Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The Infiorata, a feast of colours and flowers

The senses tell the story of the staircase of Santa Maria del Monte

Palazzo Nicolaci di Villadorata, who is the architect?

A long reconstruction

Corbels: a celebration of the Nicolaci family

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Feasting in Palazzolo

Discovering the mother church

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the Church of San Benedetto

The city of museums

The two churches

San Benedetto: a treasure reopened to the public

The Burgos crucifix

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A miniature city

Militello, the story of an enlightened fiefdom

San Nicolò l’Arena: an unfinished church

The Staircase of Angels

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The theatre of taste

Rosario Gagliardi, the maestro of the Val di Noto

A design by Vincenzo Sinatra

The façade used as a puppet theatre

The wall comes to life

A new palace for the La Rocca lords

An eagle-shaped city

The senses tell the story of the church of San Giuseppe

Places of knowledge: the Benedictines’ library

St. Sebastian, so much work!

The Barresi-Branciforte lords

The senses tell the story of the Church of San Giuliano ai Crociferi

Two illustrious patron saints

Some masterpieces

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of Santa Chiara

Norman apses

From the contrast of the exterior to the internal jubilation of colours

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Nicolaci

From St. Thomas to St. Joseph

The senses tell the story of the Badia di Sant’Agata

A new site for a new city

A new entrance for Santa Chiara (St. Claire)

A city in colour

A feast only for Scicli

The Supernatural dimension of the chapel of the Santissimo Sacramento

The interior and its masterpieces

The Maiolica of the staircase

Many owners, one palace

Searching for colour

A colourful floor

The senses tell the story of the Church of San Sebastiano

A half-Baroque church

One city, three sites

The senses tell the story of the church of Santa Maria del Carmelo

Limestone, the colour of harmony

The Benedictine Monastery, one of the largest in Europe

A new site for a new church

Wonderful quick decorations

New roads for Catania

A museum to save a tradition

A hall for the feasts

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Modica, a city with ancient origins

Baroque and the loss of equilibrium in the 16th century

Between white and black

The internal colours

The senses tell about Palazzo La Rocca

A symbol for the town

A talking palace

Some prestigious works

The Baroque town by the sea

The senses tell about Palazzo Napolino Tommasi Rosso

The kitchen, a treasure chest of colours

The colours of the cathedral

Prominent façade

The church of Carmine

A triumph of colour

The senses tell the story of the Church of the Annunciation

A small room with a golden entrance

A square as the heart of the city

The character of Badia Sant’Agata

St. Agatha and the giant candelabras

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giovanni Battista

Garden of Novices and the restorations by Giancarlo De Carlo

The disastrous earthquake

Fontana della Ninfa Zizza, public water in the town

Connections with other UNESCO sites

Feast days

A prominent church

The senses tell the story of the Church of San Giovanni Evangelista

The chocolate of Modica

One city, two sites

The senses tell the Cathedral of Sant’Agata

From International Gothic to present day

A Nobel Prize in Modica

A majestic and luminous church