neo-Gothic seminary chapel: symbols, light and space

Baroque and the loss of balance in the 16th century

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Piazza Duomo, the elephant fountain, the heart of the city

San Domenico and Gagliardi’s work

The senses tell the story of the Church of San Paolo

The articulated interior spaces

Scenography and devotion for St. Agatha

The dynamics of the Church of San Michele

Luminous sacred spaces

The Church of St. John the Evangelist

The city within the city

Views denied, views conquered: the power of the devout Benedictines

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Infiorata of Noto, a modern tradition

The senses tell about Palazzo Ducezio

Virtuosity, decorations and altars

The beginning of an authentic Baroque conception

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell of the Cathedral of San Pietro

The Church of St. Paul

The smallest Greek theatre in the world

The Church of St. Mary of the Mountain

The Staircase of Angels