Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

Some masterpieces

Norman apses

The city of museums

From St. Thomas to St. Joseph

Prominent façade

A new palace for the La Rocca lords

An eagle-shaped city

A hall for the feasts

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of the Annunciation

The Baroque town by the sea

The chocolate of Modica

The senses tell the story of the Church of Santa Chiara

A square as the heart of the city

Feast days

Connections with other UNESCO sites

The senses tell the story of the Church of San Benedetto

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Nicolaci

A triumph of colour

The senses tell the story of the church of San Giovanni Battista

The church of Carmine

The senses tell the story of the church of San Giuseppe

Searching for colour

A museum to save a tradition

The disastrous earthquake

The senses tell about Palazzo Napolino Tommasi Rosso

Wonderful quick decorations

Between white and black

The internal colours

One city, three sites

The senses tell the story of the staircase of Santa Maria del Monte

One city, two sites

The theatre of taste

San Benedetto: a treasure reopened to the public

A prominent church

The Maiolica of the staircase

The Supernatural dimension of the chapel of the Santissimo Sacramento

The interior and its masterpieces

The Infiorata, a feast of colours and flowers

The Barresi-Branciforte lords

From the contrast of the exterior to the internal jubilation of colours

Corbels: a celebration of the Nicolaci family

The senses tell the story of the Church of San Giovanni Evangelista

A miniature city

The senses tell the story of the Church of San Sebastiano

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

A design by Vincenzo Sinatra

The senses tell about Palazzo La Rocca

The Benedictine Monastery, one of the largest in Europe

Some prestigious works

The senses tell the story of the Church of Santa Chiara

Fontana della Ninfa Zizza, public water in the town

The Burgos crucifix

The kitchen, a treasure chest of colours

A new entrance for Santa Chiara (St. Claire)

A majestic and luminous church

Garden of Novices and the restorations by Giancarlo De Carlo

A symbol for the town

Discovering the mother church

A new site for a new church

A talking palace

A long reconstruction

A colourful floor

From International Gothic to present day

St. Sebastian, so much work!

The façade used as a puppet theatre

The colours of the cathedral

Palazzo Nicolaci di Villadorata, who is the architect?

A half-Baroque church

Modica, a city with ancient origins

San Nicolò l’Arena: an unfinished church

Baroque and the loss of equilibrium in the 16th century

St. Agatha and the giant candelabras

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A small room with a golden entrance

The two churches

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the Cathedral of Sant’Agata

A feast only for Scicli

The wall comes to life

The role of the religious orders in rebuilding the Val di Noto

Places of knowledge: the Benedictines’ library

Limestone, the colour of harmony

Two illustrious patron saints

Militello, the story of an enlightened fiefdom

The Staircase of Angels

A Nobel Prize in Modica

Many owners, one palace

A city in colour

Feasting in Palazzolo

The character of Badia Sant’Agata

New roads for Catania

A new site for a new city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

The cathedral of Sant’Agata: a lengthy reconstruction

Rosario Gagliardi, the maestro of the Val di Noto

The Feast of San Giacomo (St. James)

The senses tell the story of the church of Santa Maria del Carmelo