Ragusa

The senses tell of Palazzo della Cancelleria

sight
Portals as front curtains

The entrance portal to the Palazzo della Cancelleria stands out from the façade, occupying a large part of it. It unravels like a front curtain, ready to welcome an equally admirable scene inside. It is animated by the mixtilinear trabeation that surmounts it.

touch
Pietra pece, a rock from Ragusa with multiple uses

Pietra pece is one of the most commonly used materials in the Hyblaean landscape.
Also called bituminous rock, this stone takes on different shades of grey and brown and is characterised by veins and surface irregularities.
Touching the stone is the best way to appreciate its nature.

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The Badia di Sant’Agata (St. Agatha’s Abbey)

The beginning of an authentic Baroque conception

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The Staircase of Angels

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Expanded spaces, stucco and colourful lights

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Geometry and wonder in civic architecture in the Baroque of the Val di Noto

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The Madonna dei Conadomini and the art of devotion

St. Agatha and the candelore

Militello: The story of an enlightened fiefdom

The casket of austerity under the great dome

A heritage of votive works

Fountain of the Nymph Zizza: public water in the town

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The Infiorata of Noto, a modern tradition

A story of rebirth

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

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The church and the monastery

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A compromise between Neoclassicism and Baroque

San Domenico and Gagliardi’s work

City and nature

The illusion of light and the decorative splendour

The Monastery of the Benedictine nuns

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Verticality and dynamism of the façade of the Church of San Carlo

Garden of Novices and the restorations by Giancarlo De Carlo

A unifying project for the city of Catania

The expansion of space and changing reality

The church and the college

The triumph of Baroque: expansion of spaces

A casket of precious works

The senses tell of the Cathedral of San Pietro

The city of Modica, a balance between nature and urbanism

The interiors: diffused light and Byzantine relics

The art of maiolica

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Religious architecture

Palazzo Zacco, a balance between sobriety and decoration

Majestic exteriors, grandiose interiors

One city, three sites

Unusual iconographies: the Burgos crucifix

Rebirth and urban planning of the city of Noto

Scenography and devotion for St. Agatha

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Baroque creativity: recurring themes

Scenography, lights and colours of the cathedral

Reconstruction after the earthquake

The Monte delle Prestanze in the new city layout

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Palazzo Trigona di Canicarao

From the end of the world to rebirth from the rubble

The palace, the town, the church

Virtuosity, decorations and altars

The senses tell about Palazzo Trigona

A Nobel Prize in Modica

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The Franciscan convent

The eagle-shaped city

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The works in the church

The city within the city

The interior of the church: space and colour

The two churches

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

A new site for the church of San Giorgio

The interior and works of art

Altars, saints and sculptural works

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The Church of St. Francis

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The Church of St. Julian on Via dei Crociferi

Madonna of the Militia: a singular warrior virgin

The smallest Greek theatre in the world

Luminous sacred spaces

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The Church of St. Mary of the Mountain

Views denied, views conquered: the power of the devout Benedictines

Art in the cathedral

The Benedictines’ library

Baroque and the loss of balance in the 16th century

Palazzo della Cancelleria: from former stable to the Nicastro family

The neo-Gothic seminary chapel: symbols, light and space

The Church of Madonna della Stella

The dynamics of the Church of San Michele

The articulated interior spaces

Scicli, the city of Baroque scenery

The new roads of the city

The senses tell of Palazzo della Cancelleria

Palazzo Trigona: a building with a complex shape

The city palace