Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Giuliano ai Crociferi

Wonderful quick decorations

The kitchen, a treasure chest of colours

A symbol for the town

San Benedetto: a treasure reopened to the public

A new palace for the La Rocca lords

The colours of the cathedral

The internal colours

The senses tell the story of the church of Santa Maria del Carmelo

A new site for a new church

The role of the religious orders in rebuilding the Val di Noto

Connections with other UNESCO sites

Militello, the story of an enlightened fiefdom

A feast only for Scicli

A majestic and luminous church

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A design by Vincenzo Sinatra

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

Two illustrious patron saints

Between white and black

A new site for a new city

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the staircase of Santa Maria del Monte

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the Church of Santa Chiara

Some masterpieces

Searching for colour

The two churches

The senses tell about Palazzo Nicolaci

St. Sebastian, so much work!

A long reconstruction

The wall comes to life

The senses tell the story of the Church of San Sebastiano

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Cathedral of Sant’Agata

A triumph of colour

Norman apses

A talking palace

A Nobel Prize in Modica

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the church of San Giuseppe

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Limestone, the colour of harmony

The disastrous earthquake

The senses tell the story of the Church of San Benedetto

From International Gothic to present day

A half-Baroque church

Many owners, one palace

The Burgos crucifix

San Nicolò l’Arena: an unfinished church

A prominent church

One city, three sites

Places of knowledge: the Benedictines’ library

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Staircase of Angels

A hall for the feasts

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The Infiorata, a feast of colours and flowers

New roads for Catania

A new entrance for Santa Chiara (St. Claire)

From St. Thomas to St. Joseph

Some prestigious works

Corbels: a celebration of the Nicolaci family

A city in colour

A miniature city

A colourful floor

One city, two sites

The Barresi-Branciforte lords

The church of Carmine

Modica, a city with ancient origins

The Maiolica of the staircase

St. Agatha and the giant candelabras

The chocolate of Modica

Feasting in Palazzolo

A museum to save a tradition

From the contrast of the exterior to the internal jubilation of colours

The Feast of San Giacomo (St. James)

A small room with a golden entrance

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

Discovering the mother church

The theatre of taste

Prominent façade

An eagle-shaped city

The senses tell the story of the church of San Giovanni Battista

The city of museums

The senses tell about Palazzo Napolino Tommasi Rosso

Rosario Gagliardi, the maestro of the Val di Noto

A square as the heart of the city

Feast days

The Baroque town by the sea

The senses tell the story of the Church of the Annunciation

Baroque and the loss of equilibrium in the 16th century

The façade used as a puppet theatre

The character of Badia Sant’Agata

The senses tell about Palazzo La Rocca

Palazzo Nicolaci di Villadorata, who is the architect?