Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The colours of the cathedral

The senses tell about Palazzo La Rocca

Some prestigious works

A square as the heart of the city

San Benedetto: a treasure reopened to the public

The Infiorata, a feast of colours and flowers

The façade used as a puppet theatre

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Sebastiano

A new palace for the La Rocca lords

A new site for a new city

The senses tell the story of the Badia di Sant’Agata

Feast days

From International Gothic to present day

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Militello, the story of an enlightened fiefdom

Garden of Novices and the restorations by Giancarlo De Carlo

From the contrast of the exterior to the internal jubilation of colours

The cathedral of Sant’Agata: a lengthy reconstruction

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

A prominent church

Fontana della Ninfa Zizza, public water in the town

Rosario Gagliardi, the maestro of the Val di Noto

New roads for Catania

The senses tell about Palazzo Napolino Tommasi Rosso

Between white and black

The senses tell the story of the Church of San Giuliano ai Crociferi

The Feast of San Giacomo (St. James)

The Barresi-Branciforte lords

A half-Baroque church

A museum to save a tradition

A new entrance for Santa Chiara (St. Claire)

St. Agatha and the giant candelabras

Some masterpieces

Feasting in Palazzolo

Wonderful quick decorations

Norman apses

The Burgos crucifix

The wall comes to life

The Baroque town by the sea

The character of Badia Sant’Agata

An eagle-shaped city

A long reconstruction

The role of the religious orders in rebuilding the Val di Noto

Baroque and the loss of equilibrium in the 16th century

The senses tell the story of the Church of San Benedetto

The Maiolica of the staircase

The senses tell the story of the church of Santa Maria del Carmelo

Connections with other UNESCO sites

Prominent façade

Searching for colour

The two churches

Many owners, one palace

The chocolate of Modica

One city, three sites

A hall for the feasts

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Nicolaci

The theatre of taste

From St. Thomas to St. Joseph

A symbol for the town

The senses tell the Cathedral of Sant’Agata

The disastrous earthquake

A small room with a golden entrance

A talking palace

Corbels: a celebration of the Nicolaci family

Two illustrious patron saints

One city, two sites

The senses tell the story of the Church of San Giovanni Evangelista

The kitchen, a treasure chest of colours

The senses tell the story of the church of San Giovanni Battista

A triumph of colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A feast only for Scicli

A majestic and luminous church

Palazzo Nicolaci di Villadorata, who is the architect?

A design by Vincenzo Sinatra

The Supernatural dimension of the chapel of the Santissimo Sacramento

A Nobel Prize in Modica

The senses tell the story of the church of San Giuseppe

A new site for a new church

The city of museums

The Staircase of Angels

St. Sebastian, so much work!

The internal colours

A city in colour

A colourful floor

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of Santa Chiara

The Benedictine Monastery, one of the largest in Europe

Modica, a city with ancient origins

Discovering the mother church

Limestone, the colour of harmony

The senses tell the story of the Church of the Annunciation

A miniature city

The interior and its masterpieces

The senses tell the story of the staircase of Santa Maria del Monte

The church of Carmine