Noto

The senses tell the story of the Church of San Carlo and the former Jesuit college

sight
Scenographic sights and cinema

The Baroque architecture has often been chosen by directors as a film set because of the enchanting views it offers over the city.
The terrace of the bell tower of the Church of San Carlo was chosen by the director Michelangelo Antonioni for his 1960 film “L’avventura” (The Adventure) with Monica Vitti and Gabriele Ferzetti.

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Lime, a precious material of Noto tradition

Lime, derived from hard limestone, is one of the oldest building materials.
Already used by the ancient Romans, it is widely used in the territories of Noto.
Lime is formed of a compact white limestone that is cooked at a very high temperature, losing weight and releasing carbon dioxide through a process called carbonatation.
In order to be used properly it must be wet, i.e. it must undergo a further hydration phase, extinguishing the quicklime in water for at least three days before its use.

A new site for the church of San Giorgio

The palace, the town, the church

The Madonna dei Conadomini and the art of devotion

The works in the church

Madonna of the Militia: a singular warrior virgin

The Church of St. Mary of the Mountain

Palazzo della Cancelleria: from former stable to the Nicastro family

The Antonino Uccello Birthplace Museum

The Benedictines’ library

The senses tell of Palazzo della Cancelleria

Unusual iconographies: the Burgos crucifix

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Church of St. Benedict

The city palace

The Palazzo dei due mori

The Church of St. Francis

Scicli, the city of Baroque scenery

Baroque creativity: recurring themes

Scenography and devotion for St. Agatha

San Domenico and Gagliardi’s work

The Church of Madonna della Stella

The Monastery of the Benedictine nuns

The senses tell about Palazzo Ducezio

From the end of the world to rebirth from the rubble

The illusion of light and the decorative splendour

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell about Palazzo Trigona

Expansion, spatiality and light in the church of San Domenico

The dynamics of the Church of San Michele

Art in the cathedral

The senses tell the story of the Church of Santa Maria del Monte

Religious architecture

City and nature

Virtuosity, decorations and altars

The smallest Greek theatre in the world

Expanded spaces, stucco and colourful lights

Views denied, views conquered: the power of the devout Benedictines

A compromise between Neoclassicism and Baroque

The interior and works of art

St. Agatha and the candelore

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Reconstruction after the earthquake

The eagle-shaped city

The senses tell the story of the Church of San Giuliano ai Crociferi

The expansion of space and changing reality

Majestic exteriors, grandiose interiors

A unifying project for the city of Catania

The Church of St. John the Evangelist

The senses tell the Cathedral of San Giorgio

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The city within the city

Palazzo Trigona di Canicarao

The triumph of Baroque: expansion of spaces

The articulated interior spaces

One city, three sites

The church and the college

The senses tell the story of the Church of San Carlo and the former Jesuit college

A Nobel Prize in Modica

Palazzo Trigona: a building with a complex shape

Piazza Duomo, the elephant fountain, the heart of the city

A story of rebirth

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell of the Cathedral of San Pietro

The senses tell the Church of San Michele

Baroque and the loss of balance in the 16th century

A heritage of votive works

The art of maiolica

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Fountain of the Nymph Zizza: public water in the town

The two churches

The Duomo di San Giorgio (Cathedral of St. George)

A stone garden

The senses tell the story of the Church of San Giovanni Evangelista

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The casket of austerity under the great dome

The senses tell the story of the Church of San Benedetto

The Monte delle Prestanze in the new city layout

The interior of the church: space and colour

The new roads of the city

The senses tell about Palazzo Beneventano

The beginning of an authentic Baroque conception

Luminous sacred spaces

The Church of St. Julian on Via dei Crociferi

A casket of precious works

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the Cathedral of San Giorgio

The interiors: diffused light and Byzantine relics

The Staircase of Angels

Garden of Novices and the restorations by Giancarlo De Carlo

The Church of St. Paul

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The church and the monastery

Altars, saints and sculptural works

The senses tell the story of the Church of the Badia di Sant’Agata

The Infiorata of Noto, a modern tradition

Akrai and Syracuse: an unbreakable bond

The senses tell the Church of San Domenico

Militello: The story of an enlightened fiefdom

Rebirth and urban planning of the city of Noto

The city of Modica, a balance between nature and urbanism

Scenography, lights and colours of the cathedral

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Zacco

The senses tell the story of the Church of San Paolo

The Franciscan convent