Scicli

The senses tell the Church of San Michele

sight
Stuccoes, floors and geometric decorations

The interior of the church is defined by numerous decorations featuring a geometric design. For example, the floor is made with two-tone tiles and is inscribed within the elliptical plan.
The apsidal vault is decorated with small octagons, and the frescoes on the vault are divided by bands that echo the pattern of the small octagons on the apsidal vault.
It is interesting to note how all these geometric elements, with their simple shapes, give a sense of order within the dynamic spatiality typical of Baroque church interiors.

Luminous sacred spaces

The Duomo di San Giorgio (Cathedral of St. George)

The city within the city

The senses tell the Cathedral of San Giorgio

Majestic exteriors, grandiose interiors

Scenography and devotion for St. Agatha

The church and the college

The palace, the town, the church

The senses tell the story of the Church of San Carlo and the former Jesuit college

A casket of precious works

The senses tell the Cathedral of San Giorgio

The new roads of the city

The Staircase of Angels

St. Agatha and the candelore

Palazzo Trigona: a building with a complex shape

The senses tell of Palazzo della Cancelleria

The Church of Madonna della Stella

The senses tell the story of the Church of San Giuliano ai Crociferi

Expanded spaces, stucco and colourful lights

The articulated interior spaces

San Domenico and Gagliardi’s work

Palazzo Trigona di Canicarao

The Church of St. Paul

A heritage of votive works

Religious architecture

The Church of St. Benedict

A new site for the church of San Giorgio

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The interior of the church: space and colour

The casket of austerity under the great dome

The Antonino Uccello Birthplace Museum

Art in the cathedral

Verticality and dynamism of the façade of the Church of San Carlo

Rebirth and urban planning of the city of Noto

The church and the monastery

A unifying project for the city of Catania

One city, three sites

The senses tell about Palazzo Zacco

Unusual iconographies: the Burgos crucifix

The Monastery of the Benedictine nuns

Militello: The story of an enlightened fiefdom

The works in the church

The Madonna dei Conadomini and the art of devotion

A story of rebirth

The senses tell of the Cathedral of San Pietro

The Church of St. Mary of the Mountain

The senses tell the story of the Church of Santa Maria del Monte

The Badia di Sant’Agata (St. Agatha’s Abbey)

Akrai and Syracuse: an unbreakable bond

The Palazzo dei due mori

The senses tell about Palazzo Trigona

City and nature

Palazzo Zacco, a balance between sobriety and decoration

The Church of St. John the Evangelist

The two churches

The city of Modica, a balance between nature and urbanism

The senses tell the Church of San Michele

The city palace

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the Church of San Domenico

The expansion of space and changing reality

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Madonna of the Militia: a singular warrior virgin

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell the story of the Church of San Giovanni Evangelista

The Franciscan convent

Altars, saints and sculptural works

The neo-Gothic seminary chapel: symbols, light and space

Garden of Novices and the restorations by Giancarlo De Carlo

Scicli, the city of Baroque scenery

The triumph of Baroque: expansion of spaces

Views denied, views conquered: the power of the devout Benedictines

The beginning of an authentic Baroque conception

The eagle-shaped city

From the end of the world to rebirth from the rubble

The interiors: diffused light and Byzantine relics

The smallest Greek theatre in the world

Fountain of the Nymph Zizza: public water in the town

Baroque and the loss of balance in the 16th century

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of San Benedetto

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Reconstruction after the earthquake

The illusion of light and the decorative splendour

Virtuosity, decorations and altars

The art of maiolica

The senses tell the story of the Church of San Paolo

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A Nobel Prize in Modica

A compromise between Neoclassicism and Baroque

The senses tell about Palazzo Beneventano

The Church of St. Francis

The dynamics of the Church of San Michele

Palazzo della Cancelleria: from former stable to the Nicastro family

The Monte delle Prestanze in the new city layout

The Benedictines’ library

The senses tell the Cathedral of Sant’Agata

The senses tell about Palazzo Ducezio

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A stone garden

The interior and works of art

The senses tell the story of the Church of the Badia di Sant’Agata

Baroque creativity: recurring themes

The Infiorata of Noto, a modern tradition

Scenography, lights and colours of the cathedral