Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The character of Badia Sant’Agata

A hall for the feasts

The Feast of San Giacomo (St. James)

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the church of San Giuseppe

The senses tell about Palazzo La Rocca

A city in colour

The senses tell the story of the church of Santa Maria del Carmelo

New roads for Catania

A new palace for the La Rocca lords

The kitchen, a treasure chest of colours

The colours of the cathedral

A feast only for Scicli

Militello, the story of an enlightened fiefdom

Feasting in Palazzolo

From International Gothic to present day

Places of knowledge: the Benedictines’ library

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Infiorata, a feast of colours and flowers

The Burgos crucifix

Two illustrious patron saints

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Sebastiano

An eagle-shaped city

Garden of Novices and the restorations by Giancarlo De Carlo

St. Sebastian, so much work!

Limestone, the colour of harmony

Many owners, one palace

The senses tell the story of the Church of Santa Chiara

A new entrance for Santa Chiara (St. Claire)

The chocolate of Modica

One city, two sites

A talking palace

The church of Carmine

From St. Thomas to St. Joseph

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Badia di Sant’Agata

Norman apses

Connections with other UNESCO sites

A majestic and luminous church

A small room with a golden entrance

A colourful floor

The senses tell about Palazzo Napolino Tommasi Rosso

Searching for colour

St. Agatha and the giant candelabras

The two churches

The Baroque town by the sea

Between white and black

Baroque and the loss of equilibrium in the 16th century

The façade used as a puppet theatre

The theatre of taste

The Maiolica of the staircase

The Barresi-Branciforte lords

Modica, a city with ancient origins

A new site for a new church

A museum to save a tradition

Some prestigious works

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

The cathedral of Sant’Agata: a lengthy reconstruction

San Nicolò l’Arena: an unfinished church

The internal colours

A miniature city

A design by Vincenzo Sinatra

Prominent façade

The Staircase of Angels

The city of museums

The Benedictine Monastery, one of the largest in Europe

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the Church of the Annunciation

A square as the heart of the city

A new site for a new city

Feast days

A Nobel Prize in Modica

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Palazzo Nicolaci di Villadorata, who is the architect?

One city, three sites

A prominent church

A triumph of colour

Wonderful quick decorations

A long reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the Cathedral of Sant’Agata

A symbol for the town

Corbels: a celebration of the Nicolaci family

The interior and its masterpieces

The senses tell about Palazzo Nicolaci

Discovering the mother church

Some masterpieces

San Benedetto: a treasure reopened to the public

The senses tell the story of the Church of San Giovanni Evangelista

From the contrast of the exterior to the internal jubilation of colours

A half-Baroque church

The disastrous earthquake

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the Church of San Benedetto

The wall comes to life