Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The senses tell the story of the staircase of Santa Maria del Monte

St. Agatha and the giant candelabras

Baroque and the loss of equilibrium in the 16th century

A new site for a new city

A square as the heart of the city

The senses tell the Cathedral of Sant’Agata

A hall for the feasts

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Modica, a city with ancient origins

A colourful floor

The character of Badia Sant’Agata

Discovering the mother church

The senses tell the story of the Badia di Sant’Agata

Palazzo Nicolaci di Villadorata, who is the architect?

The disastrous earthquake

A talking palace

The role of the religious orders in rebuilding the Val di Noto

Norman apses

A triumph of colour

A majestic and luminous church

The senses tell the story of the church of San Giuseppe

St. Sebastian, so much work!

The Staircase of Angels

The senses tell the story of the Church of San Giuliano ai Crociferi

Wonderful quick decorations

Feasting in Palazzolo

Some prestigious works

A feast only for Scicli

A small room with a golden entrance

Some masterpieces

The senses tell about Palazzo Nicolaci

The Baroque town by the sea

San Nicolò l’Arena: an unfinished church

A new site for a new church

The senses tell the story of the Church of Santa Chiara

The Barresi-Branciforte lords

The Supernatural dimension of the chapel of the Santissimo Sacramento

A prominent church

Two illustrious patron saints

Feast days

Places of knowledge: the Benedictines’ library

A new entrance for Santa Chiara (St. Claire)

A design by Vincenzo Sinatra

One city, two sites

A museum to save a tradition

The senses tell the story of the church of San Giovanni Battista

From International Gothic to present day

The internal colours

Limestone, the colour of harmony

The Maiolica of the staircase

Many owners, one palace

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Rosario Gagliardi, the maestro of the Val di Noto

A city in colour

The senses tell the story of the Church of San Benedetto

The two churches

The theatre of taste

Corbels: a celebration of the Nicolaci family

A symbol for the town

The senses tell about Palazzo Napolino Tommasi Rosso

The façade used as a puppet theatre

A Nobel Prize in Modica

Militello, the story of an enlightened fiefdom

Prominent façade

The wall comes to life

The senses tell about Palazzo La Rocca

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Connections with other UNESCO sites

The Burgos crucifix

Between white and black

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the church of Santa Maria del Carmelo

The chocolate of Modica

A miniature city

An eagle-shaped city

From St. Thomas to St. Joseph

The cathedral of Sant’Agata: a lengthy reconstruction

The Benedictine Monastery, one of the largest in Europe

The Infiorata, a feast of colours and flowers

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A new palace for the La Rocca lords

The senses tell the story of the Church of San Sebastiano

The kitchen, a treasure chest of colours

The church of Carmine

A half-Baroque church

The colours of the cathedral

From the contrast of the exterior to the internal jubilation of colours

Fontana della Ninfa Zizza, public water in the town

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of Santa Chiara

One city, three sites

The Feast of San Giacomo (St. James)

New roads for Catania

Searching for colour

The senses tell the story of the Church of the Annunciation

The city of museums

San Benedetto: a treasure reopened to the public

A long reconstruction

The interior and its masterpieces