Militello in Val di Catania

Discovering the mother church

foto scalinataThe entrance to the chiesa madre di San Nicolò e del Santissimo Salvatore (Mother Church of St. Nicholas and the Holy Saviour) is above street level and is accessed by two lateral staircases.
The façade is divided horizontally into three levels.
The first level includes the large central portal, inserted between two pairs of columns and closed off at the top by a tympanum with a broken arch. The two side doors, named “the sun” and “the moon”, are each surmounted by a window. The second level has a large window with a triangular tympanum. The third level is a broken arch tympanum that completes the façade, at the top of which there is a cross supported by a cherub ‘s head.
foto portaleAs for the internal structure of the church, it has a Latin cross plan, is divided into three naves and has five chapels on each side.
The decoration of the walls is simple and elegant; white is the predominant colour.
The frescoes in the vault and apse are the only aspects to break up the white. In 1950, Professor Giuseppe Barone painted and depicted scenes from the lives of St. Nicholas and the Holy Saviour.
foto interno chiesa ingresso altare navata centrale affreschi
The brightness is mainly given by the natural light from the windows under the trabeation that illuminate the entire nave.The area below the dome is also splendid, illuminated by a divine light from above.

Zoom la navata centrale
la navata centrale

The simple, white walls are contrasted by a floor that is anything but simple.
Made of grey and white Carrara marble, the precious material was laid in a chequered pattern.
foto della cupola dal basso
foto zoom pavimento

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The Supernatural dimension of the chapel of the Santissimo Sacramento

A museum to save a tradition

The façade used as a puppet theatre

The senses tell about Palazzo La Rocca

The character of Badia Sant’Agata

From the contrast of the exterior to the internal jubilation of colours

The senses tell about Palazzo Napolino Tommasi Rosso

Rosario Gagliardi, the maestro of the Val di Noto

Wonderful quick decorations

A new site for a new city

A half-Baroque church

A talking palace

A symbol for the town

The Baroque town by the sea

A new palace for the La Rocca lords

The wall comes to life

One city, two sites

The senses tell about Palazzo Nicolaci

Corbels: a celebration of the Nicolaci family

A long reconstruction

From International Gothic to present day

The Staircase of Angels

A small room with a golden entrance

A triumph of colour

A design by Vincenzo Sinatra

Feasting in Palazzolo

Many owners, one palace

Modica, a city with ancient origins

Fontana della Ninfa Zizza, public water in the town

A feast only for Scicli

San Benedetto: a treasure reopened to the public

A city in colour

A Nobel Prize in Modica

From St. Thomas to St. Joseph

The Feast of San Giacomo (St. James)

Places of knowledge: the Benedictines’ library

A majestic and luminous church

Feast days

The colours of the cathedral

Some prestigious works

A square as the heart of the city

The Burgos crucifix

The senses tell the story of the Church of the Annunciation

The senses tell the story of the staircase of Santa Maria del Monte

The Maiolica of the staircase

The internal colours

The senses tell the story of the Church of San Benedetto

The kitchen, a treasure chest of colours

The church of Carmine

Connections with other UNESCO sites

The disastrous earthquake

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

New roads for Catania

One city, three sites

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the church of San Giovanni Battista

The role of the religious orders in rebuilding the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

St. Agatha and the giant candelabras

Norman apses

Baroque and the loss of equilibrium in the 16th century

Discovering the mother church

A colourful floor

A new site for a new church

The city of museums

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Sebastiano

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Giovanni Evangelista

A miniature city

A new entrance for Santa Chiara (St. Claire)

The interior and its masterpieces

Prominent façade

Some masterpieces

Two illustrious patron saints

The senses tell the story of the Church of Santa Chiara

The senses tell the story of the church of San Giuseppe

Garden of Novices and the restorations by Giancarlo De Carlo

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A hall for the feasts

The senses tell the story of the church of Santa Maria del Carmelo

Militello, the story of an enlightened fiefdom

San Nicolò l’Arena: an unfinished church

The senses tell the story of the Church of Santa Chiara

A prominent church

The Benedictine Monastery, one of the largest in Europe

The senses tell the Cathedral of Sant’Agata

The theatre of taste

The cathedral of Sant’Agata: a lengthy reconstruction

Searching for colour

An eagle-shaped city

Between white and black

St. Sebastian, so much work!

The chocolate of Modica

The Infiorata, a feast of colours and flowers

The two churches

The Barresi-Branciforte lords

Limestone, the colour of harmony