Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

A small room with a golden entrance

The internal colours

A design by Vincenzo Sinatra

The role of the religious orders in rebuilding the Val di Noto

Corbels: a celebration of the Nicolaci family

Wonderful quick decorations

Many owners, one palace

St. Sebastian, so much work!

From International Gothic to present day

A city in colour

One city, three sites

The senses tell about Palazzo Napolino Tommasi Rosso

The Supernatural dimension of the chapel of the Santissimo Sacramento

The two churches

The Staircase of Angels

The Burgos crucifix

Between white and black

Rosario Gagliardi, the maestro of the Val di Noto

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of the Annunciation

The Infiorata, a feast of colours and flowers

Feast days

From St. Thomas to St. Joseph

A new palace for the La Rocca lords

The interior and its masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A prominent church

The cathedral of Sant’Agata: a lengthy reconstruction

The colours of the cathedral

One city, two sites

The senses tell the story of the Church of San Benedetto

Some masterpieces

The city of museums

The disastrous earthquake

The Barresi-Branciforte lords

From the contrast of the exterior to the internal jubilation of colours

A symbol for the town

The senses tell the story of the Church of San Giuliano ai Crociferi

The Baroque town by the sea

The senses tell the story of the Badia di Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo La Rocca

The kitchen, a treasure chest of colours

The character of Badia Sant’Agata

A feast only for Scicli

Feasting in Palazzolo

Prominent façade

New roads for Catania

A new site for a new city

San Benedetto: a treasure reopened to the public

A half-Baroque church

The wall comes to life

The senses tell the story of the Church of Santa Chiara

A new site for a new church

The Maiolica of the staircase

A majestic and luminous church

The senses tell about Palazzo Nicolaci

The façade used as a puppet theatre

Norman apses

Baroque and the loss of equilibrium in the 16th century

Modica, a city with ancient origins

A long reconstruction

A square as the heart of the city

A hall for the feasts

The Feast of San Giacomo (St. James)

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Some prestigious works

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Benedictine Monastery, one of the largest in Europe

Searching for colour

The senses tell the story of the church of San Giuseppe

The senses tell the story of the church of San Giovanni Battista

The chocolate of Modica

A museum to save a tradition

The theatre of taste

A talking palace

A miniature city

The senses tell the Cathedral of Sant’Agata

A triumph of colour

San Nicolò l’Arena: an unfinished church

St. Agatha and the giant candelabras

The senses tell the story of the church of Santa Maria del Carmelo

A Nobel Prize in Modica

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

Militello, the story of an enlightened fiefdom

Fontana della Ninfa Zizza, public water in the town

An eagle-shaped city

Limestone, the colour of harmony

Two illustrious patron saints

The senses tell the story of the Church of San Giovanni Evangelista

The church of Carmine

Discovering the mother church

Places of knowledge: the Benedictines’ library

The senses tell the story of the staircase of Santa Maria del Monte

Connections with other UNESCO sites

A new entrance for Santa Chiara (St. Claire)

A colourful floor