Catania

The senses tell the story of the Church of San Benedetto

touch
The illusion of marble: marble stucco

Marble stucco is an ancient technique that tends to imitate marble and is far cheaper.
The finish of this type of stucco can be of such high quality that it is indistinguishable from natural marble.

sight
The illusion of movement

The interior of the church creates a continuously moving illusory effect thanks to some of its characteristic elements: the lateral arcades, the vault and the apse arcade seems to bring the gaze towards the altar.
With its countless stuccoes and frescoes, the vault creates the sensation of participating in a whirling motion where art and architecture interact.
Nothing seems motionless in this space and there is a continuous tension throughout.

From the end of the world to rebirth from the rubble

Palazzo Zacco, a balance between sobriety and decoration

A casket of precious works

Views denied, views conquered: the power of the devout Benedictines

Majestic exteriors, grandiose interiors

Altars, saints and sculptural works

A compromise between Neoclassicism and Baroque

Luminous sacred spaces

A unifying project for the city of Catania

Virtuosity, decorations and altars

Unusual iconographies: the Burgos crucifix

The Duomo di San Giorgio (Cathedral of St. George)

The Staircase of Angels

Expanded spaces, stucco and colourful lights

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The palace, the town, the church

The city of Modica, a balance between nature and urbanism

The senses tell of Palazzo della Cancelleria

The interior and works of art

Art in the cathedral

The Church of St. Julian on Via dei Crociferi

The Church of St. Paul

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Madonna of the Militia: a singular warrior virgin

The senses tell of the Cathedral of San Pietro

The senses tell about Palazzo Trigona

The senses tell the Cathedral of San Giorgio

The senses tell the Church of San Domenico

The Church of Madonna della Stella

The city palace

The church and the monastery

The illusion of light and the decorative splendour

San Domenico and Gagliardi’s work

The dynamics of the Church of San Michele

St. Agatha and the candelore

The senses tell the Cathedral of Sant’Agata

Scenography and devotion for St. Agatha

The senses tell about Palazzo Zacco

The works in the church

The senses tell the story of the Church of the Badia di Sant’Agata

The city within the city

The interior of the church: space and colour

A stone garden

The triumph of Baroque: expansion of spaces

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The beginning of an authentic Baroque conception

Reconstruction after the earthquake

Religious architecture

A Nobel Prize in Modica

The art of maiolica

City and nature

The Franciscan convent

The senses tell the story of the Church of San Carlo and the former Jesuit college

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

The church and the college

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the Cathedral of San Giorgio

The Church of St. Mary of the Mountain

The new roads of the city

Garden of Novices and the restorations by Giancarlo De Carlo

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The interiors: diffused light and Byzantine relics

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell the Church of San Michele

Scenography, lights and colours of the cathedral

The senses tell the story of the Church of San Paolo

Baroque creativity: recurring themes

The Monastery of the Benedictine nuns

The casket of austerity under the great dome

The senses tell the story of the Church of San Benedetto

The eagle-shaped city

The Monte delle Prestanze in the new city layout

The smallest Greek theatre in the world

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Scicli, the city of Baroque scenery

Rebirth and urban planning of the city of Noto

The two churches

The Church of St. Benedict

The articulated interior spaces

The senses tell about Palazzo Ducezio

The Antonino Uccello Birthplace Museum

The Badia di Sant’Agata (St. Agatha’s Abbey)

Akrai and Syracuse: an unbreakable bond

Palazzo della Cancelleria: from former stable to the Nicastro family

A story of rebirth

Palazzo Trigona di Canicarao

The senses tell about Palazzo Beneventano

A heritage of votive works

Baroque and the loss of balance in the 16th century

A new site for the church of San Giorgio

The Palazzo dei due mori

The expansion of space and changing reality

Expansion, spatiality and light in the church of San Domenico

The Church of St. John the Evangelist

The Infiorata of Noto, a modern tradition

Palazzo Trigona: a building with a complex shape

The senses tell the story of the Church of Santa Maria del Monte

The Church of St. Francis

Fountain of the Nymph Zizza: public water in the town

Verticality and dynamism of the façade of the Church of San Carlo

One city, three sites

The Madonna dei Conadomini and the art of devotion

The senses tell the story of the Church of San Giuliano ai Crociferi

The Benedictines’ library

Militello: The story of an enlightened fiefdom