Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

A long reconstruction

One city, two sites

Connections with other UNESCO sites

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Benedetto

A small room with a golden entrance

Places of knowledge: the Benedictines’ library

The façade used as a puppet theatre

The senses tell the story of the Church of San Giovanni Evangelista

A symbol for the town

A new entrance for Santa Chiara (St. Claire)

A new palace for the La Rocca lords

A hall for the feasts

Two illustrious patron saints

A half-Baroque church

A prominent church

Modica, a city with ancient origins

A Nobel Prize in Modica

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the staircase of Santa Maria del Monte

Prominent façade

The senses tell the story of the church of San Giuseppe

Many owners, one palace

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Corbels: a celebration of the Nicolaci family

From the contrast of the exterior to the internal jubilation of colours

Baroque and the loss of equilibrium in the 16th century

The Supernatural dimension of the chapel of the Santissimo Sacramento

Discovering the mother church

A museum to save a tradition

From International Gothic to present day

The internal colours

San Nicolò l’Arena: an unfinished church

Feasting in Palazzolo

San Benedetto: a treasure reopened to the public

Between white and black

An eagle-shaped city

The wall comes to life

The role of the religious orders in rebuilding the Val di Noto

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of Santa Chiara

A triumph of colour

St. Sebastian, so much work!

The cathedral of Sant’Agata: a lengthy reconstruction

A design by Vincenzo Sinatra

From St. Thomas to St. Joseph

Feast days

A city in colour

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of the Annunciation

Militello, the story of an enlightened fiefdom

A square as the heart of the city

The chocolate of Modica

The senses tell the story of the Badia di Sant’Agata

The character of Badia Sant’Agata

A majestic and luminous church

The theatre of taste

The Staircase of Angels

Some prestigious works

The disastrous earthquake

The senses tell the Cathedral of Sant’Agata

New roads for Catania

The Maiolica of the staircase

The Feast of San Giacomo (St. James)

A feast only for Scicli

Wonderful quick decorations

The senses tell about Palazzo Nicolaci

Norman apses

The Barresi-Branciforte lords

A new site for a new city

The interior and its masterpieces

One city, three sites

A new site for a new church

The senses tell the story of the church of Santa Maria del Carmelo

The colours of the cathedral

Fontana della Ninfa Zizza, public water in the town

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the Church of Santa Chiara

Garden of Novices and the restorations by Giancarlo De Carlo

The Infiorata, a feast of colours and flowers

A colourful floor

The Burgos crucifix

The Benedictine Monastery, one of the largest in Europe

The senses tell the story of the church of San Giovanni Battista

The kitchen, a treasure chest of colours

The Baroque town by the sea

The senses tell about Palazzo Napolino Tommasi Rosso

Some masterpieces

A talking palace

The city of museums

A miniature city

Limestone, the colour of harmony

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Giuliano ai Crociferi

The church of Carmine

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Sebastiano

The two churches

Searching for colour