Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Nicolaci

New roads for Catania

Many owners, one palace

A hall for the feasts

Norman apses

The cathedral of Sant’Agata: a lengthy reconstruction

Some prestigious works

The senses tell about Palazzo La Rocca

Rosario Gagliardi, the maestro of the Val di Noto

A city in colour

Connections with other UNESCO sites

From the contrast of the exterior to the internal jubilation of colours

The interior and its masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Modica, a city with ancient origins

The senses tell the story of the staircase of Santa Maria del Monte

Discovering the mother church

A new palace for the La Rocca lords

The Benedictine Monastery, one of the largest in Europe

Limestone, the colour of harmony

St. Sebastian, so much work!

From International Gothic to present day

Fontana della Ninfa Zizza, public water in the town

One city, two sites

A square as the heart of the city

The senses tell the story of the Church of San Benedetto

San Benedetto: a treasure reopened to the public

San Nicolò l’Arena: an unfinished church

Feasting in Palazzolo

The Baroque town by the sea

The kitchen, a treasure chest of colours

A long reconstruction

A symbol for the town

A talking palace

A new entrance for Santa Chiara (St. Claire)

The role of the religious orders in rebuilding the Val di Noto

A small room with a golden entrance

Corbels: a celebration of the Nicolaci family

A new site for a new church

The internal colours

A prominent church

A Nobel Prize in Modica

Some masterpieces

Palazzo Nicolaci di Villadorata, who is the architect?

The wall comes to life

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of the Annunciation

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of Santa Maria del Carmelo

The Staircase of Angels

The Maiolica of the staircase

A feast only for Scicli

An eagle-shaped city

A majestic and luminous church

Baroque and the loss of equilibrium in the 16th century

Feast days

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The chocolate of Modica

The colours of the cathedral

One city, three sites

A colourful floor

A new site for a new city

The Supernatural dimension of the chapel of the Santissimo Sacramento

Garden of Novices and the restorations by Giancarlo De Carlo

A triumph of colour

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The character of Badia Sant’Agata

The senses tell the story of the Church of Santa Chiara

A museum to save a tradition

The Burgos crucifix

Two illustrious patron saints

The disastrous earthquake

The theatre of taste

The senses tell the story of the Badia di Sant’Agata

The Feast of San Giacomo (St. James)

Between white and black

The Infiorata, a feast of colours and flowers

The city of museums

Searching for colour

The senses tell the story of the Church of San Sebastiano

Wonderful quick decorations

The church of Carmine

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Giovanni Evangelista

St. Agatha and the giant candelabras

The senses tell the story of the church of San Giovanni Battista

A half-Baroque church

A design by Vincenzo Sinatra

A miniature city

The senses tell the story of the Church of Santa Chiara

The two churches

The façade used as a puppet theatre

The senses tell the story of the church of San Giuseppe

The Barresi-Branciforte lords

Prominent façade

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the Cathedral of Sant’Agata

From St. Thomas to St. Joseph