Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

A talking palace

Some prestigious works

A hall for the feasts

San Benedetto: a treasure reopened to the public

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A new entrance for Santa Chiara (St. Claire)

San Nicolò l’Arena: an unfinished church

The theatre of taste

A half-Baroque church

The kitchen, a treasure chest of colours

The Maiolica of the staircase

Modica, a city with ancient origins

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A small room with a golden entrance

Searching for colour

Wonderful quick decorations

St. Sebastian, so much work!

A triumph of colour

The role of the religious orders in rebuilding the Val di Noto

The Burgos crucifix

A miniature city

The disastrous earthquake

A Nobel Prize in Modica

Many owners, one palace

Rosario Gagliardi, the maestro of the Val di Noto

The wall comes to life

A square as the heart of the city

A new site for a new church

The Barresi-Branciforte lords

The Infiorata, a feast of colours and flowers

The senses tell the story of the church of San Giovanni Battista

Norman apses

The senses tell the Cathedral of Sant’Agata

One city, three sites

The Staircase of Angels

A new site for a new city

The senses tell about Palazzo Nicolaci

Two illustrious patron saints

The internal colours

A feast only for Scicli

The senses tell the story of the Church of San Benedetto

A majestic and luminous church

The Baroque town by the sea

A new palace for the La Rocca lords

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Feast of San Giacomo (St. James)

The colours of the cathedral

A city in colour

The church of Carmine

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Napolino Tommasi Rosso

Militello, the story of an enlightened fiefdom

One city, two sites

The senses tell the story of the Church of Santa Chiara

The interior and its masterpieces

From St. Thomas to St. Joseph

A prominent church

From the contrast of the exterior to the internal jubilation of colours

Baroque and the loss of equilibrium in the 16th century

The two churches

New roads for Catania

The chocolate of Modica

The senses tell the story of the church of Santa Maria del Carmelo

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the staircase of Santa Maria del Monte

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of San Sebastiano

Between white and black

The senses tell the story of the church of San Giuseppe

From International Gothic to present day

The cathedral of Sant’Agata: a lengthy reconstruction

Feast days

The Supernatural dimension of the chapel of the Santissimo Sacramento

A symbol for the town

Corbels: a celebration of the Nicolaci family

Connections with other UNESCO sites

Some masterpieces

The character of Badia Sant’Agata

Prominent façade

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Badia di Sant’Agata

The city of museums

Fontana della Ninfa Zizza, public water in the town

Limestone, the colour of harmony

The senses tell the story of the Church of San Giuliano ai Crociferi

A colourful floor

The senses tell the story of the Church of Santa Chiara

A museum to save a tradition

The senses tell the story of the Church of San Giovanni Evangelista

A long reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of the Annunciation

Feasting in Palazzolo

Discovering the mother church

A design by Vincenzo Sinatra

An eagle-shaped city

Places of knowledge: the Benedictines’ library

The façade used as a puppet theatre

St. Agatha and the giant candelabras