Caltagirone

The senses tell the story of the Church and Convent of San Francesco d’Assisi all’Immacolata

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Sandstone

Sandstone, also called pietra pece because of its shades of very dark grey, is a very ancient sedimentary rock. It dates back to the Cenozoic Era, which ranges from 65 million to around 2 million years ago.
The colour of this sedimentary rock is given by the percentage of bitumen varying from 4% to 10%, a characteristic that make it suitable for damp places and flooring.pietra arenaria

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An asymmetrical element on the façade

As you look at the façade of the Church of San Francesco d’Assisi all’Immacolata, you will notice an interesting curved element similar to an apse that creates an asymmetric effect, the Chapel of the Santissimo Sacramento Ritrovato.
The interior of the chapel is equally scenic, enriched by stuccoes and decorated ceramic flooring.

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Madonna of the Militia: a singular warrior virgin

The interior and works of art

The Madonna dei Conadomini and the art of devotion

The Antonino Uccello Birthplace Museum

The illusion of light and the decorative splendour

The art of maiolica

Scicli, the city of Baroque scenery

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The neo-Gothic seminary chapel: symbols, light and space

The triumph of Baroque: expansion of spaces

Palazzo Zacco, a balance between sobriety and decoration

Religious architecture

Piazza Duomo, the elephant fountain, the heart of the city

The beginning of an authentic Baroque conception

Palazzo della Cancelleria: from former stable to the Nicastro family

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The Monte delle Prestanze in the new city layout

The interiors: diffused light and Byzantine relics

The palace, the town, the church

The dynamics of the Church of San Michele

A compromise between Neoclassicism and Baroque

Virtuosity, decorations and altars

A unifying project for the city of Catania

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Scenography, lights and colours of the cathedral

One city, three sites

The eagle-shaped city

Baroque and the loss of balance in the 16th century

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Militello: The story of an enlightened fiefdom

Expanded spaces, stucco and colourful lights

Akrai and Syracuse: an unbreakable bond

The Church of Madonna della Stella

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Palazzo dei due mori

A new site for the church of San Giorgio

The Staircase of Angels

Expansion, spatiality and light in the church of San Domenico

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A heritage of votive works

The Benedictines’ library

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The Church of St. Mary of the Mountain

Reconstruction after the earthquake

A stone garden

The articulated interior spaces

The Church of St. Benedict

Scenography and devotion for St. Agatha

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Unusual iconographies: the Burgos crucifix

The smallest Greek theatre in the world

The senses tell of the Cathedral of San Pietro

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The expansion of space and changing reality

The city of Modica, a balance between nature and urbanism

The casket of austerity under the great dome

The Church of St. Julian on Via dei Crociferi

The senses tell about Palazzo Zacco

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell about Palazzo Beneventano

Rebirth and urban planning of the city of Noto

The Franciscan convent

The Church of St. John the Evangelist

Palazzo Trigona di Canicarao

The city palace

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Views denied, views conquered: the power of the devout Benedictines

The senses tell the Cathedral of Sant’Agata

The works in the church

The Infiorata of Noto, a modern tradition

Palazzo Trigona: a building with a complex shape

St. Agatha and the candelore

Luminous sacred spaces

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The interior of the church: space and colour

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The Church of St. Paul

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A Nobel Prize in Modica

Majestic exteriors, grandiose interiors

Art in the cathedral

Altars, saints and sculptural works

The Monastery of the Benedictine nuns

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

San Domenico and Gagliardi’s work

Fountain of the Nymph Zizza: public water in the town

From the end of the world to rebirth from the rubble

The Church of St. Francis

A story of rebirth

Garden of Novices and the restorations by Giancarlo De Carlo

Baroque creativity: recurring themes

A casket of precious works

The Duomo di San Giorgio (Cathedral of St. George)

The new roads of the city

City and nature

The church and the monastery

The senses tell of Palazzo della Cancelleria

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The two churches

The senses tell about Palazzo Trigona

The church and the college

The city within the city

Verticality and dynamism of the façade of the Church of San Carlo