Noto

The senses tell about Palazzo Ducezio

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Furnishing and innovation

The furniture used to furnish the houses of wealthy families followed the fashion of the time.
Louis XV style spread between 1720 and 1760 and was a revolution in furnishing that reflected the luxurious and refined lifestyle of the French nobility.
It was a period of great innovation in woodworking techniques.
There was a preference for slender, light and highly decorated structures inspired by the Italian and German Rococo.

The neo-Gothic seminary chapel: symbols, light and space

Akrai and Syracuse: an unbreakable bond

Palazzo Zacco, a balance between sobriety and decoration

Art in the cathedral

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Verticality and dynamism of the façade of the Church of San Carlo

The interiors: diffused light and Byzantine relics

The senses tell the story of the Church of San Carlo and the former Jesuit college

A casket of precious works

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell about Palazzo Ducezio

The works in the church

The church and the monastery

The senses tell the Cathedral of San Giorgio

Luminous sacred spaces

The senses tell of Palazzo della Cancelleria

The senses tell the story of the Church of San Benedetto

The Monastery of the Benedictine nuns

The city palace

A new site for the church of San Giorgio

The palace, the town, the church

The Badia di Sant’Agata (St. Agatha’s Abbey)

A unifying project for the city of Catania

The interior and works of art

Baroque and the loss of balance in the 16th century

Rebirth and urban planning of the city of Noto

The church and the college

The senses tell about Palazzo Trigona

The city of Modica, a balance between nature and urbanism

The senses tell the story of the Church of San Giuliano ai Crociferi

The new roads of the city

The Antonino Uccello Birthplace Museum

The senses tell about Palazzo Beneventano

Altars, saints and sculptural works

The articulated interior spaces

From the end of the world to rebirth from the rubble

Baroque creativity: recurring themes

Palazzo Trigona: a building with a complex shape

The city within the city

The triumph of Baroque: expansion of spaces

The Infiorata of Noto, a modern tradition

The Church of St. Francis

The two churches

Scenography and devotion for St. Agatha

St. Agatha and the candelore

The Franciscan convent

Virtuosity, decorations and altars

Majestic exteriors, grandiose interiors

The Monte delle Prestanze in the new city layout

The Madonna dei Conadomini and the art of devotion

The casket of austerity under the great dome

Garden of Novices and the restorations by Giancarlo De Carlo

A Nobel Prize in Modica

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell the story of the Church of San Paolo

City and nature

Palazzo della Cancelleria: from former stable to the Nicastro family

The illusion of light and the decorative splendour

The Church of St. John the Evangelist

Palazzo Trigona di Canicarao

Religious architecture

San Domenico and Gagliardi’s work

Unusual iconographies: the Burgos crucifix

The senses tell the Cathedral of San Giorgio

Madonna of the Militia: a singular warrior virgin

The Palazzo dei due mori

A heritage of votive works

The interior of the church: space and colour

The senses tell the Church of San Michele

The Duomo di San Giorgio (Cathedral of St. George)

A story of rebirth

The senses tell the story of the Church of Santa Maria del Monte

Fountain of the Nymph Zizza: public water in the town

One city, three sites

The Church of St. Paul

The senses tell the Church of San Domenico

The Church of St. Benedict

The smallest Greek theatre in the world

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Staircase of Angels

The expansion of space and changing reality

Reconstruction after the earthquake

The dynamics of the Church of San Michele

The senses tell the story of the Church of the Badia di Sant’Agata

The beginning of an authentic Baroque conception

Views denied, views conquered: the power of the devout Benedictines

Expansion, spatiality and light in the church of San Domenico

A stone garden

The Church of St. Julian on Via dei Crociferi

Scicli, the city of Baroque scenery

The art of maiolica

The senses tell of the Cathedral of San Pietro

Piazza Duomo, the elephant fountain, the heart of the city

Expanded spaces, stucco and colourful lights

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The eagle-shaped city

Militello: The story of an enlightened fiefdom

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Scenography, lights and colours of the cathedral

The senses tell about Palazzo Zacco

The senses tell the Cathedral of Sant’Agata

The Church of Madonna della Stella

A compromise between Neoclassicism and Baroque

The Benedictines’ library

The Church of St. Mary of the Mountain

The senses tell the story of the Church of San Giovanni Evangelista