Modica

Modica, a city with ancient origins

The city of Modica , sat in the middle of the Hyblaean plateau between deep quarries , fits perfectly into the hills of the Hyblaean countryside which is rich in vegetation and typical dry stone walls .Città panoramica ModicaThe inhabited centre is built across two districts, Modica alta (Upper Modica), in a high and rocky hilly area, and Modica bassa (Lower Modica), which is built around two streams.
Corso Umberto ICittà panoramica ModicaThe inhabited history of the Hyblaean city begins a long time ago. In fact, the first settlements date back to 1800-1400 BC.
The city we see today is the result of a transformation that took place after the earthquake of 1693. Unlike other towns in the Val di Noto, Modica was rebuilt on the same site. The city spaces were reorganised and reconstruction was supervised by the monastic orders and the rich and powerful agricultural nobility.
The earthquake destroyed what remained of the old medieval town and gave way to precious and noble residences in the valley floor, as well as imposing and majestic churches, veritable masterpieces of the reconstruction.
The landscape is characterised by the typical Modica stone with infinite shades from beige to white, and quartz veins that make it shine under the hot sun. Until the beginning of the 20th century Modica was crossed by small streams and a series of bridges that connected the various parts of the city. Back then it was decided to bury the streams and the old river became the current street, Corso Umberto, today overlooked by the town hall of Modica and the ancient Palazzo Manenti.

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of Santa Chiara

Many owners, one palace

An eagle-shaped city

The senses tell the story of the Church of Santa Chiara

The Maiolica of the staircase

Rosario Gagliardi, the maestro of the Val di Noto

The wall comes to life

Places of knowledge: the Benedictines’ library

Modica, a city with ancient origins

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The façade used as a puppet theatre

A long reconstruction

A Nobel Prize in Modica

A miniature city

A talking palace

The senses tell about Palazzo Nicolaci

The internal colours

Discovering the mother church

The senses tell the story of the Church of San Giovanni Evangelista

One city, two sites

A new site for a new city

The Benedictine Monastery, one of the largest in Europe

Militello, the story of an enlightened fiefdom

The colours of the cathedral

A half-Baroque church

Feasting in Palazzolo

A hall for the feasts

Corbels: a celebration of the Nicolaci family

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of Santa Maria del Carmelo

The Baroque town by the sea

A feast only for Scicli

A prominent church

Between white and black

A majestic and luminous church

Prominent façade

The chocolate of Modica

The senses tell about Palazzo La Rocca

A square as the heart of the city

The Feast of San Giacomo (St. James)

The senses tell about Palazzo Napolino Tommasi Rosso

A small room with a golden entrance

A new palace for the La Rocca lords

The Barresi-Branciforte lords

A museum to save a tradition

Two illustrious patron saints

Some masterpieces

A city in colour

Feast days

From the contrast of the exterior to the internal jubilation of colours

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The senses tell the story of the staircase of Santa Maria del Monte

Connections with other UNESCO sites

A triumph of colour

A new entrance for Santa Chiara (St. Claire)

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

From International Gothic to present day

A colourful floor

The Infiorata, a feast of colours and flowers

The city of museums

Fontana della Ninfa Zizza, public water in the town

The senses tell the story of the Badia di Sant’Agata

The church of Carmine

Some prestigious works

The senses tell the story of the Church of San Sebastiano

The Burgos crucifix

The character of Badia Sant’Agata

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

Palazzo Nicolaci di Villadorata, who is the architect?

The disastrous earthquake

The senses tell the story of the church of San Giovanni Battista

Searching for colour

A design by Vincenzo Sinatra

From St. Thomas to St. Joseph

The theatre of taste

The Supernatural dimension of the chapel of the Santissimo Sacramento

One city, three sites

The Staircase of Angels

The two churches

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of San Giuliano ai Crociferi

The kitchen, a treasure chest of colours

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Cathedral of Sant’Agata

A new site for a new church

St. Agatha and the giant candelabras

The senses tell the story of the Church of the Annunciation

Norman apses

St. Sebastian, so much work!

Limestone, the colour of harmony

A symbol for the town

Baroque and the loss of equilibrium in the 16th century

New roads for Catania

The senses tell the story of the church of San Giuseppe

Wonderful quick decorations

The interior and its masterpieces

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Benedetto