Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

Corbels: a celebration of the Nicolaci family

Searching for colour

Many owners, one palace

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The two churches

A new palace for the La Rocca lords

The role of the religious orders in rebuilding the Val di Noto

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of San Giuliano ai Crociferi

The chocolate of Modica

Limestone, the colour of harmony

The senses tell about Palazzo Napolino Tommasi Rosso

Fontana della Ninfa Zizza, public water in the town

From the contrast of the exterior to the internal jubilation of colours

A feast only for Scicli

The senses tell the story of the Church of San Benedetto

The Burgos crucifix

Feasting in Palazzolo

The internal colours

Garden of Novices and the restorations by Giancarlo De Carlo

The colours of the cathedral

A talking palace

Militello, the story of an enlightened fiefdom

St. Sebastian, so much work!

The senses tell about Palazzo La Rocca

A Nobel Prize in Modica

The city of museums

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of San Sebastiano

One city, three sites

The disastrous earthquake

A new site for a new city

One city, two sites

The senses tell the story of the Church of San Giovanni Evangelista

The kitchen, a treasure chest of colours

A square as the heart of the city

A small room with a golden entrance

Two illustrious patron saints

The senses tell the story of the church of Santa Maria del Carmelo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Staircase of Angels

The interior and its masterpieces

A majestic and luminous church

A prominent church

Norman apses

The Maiolica of the staircase

The character of Badia Sant’Agata

The senses tell the Cathedral of Sant’Agata

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of the Annunciation

The senses tell the story of the Badia di Sant’Agata

Feast days

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of Santa Chiara

A miniature city

San Nicolò l’Arena: an unfinished church

The Barresi-Branciforte lords

Discovering the mother church

St. Agatha and the giant candelabras

The church of Carmine

The Infiorata, a feast of colours and flowers

New roads for Catania

Baroque and the loss of equilibrium in the 16th century

A design by Vincenzo Sinatra

The Benedictine Monastery, one of the largest in Europe

A city in colour

Prominent façade

A half-Baroque church

The wall comes to life

A new entrance for Santa Chiara (St. Claire)

The theatre of taste

A long reconstruction

The senses tell the story of the church of San Giovanni Battista

Modica, a city with ancient origins

A symbol for the town

The senses tell the story of the Church of Santa Chiara

Connections with other UNESCO sites

A museum to save a tradition

A hall for the feasts

The senses tell the story of the staircase of Santa Maria del Monte

The façade used as a puppet theatre

A new site for a new church

From St. Thomas to St. Joseph

The Feast of San Giacomo (St. James)

Places of knowledge: the Benedictines’ library

From International Gothic to present day

A triumph of colour

An eagle-shaped city

Between white and black

Some masterpieces

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Some prestigious works

Wonderful quick decorations

The cathedral of Sant’Agata: a lengthy reconstruction

A colourful floor

The Baroque town by the sea

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Benedetto: a treasure reopened to the public