Modica

The senses tell of the Cathedral of San Pietro

touch
The tactile experience of materials

dettaglio colonna tortileAs you walk through the side naves of the church you will realise that the columns placed between the altars are made of different materials: some are marble, some are finished with stucco, some are fluted, some are smooth and some are Solomonic.
The use of different materials and finishes not only generates different reflections of light inside the spaces, but also different perceptions to the touch, relating to porosity, smoothness, roughness and temperature.

taste
Modica chocolate, a famous earthly pleasure

cioccolato di ModicaLocated just a few metres from the church is the oldest chocolate shop on the island.
The original chocolate recipe is from Aztec, the land of origin of cocoa beans, and was imported by the Spanish in the early 16th century.
In Modica, the chocolate shop was opened in 1880 by Francesco Bonajuto and produces the famous chocolate according to the ancient 18th-century recipe of “cold” processing.
A visit here will satisfy your taste buds!

sight
The Madonna Vasa

On the feast of the Madonna Vasa, the statue of the Madonna meets the statue of the Risen Christ at the foot of the steps of the Cathedral of San Pietro.
On Easter, between sacred performances and music, a rather scenic and sacred moment is celebrated and enjoyed by the community.

The articulated interior spaces

The works in the church

A unifying project for the city of Catania

Luminous sacred spaces

Altars, saints and sculptural works

The art of maiolica

The senses tell of the Cathedral of San Pietro

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of San Giovanni Evangelista

The city palace

The senses tell the Cathedral of San Giorgio

The senses tell the Church of San Domenico

The dynamics of the Church of San Michele

The Antonino Uccello Birthplace Museum

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell about Palazzo Zacco

The Staircase of Angels

The Church of Madonna della Stella

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The casket of austerity under the great dome

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell of Palazzo della Cancelleria

The senses tell about Palazzo Beneventano

St. Agatha and the candelore

The Church of St. Francis

The beginning of an authentic Baroque conception

The neo-Gothic seminary chapel: symbols, light and space

The city of Modica, a balance between nature and urbanism

The Church of St. Mary of the Mountain

Religious architecture

Palazzo Trigona di Canicarao

Reconstruction after the earthquake

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The city within the city

The two churches

A compromise between Neoclassicism and Baroque

Akrai and Syracuse: an unbreakable bond

Unusual iconographies: the Burgos crucifix

Baroque and the loss of balance in the 16th century

The eagle-shaped city

One city, three sites

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Scenography and devotion for St. Agatha

The senses tell the story of the Church of San Giuliano ai Crociferi

Scicli, the city of Baroque scenery

Scenography, lights and colours of the cathedral

The Church of St. Julian on Via dei Crociferi

Fountain of the Nymph Zizza: public water in the town

The Benedictines’ library

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of San Paolo

The palace, the town, the church

Virtuosity, decorations and altars

Piazza Duomo, the elephant fountain, the heart of the city

The interior of the church: space and colour

The Monte delle Prestanze in the new city layout

The senses tell the story of the Church of San Benedetto

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The expansion of space and changing reality

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell the Cathedral of San Giorgio

The church and the college

From the end of the world to rebirth from the rubble

City and nature

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The interiors: diffused light and Byzantine relics

Rebirth and urban planning of the city of Noto

A story of rebirth

The Church of St. Paul

The senses tell about Palazzo Trigona

Palazzo della Cancelleria: from former stable to the Nicastro family

A casket of precious works

Art in the cathedral

Views denied, views conquered: the power of the devout Benedictines

The Monastery of the Benedictine nuns

The church and the monastery

Expanded spaces, stucco and colourful lights

A stone garden

The senses tell the story of the Church of Santa Maria del Monte

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Church of St. John the Evangelist

The senses tell the Church of San Michele

Baroque creativity: recurring themes

A heritage of votive works

Majestic exteriors, grandiose interiors

Militello: The story of an enlightened fiefdom

The illusion of light and the decorative splendour

The Infiorata of Noto, a modern tradition

Palazzo Trigona: a building with a complex shape

A Nobel Prize in Modica

Garden of Novices and the restorations by Giancarlo De Carlo

The interior and works of art

The Franciscan convent

The new roads of the city

The senses tell the Cathedral of Sant’Agata

The triumph of Baroque: expansion of spaces

Madonna of the Militia: a singular warrior virgin

The Palazzo dei due mori

San Domenico and Gagliardi’s work

A new site for the church of San Giorgio

The Madonna dei Conadomini and the art of devotion

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of San Carlo and the former Jesuit college

Palazzo Zacco, a balance between sobriety and decoration

The Church of St. Benedict

The smallest Greek theatre in the world