Catania

The Staircase of Angels

The entrance to the wonderful church of San Benedetto (St. Benedict) is up the scala degli angeli (staircase of angels).
It was built to solve the problem of connecting the church to the street level, which is 7 metres lower. The staircase is one of the most characteristic examples of Sicilian Baroque. Its uniqueness, and name, is due to the sculptures of angels in marble stucco , a less valuable material than marble. It is no coincidence that this poor material was also used to highlight the church interior.
For the same reason it was left entirely white with a few golden decorations, so that the triumph of colour in the frescoes was even more evident and the contrast even greater.
Everything outside the church had to be made of less valuable materials. In fact, the main altar, the focus of the worshippers’ attention, was made of pure gold and silver.
Worshippers were to have no distractions; they would have had a clear idea of what the centre of their attention should have been: the altar, where religious service took place.

The Barresi-Branciforte lords

A colourful floor

Discovering the mother church

The Baroque town by the sea

The chocolate of Modica

A Nobel Prize in Modica

Fontana della Ninfa Zizza, public water in the town

The church of Carmine

The city of museums

Modica, a city with ancient origins

A museum to save a tradition

Some prestigious works

A feast only for Scicli

The character of Badia Sant’Agata

The senses tell the story of the Church of San Sebastiano

Corbels: a celebration of the Nicolaci family

Wonderful quick decorations

Rosario Gagliardi, the maestro of the Val di Noto

Baroque and the loss of equilibrium in the 16th century

From International Gothic to present day

The Staircase of Angels

A symbol for the town

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

New roads for Catania

The senses tell the story of the staircase of Santa Maria del Monte

The internal colours

San Benedetto: a treasure reopened to the public

An eagle-shaped city

A long reconstruction

Militello, the story of an enlightened fiefdom

The theatre of taste

Norman apses

The Supernatural dimension of the chapel of the Santissimo Sacramento

A talking palace

Garden of Novices and the restorations by Giancarlo De Carlo

Prominent façade

The senses tell the Cathedral of Sant’Agata

One city, two sites

A new site for a new church

The Benedictine Monastery, one of the largest in Europe

A triumph of colour

Places of knowledge: the Benedictines’ library

From St. Thomas to St. Joseph

The senses tell the story of the Church of San Giuliano ai Crociferi

A prominent church

A new entrance for Santa Chiara (St. Claire)

The senses tell the story of the Badia di Sant’Agata

The senses tell the story of the Church of Santa Chiara

Searching for colour

A half-Baroque church

The kitchen, a treasure chest of colours

A design by Vincenzo Sinatra

Palazzo Nicolaci di Villadorata, who is the architect?

St. Sebastian, so much work!

A new palace for the La Rocca lords

The Burgos crucifix

Two illustrious patron saints

The colours of the cathedral

The two churches

Some masterpieces

The role of the religious orders in rebuilding the Val di Noto

The senses tell the story of the Church of the Annunciation

The Maiolica of the staircase

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Many owners, one palace

One city, three sites

The senses tell the story of the Church of San Giovanni Evangelista

A majestic and luminous church

The senses tell the story of the church of San Giuseppe

Limestone, the colour of harmony

Feasting in Palazzolo

Connections with other UNESCO sites

The senses tell the story of the church of Santa Maria del Carmelo

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

From the contrast of the exterior to the internal jubilation of colours

The senses tell the story of the Church of Santa Chiara

San Nicolò l’Arena: an unfinished church

The senses tell about Palazzo Napolino Tommasi Rosso

Between white and black

A city in colour

The interior and its masterpieces

A new site for a new city

A small room with a golden entrance

The Feast of San Giacomo (St. James)

A hall for the feasts

A square as the heart of the city

The cathedral of Sant’Agata: a lengthy reconstruction

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The senses tell the story of the Church of San Benedetto

The senses tell the story of the church of San Giovanni Battista

Feast days

The wall comes to life

St. Agatha and the giant candelabras

The senses tell about Palazzo Nicolaci

The Infiorata, a feast of colours and flowers

The disastrous earthquake

A miniature city

The façade used as a puppet theatre

The senses tell about Palazzo La Rocca