Caltagirone

The senses tell the story of the Church and Convent of San Francesco d’Assisi all’Immacolata

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Sandstone

Sandstone, also called pietra pece because of its shades of very dark grey, is a very ancient sedimentary rock. It dates back to the Cenozoic Era, which ranges from 65 million to around 2 million years ago.
The colour of this sedimentary rock is given by the percentage of bitumen varying from 4% to 10%, a characteristic that make it suitable for damp places and flooring.pietra arenaria

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An asymmetrical element on the façade

As you look at the façade of the Church of San Francesco d’Assisi all’Immacolata, you will notice an interesting curved element similar to an apse that creates an asymmetric effect, the Chapel of the Santissimo Sacramento Ritrovato.
The interior of the chapel is equally scenic, enriched by stuccoes and decorated ceramic flooring.

The works in the church

Palazzo Trigona di Canicarao

The senses tell the story of the Church of San Paolo

The senses tell about Palazzo Ducezio

The beginning of an authentic Baroque conception

The Church of Madonna della Stella

The two churches

Unusual iconographies: the Burgos crucifix

Scicli, the city of Baroque scenery

The Monte delle Prestanze in the new city layout

The senses tell the story of the Church of San Giovanni Evangelista

The Antonino Uccello Birthplace Museum

Madonna of the Militia: a singular warrior virgin

The dynamics of the Church of San Michele

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell about Palazzo Zacco

The Church of St. Benedict

A story of rebirth

The senses tell the Church of San Domenico

The Monastery of the Benedictine nuns

Views denied, views conquered: the power of the devout Benedictines

The senses tell the Cathedral of San Giorgio

The smallest Greek theatre in the world

Baroque and the loss of balance in the 16th century

Art in the cathedral

Akrai and Syracuse: an unbreakable bond

Rebirth and urban planning of the city of Noto

The interior of the church: space and colour

The interior and works of art

The Staircase of Angels

A stone garden

St. Agatha and the candelore

The articulated interior spaces

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Scenography and devotion for St. Agatha

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A casket of precious works

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Religious architecture

One city, three sites

The senses tell about Palazzo Beneventano

The senses tell the story of the Church of San Giuliano ai Crociferi

The new roads of the city

From the end of the world to rebirth from the rubble

San Domenico and Gagliardi’s work

The Duomo di San Giorgio (Cathedral of St. George)

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Church of St. Mary of the Mountain

The Palazzo dei due mori

The church and the college

A new site for the church of San Giorgio

The casket of austerity under the great dome

Luminous sacred spaces

Fountain of the Nymph Zizza: public water in the town

The neo-Gothic seminary chapel: symbols, light and space

Militello: The story of an enlightened fiefdom

The illusion of light and the decorative splendour

The Church of St. Paul

The Church of St. Julian on Via dei Crociferi

A compromise between Neoclassicism and Baroque

Altars, saints and sculptural works

Palazzo della Cancelleria: from former stable to the Nicastro family

The palace, the town, the church

Expansion, spatiality and light in the church of San Domenico

The senses tell about Palazzo Trigona

The Madonna dei Conadomini and the art of devotion

The triumph of Baroque: expansion of spaces

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the Church of San Michele

The city of Modica, a balance between nature and urbanism

The senses tell the story of the Church of Santa Maria del Monte

The eagle-shaped city

The city palace

The Benedictines’ library

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Cathedral of San Giorgio

Baroque creativity: recurring themes

Majestic exteriors, grandiose interiors

The senses tell the story of the Church of the Badia di Sant’Agata

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell of the Cathedral of San Pietro

Virtuosity, decorations and altars

The senses tell the Cathedral of Sant’Agata

The church and the monastery

Scenography, lights and colours of the cathedral

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Franciscan convent

The art of maiolica

The city within the city

A Nobel Prize in Modica

The Church of St. Francis

A heritage of votive works

A unifying project for the city of Catania

Reconstruction after the earthquake

The Church of St. John the Evangelist

Palazzo Zacco, a balance between sobriety and decoration

The interiors: diffused light and Byzantine relics

The senses tell of Palazzo della Cancelleria

City and nature

The expansion of space and changing reality

Palazzo Trigona: a building with a complex shape

The Infiorata of Noto, a modern tradition

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Badia di Sant’Agata (St. Agatha’s Abbey)

Expanded spaces, stucco and colourful lights

The senses tell the story of the Church of San Benedetto