Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

From St. Thomas to St. Joseph

Modica, a city with ancient origins

The senses tell the story of the Church of Santa Chiara

The church of Carmine

Some masterpieces

The Supernatural dimension of the chapel of the Santissimo Sacramento

Garden of Novices and the restorations by Giancarlo De Carlo

The Benedictine Monastery, one of the largest in Europe

Corbels: a celebration of the Nicolaci family

Between white and black

Feast days

The Staircase of Angels

The senses tell the story of the Church of San Giuliano ai Crociferi

A half-Baroque church

A new site for a new church

Searching for colour

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the story of the church of San Giuseppe

The Baroque town by the sea

The character of Badia Sant’Agata

The senses tell the Cathedral of Sant’Agata

A colourful floor

A majestic and luminous church

The theatre of taste

New roads for Catania

San Benedetto: a treasure reopened to the public

The Maiolica of the staircase

Discovering the mother church

A new site for a new city

Limestone, the colour of harmony

St. Agatha and the giant candelabras

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A symbol for the town

The senses tell the story of the staircase of Santa Maria del Monte

The Feast of San Giacomo (St. James)

A new palace for the La Rocca lords

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of Santa Chiara

Two illustrious patron saints

A small room with a golden entrance

The senses tell the story of the church of San Giovanni Battista

A prominent church

A talking palace

The senses tell about Palazzo Napolino Tommasi Rosso

Many owners, one palace

The senses tell about Palazzo Nicolaci

The city of museums

The interior and its masterpieces

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of San Benedetto

The chocolate of Modica

The senses tell the story of the Badia di Sant’Agata

St. Sebastian, so much work!

Some prestigious works

The senses tell the story of the Church of San Sebastiano

Rosario Gagliardi, the maestro of the Val di Noto

A triumph of colour

Feasting in Palazzolo

The wall comes to life

A long reconstruction

The colours of the cathedral

Connections with other UNESCO sites

The senses tell the story of the Church of the Annunciation

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell about Palazzo La Rocca

An eagle-shaped city

The Barresi-Branciforte lords

Norman apses

A feast only for Scicli

A new entrance for Santa Chiara (St. Claire)

The two churches

The senses tell the story of the church of Santa Maria del Carmelo

The kitchen, a treasure chest of colours

From the contrast of the exterior to the internal jubilation of colours

A design by Vincenzo Sinatra

The Burgos crucifix

A hall for the feasts

The disastrous earthquake

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The internal colours

Palazzo Nicolaci di Villadorata, who is the architect?

A miniature city

One city, two sites

Places of knowledge: the Benedictines’ library

Fontana della Ninfa Zizza, public water in the town

Prominent façade

Militello, the story of an enlightened fiefdom

Wonderful quick decorations

A museum to save a tradition

From International Gothic to present day

Baroque and the loss of equilibrium in the 16th century

The role of the religious orders in rebuilding the Val di Noto

The façade used as a puppet theatre

A Nobel Prize in Modica

The Infiorata, a feast of colours and flowers

A square as the heart of the city

A city in colour

One city, three sites

The senses tell the Benedictine Monastery and San NicoIò l’Arena