Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

San Nicolò l’Arena: an unfinished church

New roads for Catania

Places of knowledge: the Benedictines’ library

Discovering the mother church

A colourful floor

The chocolate of Modica

A triumph of colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The kitchen, a treasure chest of colours

One city, three sites

Between white and black

The senses tell the story of the Church of the Annunciation

The city of museums

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

The disastrous earthquake

Some prestigious works

The senses tell the Cathedral of Sant’Agata

Limestone, the colour of harmony

A talking palace

The senses tell the story of the Church of Santa Chiara

Modica, a city with ancient origins

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

The façade used as a puppet theatre

The interior and its masterpieces

St. Sebastian, so much work!

A hall for the feasts

A museum to save a tradition

San Benedetto: a treasure reopened to the public

The Benedictine Monastery, one of the largest in Europe

Some masterpieces

A city in colour

A new site for a new city

The church of Carmine

A long reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

The wall comes to life

Searching for colour

The senses tell the story of the Church of San Giuliano ai Crociferi

A Nobel Prize in Modica

Norman apses

The senses tell about Palazzo La Rocca

The senses tell the story of the church of San Giuseppe

A miniature city

The Barresi-Branciforte lords

The senses tell the story of the Badia di Sant’Agata

Two illustrious patron saints

An eagle-shaped city

From the contrast of the exterior to the internal jubilation of colours

A new palace for the La Rocca lords

The senses tell the story of the staircase of Santa Maria del Monte

The two churches

From St. Thomas to St. Joseph

A symbol for the town

The character of Badia Sant’Agata

The Staircase of Angels

The senses tell the story of the Church of San Giovanni Evangelista

Baroque and the loss of equilibrium in the 16th century

A small room with a golden entrance

The senses tell about Palazzo Napolino Tommasi Rosso

The Supernatural dimension of the chapel of the Santissimo Sacramento

A design by Vincenzo Sinatra

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Maiolica of the staircase

The Feast of San Giacomo (St. James)

From International Gothic to present day

Wonderful quick decorations

Militello, the story of an enlightened fiefdom

A prominent church

The Burgos crucifix

The Baroque town by the sea

Feasting in Palazzolo

The theatre of taste

The senses tell the story of the church of Santa Maria del Carmelo

Prominent façade

The colours of the cathedral

Rosario Gagliardi, the maestro of the Val di Noto

Corbels: a celebration of the Nicolaci family

A new site for a new church

Many owners, one palace

The senses tell about Palazzo Nicolaci

Palazzo Nicolaci di Villadorata, who is the architect?

A square as the heart of the city

One city, two sites

The role of the religious orders in rebuilding the Val di Noto

The cathedral of Sant’Agata: a lengthy reconstruction

A half-Baroque church

A majestic and luminous church

Connections with other UNESCO sites

Feast days

The internal colours

The senses tell the story of the Church of San Sebastiano

A feast only for Scicli

The Infiorata, a feast of colours and flowers

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Benedetto

Fontana della Ninfa Zizza, public water in the town