Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

One city, three sites

The role of the religious orders in rebuilding the Val di Noto

A new palace for the La Rocca lords

Connections with other UNESCO sites

The church of Carmine

Searching for colour

Feasting in Palazzolo

The senses tell the story of the Church of the Annunciation

Norman apses

The senses tell about Palazzo Napolino Tommasi Rosso

The Benedictine Monastery, one of the largest in Europe

The interior and its masterpieces

The senses tell the story of the Church of San Benedetto

The chocolate of Modica

A symbol for the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Feast days

The senses tell the story of the church of San Giovanni Battista

A half-Baroque church

The internal colours

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of Santa Maria del Carmelo

The disastrous earthquake

The senses tell the story of the Church of San Giuliano ai Crociferi

The façade used as a puppet theatre

Places of knowledge: the Benedictines’ library

The Infiorata, a feast of colours and flowers

The Staircase of Angels

From the contrast of the exterior to the internal jubilation of colours

A museum to save a tradition

A new entrance for Santa Chiara (St. Claire)

New roads for Catania

The Feast of San Giacomo (St. James)

Some prestigious works

A majestic and luminous church

A hall for the feasts

The senses tell the story of the Badia di Sant’Agata

A city in colour

Discovering the mother church

The kitchen, a treasure chest of colours

Garden of Novices and the restorations by Giancarlo De Carlo

St. Agatha and the giant candelabras

A feast only for Scicli

The character of Badia Sant’Agata

The theatre of taste

Baroque and the loss of equilibrium in the 16th century

Wonderful quick decorations

From St. Thomas to St. Joseph

The senses tell the story of the Church of Santa Chiara

The colours of the cathedral

The city of museums

The senses tell about Palazzo Nicolaci

The senses tell the Cathedral of Sant’Agata

An eagle-shaped city

St. Sebastian, so much work!

A colourful floor

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo La Rocca

Corbels: a celebration of the Nicolaci family

The senses tell the story of the church of San Giuseppe

A prominent church

Limestone, the colour of harmony

The Supernatural dimension of the chapel of the Santissimo Sacramento

The Barresi-Branciforte lords

Some masterpieces

A design by Vincenzo Sinatra

Rosario Gagliardi, the maestro of the Val di Noto

The two churches

The wall comes to life

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Prominent façade

The senses tell the story of the staircase of Santa Maria del Monte

From International Gothic to present day

Two illustrious patron saints

A square as the heart of the city

A small room with a golden entrance

A long reconstruction

The Burgos crucifix

Modica, a city with ancient origins

Fontana della Ninfa Zizza, public water in the town

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Militello, the story of an enlightened fiefdom

Palazzo Nicolaci di Villadorata, who is the architect?

The Baroque town by the sea

A Nobel Prize in Modica

Between white and black

One city, two sites

San Nicolò l’Arena: an unfinished church

San Benedetto: a treasure reopened to the public

A miniature city

Many owners, one palace

A new site for a new church

The Maiolica of the staircase

A triumph of colour

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giovanni Evangelista

A new site for a new city

A talking palace