Noto

The senses tell the story of the Church of San Carlo and the former Jesuit college

sight
Scenographic sights and cinema

The Baroque architecture has often been chosen by directors as a film set because of the enchanting views it offers over the city.
The terrace of the bell tower of the Church of San Carlo was chosen by the director Michelangelo Antonioni for his 1960 film “L’avventura” (The Adventure) with Monica Vitti and Gabriele Ferzetti.

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Lime, a precious material of Noto tradition

Lime, derived from hard limestone, is one of the oldest building materials.
Already used by the ancient Romans, it is widely used in the territories of Noto.
Lime is formed of a compact white limestone that is cooked at a very high temperature, losing weight and releasing carbon dioxide through a process called carbonatation.
In order to be used properly it must be wet, i.e. it must undergo a further hydration phase, extinguishing the quicklime in water for at least three days before its use.

Garden of Novices and the restorations by Giancarlo De Carlo

Akrai and Syracuse: an unbreakable bond

The Palazzo dei due mori

The Madonna dei Conadomini and the art of devotion

Militello: The story of an enlightened fiefdom

The casket of austerity under the great dome

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Monastery of the Benedictine nuns

The senses tell the Cathedral of San Giorgio

The senses tell about Palazzo Zacco

Reconstruction after the earthquake

The senses tell about Palazzo Trigona

A unifying project for the city of Catania

One city, three sites

The senses tell of the Cathedral of San Pietro

Views denied, views conquered: the power of the devout Benedictines

The senses tell about Palazzo Ducezio

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the story of the Church of Santa Maria del Monte

The Church of St. Benedict

The Antonino Uccello Birthplace Museum

The Monte delle Prestanze in the new city layout

The senses tell the story of the Church of the Badia di Sant’Agata

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The new roads of the city

Religious architecture

Palazzo Trigona di Canicarao

A stone garden

A Nobel Prize in Modica

The Duomo di San Giorgio (Cathedral of St. George)

The interior of the church: space and colour

Baroque and the loss of balance in the 16th century

The Franciscan convent

Palazzo Trigona: a building with a complex shape

The Staircase of Angels

The Church of St. Julian on Via dei Crociferi

Scenography, lights and colours of the cathedral

The interior and works of art

A compromise between Neoclassicism and Baroque

The interiors: diffused light and Byzantine relics

The city palace

Expansion, spatiality and light in the church of San Domenico

The Church of St. Paul

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Paolo

The Church of St. Mary of the Mountain

The dynamics of the Church of San Michele

The senses tell the story of the Church of San Giovanni Evangelista

Virtuosity, decorations and altars

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the Church of San Domenico

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

St. Agatha and the candelore

The city of Modica, a balance between nature and urbanism

City and nature

The palace, the town, the church

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Luminous sacred spaces

The articulated interior spaces

The smallest Greek theatre in the world

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The expansion of space and changing reality

The Infiorata of Noto, a modern tradition

The works in the church

Majestic exteriors, grandiose interiors

Scenography and devotion for St. Agatha

From the end of the world to rebirth from the rubble

The senses tell about Palazzo Beneventano

Palazzo Zacco, a balance between sobriety and decoration

A heritage of votive works

The Benedictines’ library

Piazza Duomo, the elephant fountain, the heart of the city

Altars, saints and sculptural works

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Verticality and dynamism of the façade of the Church of San Carlo

The Church of Madonna della Stella

Expanded spaces, stucco and colourful lights

The church and the college

The city within the city

The eagle-shaped city

The triumph of Baroque: expansion of spaces

Madonna of the Militia: a singular warrior virgin

The art of maiolica

The senses tell of Palazzo della Cancelleria

The beginning of an authentic Baroque conception

The senses tell the story of the Church of San Benedetto

The senses tell the Church of San Michele

The church and the monastery

The senses tell the story of the Church of San Carlo and the former Jesuit college

The two churches

Art in the cathedral

The senses tell the story of the Church of San Giuliano ai Crociferi

Rebirth and urban planning of the city of Noto

The Church of St. Francis

The Church of St. John the Evangelist

A casket of precious works

Fountain of the Nymph Zizza: public water in the town

The illusion of light and the decorative splendour

Scicli, the city of Baroque scenery

Palazzo della Cancelleria: from former stable to the Nicastro family

Baroque creativity: recurring themes

Unusual iconographies: the Burgos crucifix

A story of rebirth

The senses tell the Cathedral of San Giorgio

A new site for the church of San Giorgio

San Domenico and Gagliardi’s work