Scicli

The senses tell the Church of San Michele

sight
Stuccoes, floors and geometric decorations

The interior of the church is defined by numerous decorations featuring a geometric design. For example, the floor is made with two-tone tiles and is inscribed within the elliptical plan.
The apsidal vault is decorated with small octagons, and the frescoes on the vault are divided by bands that echo the pattern of the small octagons on the apsidal vault.
It is interesting to note how all these geometric elements, with their simple shapes, give a sense of order within the dynamic spatiality typical of Baroque church interiors.

Fountain of the Nymph Zizza: public water in the town

Palazzo Trigona di Canicarao

The senses tell of Palazzo della Cancelleria

Unusual iconographies: the Burgos crucifix

The palace, the town, the church

The Church of St. Benedict

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell about Palazzo Trigona

The senses tell the story of the Church of San Giovanni Evangelista

One city, three sites

St. Agatha and the candelore

Piazza Duomo, the elephant fountain, the heart of the city

City and nature

The senses tell the story of the Church of San Giuliano ai Crociferi

The city of Modica, a balance between nature and urbanism

The Benedictines’ library

The Church of St. Paul

A heritage of votive works

A new site for the church of San Giorgio

The Palazzo dei due mori

A Nobel Prize in Modica

Religious architecture

The articulated interior spaces

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Church of San Michele

Militello: The story of an enlightened fiefdom

Luminous sacred spaces

The Antonino Uccello Birthplace Museum

The casket of austerity under the great dome

San Domenico and Gagliardi’s work

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The smallest Greek theatre in the world

Scenography and devotion for St. Agatha

The illusion of light and the decorative splendour

A compromise between Neoclassicism and Baroque

The art of maiolica

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Church of St. Mary of the Mountain

The senses tell the Church of San Domenico

A stone garden

Majestic exteriors, grandiose interiors

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Palazzo Trigona: a building with a complex shape

The Madonna dei Conadomini and the art of devotion

The Staircase of Angels

Baroque and the loss of balance in the 16th century

The senses tell the Cathedral of Sant’Agata

The interiors: diffused light and Byzantine relics

The senses tell of the Cathedral of San Pietro

The eagle-shaped city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of San Giorgio

Baroque creativity: recurring themes

The Duomo di San Giorgio (Cathedral of St. George)

A unifying project for the city of Catania

Expanded spaces, stucco and colourful lights

The senses tell about Palazzo Zacco

Palazzo Zacco, a balance between sobriety and decoration

The neo-Gothic seminary chapel: symbols, light and space

The two churches

The Church of St. Francis

The works in the church

The senses tell the story of the Church of San Paolo

The Church of St. John the Evangelist

The new roads of the city

The senses tell the story of the Church of Santa Maria del Monte

Scicli, the city of Baroque scenery

The Church of Madonna della Stella

The church and the monastery

The dynamics of the Church of San Michele

Madonna of the Militia: a singular warrior virgin

The Monastery of the Benedictine nuns

The city palace

A story of rebirth

Art in the cathedral

The Monte delle Prestanze in the new city layout

The triumph of Baroque: expansion of spaces

Expansion, spatiality and light in the church of San Domenico

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Scenography, lights and colours of the cathedral

Altars, saints and sculptural works

Rebirth and urban planning of the city of Noto

Akrai and Syracuse: an unbreakable bond

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

From the end of the world to rebirth from the rubble

Virtuosity, decorations and altars

The senses tell the Cathedral of San Giorgio

The interior and works of art

The city within the city

The church and the college

The Church of St. Julian on Via dei Crociferi

The expansion of space and changing reality

The Franciscan convent

The beginning of an authentic Baroque conception

A casket of precious works

The senses tell about Palazzo Beneventano

The interior of the church: space and colour

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Church of San Benedetto

The Infiorata of Noto, a modern tradition

The senses tell the story of the Church of the Badia di Sant’Agata

Reconstruction after the earthquake

The senses tell about Palazzo Ducezio