Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

Some masterpieces

The senses tell the story of the church of Santa Maria del Carmelo

The Maiolica of the staircase

A new site for a new city

San Nicolò l’Arena: an unfinished church

The façade used as a puppet theatre

The theatre of taste

The Staircase of Angels

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Sebastiano

The Burgos crucifix

The cathedral of Sant’Agata: a lengthy reconstruction

Fontana della Ninfa Zizza, public water in the town

Searching for colour

The disastrous earthquake

Norman apses

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The church of Carmine

A feast only for Scicli

The senses tell the story of the Church of San Giuliano ai Crociferi

Some prestigious works

A triumph of colour

From International Gothic to present day

A new palace for the La Rocca lords

The senses tell the story of the Badia di Sant’Agata

A colourful floor

The senses tell the story of the Church of San Benedetto

Modica, a city with ancient origins

A museum to save a tradition

Feasting in Palazzolo

The Feast of San Giacomo (St. James)

Between white and black

Places of knowledge: the Benedictines’ library

The chocolate of Modica

The senses tell the Cathedral of Sant’Agata

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo Napolino Tommasi Rosso

St. Agatha and the giant candelabras

The two churches

The Barresi-Branciforte lords

A new site for a new church

A Nobel Prize in Modica

The colours of the cathedral

A prominent church

Palazzo Nicolaci di Villadorata, who is the architect?

A city in colour

Wonderful quick decorations

A small room with a golden entrance

The senses tell the story of the Church of Santa Chiara

A hall for the feasts

The interior and its masterpieces

From the contrast of the exterior to the internal jubilation of colours

The role of the religious orders in rebuilding the Val di Noto

A square as the heart of the city

Baroque and the loss of equilibrium in the 16th century

A half-Baroque church

One city, two sites

The senses tell the story of the Church of the Annunciation

The Benedictine Monastery, one of the largest in Europe

The senses tell about Palazzo La Rocca

Two illustrious patron saints

From St. Thomas to St. Joseph

Discovering the mother church

The Baroque town by the sea

An eagle-shaped city

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell about Palazzo Nicolaci

Limestone, the colour of harmony

A talking palace

The senses tell the story of the church of San Giovanni Battista

Many owners, one palace

The wall comes to life

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

New roads for Catania

St. Sebastian, so much work!

Prominent façade

A miniature city

Garden of Novices and the restorations by Giancarlo De Carlo

Connections with other UNESCO sites

Rosario Gagliardi, the maestro of the Val di Noto

The character of Badia Sant’Agata

Feast days

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A majestic and luminous church

A new entrance for Santa Chiara (St. Claire)

The kitchen, a treasure chest of colours

One city, three sites

A long reconstruction

Corbels: a celebration of the Nicolaci family

A design by Vincenzo Sinatra

Militello, the story of an enlightened fiefdom

A symbol for the town

The city of museums

The Infiorata, a feast of colours and flowers

The senses tell the story of the staircase of Santa Maria del Monte

The internal colours