Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The senses tell the story of the Badia di Sant’Agata

The Infiorata, a feast of colours and flowers

A Nobel Prize in Modica

Some masterpieces

The senses tell about Palazzo Nicolaci

The façade used as a puppet theatre

The senses tell the story of the church of San Giovanni Battista

Two illustrious patron saints

New roads for Catania

Searching for colour

San Nicolò l’Arena: an unfinished church

Militello, the story of an enlightened fiefdom

The Barresi-Branciforte lords

Feast days

The senses tell the story of the church of Santa Maria del Carmelo

A design by Vincenzo Sinatra

The Baroque town by the sea

Prominent façade

A miniature city

The senses tell the Cathedral of Sant’Agata

A museum to save a tradition

The theatre of taste

A hall for the feasts

The Burgos crucifix

Palazzo Nicolaci di Villadorata, who is the architect?

Fontana della Ninfa Zizza, public water in the town

A new site for a new city

A long reconstruction

One city, three sites

The Benedictine Monastery, one of the largest in Europe

The Maiolica of the staircase

A half-Baroque church

The internal colours

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

A prominent church

The interior and its masterpieces

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Staircase of Angels

The senses tell about Palazzo La Rocca

Some prestigious works

The disastrous earthquake

The senses tell the story of the staircase of Santa Maria del Monte

Limestone, the colour of harmony

Wonderful quick decorations

From International Gothic to present day

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Benedetto

Corbels: a celebration of the Nicolaci family

Feasting in Palazzolo

The Feast of San Giacomo (St. James)

St. Agatha and the giant candelabras

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Giuliano ai Crociferi

The city of museums

Discovering the mother church

The senses tell about Palazzo Napolino Tommasi Rosso

From St. Thomas to St. Joseph

Between white and black

Baroque and the loss of equilibrium in the 16th century

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Rosario Gagliardi, the maestro of the Val di Noto

A colourful floor

The church of Carmine

Connections with other UNESCO sites

A city in colour

St. Sebastian, so much work!

The two churches

One city, two sites

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A majestic and luminous church

Modica, a city with ancient origins

A small room with a golden entrance

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of the Annunciation

The colours of the cathedral

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of Santa Chiara

A new palace for the La Rocca lords

Norman apses

A new site for a new church

The wall comes to life

The Supernatural dimension of the chapel of the Santissimo Sacramento

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the church of San Giuseppe

Many owners, one palace

A feast only for Scicli

The role of the religious orders in rebuilding the Val di Noto

A square as the heart of the city

A talking palace

A triumph of colour

The chocolate of Modica

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Sebastiano

A symbol for the town

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

Places of knowledge: the Benedictines’ library