Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The senses tell the story of the Church of San Giovanni Evangelista

The internal colours

Searching for colour

The role of the religious orders in rebuilding the Val di Noto

A long reconstruction

The two churches

The Staircase of Angels

The senses tell about Palazzo La Rocca

Corbels: a celebration of the Nicolaci family

The chocolate of Modica

A half-Baroque church

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new palace for the La Rocca lords

The senses tell the story of the staircase of Santa Maria del Monte

The Baroque town by the sea

The senses tell the story of the church of San Giovanni Battista

The Burgos crucifix

A feast only for Scicli

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The interior and its masterpieces

A majestic and luminous church

St. Sebastian, so much work!

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, two sites

St. Agatha and the giant candelabras

Rosario Gagliardi, the maestro of the Val di Noto

The church of Carmine

Feast days

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

A prominent church

The city of museums

The disastrous earthquake

The senses tell the story of the church of San Giuseppe

The wall comes to life

A new entrance for Santa Chiara (St. Claire)

A new site for a new city

Feasting in Palazzolo

From the contrast of the exterior to the internal jubilation of colours

The Benedictine Monastery, one of the largest in Europe

The senses tell about Palazzo Nicolaci

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Badia di Sant’Agata

A hall for the feasts

The senses tell the Cathedral of Sant’Agata

A design by Vincenzo Sinatra

The Infiorata, a feast of colours and flowers

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Nicolaci di Villadorata, who is the architect?

A talking palace

San Benedetto: a treasure reopened to the public

Some prestigious works

Militello, the story of an enlightened fiefdom

From International Gothic to present day

A square as the heart of the city

Modica, a city with ancient origins

Some masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Benedetto

A symbol for the town

Between white and black

A new site for a new church

A miniature city

The senses tell the story of the church of Santa Maria del Carmelo

Two illustrious patron saints

The kitchen, a treasure chest of colours

Baroque and the loss of equilibrium in the 16th century

The Feast of San Giacomo (St. James)

Prominent façade

A triumph of colour

The theatre of taste

The façade used as a puppet theatre

One city, three sites

The senses tell the story of the Church of the Annunciation

Connections with other UNESCO sites

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the Church of San Giuliano ai Crociferi

A Nobel Prize in Modica

The senses tell about Palazzo Napolino Tommasi Rosso

San Nicolò l’Arena: an unfinished church

New roads for Catania

The Barresi-Branciforte lords

From St. Thomas to St. Joseph

The colours of the cathedral

Discovering the mother church

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Norman apses

The senses tell the story of the Church of Santa Chiara

A museum to save a tradition

Places of knowledge: the Benedictines’ library

A colourful floor

The cathedral of Sant’Agata: a lengthy reconstruction

A small room with a golden entrance

The character of Badia Sant’Agata

A city in colour

An eagle-shaped city

Wonderful quick decorations

Limestone, the colour of harmony

Many owners, one palace