Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The senses tell the story of the church of San Giuseppe

From the contrast of the exterior to the internal jubilation of colours

A new site for a new city

Rosario Gagliardi, the maestro of the Val di Noto

A colourful floor

Militello, the story of an enlightened fiefdom

A miniature city

A city in colour

One city, two sites

Fontana della Ninfa Zizza, public water in the town

The Staircase of Angels

The Benedictine Monastery, one of the largest in Europe

A feast only for Scicli

The chocolate of Modica

Limestone, the colour of harmony

A Nobel Prize in Modica

A square as the heart of the city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A small room with a golden entrance

Norman apses

The internal colours

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of Santa Chiara

The church of Carmine

The city of museums

Connections with other UNESCO sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The theatre of taste

The kitchen, a treasure chest of colours

The wall comes to life

The Maiolica of the staircase

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A hall for the feasts

A half-Baroque church

Between white and black

One city, three sites

The Burgos crucifix

The senses tell the story of the Church of San Sebastiano

The senses tell the story of the church of San Giovanni Battista

St. Sebastian, so much work!

The character of Badia Sant’Agata

A museum to save a tradition

Corbels: a celebration of the Nicolaci family

Many owners, one palace

A new site for a new church

A triumph of colour

A talking palace

The senses tell the story of the Badia di Sant’Agata

Searching for colour

The interior and its masterpieces

The senses tell the story of the Church of San Benedetto

The cathedral of Sant’Agata: a lengthy reconstruction

San Nicolò l’Arena: an unfinished church

Palazzo Nicolaci di Villadorata, who is the architect?

Prominent façade

The senses tell the story of the staircase of Santa Maria del Monte

The colours of the cathedral

Some prestigious works

Feast days

The façade used as a puppet theatre

The senses tell the story of the Church of San Giovanni Evangelista

Feasting in Palazzolo

A prominent church

New roads for Catania

The Barresi-Branciforte lords

The two churches

The role of the religious orders in rebuilding the Val di Noto

Baroque and the loss of equilibrium in the 16th century

Some masterpieces

A long reconstruction

Garden of Novices and the restorations by Giancarlo De Carlo

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Feast of San Giacomo (St. James)

From St. Thomas to St. Joseph

A new entrance for Santa Chiara (St. Claire)

A new palace for the La Rocca lords

The disastrous earthquake

The senses tell the Cathedral of Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The Infiorata, a feast of colours and flowers

The senses tell the story of the Church of the Annunciation

San Benedetto: a treasure reopened to the public

Wonderful quick decorations

Modica, a city with ancient origins

Places of knowledge: the Benedictines’ library

The Baroque town by the sea

A symbol for the town

The senses tell about Palazzo Napolino Tommasi Rosso

A majestic and luminous church

The senses tell the story of the Church of San Giuliano ai Crociferi

Two illustrious patron saints

St. Agatha and the giant candelabras

From International Gothic to present day

The senses tell the story of the Church of Santa Chiara

An eagle-shaped city

A design by Vincenzo Sinatra

Discovering the mother church

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell about Palazzo La Rocca