Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

St. Sebastian, so much work!

From the contrast of the exterior to the internal jubilation of colours

Some prestigious works

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The Barresi-Branciforte lords

St. Agatha and the giant candelabras

Militello, the story of an enlightened fiefdom

The chocolate of Modica

The Baroque town by the sea

A new palace for the La Rocca lords

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the story of the Church of San Giuliano ai Crociferi

The city of museums

New roads for Catania

The senses tell about Palazzo La Rocca

The senses tell about Palazzo Napolino Tommasi Rosso

From International Gothic to present day

The wall comes to life

Discovering the mother church

The Infiorata, a feast of colours and flowers

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Nicolaci

Garden of Novices and the restorations by Giancarlo De Carlo

Prominent façade

A half-Baroque church

The façade used as a puppet theatre

The Feast of San Giacomo (St. James)

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The disastrous earthquake

A small room with a golden entrance

A new site for a new church

An eagle-shaped city

A triumph of colour

One city, two sites

A hall for the feasts

Palazzo Nicolaci di Villadorata, who is the architect?

A prominent church

The interior and its masterpieces

The senses tell the story of the Church of San Giovanni Evangelista

Two illustrious patron saints

San Benedetto: a treasure reopened to the public

A symbol for the town

Feasting in Palazzolo

The senses tell the story of the Church of Santa Chiara

The colours of the cathedral

A museum to save a tradition

The character of Badia Sant’Agata

The Benedictine Monastery, one of the largest in Europe

Connections with other UNESCO sites

One city, three sites

The senses tell the story of the church of San Giuseppe

Searching for colour

The two churches

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The church of Carmine

A long reconstruction

The senses tell the Cathedral of Sant’Agata

A square as the heart of the city

Some masterpieces

The senses tell the story of the Church of San Sebastiano

The Staircase of Angels

The Supernatural dimension of the chapel of the Santissimo Sacramento

The theatre of taste

A city in colour

The Burgos crucifix

A majestic and luminous church

A miniature city

The Maiolica of the staircase

Limestone, the colour of harmony

The internal colours

A new entrance for Santa Chiara (St. Claire)

Between white and black

Wonderful quick decorations

Corbels: a celebration of the Nicolaci family

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of the Annunciation

From St. Thomas to St. Joseph

The kitchen, a treasure chest of colours

A colourful floor

The senses tell the story of the church of San Giovanni Battista

A feast only for Scicli

A talking palace

The senses tell the story of the staircase of Santa Maria del Monte

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

Modica, a city with ancient origins

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Benedetto

San Nicolò l’Arena: an unfinished church

Norman apses

Baroque and the loss of equilibrium in the 16th century

Feast days

Many owners, one palace

A Nobel Prize in Modica

A design by Vincenzo Sinatra

A new site for a new city

Places of knowledge: the Benedictines’ library