Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

A feast only for Scicli

St. Sebastian, so much work!

The Feast of San Giacomo (St. James)

The senses tell the story of the Church of Santa Chiara

A museum to save a tradition

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Church of Santa Chiara

Palazzo Nicolaci di Villadorata, who is the architect?

Rosario Gagliardi, the maestro of the Val di Noto

The church of Carmine

Garden of Novices and the restorations by Giancarlo De Carlo

The Barresi-Branciforte lords

The senses tell the story of the Church of San Benedetto

One city, three sites

Modica, a city with ancient origins

A miniature city

A city in colour

New roads for Catania

Places of knowledge: the Benedictines’ library

One city, two sites

Some masterpieces

An eagle-shaped city

A new palace for the La Rocca lords

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of Santa Maria del Carmelo

The role of the religious orders in rebuilding the Val di Noto

A majestic and luminous church

The senses tell the story of the Badia di Sant’Agata

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the church of San Giovanni Battista

A new site for a new city

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the staircase of Santa Maria del Monte

Norman apses

The interior and its masterpieces

Between white and black

A talking palace

The Benedictine Monastery, one of the largest in Europe

The Infiorata, a feast of colours and flowers

The senses tell about Palazzo Nicolaci

From the contrast of the exterior to the internal jubilation of colours

The kitchen, a treasure chest of colours

Prominent façade

The theatre of taste

A prominent church

Discovering the mother church

Searching for colour

The Burgos crucifix

The chocolate of Modica

The senses tell the story of the Church of San Sebastiano

A Nobel Prize in Modica

The senses tell the story of the church of San Giuseppe

Feasting in Palazzolo

Limestone, the colour of harmony

The cathedral of Sant’Agata: a lengthy reconstruction

The façade used as a puppet theatre

Baroque and the loss of equilibrium in the 16th century

Many owners, one palace

A long reconstruction

A new entrance for Santa Chiara (St. Claire)

The Maiolica of the staircase

St. Agatha and the giant candelabras

The Staircase of Angels

The disastrous earthquake

The Baroque town by the sea

A hall for the feasts

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Two illustrious patron saints

Connections with other UNESCO sites

A symbol for the town

Some prestigious works

The Supernatural dimension of the chapel of the Santissimo Sacramento

The wall comes to life

San Benedetto: a treasure reopened to the public

San Nicolò l’Arena: an unfinished church

Militello, the story of an enlightened fiefdom

The colours of the cathedral

The senses tell about Palazzo La Rocca

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A small room with a golden entrance

The two churches

The internal colours

A square as the heart of the city

The character of Badia Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

Corbels: a celebration of the Nicolaci family

A triumph of colour

The city of museums

From International Gothic to present day

A new site for a new church

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Wonderful quick decorations

Feast days

A colourful floor

A design by Vincenzo Sinatra

A half-Baroque church