Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

St. Agatha and the giant candelabras

Discovering the mother church

The Maiolica of the staircase

The cathedral of Sant’Agata: a lengthy reconstruction

An eagle-shaped city

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Sebastiano

New roads for Catania

The senses tell the story of the church of San Giuseppe

Between white and black

The internal colours

Fontana della Ninfa Zizza, public water in the town

A feast only for Scicli

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo Napolino Tommasi Rosso

Searching for colour

The Feast of San Giacomo (St. James)

Two illustrious patron saints

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giuliano ai Crociferi

The colours of the cathedral

A new palace for the La Rocca lords

Some masterpieces

The senses tell the story of the Church of San Giovanni Evangelista

One city, two sites

From International Gothic to present day

A triumph of colour

Palazzo Nicolaci di Villadorata, who is the architect?

The Baroque town by the sea

The two churches

The kitchen, a treasure chest of colours

The Burgos crucifix

A city in colour

The Supernatural dimension of the chapel of the Santissimo Sacramento

A new entrance for Santa Chiara (St. Claire)

A colourful floor

Rosario Gagliardi, the maestro of the Val di Noto

Feasting in Palazzolo

The disastrous earthquake

Some prestigious works

A new site for a new church

The senses tell the story of the church of Santa Maria del Carmelo

The role of the religious orders in rebuilding the Val di Noto

From St. Thomas to St. Joseph

The theatre of taste

Norman apses

Prominent façade

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of the Annunciation

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the church of San Giovanni Battista

The senses tell about Palazzo Nicolaci

Feast days

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Baroque and the loss of equilibrium in the 16th century

A square as the heart of the city

A miniature city

A symbol for the town

Places of knowledge: the Benedictines’ library

The chocolate of Modica

A hall for the feasts

A long reconstruction

The façade used as a puppet theatre

Many owners, one palace

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The church of Carmine

The Barresi-Branciforte lords

A half-Baroque church

A prominent church

The senses tell the story of the Church of Santa Chiara

A design by Vincenzo Sinatra

A museum to save a tradition

The senses tell about Palazzo La Rocca

The Infiorata, a feast of colours and flowers

Connections with other UNESCO sites

The wall comes to life

The Staircase of Angels

The senses tell the story of the Badia di Sant’Agata

Limestone, the colour of harmony

Garden of Novices and the restorations by Giancarlo De Carlo

A talking palace

Wonderful quick decorations

Militello, the story of an enlightened fiefdom

The Benedictine Monastery, one of the largest in Europe

The interior and its masterpieces

A Nobel Prize in Modica

A majestic and luminous church

One city, three sites

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of Santa Chiara

A new site for a new city

The senses tell the story of the Church of San Benedetto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the staircase of Santa Maria del Monte

St. Sebastian, so much work!

A small room with a golden entrance

The city of museums