Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

The senses tell the story of the Church of San Giuliano ai Crociferi

Modica, a city with ancient origins

San Benedetto: a treasure reopened to the public

Palazzo Nicolaci di Villadorata, who is the architect?

Garden of Novices and the restorations by Giancarlo De Carlo

The Staircase of Angels

The senses tell the story of the Church of San Benedetto

A majestic and luminous church

St. Sebastian, so much work!

The character of Badia Sant’Agata

A triumph of colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the Church of San Giovanni Evangelista

Feasting in Palazzolo

The senses tell about Palazzo La Rocca

Wonderful quick decorations

A long reconstruction

A hall for the feasts

A colourful floor

The wall comes to life

Rosario Gagliardi, the maestro of the Val di Noto

San Nicolò l’Arena: an unfinished church

The senses tell the story of the staircase of Santa Maria del Monte

A feast only for Scicli

A city in colour

Connections with other UNESCO sites

The senses tell the story of the Church of San Sebastiano

The senses tell about Palazzo Nicolaci

Corbels: a celebration of the Nicolaci family

A square as the heart of the city

From International Gothic to present day

The façade used as a puppet theatre

A Nobel Prize in Modica

The colours of the cathedral

The cathedral of Sant’Agata: a lengthy reconstruction

The Feast of San Giacomo (St. James)

A new site for a new city

The chocolate of Modica

Discovering the mother church

A symbol for the town

The Burgos crucifix

An eagle-shaped city

The two churches

A prominent church

The kitchen, a treasure chest of colours

A half-Baroque church

Many owners, one palace

Prominent façade

The senses tell the story of the church of San Giovanni Battista

The city of museums

A talking palace

The senses tell the Cathedral of Sant’Agata

The Barresi-Branciforte lords

The Maiolica of the staircase

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Badia di Sant’Agata

The Infiorata, a feast of colours and flowers

One city, three sites

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Church of the Annunciation

A small room with a golden entrance

The role of the religious orders in rebuilding the Val di Noto

Militello, the story of an enlightened fiefdom

Fontana della Ninfa Zizza, public water in the town

The disastrous earthquake

Baroque and the loss of equilibrium in the 16th century

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Between white and black

A new site for a new church

Searching for colour

Places of knowledge: the Benedictines’ library

The senses tell the story of the church of Santa Maria del Carmelo

Some masterpieces

The theatre of taste

The senses tell the story of the Church of Santa Chiara

One city, two sites

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of San Giuseppe

The Baroque town by the sea

The interior and its masterpieces

A design by Vincenzo Sinatra

Some prestigious works

A museum to save a tradition

Two illustrious patron saints

New roads for Catania

The senses tell about Palazzo Napolino Tommasi Rosso

From the contrast of the exterior to the internal jubilation of colours

The church of Carmine

The senses tell the story of the Church of Santa Chiara

The internal colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

From St. Thomas to St. Joseph

A new palace for the La Rocca lords

Norman apses

Feast days

St. Agatha and the giant candelabras

A miniature city

The Supernatural dimension of the chapel of the Santissimo Sacramento

Limestone, the colour of harmony