Ragusa

Rosario Gagliardi, the maestro of the Val di Noto

Nature and architecture blend perfectly in Ragusa. Construction adapted to the environment in a surprising way. It was the result of careful planning involving many architects, engineers and foremen.
Each made a valuable contribution, though unfortunately it is not always possible to acknowledge everyone who worked on the project (such as the workers). Fortunately this is not the case for the “maestro of the Val di Noto”, Rosario Gagliardi.
He was perhaps the most creative 18th-century Sicilian architect, and was certainly the most innovative. He proposed a Baroque style that started with the basic rules then became something more beautiful and newer. His designs always took into account the context of the town, where it was and what was around it.foto facciata duomo This way, the buildings of the towns he built fit perfectly into the space.
He invented the tower façade, a façade that ended with a tower and bells, like the cathedral of San Giorgio (St. George) in Ragusa Ibla.
In his eyes, architecture was not only a useful discipline for constructing and designing a building, it also had to be able to arouse emotion. For this reason he placed sculptural decorations on the walls that added life and expression to his façades.
Unfortunately, not all of his ideas could be executed; Gagliardi had to be mindful of the economic factor and the money at his disposal.This was not, however, an obstacle to his imagination. Using his skill, the architect always managed to work and combine economic and aesthetic factors.

New roads for Catania

An eagle-shaped city

Norman apses

The Barresi-Branciforte lords

The façade used as a puppet theatre

Wonderful quick decorations

A Nobel Prize in Modica

The senses tell about Palazzo Napolino Tommasi Rosso

Limestone, the colour of harmony

San Benedetto: a treasure reopened to the public

Between white and black

The internal colours

The wall comes to life

The interior and its masterpieces

The Maiolica of the staircase

The Benedictine Monastery, one of the largest in Europe

The chocolate of Modica

Feast days

The disastrous earthquake

One city, two sites

The kitchen, a treasure chest of colours

Many owners, one palace

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the Church of San Sebastiano

Rosario Gagliardi, the maestro of the Val di Noto

The colours of the cathedral

The two churches

The senses tell the story of the church of San Giovanni Battista

The Staircase of Angels

A triumph of colour

Discovering the mother church

A small room with a golden entrance

The Burgos crucifix

San Nicolò l’Arena: an unfinished church

A new site for a new city

The senses tell the story of the Church of San Benedetto

St. Sebastian, so much work!

A majestic and luminous church

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the giant candelabras

The character of Badia Sant’Agata

A new site for a new church

The city of museums

The Infiorata, a feast of colours and flowers

Militello, the story of an enlightened fiefdom

The senses tell the story of the Church of the Annunciation

The senses tell the story of the church of Santa Maria del Carmelo

A new palace for the La Rocca lords

The senses tell the story of the church of San Giuseppe

The senses tell the story of the Church of Santa Chiara

A hall for the feasts

A city in colour

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The senses tell the story of the staircase of Santa Maria del Monte

A symbol for the town

A half-Baroque church

One city, three sites

A prominent church

A museum to save a tradition

The church of Carmine

The Supernatural dimension of the chapel of the Santissimo Sacramento

The theatre of taste

Two illustrious patron saints

A design by Vincenzo Sinatra

A talking palace

Modica, a city with ancient origins

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

Feasting in Palazzolo

Garden of Novices and the restorations by Giancarlo De Carlo

Places of knowledge: the Benedictines’ library

The senses tell about Palazzo Nicolaci

A long reconstruction

Prominent façade

Palazzo Nicolaci di Villadorata, who is the architect?

The cathedral of Sant’Agata: a lengthy reconstruction

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo La Rocca

Baroque and the loss of equilibrium in the 16th century

The Feast of San Giacomo (St. James)

From International Gothic to present day

A miniature city

Connections with other UNESCO sites

The senses tell the Cathedral of Sant’Agata

The role of the religious orders in rebuilding the Val di Noto

A new entrance for Santa Chiara (St. Claire)

The senses tell the Benedictine Monastery and San NicoIò l’Arena

Some prestigious works

The senses tell the story of the Church of San Giovanni Evangelista

Fontana della Ninfa Zizza, public water in the town

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Some masterpieces

Corbels: a celebration of the Nicolaci family

From St. Thomas to St. Joseph

Searching for colour

The Baroque town by the sea

A square as the heart of the city

A colourful floor

The senses tell the story of the Badia di Sant’Agata