Catania

A unifying project for the city of Catania

Catania is one of the cities located in eastern Sicily that overlooks the Ionian Sea and extends to the slopes of Mount Etna.
Etna Catania
The volcano is the symbol of the Etnean capital, though over the centuries its constant activity has been the cause of ruinous events such as the catastrophic eruption of 1669, traces of which are still visible along the streets, and more clearly in the Benedictine monastery.
In 1693 the city was struck by a disastrous earthquake and razed to the ground.
Reconstruction took place on the same site given the strategic position for trade between the coast and further inland. Where possible, the pre-existing buildings were restored, including the fortifications, apses and transept of the Norman Cathedral and some ancient buildings.
The city’s reaction to the earthquake was characterised by the great commitment of the Spanish ruling class, the state and religious authorities who demonstrated a remarkable capacity for organisation and foresight.
Giuseppe Lanza, Duke of Camastra was appointed by the Viceroy Duke of Uzeda as vicar general and quickly implemented the plan to rebuild Catania as soon as 1694. This “plan” was conceived in a unitary fashion, set on a system of roads that were orthogonal and no longer exclusively rigid. Within the system were a series of wide streets and squares that were geometrically different from one another.

The church and the monastery

The senses tell of the Cathedral of San Pietro

One city, three sites

Madonna of the Militia: a singular warrior virgin

The triumph of Baroque: expansion of spaces

The senses tell about Palazzo Zacco

The church and the college

The city of Modica, a balance between nature and urbanism

The Duomo di San Giorgio (Cathedral of St. George)

The interiors: diffused light and Byzantine relics

The interior of the church: space and colour

The Monastery of the Benedictine nuns

The neo-Gothic seminary chapel: symbols, light and space

The eagle-shaped city

The Antonino Uccello Birthplace Museum

The works in the church

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell the story of the Church of San Carlo and the former Jesuit college

Unusual iconographies: the Burgos crucifix

The senses tell the Cathedral of San Giorgio

The Staircase of Angels

The senses tell the Cathedral of Sant’Agata

The expansion of space and changing reality

The palace, the town, the church

Art in the cathedral

The casket of austerity under the great dome

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the Church of San Michele

The senses tell about Palazzo Trigona

The senses tell of Palazzo della Cancelleria

Baroque and the loss of balance in the 16th century

The Church of St. John the Evangelist

Scicli, the city of Baroque scenery

The senses tell about Palazzo Ducezio

The Benedictines’ library

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the story of the Church of San Giovanni Evangelista

The articulated interior spaces

Palazzo Zacco, a balance between sobriety and decoration

Expanded spaces, stucco and colourful lights

A stone garden

A heritage of votive works

Expansion, spatiality and light in the church of San Domenico

The Church of St. Paul

The art of maiolica

Palazzo Trigona: a building with a complex shape

The Church of St. Benedict

Views denied, views conquered: the power of the devout Benedictines

The Church of Madonna della Stella

The illusion of light and the decorative splendour

The senses tell the Cathedral of San Giorgio

Palazzo Trigona di Canicarao

Reconstruction after the earthquake

A casket of precious works

A unifying project for the city of Catania

The city within the city

The Church of St. Mary of the Mountain

Akrai and Syracuse: an unbreakable bond

Scenography and devotion for St. Agatha

The Monte delle Prestanze in the new city layout

Altars, saints and sculptural works

The city palace

Fountain of the Nymph Zizza: public water in the town

Palazzo della Cancelleria: from former stable to the Nicastro family

The dynamics of the Church of San Michele

The senses tell the story of the Church of Santa Maria del Monte

Majestic exteriors, grandiose interiors

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

St. Agatha and the candelore

The Madonna dei Conadomini and the art of devotion

The two churches

Militello: The story of an enlightened fiefdom

Garden of Novices and the restorations by Giancarlo De Carlo

Scenography, lights and colours of the cathedral

The Church of St. Julian on Via dei Crociferi

San Domenico and Gagliardi’s work

Rebirth and urban planning of the city of Noto

The senses tell the Church of San Domenico

A story of rebirth

Verticality and dynamism of the façade of the Church of San Carlo

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Infiorata of Noto, a modern tradition

Religious architecture

The senses tell the story of the Church of San Benedetto

From the end of the world to rebirth from the rubble

Virtuosity, decorations and altars

City and nature

A compromise between Neoclassicism and Baroque

The smallest Greek theatre in the world

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell about Palazzo Beneventano

Luminous sacred spaces

A Nobel Prize in Modica

The Church of St. Francis

The senses tell the story of the Church of San Giuliano ai Crociferi

The Franciscan convent

Baroque creativity: recurring themes

The interior and works of art

The senses tell the story of the Church of San Paolo

The senses tell the story of the Church of the Badia di Sant’Agata

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Palazzo dei due mori

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The beginning of an authentic Baroque conception

The new roads of the city

A new site for the church of San Giorgio